Cemetary Sitting Realization

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I'm sitting here too
But I can't be near you
I'm not sleeping
You're not breathing
You're dead and lifeless
Cold and fightless
Get up and fight
The dead ones plight
No time to die
But you can try
Ambulance rushed
For you my crush
But they were too late
It was your fate
To die young without me
This I have come to see
So I'll stand up off this hallowed ground
Without you my heart will still pound
Our together forever
Will be never together
And I will always remember
Those roses in December
Waiting forever
For their never together
But I will never be
A rose for thee




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Beautiful! Great length and structure to your piece of work! I like every single sentence structured in that poem! It also emoted beautiful emotions! I really enjoyed the rhyme scheme! For the most apart it wasn't forced and flowed very very nicely.

So I'll stand up off this hallowed ground
Without you my heart will still pound
Our together forever

Powerful string of words! My only suggestion is to change the title, do something more board so the readers imagination can fly! Example ; Buried, Never Together, Roses in December ?

Great Job! You are an amazing writer!




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Points 762
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First of all, use punctuation. Really, this is ridiculously hard to read. I can't hold my breath that long and you don't convey yourself clearly without it. If you have any difficulties with this, reference "Eat, Shoots and Leaves" by Lynn Truss, a really good book on punctuation.

Second, I will delve into some particularly glaring parts of the poem for me:

But I will never be
A rose for thee


I really have issues with this last line. It's just icky. It sounds cliche. Get rid of it. Re-work it. Just don't leave it as it is right now. Personally, I think this rhyme scheme has trapped you into saying some uber cliche things like that. You should reconsider couplets and try maybe for solid alternating stanzas. Your command of rhythm proves that this sort of change shouldn't be a difficult task.

No time to die
But you can try


You're trapped in this rhyming couplet scheme and you've produced another weak line. "No time to die," is sort of interesting because it's a remake of a cliche phrase of "No time to waste," but "but you can try" is poor.

Also,

I'm sitting here too
But I can't be near you


Sort of doesn't make sense. If you are "here" and he is as well then you must be near him, right?

You're not breathing
You're dead and lifeless
Cold and fightless
Get up and fight
The dead one's plight


No. "The dead one's plight," well, what is it? This means nothing at all to me, especially if you don't explain it. If you mean the "dead man's plight" is to "get up and fight" then that makes no logical sense because dead people don't just get up and pull a Rocky. The dead man's plight is actually the opposite of this: to lay down and give up. For me, it seems as if you chose this because it sounds pretty good and happens to rhyme with "get up and fight." But as you can see, it doesn't work.

Also since your poem alludes to the person being dead in it's entirety you don't really need to dedicate these lines to him being dead. You literally said, "you're dead' so we've got the point here.

Our together forever
Will be never together
And I will always remember
Those roses in December
Waiting forever
For their never together
But I will never be
A rose for thee


What? Re-read this. I don't know if it's the lack of punctuation, but I have no idea what you just said. Here's a trick: write what you mean out into clear coherent sentences beside the stanza, then look at your poem. Does it convey what you wrote? Also, try reading the poem backwards and see what happens--if I'm right, you'll be unable to see the theme of your poem and get lost, something that would not happen in a poem with clearly marked stanzas and punctuation.

Again, I stress punctuation because it's IMPORTANT. Imagine if I took out all the silly commas, slashes and periods in what I wrote. It would be chaos--complete and utter chaos.

But I can't leave you with all this criticism without throwing some positives.

I like the idea.

Also, you have good mastery of rhythm. unmarkedterritory wasn't lying at all. If one were to read this poem aloud it would of course sound very nice and sophisticated, but I'm sure you want more than that. You want your poem to BE as good as it sounds, right?

So please consider my comments.

I look forward to what becomes of it.


Yatta!




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this is a very sweet n touching poem. i liked the verses and how they rhymed although some lines where a little off but the imagery it gave was so vivid.nice work :)
Radiate Love




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AOow, this is just beautiful and heartbreaking! The language may be simple and not that impressing but the simplicity of it was pretty great. My only complaints are the lack of punctuation and this one line here;

"Without you my heart will still pound" This doesn't make sense... it hints that if the person that's dead was alive... the narrators heart wouldn't be pounding and I don't think that's what you meant so maybe clear that up! :P

Good Luck & Keep Writing

// Demoness
"Some say the world will end in fire;
Some say in ice.
From what I've tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice." - Robert Frost




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Points 5063
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Hi. I read your poem and it was awsome. I was completely mesmerized in it. The flow of the poem wasn't disturbed and you kept with the rhythm. The message you're trying to convey is understandable.
Everything is so clearly spoken here. It was like reading a story. You could do pretty good in story writing. Keep it up! :)
You can wish for death... but you can't wish it away



Don't aim at success--the more you aim at it and make it a target, the more you are going to miss it. For success, like happiness, cannot be pursued; it must ensue, and it only does so as the unintended side-effect of one's dedication to a cause greater than oneself or as the by-product of one's surrender to a person other than oneself.
— Viktor E. Frankl