untitled part 1 of 4

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She gnawed her lip restlessly, energy surged, a turmoil of emotions struggled for room on the limited canvas space. Feeling as though without an outlet her very being would overflow she left her easel and paints as they were and ran. Kaia exited the small work space she rented for nearly all of her limited paycheck each month, a voice shouted after her. The voice continued to scream and threats of eviction hung limply in the humid night air, Kaia pulled a caramel from her pocket.

Shrugging on her hood she hid her flame red hair and sank further into the darkness of the street.

Soon she found herself by the ocean’s shore, often she came here, to the brink of her world, to think and find inspiration. Tonight inspiration was not the problem and instead she found her soul struggling for a means to express itself. No canvas could hold the life of color and texture that throbbed behind tearful eyes. Graffiti would allow her the space but it was to public, too inconvenient and too illegal, which might not have been such an issue if she would be able to revisit the site often enough to satisfy her need for closure.

For days now focus had escaped her as frustration built and fueled her actions. Not since she had discovered painting as an outlet for her soul had she been so overwhelmed by her own thoughts. Emotions swelled to life in every cell of her body, the swarming colors shimmered beneath the skin that bound and contained. Removing worn sneakers she stashed them in the brush before proceeding to walk barefoot along the shore of the frigid Atlantic. A mile of placing one foot before the other found her standing amid jagged rocks as beach front turned to cliff side property. Before her, illuminated, was a lot she had often come to for refuge. Once a library the building had been torn down and the reconstruction had just been finished. The yet unoccupied building was somewhat Victorian in its style, with a great whitewashed brick wall facing the surf. Finding herself next to the wall she realized that she had already begun inspecting it as though to use it as an easel for her creativity. All in a moment she dismissed the idea and once again found herself convinced of its brilliance. Abandoned as it was, with the immense makeshift canvas facing away from the road it could be weeks before anyone found it and repainted it. She would be able to express herself in peace and there would be no need for rent so the paints she had forfeited could be replaced.

Satisfied she glanced at her watch, and took off running for home barely remembering to double back for her shoes. She slipped through the back door and headed for bed, late as it was she took the time to change into a pair of clean pajamas a luxury on which she insisted. An ominous creak of her floorboards alerted her to the presence of her mother who, judging from her irritated silence was aware of her breach of curfew.
Cracking an eyelid she found her mother holding her own plain black T-shirt in her hands. No doubt she had smelled it for alcohol, but of course had found only the pungent odor of oil based paints. Disappointment was plastered across her mother’s face as per usual, not at having a daughter who broke curfew but at one who dared to have so pathetic a social life as her own. Her mother’s presence was removed but the tension of her visit remained, Kaia fell into a restless sleep with the pressure of impending explosion abolished and the weight of her mother’s lack of acceptance sent to replace it.

A groan of effort and a mental cringe at the sight of 8:30 AM found Kaia standing before her mother, matching her silence she gave her a kiss on the cheek and headed for the breakfast table where she paused only to grab a muffin and her book bag.

“Where are you to in such a hurry?”

“Nowhere,” a supercilious face answered her pitiful attempt to defer the question, Kaia sighed in defeat and prepared herself for the resounding disappointment that would surely follow, “to paint…”

“Then why bring your school bag, honestly Kaia you work so hard and when you aren’t studying you hole yourself away to paint. You are so pretty and kind and smart, you could have so many friends if only you’d make an effort.”

The last of the conversation was lost by the expanding distance as Kaia walked on without pause or hesitation. In town she headed straight for the art store where she managed to spend every cent she had been saving for the next month’s rent. She did so despite her daydream of storming out after flashing the money at the snob behind the counter who managed to be both civil and superiorly rude to the adolescent she was obligated to serve. Exiting the store she caught sight of a group of kids from her school. Bulked up as she was by all her purchases a hasty and agile retreat was fruitless so instead Kaia avoided eye contact and tried to ignore the stage whispers of “freak” and “loner” as she passed them.
"There is no happiness in love, except at the end of an English novel."
-Anthony Trollope




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Hey there, Scrambles! (If I may call you that...)

I thought this story was really cool- I liked Kaia and all of her art-induced moodiness. Such is the life of, well...us, right? :wink: And painting on a wall next to the sea? Definitely awesome.

