II. Esther
In all her years, Esther Keeling hadn’t lived for anything quite like she did for a thunderstorm. It was a rare thing in the Pacific Northwest for the weather to get it up enough for a truly exceptional, chill-the-forest, rattle-the-rafters thunderstorm.
When Esther was a girl, she spent drizzly afternoons sprawled on the window seat in the front room of her mother’s pristine Victorian praying for a storm. She watched the mist settle on the windowpane and longed for a crack of thunder to shake the glass in its frame. She collected static in her hips and the little bones inside her wrists, the ache of an AM frequency reserved specially for her.
Once the lightning hit, it came like magic striking through her heart.
Now, Esther was an old woman who had curated a home to accentuate the rain. She left her windows open, panes jammed so high in the frames she almost doubted she’d ever get them closed again (but for the fact that she always, every time, did). Water collected in the cast iron pan she left to cool on the sill, in the vases of dead flowers she’d disregarded. It danced along her rose bushes and into the lining of her kitchen sink. There were tiny silver bells in her cottage rafters, antique rings in antique ceramic coasters, and every roll of thunder was a song.
All of this is to say that, when this particular storm rolled in it brought something more than thunder through Esther’s cottage window.
The girl crashed over the kitchen sink, soaking wet and cracking three of Esther’s mismatched china plates on her way down. Esther stood in the little crooked doorway between the kitchen and the bathroom, her face raw and freshly scrubbed, her hair pale and grey and wrapped into a braid that draped her shoulder. Upon seeing the girl crumpled on the mat in front of her kitchen sink, the first thing Esther felt was disappointment, swiftly followed by a deep and looming sense of dread.
Esther strode across the kitchen and hauled the girl up by the arm. “You are not supposed to be here,” she hissed.
The girl teetered on her feet. She stared at Esther, her eyes glassy and dull. More a woman than a girl, up close, though it didn’t tend to make a large difference for someone as old as Esther.
Esther pushed her. “Who are you and what are you doing here?”
“Ana,” she said, softly, and then her skin went hot as coals and Esther drew her hand away with a hiss.
Rain pattered the windowsill, warped from years of exposure. The forest drew a breath and held it, static crackling in Esther’s ears. Outside, behind the mist, something stirred.
Esther watched the girl, this impossible girl, with rain dripping from the frayed strands of hair escaped from her braid and the frenzied flush that crept along her nose. “How did you come here?”
“I ran,” she said, and lost her knees from under her.
Esther caught her by the elbows. Ana’s skin seared her palms but she gritted her teeth and eased the girl to the floor. Humans weren’t meant to enter the forest. The veil had been constructed, woven of Esther’s curious nature and Sebastian’s careful skepticism, to keep them from the heart that pumped life and energy and magic, magic, magic through the fibers that held it all together.
Esther knelt on the kitchen mat. Blisters rose on her palms but she brushed a strand of hair from Ana’s forehead. Her heart thrummed inside her chest. Panic, panic, panic. “Come now,” she murmured. “It’s time for you to leave.”
Ana jerked, her fingers tightening around Esther’s forearm, her eyes wide. “Wrong, wrong,” she insisted. “Something is wrong with it.”
The girl’s fingerprints singed the hair from Esther’s arm. Her skin had gone old and taut like leather, tanned from long days in the garden. She had marks and scars and bruises; it made no difference to her. But Esther had been touched before, by human and other alike, and never had she felt it burn.
Ana drew Esther’s hand to the curve of her womb. In a moment, the earth went cold. Rain swept through the kitchen window and settled a chill into Esther’s bones. She longed for a sweater, one of the old chunky things she’s knitted a decade ago when she’d supposed it was time to take up knitting. She could not let the girl go.
“He can’t have it,” Ana whispered, watery eyes locked on Esther. “My little human. Don’t let him take it.”
Sweat pricked along the girl’s brow; a fever was coming. The forest had let her in, but not presumably without cost. Esther squared her shoulders and hauled the girl to her feet. She led her across the room to the old, overstuffed couch that lived beneath the wide bay window that looked on the garden. No matter what the forest had allowed, this girl did not belong here. But there was no removing her like this.
Esther pulled a thick, well worn quilt from the back of the sofa and draped it over Ana and the child inside her womb. A pair of candles stood on the end table. Esther breathed a flame into the wicks and held a sprig of lavender to burn between them. She smudged the ash into Ana’s forehead.
When Esther was a girl she bargained a bit of magic from a pair of silver spoons taken from her mother’s hope chest. She’d wanted to dissuade the advances of a particular black haired boy who had started following her home. He’d mistaken removing her school bag and offering her tender golden chains from his mother’s jewelry box as courting. Esther had buried her mother’s silver at a cross in the dirt beneath the porch. Four days later, the boy fell from a bridge and drowned in the Willamette. Later, Esher would learn that it had been Sophie English - a girl two years above her - who had shoved the boy over the bridge after he’d decided to stick a hand up her skirt without her permission.
