Hi Mailice! Looks like the major plot point in the castle is drawing closer and closer – I am very eager to see what will happen there. Karoline and Stephan’s behaviour in response to Léonard is foreboding. I do however find it good that Claire and Emma have been on good terms recently, as right now I think they are each other’s most trustworthy ally.
Plot and Chapter Structure
Something I liked about this chapter is how the scenes are all from Claire’s point of view. In other chapters, sometimes it makes sense to change point of view between Claire and Léonard, but here I feel the suspense builds up more when we can only see what Claire sees. It leaves the reader guessing as to what Léonard has planned and what is happening based on the tiny hints that Claire observes while for everyone else, the party is going on.
The introduction confused me a little bit. It starts very general, talking about the last day of novena, and the transition to the castle felt a bit abrupt for me. I hadn’t known that Kapellan Castle was built out of sandstone, so for a while I was wondering if this was a different castle entirely.
"Something came up," he muttered. Passing Emma, he bellowed to the du Murnaux: "Are you done admiring cars?"
The siblings were reluctant to come to him and avoided eye contact.
Oh wow, mean Léonard is mean! This scene is certainly ominous. I like how it contrasts so sharply with how he was talking to the girls a moment before. I get the sense that since those three are the only ones who know/ suspect what is going to happen at the ball, the fact that they’re ‘arguing’ could mean either 1) Karoline and Stephan might act against Léonard or 2) things will follow Léonard’s plan but they won’t be happy about it and might do something later. I really like the lines that ended this chapter as well, as they merge the cheery party aspect of this part with the foreshadowing of Léonard’s plans.
Descriptions
She stumbled over to her friend, "Are you admiring your great dress? It's really wonderful. Mine too, isn't it?"
Ah, this bit made me smile- something about Emma’s innocence and propensity for fun is very endearing, even if she tends not to read the atmosphere around Claire. These interactions are also what makes me feel like Emma's the person Claire could trust the most, if she wanted to, since at least she knows Emma isn't hiding anything from her.
"Yes, Emma. Wonderful. Shall we go?"
I like Claire’s brief reply here. It shows that she isn’t really paying attention and her mind is elsewhere at the moment, reflecting the earlier part where she is concerned with a “sucking emptiness”.
At an unspectacular table, one had to show one's invitation.
It was a bit difficult to understand that that table was the reception/ crowd control place. At first I read it like a philosophical adage – but then I realized, oh wait, they’re literally showing their invitation to the ‘bouncer’ of the castle.
I had these reactions to the court gardener, in sequence, when I was first reading, and I just thought it’d be funny to share:
1.
The tour guide was one of the court gardeners. Obviously infatuated with his creations, he couldn't resist stopping to tell the visitors the whole story of each tiny flower.
I love that, I think most passionate gardeners are like this

2.
Surrounded by a lattice, one could break one's neck if one had the idea of climbing over without permission.
Oh wow that’s a very morbid thought amidst all these beautiful flowers xD
3.
The madman, as some of his colleagues called him, was a doting shrub lover. Anything that appeared to hurt them had to be kept as far away from the plants as possible.
Aw that’s sad, he just loves his plant babies :’(
Worldbuilding
People jostled to get to the front to try some of everything. Even now, in wartime, he procured everything his heart desired.
That’s quite a stark image of the kind of class differences in this world. I like how you weave in these little elements to remind the reader of the bigger picture, just like the soldiers coming back from the front in the last part.
The chandeliers, tiny in comparison, were rarely used. The magnificent fireplace was used all the more often.
That’s quite unusual – I always imagine chandeliers as being enormous and opulent, so it creates kind of a surreal feel when a fireplace is apparently bigger.
In general, I just really liked all the details in this chapter. I could really envision the castle and how bedazzling it seems to Claire and Emma, but also kind of troubling in a way.
"They have no maiden roses..." whispered Léonard, a little apart from the group, "No matter how beautiful all these delicate little flowers are, the maiden rose is missing from this place..."
This quote from Léonard is also interesting and hints at his unsettled state of mind. I guess the maiden rose is a symbol of the Goddess, which reflects how the world of the rich especially has kind of abandoned the Goddess’s ‘original’ wish for humankind? That’s just kind of what I thought was the significance of this line here.
Overall
I thought this was a subtly suspenseful chapter, and I liked how the mood seems to be developing. I also enjoyed seeing a bit more from the world of Sagauvela with all the people dwelling in it, like the gardener and the rich owners of the castle.
As always, hope some of this helps, and keep writing!
-Lim
Points: 23466
Reviews: 457
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