There were a couple of thing that caught my eye, though:

LIVING SITUATION: The whole problem of where Kaia lived was pretty confusing to me. She's worried about being evicted, and yet she goes to school and lives with her mother?

If she lives in an apartment and is worried about eviction, you might want to tweak the conflict a bit- the whole 'starving artist' thing is way overdone, especially when the character is overly emotional.

It might be kind of cool if she were paying rent to her mother and still in high school, but then again, I like twisted, cruel authority figures. The mom in your story might not be that strict.

Whatever you do, though, make sure it's original and it suits your character, and make sure that this part of it is apparent from the beginning of the story.

REALLY NORMAL-AND-COOL-UNDERNEATH-BUT-RATHER-MISUNDERSTOOD CHARACTER VS. THE IRRATIONAL BULLIES:

All right, so you can tell that I'm rather picky about my bullies and social prejudice...kind of an obsession of mine. :wink:

Let's pick through the bookshelves (and a few other sources) for some examples, shall we?

HOW NOT TO DO BULLYING/OUTCAST-ING: I just watched a movie with with my little brother- Jump In. One of those cute Disney Channel movies, right? The main character is bullied (via putting up embarrassing posters and everyone- and I repeat, EVERYONE- makes fun of him) because he's a guy and does doubledutch. Eek. Run away from the pariah.

This movie was highly unbelievable to me because I have three guy friends who are male ballet dancers, and aren't made fun of for it to that degree. Yeah, they've probably been the butt of jokes at some point, but the whole 'let's plaster school and everyone whisper about them' is pretty much lost.

How would the directors have made this better? Make this something that could actually get you bullied. Of course, this is Disney Channel, so they can't do that- but if you can find a classification that might actually call for some bullying, by all means, use it.

An example of an issue that could definitely call for bullying and discrimination, but wasn't brought up to snuff? In Wide Awake, by David Levithan, the main character is gay. Big Jock Guy Posse call him names, and so his wimpy (yet totally rebellious and, at the same time, totally hot) boyfriend beats them up.

Uhm, cheesiest scene ever written, anybody? This scene would have been better if the boyfriend had done nothing, and had spent the rest of his life feeling really, really bad that he hadn't done aything.

Maybe the easiest the solutions are the hardest to write about...

HOW TO DO BULLYING: In King Dork, by Frank Portman, instead of calling a rather, well, dorky guy names, the girls band together and come up with a cruel-yet-excellent game, called Fake Out/Make Out. Basically, they're in a competition to see who can win his love...sort of. And, of course, make him look like an idiot in the process.

Why is it cool? It's subtle and sadistic enough to be realistic, and it's cleverly done, besides.

What's to be gained from all the rambling? Make your bullying subtle. Instead of having people whisper at her in the halls, have your character sit alone at lunch- the Ultimate Solitude. That way, you don't have to risk believability and it's a lot easier for your readers to relate.

___

Thanks for the opportunity to read this, Scrambles! Feel free to PM me if you've got any questions, and I'll definitely be on the lookout for the next section.
Graffiti is the most passionate form of literature there is.

- Demetri Martin




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Heya!!

Ok, I want to say that I thought that piece was beautiful. It was filled with description that made it almost poetic.

The voice continued to scream and threats of eviction hung limply in the humid night air, Kaia pulled a caramel from her pocket.

Maybe instead of a comma the word 'as' could be used....

Ok, what I really want is a tiny bit more dialouge. Or maybe some thoughts from Kaia.

This was really great though and I'll be looking out for the rest!
Alainna
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First off... Thank you so much for the critics!!!!

I really appreciate it
Sam! ( of course you may call me anything you like :wink: )
ok, so to clear up some of the unclear... first off woth the whole living situation, looking back I really should have made this more clear, and maybe "eviction" wasn't the best word *mental note to fix this up later*
What I meant for it to mean was that she was living at home but that she rented a place to paint, I don't know if you know what I mean, its a little confusing but here (probably everywhere) there are buildings where you can rent just a single room in a building for the sole purpose of getting those stinky oil paints out of your living room, that is wher she was "evicted from"...it was a little melodramatic...

