Tomorrow Does Not Exist - Block I; Part V

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This one is shorter than the other parts by about a page. Sorry if it seems rushed; I was forcing myself to finish it this morning. Things are actually going to start picking up now. It never was a simple run-a-way story; be prepared for anything. :) There is probably spelling errors in abundance. Reviews appreciated; comments and suggestions welcome.


Tomorrow Does Not Exist – Block I; Part V
By: Joseph Dean
©2008.12.27

I always found magnetism interesting, how one solid force could have so much control over another. Magnets can attract, repel, and even destroy an object, but humans can, too – even dead humans. Magnetic poles are generally attractive to each other, pulling closer until they are one stable entity, inseparable to outside compulsions weaker than it. But what if there was nothing stronger? Would the two be linked together for eternity, never to normalise?

Tara was my magnet. Her death, or more exactly the way she died, was so compelling. As I lied on the hotel bed, the sun beginning to shine through the window, those few seconds, her last few seconds, kept replaying in my mind.

People always say that whatever the first thing on your mind is when you wake up in the morning is what you are supposed to do. I’m pretty sure they mean that occupation-wise. Scary. That morning I clearly remember wanting that emotional high once more, that feeling I only slightly tasted each time I thought back to the previous day. Did that mean that I was meant to do whatever it took to obtain it? To kill once again? I could not bring myself to think that I could willingly end yet another life only to receive pleasure in return. What an absurd thought.

Jacob lay motionless on his bed. The digital clock on the nightstand between us read 7:47. We needed to start our day early, keep trying to get as far away from Material as possible. I slowly removed myself from the soft mattress. Even though the smell was unpleasant, I could not say that the bed did not feel heavenly.

There were footsteps outside, atop the pavement on the other side of our door. Back and forth they went, not stopping, not leaving. I reached down and carefully retrieved the knife; the handle still fit so perfectly. I walked to the window and slowly peeked around the curtain. The maid was sweeping the small path in front of the motel rooms, her shoes making distinct tapping noises with the ground. I sighed and placed the knife back into my jeans pocket, still surprised that I had not unintentionally stabbed myself yet.

I quietly walked to the bathroom; I heard Jacob roll over. I shut the door and turned to stare at the shower blankly for a few seconds. Neither of us had taken a shower since we left Connell’s.

This is wasting time, I thought as the water began flowing from the showerhead.

The clock read 8:00 when I re-entered the main room. Jacob was no longer asleep, sitting with his knees to his chest, staring absently at the wall in front of him.

“Are you okay?” I cautiously asked him; there could have been so many things wrong with him.

“Hungry,” he muttered. I agreed.

“Go clean up,” I told him. “I’ll go get breakfast while you’re in the shower.”

His head rose; the absentmindedness vanished completely. I think he did not believe I would follow through on the promise I made before about us eating in the morning. He rolled off the bed and walked past me, still trying to get the sleep out of his eyes.

I took in a deep breath; I felt better now. I shut and locked the door behind me as I exited the room. I couldn’t return to the same restaurant; their sign showed they did not open until eleven. I stood in front of the eatery’s locked entrance, looking around at all of the buildings. Surely there was one open.

“Gabe’s is always a good choice,” the female voice behind me said. I stiffened; a chill ran down my spine. Her voice was unsettling but at the same time very pleasant. I turned to see its owner. She was about my height, a few inches less than six feet. Blonde hair. Blue eyes. Cheery complexion. Typical.

“Excuse me?” I replied, completely forgetting what she had said.

She smiled. “If you’re looking for a place to eat,” she repeated, “Gabe’s over there is open twenty-four hours.” She pointed to a small white building diagonal to our position.

“Oh,” I muttered. “Thanks,” I told her.

Her grin expanded as a laugh escaped. “I’m Kaley, by the way. Kaley Brandt.” She extended her hand.

What was I to do? Should I have told her my real name? I did not know this girl; I did not know who she knew. What if Connell had sent her? What if she was related to Sharon? She looked like it. I reached out and returned the handshake.

“Nice to meet you,” I mumbled and headed for the indicated restaurant.

“Hey!” she called after me, running out onto the street behind me. “You didn’t tell me your name!”

I stopped in front of Gabe’s entrance. I had to think of something quick, anything to tell her. A lie, a pseudonym, a reas¬—

“It’s Grayson, isn’t it?” she asked, interrupting my thoughts. I stopped breathing. My hand instinctively flew to my pocket, the pocket, before I could stop it. I stood still; my head turned a bit.