Magic did not always come the way you asked, but it listened.
Now, beneath the pressure of Esther’s fingertips, Ana shuddered. Her eyes closed and she slept. The smell of burn lavender was sharp between them. It lingered in Esther’s hair. She tucked a stray silver strand back into her braid and stood, knees creaking. She was too old to keep a girl so young in her home.
Esther eased back on her heels and smoothed Ana’s hair away from her neck. It had all but come undone, a tangle of red splayed over Esther’s throw pillows. Beneath it, the skin that curved the base of her ear had started to turn grey.
Outside the cottage, beyond the mist and rain and rolling thunder, the King of the Forest stirred. The trees shuddered. He scraped the earth with his hooves. Esther held her breath, waited for the reverberations of his footfalls to dissipate like ripples in water. He passed on to another part of the forest. Hands clasped in front of her, pressed to her forehead, Esther whispered her words beneath her breath.
It had taken a remarkable magic to steal this girl through the veil. Despite the curiosity that welled in the pit of her stomach - how could she be here, who had called her, what of the child being built inside her? - it was imperative that she return her lest the forest demand balance.
Esther stood, creaking, and took the inherited grimoire from its place beneath the coffee table. Then, she set to work.
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Hi there!
I totally relate to the whole thunderstorm thing. Love them.
So the girl crashing into the house. It happens kind of suddenly. I understand that that's the whole point, that Esther hadn't seen it coming, but it comes out of the blue. You don't prepare us for it or even mention a sound, anything to alert Esther to this girl. Esther doesn't jump, she doesn't cry out, she doesn't turn quickly to see what had happened. The girl just falls through the glass. There needs to be more.
At first it seems that Esther knows the girl. To me, at least. She's disappointed and says that the girl shouldn't be there. To me that sounds like she recognizes who it is and it's bad for said person to be there. I understand later what she meant, but at first that's what I knew. And then she asks who the girl is and I'm confused. You may want to clean that up a bit.
The memory of this boy drowning breaks the flow. I know that you want to give us an example about how magic acts, but it doesn't fit into the story. The magic lesson can be saved for a later time. It doesn't immediately impact the situation at hand and it makes me think that something bad is going to happen to Ana. I think it will work well at a different time.
Overall this is another great chapter. I'm impressed by how well your narration flows. You don't send too much time describing Esther's house or Esther, you focus on what is happening in the now. Ana meeting Esther seems to be the beginning of something I can't wait to see where it leads.
Keep writing!
**Noelle**
hello <3 excited to read on! I'm interested to see if any of my questions from last chapter will be answered. Let's get right into it!
**disclaimer: I will most likely focus on negative aspects more so than positive aspects when reviewing, and this is just to help you grow as a writer! It is totally okay not to agree with something I say! Also, If I repeat anything already said, it's probably because it needs to be changed!**
ah, I love this opening.
this sounds poetic but I'm also not really sure what you're trying to say here.
I believe there should be a comma after "rolled in".
I think this chapter is very well paced, high with action. I will say it can be a little too fast in some places, but it's a fast moving scene so that's understood. I'm interested to understand why Ana was allowed in if she's just going to come down with a fever?
Also, love love love multiple perspective chapters, yay!
- del
Hey Lauren! Finally here. Meant to review this chapter earlier, but oh well.
The prose is lovely and evocative and exact like in the first chapter. I imagine I'll be saying as long as I'm reading Slate and Earth. Like I said before, the way you tell about characters is very nice. I liked the way you described Esther's relationship with thunderstorms, and her cottage and rain. So nicely done.
A nitpick:
I'm a bit confused as to the connection between the forest holding its breath and static crackling. I imagine that it's because the air is tense and static, but it felt odd to me. Maybe a rewording would be nice, but as it's a first draft, I wouldn't worry a lot.
I'm so interested as to how the veil was set up, why it was set up, and what is the heart in the forest. Also, who is Sebastian? It's possible I may have missed his name somewhere, but if I didn't, I'm looking forward to learn who he is. And why is Ana's touch so blistering to Esther? And how could she get in? My prediction is that it's all about her unborn child--that child, I feel, is magical. I could be wrong, though, but that's my impression.
I feel like Esther is a little too calm in the scene. I know she panics, but until the end I could not quite grasp the urgency of the situation. A suggestion I have is to maybe thread Esther's panic as she tends to Ana, because I feel like while she tends to Ana, it goes like "she did this. she did that" and maybe some emotions--curiosity, slight fear, tension--can slide in amongst the actions.
