there is love spreading out from my heart, out through my fingertips, & distant across the prairie.
the mustard flowers send their runners out & propagate, tucking into a warm yellow blanket. the wind braids itself through their stems, gentle, like fingers through a child’s hair, & somewhere a window is open, letting in the same breath that once touched me. my love moves slow, stubborn, like the sun dragging its heels through April.
you are not near, but still, this is how I hold you.
some truths arrive late, words spoken in hushed, percussive voices, working slowly in the back of the larynx, then with soft urgency. names of old friends fall out of the front of the mouth, as if they were quick-spat cherry pits.
I have not unlearned names, not even when I’m ankle-deep in another season, when the lilacs return like they always do without asking permission.
there are things that stay: your handwriting on a birthday card, the way your laugh curved mid-sentence, the uneven hem of the curtains you sewed & how they still don’t quite meet in the middle. there are roots in me, a trellis.
next time around, I will ask to speak to everyone on earth & for everyone to tell me all about themselves & for me to really, really enjoy it. I will ask to be good company.
some of us are built from misremembered lullabies, stitched into place by people we can’t quite picture anymore. still, our ribs hum with old music, & the stars burn quietly above us like porch lights left on just in case.
washed in pigeon gray light, & with the same blue green iridescence that crests the morning, starlings wake with the bugs, wake with the rotation once again
& it all starts over.
I pour the coffee like a ritual, same chipped mug, same second shelf. the wind nudges a loose shutter, soft insistence, a reminder that everything here wants attention but asks so little.
sometimes I wonder if the world notices me in return. not in the loud, remarkable way, but in the quiet sense that the light brushes my shoulder not by accident.
maybe the earth turns & carries me on purpose.
it feels like a mercy. the plants stilt & bow to the seasons, & so do I, dipping my hands in the familiar waters, washing the marks of my baptism away.
suppressed staccato conversations under the day-not-yet-broken are punctuated by metallic clanging, a rhythm not unlike mourning in rehearsal. the would-be-red of cirrus streaks gathers breath & bare feet on cold cement, bending & darkening as if weighted.
Hey there! Lim here with some poetry comments for you.
4. > I really like the way you write imagery. The colour descriptions "pigeon gray light" and "blue green iridescence" are so evocative. > I love how this poem carves out the details of this intentional world. It has this quiet, focused atmosphere and you've done a great job of showing that through the descriptions.
5. > This poem makes me think of people having a difficult conversation or maybe arguing quietly early in the morning. I think it's the line "mourning/ in rehearsal" that gives me that impression. > I like how you use the clouds to convey the mood - this sort of anticipation of something about to occur.
6. > This poem flows so smoothly! > My favourite lines:
in brief moments, life becomes gossamery.
I feel as though I know exactly the kind of light/weather/moment that this describes.
sweet & gone before I name it.
This is a really nice ending to the poem that brings together both the ideas of 'fleeting moments' and 'good moments'.
A person is more than their experiences, stacked up like stones... Our best moments are the foundations we use to reach for the sky. — Yumi and the Nightmare Painter by Brandon Sanderson