“I have a cousin,” she said, “who goes to school in Material. From the description you gave, it sounds like you’re this ‘Grayson’ she talks about.” She recognised my silence. “Am I not right?” she asked, this time somewhat childishly, a tone of sorrow in her voice.

“No,” I told her. “You must have me mistaken for someone else.” It came out more harshly than I had intended. I put my right hand onto the door’s metal beam and told her, “Now if you will excuse me, I have a brother to feed.”

Why did I tell her that!? I screamed at myself as I pushed open the door and walked into Gabe’s, leaving Kaley standing outside disappointedly.

I had to force my body to calm down; sweat had all ready formed around my forehead. I breathed deeply and closed my eyes.

“Can I help someone?” the middle-aged woman behind the counter called out. I opened my eyes to see the few people who were in front of me had left. I quickly made my way to the counter, looking over my shoulder to see that the girl was no longer there.

When I retrieved my order, I exited Gabe’s very slowly, looking around to see if Kaley was still around. She might have just had a cousin who knew me, but that cousin might have known Connell. I did not want Kaley telling her that Jacob and I were here so she could run and tell that man.

I felt so bad. My first – uncontrollable – move was to my weapon. I did not try to object at first; I did not try to turn the question back onto her. I simply fled to my knife. Would I have killed her if I hadn’t restrained myself? Right there – in front of the restaurant. In front of all those people. One swift movement would have done it. Kaley was happy and exuberant. Why did she deserve to die? Because she might have known of me? Was that a good enough reason? I didn’t think so.

I put in the key – it stuck again – and walked into our motel room. Jacob was sitting on the bed, drying his hair with his towel. I sat the food down on the dresser and saw a folded paper. Grayson, it read. I snatched it and turned to Jacob.

“What is this?” I asked. He shrugged, walking over to see it.

Grayson,

Don’t try to play dumb with me. I knew it was you right from the start. Don't worry; I have no intention of telling your father your whereabouts. Actually, my family and I believe what my cousin said about your abusive father. We understand how you feel; I came from the same type of family originally until the Brandts adopted me. Please, contact us, Grayson. We can protect you.

–Kaley


Jacob slid the page out of my hand and reread it.

“How did this get in here?” I asked him, my voice gradually getting more furious by the syllable.

“I don’t know,” he answered quietly.

“Did you hear anyone enter the room while you were in the shower?” He shook his head. “The door was locked. There’s no way she could have gotten in here.”

We can protect you.

Those words stood out among the rest. I was not suitable to take care of Jacob alone. We both needed help… protection from Connell’s reach. There was no listed way to contact them. No phone number. No return address. I sighed. The restaurant. Kaley would probably wait for us there.

“Eat,” I said, my voice back to normal.

Jacob walked over and rifled through the paper bag. “Are we going to go find them?” he asked.

I took in a deep breath. “We have to,” I reluctantly answered him.

I have to, I rephrased in my head. It was the only chance I had to dissipate that magnetic attraction.
Last edited by JosephDean on Sun Dec 28, 2008 7:54 pm, edited 2 times in total.




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I'm slightly disappointed with this one. I actually can give a true review.

I always found magnetism interesting, how one solid force could have so much control over another. Magnets can attract, repel, and even destroy an object, but humans can, too – even dead humans

"but humans can, too even dead humans" is kinda choppy. Maybe put a period after "object" and start the next sentence with "Humans". Put a semicolon after "...magnetism interesting".

Magnetic poles are generally attractive to each other, pulling closer until they are one stable entity, inseparable to outside compulsions weaker than it.

I'm not sure if this grammar rule is valid in this case but your verbs aren't parallel. "Pulling" and "Inseparable" aren't the same type of verb. I don't know if that makes sense but I think "inseparable" should be "separating" and you just have to switch the sentence around to make it make sense.

As I lied on the hotel bed, the sun beginning to shine through the window, those few seconds, her last few seconds, kept replaying in my mind.


Ok, there's way too many commas in here. I'm pretty sure there should be a semicolon or a dash somewhere. Maybe "...window, those few seconds--her last few seconds--kept replaying in my mind."

People always say that whatever the first thing on your mind is when you wake up in the morning is what you are supposed to do.


Delete the first is. "People always say that whatever the first thing on your mind when you wake up..."

I walked to the window and slowly peaked around the curtain.