In the last paragraph, Esther pulled out a grimoire!! That means she's going to work her magic. Ooh! I hope to see more in your next installment.
Hope this helped, and I'll see you around in Chapter 3 & 4.1
-Ink
Lauren! <3
I am back and mostly will just say how much I looooove this. Just like the others, I am super interested in Esther and her past and how she came to be in this wee cottage. I love that she feels guarded and kind of generally done with life and yet she's quite kind to Ana even though touching her literally burns her. I really can't wait to see them have a conversation and how their dynamic will work and evolve.
Also The King of the Forest?? Who is this being. I am concerned.
I am really enjoying how you are unfolding this story and I feel in very safe hands <3
Hiiiiiiiiiii
Just when you thought you'd escaped me.
I'm going through a YWS lurk phase atm, and I saw this featured on the homepage, so I couldn't resist taking my creeping that one step further and giving it a read. This won't really be a review because, well, basically it's super awesome and I have nothing of use to say. I just wanted to drop by and say how much I loved reading it!
It's shrouded in intrigue and mystery, and both characters introduced are crazy interesting. Ana seems so full of passion, and I wasn't expecting Esther's initial reaction to her to be so cold, and it's all just super intriguing. Then there's the mystery of how in the heck can Ana get past this magic veil and enter the forest? It's all shaping up to be a very well written, original, interesting piece of work.
This isn't so much a critique as I'm 99% sure this is me being dumb and making an incorrect assumption, but I'm slightly confused to as of whether or not Ana has entered the forest in the past. In the first chapter, I assumed she had as she mentioned something about how she loved the pines, they were familiar to her etc, but after finishing this chapter and learning about the magic veil and what not, I do now realise she might've been referring to general forests, not this one in particular.
But anyway, yeah, just dropping by to say your'e awesome, and keep doing what you're doing. I do plan to continue lurking, so hopefully I'll find myself keeping up with this as you continue to post.
Keep writing,
xoxo S(k)ins
Thank you so much, dear! I hadn't even thought of the forest confusion that way. The Pacific Northwest is full of forests, and in my mind THIS forest was separate/its own contained part of the forest but I guess I ought to make that clearer xD first drafts amiright? <3
The likelihood is that the confusion is just me being dumb, so take it with a pinch of salt
Hey Lauren, you're third up on my LMS-chapter-2 review express!
Nit-picks:
I don't think this quite works, because it implies that what has been said before in some way contributes to the fact that something was different tonight, which had not been implied.
This really ought to be the first question. I'm pretty sure that would be the instinctive reaction. The actual first question she says makes it sound like she knows her and Ana has broken some sort of arrangement.
This is the nittiest pick ever, but I think it would be better for flow if "presumably" and "not" were the other way around. I actually think it grammatically doesn't mean what you want it to mean right now but I wouldn't pick up on it unless it actually affected my reading, which it does.
Overall:
Holy hell this was even better than the last one. I was so confused for ages as to why Esther was so very very opposed to Ana, in her rough condition, being in the forest. But then that ending hits and I realise that that must have been really painful for her.
Just enough worldbuilding, excellent pacing, characters I can really feel. You're doing great on all the points I'd normally pick up at this point. And there weren't any egregiously long sentences either.
Sorry I don't have any improvements to suggest, but hopefully my enthusiasm helps in some way anyway,
Biscuits
<33 thank you!
Did I say I love everything about this yet? This is exactly the kind of thing that I would like to read with a cup of tea when it's pouring rain outside, the mood is so perfect for that! But I also love it in 30 C heat
I think Esther's character seems really cool. I don't remember if you watched Breaking Bad but there's something about her character that reminds me a bit of Mike? The silent and efficient "sigh young people" type of person xD it's kind of hard to explain! My absolute favourite part was about the magic listening <3 I'm also super intrigued to hear about why Ana makes Esther's skin burn!
Only a quick comment, but great job as usual <3
<33333 oh man the comparison to Mike is so good I hadn't even thought about that but I love it!
Okay, yep, this story continues in excellence! I didn't comment on part 1, but I love the poetic narration style you're using (and I love spotting bits and pieces from your NaPoWriMo in here).
I am intrigued by Esther. I can't quite get a fix on how long she's been here, yet, but this is a great introduction for her, and I am so looking forward to finding out more about her and the forest and the magic.
I really like the bit about the silver spoons! It's a really good way of giving us a hint about how magic works, and also about how magic can be dangerous and unpredictable - she "cast a spell" with the spoons, but she didn't really have any control over the outcome. This is magic you have to bargain for, and that's scary as well as awesome.
<333 thank you, my dear!