I totally understand the corny bullies being a pet peeve, its one of mine as well, and I didn't mean to fall into their midsts, truly I didn't, lol.
No but I really am aware that I have a tendancy to fall into the steriotypes because it is of course easy to recreate a character and keep him two dimensional rather than give him actual life.
In the next part it is somewhat better explained but Kaia really isn't a people person, and the bullying isn't really a part of the story after this, its more of an argument to support the fact that she deosn't really feel comfortable around others, I suppose that I didn't even ,mean for it to be considered "bullying" in the steal your lunch money kind of way, I meant it as more of a general form of teasing that everyone goes through at some point.

I am really getting ahead of myself, but thank you for pointing this out, I will make the changes... if homework ever lets up.

Alainna,
the structure flaw is being corrected as we speak... or rather... as I type, and I do have a tendency to neglect the dialogue, but don't worry, there will be more in the next part, and some more thoughts from Kaia :D

Thank you again!

-Gen
"There is no happiness in love, except at the end of an English novel."
-Anthony Trollope




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Hey Gena!! Glad you found some time to post another piece. You really have talent!!! I only have a coople comments...

First off, you are missing a lot of commas. I would quote the passages individually, but there are just too many of them. Commas are wonderful things!! Often while reading this, I had to re-read passages without commas for them to make sense. Go over this again. Add the missing punctuation!

Kaia exited the small work space she rented for nearly all of her limited paycheck each month, a voice shouted after her. The voice continued to scream and threats of eviction hung limply in the humid night air, Kaia pulled a caramel from her pocket.


This passage is very awkward. Try: "Kaia exited the small workspace she rented for nearly every cent of her paycheck. The voice of her landlord shouted after her. He continued to scream and threats of eviction hung limply in the humid night air. She ignored him and pulled a caramel from her pocket and popped it onto her mouth" Or something like that.

Tonight inspiration was not the problem and instead she found her soul struggling for a means to express itself.


This doesn't make much sense. Inspiration was not a problem and yet her soul is struggling to express itself?? Sounds a lot like one in the same thing to me...Reword, overhaul, revamp...

Graffiti would allow her the space but it was to public, too inconvenient and too illegal, which might not have been such an issue if she would be able to revisit the site often enough to satisfy her need for closure.


AUUUGGHH!!! Long and awkward! I had to wade through this sentence. In my opinion take this passage out. You don't need it and it detracts from the flow of the story.

Once a library the building had been torn down and the reconstruction had just been finished.


Who builds a public library on an ocean front? Libraries are in the center of town where they can be easily reached by everyone...

use it as an easel


An easel is a frame for supporting a picture. Why would Kaia use the building for supporting her picture. I think the word you were searching for is "subject". Hmm... Maybe it works... Just consider what I've said.

as per usual,


Does this term even exist?? Is it a Canadian thing?? :)

She did so despite her daydream of storming out after flashing the money at the snob behind the counter who managed to be both civil and superiorly rude to the adolescent she was obligated to serve.


This sentence is also awkward. Dumb it down a little. I had to read it twice before I understood what you were trying to say. Take it out or KISS (keep it simple, silly!)

Bulked up as she was by all her purchases a hasty and agile retreat was fruitless so instead Kaia avoided eye contact and tried to ignore the stage whispers of “freak” and “loner” as she passed them.


This is kind of a strange closing sentence. It leaves the reader feeling empty and confused. Also, the structure is equally confusing. You keep trying to shove so much detail and information about the setting (with big and uncommon words) into a single sentence that it slows the story down. Again, commas and dashes would help immensely!

Anyway, that concludes my vicious critique. Kaia has great potential as a character! She has a unique personality! Get inside her head a little more though. Connect me! Remember your punctuation!

Keep up the good work. PM your responses/answers/complaints!

-Kylan
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and can see only two choices:
either go crazy or turn holy."

- Serenade, Adélia Prado




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i love it! the detail is amazing, as are the transitions. you introduce the scenery AND the main character AND her life problems [or maybe just some] all in a few paragraphs.
keep writing!
-Andi x3s youuu-




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I don't have much to critique here, other than that the part where she was at home seemed a little rushed. Other than that, it was really good. I'm gonna go read the next part, so you'll see me again soon. =D

-JC
But that is not the question. Why we are here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in this immense confusion one thing alone is clear. We are waiting for Godot to come. -Beckett



Sometimes poetry is inspired by the conversation entered into by reading other poems.
— John Barton