Peeked not peaked. :D

Don't try to play dumb with me. I knew it was you right from the start. Do not worry; I have no intention of telling your father your whereabouts. Actually, my family and I believe what my cousin said about your abusive father. We understand how you feel; I came from the same type of family originally until the Brandts adopted me. Please, contact us, Grayson. We can protect you.


Ok, this doesn't really sound like a kid wrote this. Who says "Do not worry"? It should probably be "Don't worry".
"I have no intention of telling your father about your whereabouts". Whereabouts, I guess can stay. I would never use that word but it can slide :D
Also, "...my cousin said about your abusive father" I wouldn't put the word "abusive" in the letter. If I was writing a letter to someone who was running away from their father, I would hesistate to remind them of that. But of course that's just me...


Ok, I did like this one too. For some reason, not as much as the other ones. But anyway, Kaley sounds like a nice character for a blonde blue eyed girl lol. The first thing that came to my mind was "romantic interest!!!". Whether I'm right about that or not, its good that Grayson and Jacob are getting some help. Gotta keep the plot going right?

Can't wait for the next part. Merry belated Christmas! (I forget if I already wished you a merry Christmas...oh well)
Give hugs not bombs or whatever that saying says




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I'm not sure if this grammar rule is valid in this case but your verbs aren't parallel. "Pulling" and "Inseparable" aren't the same type of verb. I don't know if that makes sense but I think "inseparable" should be "separating" and you just have to switch the sentence around to make it make sense.


Inseparable is an adjective here. I get what you mean about parallel verbs, but it's an appositive here (and appositives do not have verbs).

Ok, there's way too many commas in here. I'm pretty sure there should be a semicolon or a dash somewhere. Maybe "...window, those few seconds--her last few seconds--kept replaying in my mind."


"the sun beginning to shine through the window" has to be set off by commas because it's an inserted clause. "her last few seconds" is an appositive describing "those last few seconds" and has to be set off by commas. I think I'll put those off in dashes though just so it'll look cleaner.

---

Kaley isn't a "kid." It's her character; she's very matured.

Whereabouts, I guess can stay. I would never use that word but it can slide


Once again, it's her character. Not everyone has the same vocabulary.

Who says "Do not worry"? It should probably be "Don't worry".


I say it at times, lol. I hate putting contractions because it's so unprofessional.

Gotta keep the plot going right?


You have no idea what I have ready for this story :)

------

Anyways, yeah.... Sorry it sucked so horrifically. Like I said, I forced myself to hurry and write this in such a short amount of time this morning. But hey, that's what reviews are for :)

Thanks for reading again. Hopefully Part VI won't take too long and will be a little better =/




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I guess you've found out the hard way that you can never trust me to correct your grammar. It just doesn't work very well. :D

Just wondering, how old is Grayson and Kaley? From the description, I imagined Kaley to be the same age as Grayson which would mean that she is under the age of 18 (a kid). Though, since you say she's not a kid, I must be mistaken....

anyway, I don't think it "sucks horribly" though of course I really can't say because nearly everyone's writing on this forum is like 10 times better than mine. :D
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Well, if you want to go with the textbook definition, yeah they're "kids," but I consider kids to be like eleven and younger, lol. Right now, Grayson is 16, Jacob 12, and Kaley 15. But what I'm trying (and obviously failing) at is to show through their speech and actions that they are very much older emotionally.




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Okay, I guess I can’t say “sorry I’m late” anymore :wink: But I think I’m actually on time this time :D

Scary. That morning I clearly remember wanting that emotional high once more, that feeling I only slightly tasted each time I thought back to the previous day. Did that mean that I was meant to do whatever it took to obtain it? To kill once again?


This is a really nice twist in the story. I like how you captured Grayson’s thoughts about this whole matter. However, I do feel like you need to explain it a bit more. What does the emotional high do for him and does he fear it yet desire it?

Even though the smell was unpleasant, I could not say that the bed did not feel heavenly.
There were footsteps outside, atop the pavement on the other side of our door. Back and forth they went, not stopping, not leaving.


First, this is kind of abrupt. Is their no fear he is feeling? No scared tendencies? Next, this was a really quick transition from the previous statement to the feet outside the door. My advice would be to catch the moment, really concentrate on it. Maybe try something like: …feel heavenly. As I shifted my weight, I caught the sound of footsteps outside, atop the pavement on the other side of the door. Back and forth they went, not stopping, but not leave. Immediately, adrenaline rushed into my veins just like at the house with Tara. The footsteps pounded in my eardrums like an erratic heartbeat and I knew what I had to do. See how with a little bit of description and emotion, you can change an entire scene. Try something like this and I think this will greatly improve this part :D

I reached down and carefully retrieved the knife; the handle still fit so perfectly.


That last part is kind of awkward. Maybe try: I reached down and carefully retrieved the knife; the handle still slide against my palm perfectly, molding to my shape so my grip on it was steady and sure. or something like that.

I reached down and carefully retrieved the knife; the handle still fit so perfectly. I walked to the window and slowly peaked around the curtain. The maid was sweeping the small path in front of the motel rooms, her shoes making distinct tapping noises with the ground. I sighed and placed the knife back into my jeans pocket, still surprised that I had not unintentionally stabbed myself yet.


Okay, this is the moment when you continue to build the suspense and then let it drop, making the reader sigh with relief like I’m sure Grayson did when he saw the maid. Really try to grab your reader in and then throw them out, making them feel for your characters. Like so: …fit so perfectly. My tread was slow and sturdy. I tried not to think too much but also not to make too much racket, fearful that I would wake up Jacob. Sneaking a peak back at him, I thought of all that I had put him through and wished that I could take it all back. But then Tara drifted across my thoughts and I shivered, knowing that I still craved that adrenaline rush. As I moved steadily closer, the footsteps grew louder until they sounded like drums, and my heart sped up to meet them in the volatile dance they were creating in my ears. My hands gripped the window pane and I raised myself up to tiptoe to peak out, predicting the worse when… I saw the back of the nurse’s head as she whistled, not a care in the world, the broom in her hand brushing back and forth against the floor outside, her shoes making distinct tapping noises with the ground. I sighed and placed the knife back into my jeans pocket, surprised I hadn’t unintentionally stabbed myself yet.. Okay, I do not expect you to just copy/paste this into your story because these are my words and not yours. However, I do want you to read this and notice how I built the suspense and then let it drop. I know you can do a whole lot better than I did but I just wanted to give you an example =)

I did not know this girl; I did not know who she knew.


Here, I notice that you use “did not” instead of “didn’t”. If you use “didn’t” it helps the flow of thoughts and doesn’t hold the reader up like “did not”. My advice would be to use “didn’t” instead of “did not”
“I have a cousin,” she said, “who goes to school in Material. From the description you gave, it sounds like you’re this ‘Grayson’ she talks about.” She recognised my silence. “Am I not right?” she asked, this time somewhat childishly, a tone of sorrow in her voice.


Okay, this part is really confusing :? I think you mean that her cousin gave her a description about a boy that fit what Grayson looked like, right? If that’s correct, make sure you say that. Also, I don’t get this because didn’t Grayson dye his hair and stuff so he shoulding appear the same… Just thoughts to consider, I guess ^_-

Grayson,
Don’t try to play dumb with me. I knew it was you right from the start. Don't worry; I have no intention of telling your father your whereabouts. Actually, my family and I believe what my cousin said about your abusive father. We understand how you feel; I came from the same type of family originally until the Brandts adopted me. Please, contact us, Grayson. We can protect you.
–Kaley


Whoa, what a turn of events! I think this was kind of quick, especially for a girl to just meet Grayson. I would slow this part down just a bit.

I have to, I rephrased in my head. It was the only chance I had to dissipate that magnetic attraction.


Your endings are always so good :D I’m jealous of them…

~ ~ ~ ~

Okay, Joseph, I don’t know what you want me to say. I always give you praise and this time is no different. This story is so good and I’m getting very attached :wink:

Please let me know when the next part is out!
"Woe to the man whose heart has not learned while young to hope, to love—and to put his trust in life."
~ Joseph Conrad


"Music washes away from the soul the dust of everyday life."
~ Red Auerbach




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Thank you so much yet again, Ashley :)

I guess we all see what happens when I force myself to write at seven o'clock in the morning. :oops: Next time, I'll pace myself :wink:

I'll take all of your suggestions into consideration, believe me. I'll probably just go back and redo this entire part. For some reason, I forgot so much stuff while I wrote it.

And I really hate using contractions. It's unprofessional and reads poorly when you place them everywhere. Plus, my college English teacher has beaten contractions out of us :P So when I'm not writing dialogue, I spell out my words...

Um, the thing about the letter... Well not to give too much away, I'll just say this. Who actually said that she just met him? :wink:



There has never been a sadness not cured by breakfast food.
— Ron, Parks & Rec