Aubrey's Raven - Chapter 1

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Ok, sorry about the long wait. I made up my mind to completley start over to make it more realistic as some have suggested. So, instead of chapter 4 this is back at square 1. Anyway, I hope you enjoy :D sorry, its a little long.
Reviews are strongly welcomed and can be as harsh as needed!


Aubrey’s Raven

Preface
One sentence down. I have no intention of stopping now. I’m going to tell my story for all to see—no matter what happens. The memories have been too much to bear so I’ve resorted to pen and paper. Then, to a typewriter. Then, to a publisher. So here I am, and here you are. Together. For a story of four lives and how they intersect: a girl, a boy, a widow, and a raven. Maybe it was luck. Maybe it was destiny. Or maybe, just maybe, it was a fairytale.

Chapter 1
I kept on thinking that it wasn’t my fault. That it was all an accident. That all of this would go away in a few days.
Why? I asked myself. These thoughts did not seem my own. The more I thought, the more I was pushed into what was happening around me. Fire. I could hear voices—yells—and the sound of water being sprayed violently. The ground in front of me was soggy and brown. Sirens blazed.
Still-life paintings swished past me as if they were in a hurry to get somewhere. Was I moving? If I was moving, what was I lying on?

“What happened next?” a child’s voice said in excitement and curiosity, “What happened to Aladdin after he laid on the magic carpet, Daddy?”
The child was sitting in a man’s lap. The man, obviously her father, was holding a book that was ragged at the edges from the continuous use. The little girl tugged at her father’s small beard to get his attention. Though, the father didn’t flinch a bit. He didn’t tousle the little girl’s auburn hair like he always did. Instead, tears formed in his eyes and started to burn his cheeks. “I--


A sharp shot of pain rushed through my body as I tried to maneuver my hands to feel around but as soon as I tried to move.
“Stay still. We’re almost to the ambulance.” A voice said sternly.
So I was moving. I was going to something called an ambulance.
Suddenly the scenery changed. I was in some kind of room filled with tools and equipment that lined the walls. White figures—monsters—were standing around in the room; all looking at me. I watched carefully as one of them grabbed something out from a corner. The white monster brought it over to where I was and started to put it on my face. I wanted so badly to swat the monster away but I didn’t want to move. Suddenly, everything disappeared. I disappeared.

“Daddy, why are you crying?” The child looked up at her father in disbelief. She reached her small hands to pat him on the shoulder. But was abruptly stopped. “Don’t touch me.” The father said, “Go to bed where you belong.” The child was heartbroken. What about the rest of the story? “But—“ The child started to say. “But nothing!” The father got up out the big blue chair they were sitting in, shoving the girl on the floor. Tears started to flow down her cheeks. They turned into screams. The father didn’t hear. He stepped over his daughter and pulled something from off of the table beside the chair. It was a bottle.

“Huh?” I opened my eyes. It felt like I hadn’t opened them for forever. I was no longer surrounded by white monsters in a small room but instead a single human being in a quite large room with bright blue walls.
“She’s awake!” It was a man. He sat on the side of the bed I was laying on, smiling and waving two more men into the room that were standing in the doorway. Though as soon as they came to enter the room, something startled them making them stop in their tracks.
“No one can come in the room right now. No one!” It was a different voice. One that was more feminine and screechy. A woman came bustling through the door, pushing the two men at the doorway aside.
“I need to talk to her myself. About her medical condition.” The woman said in a matter of fact voice. As she neared closer, I could see the golden badge on her chest reading “Dr. Braux”.
“Besides, who are you?”
“I’m police in chief, just trying to ask some questions, ma’am.”
“Well, you can talk to her after I’m done. I’m her doctor and therefore in charge.”
She pushed the man off the bed, ignoring his whines, and instead sat in his place.
“Now don’t be afraid little girl. I’m Dr. Braux. Your doctor.” Her frown was replaced now with a smile as she talked. She was white like the monsters before in the ambulance though this time she was obviously human and wore a dark purple sweater and khaki pants.
“Ok.” I said softly.
“Don’t worry about the burns dear. You are well looked after by yours truly.”
The burns.
I frantically looked down at my arms, if they were still there.
They were there, but they had gone through another transformation. No longer smooth and tan, no longer torn and red, but now rough and white. Both of my arms going to my shoulder and both hands were bandaged.
“Now, now, dear. Don’t panic. Though, I have to say that your case is not like any other I’ve seen in all of my practice here at Highland Hospital. Your arms, dear. They are the only limbs that are burnt.”
I looked at her questioningly. What was she saying?
“Fires don’t just go around choosing which parts of the body to burn, dear. The only way that could happen is if someone burned you deliberately. Do you want to tell me anything about this?”
I was stunned. Up until then I had never truly tried to remember what had happened to cause me to hear sirens, go in ambulances, and now be with Dr. Braux in a hospital. All the memories just came to me involuntarily. They were thoughts of a child and a father.
“I…I don’t know. I don’t know why I’m here.” I stammered. The child and father thoughts surely weren’t related to this, were they?
Dr. Braux frowned and inhaled and then placed her hand on my bandaged hand.
“What is your name, dear?” It wasn’t the same voice as before. This voice was of confusion and maybe even a little fear.
Tears started to form in my eyes. I had no idea who I was. I was nobody. I frantically looked upon myself for some clues to my existence. I was wearing a hospital gown.
“What are you looking for?” Dr. Braux was still looking at me confused.
“Where are the clothes that I had on when I came here?” The question seemed to come from nowhere but I knew deep down inside I knew that my clothes might lend a hand in the enigma of my own self.
“I’ll get them for you, dear.” Dr. Braux got up from the bed and walked over to a drawer in the corner of the room. She took out a huge plastic bag filled with clothing.
“Here, we had to cut your shirt to get to your arms but other than that, they are in good condition.”
She placed the bag on my lap and took out the contents for me since my cast was too big to do so. She took out a brown and blue striped polo shirt and blue jeans with a pink hem. But it was the last item that sparked interest. She then took out a necklace that sat at the bottom of the bag.
“I think I want to see the necklace.” I said in fascination.
Dr. Braux placed the necklace in my hand so I could look at it better. It was a gold chain with a black bird on it. A raven. I ran my fingers along the chain; it felt like heaven. My fingers stopped at the connector piece of the necklace. It was a little gold plate that had the words “To Aubrey” on it. Was this what I was looking for? I looked back up at Dr. Braux who was smiling once again.
“I think my name is Aubrey, ma'am.”
Give hugs not bombs or whatever that saying says




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I didn't read the chapter, but the preface isn't really a preface. It's more of just an intro, but it doesn't really sound like a prologue either. Moreover I would pick it to be a prologue. Sorry I started reading the story but needed to post about the preface because it was bothering me. Wow, I probably sound wierd.....anyway I'll continue reading....

-Moony
If I can impact one person, just one, with my writing before I die, then I've lived a great life




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Fascinating...this was a very interesting chapter. Um....the only wierd thing about your chapter is that it sounds a little like that movie I know who killed me. The girl in that movie starts out with memory loss and her name was also Aubrey, I believe. Otherwise it was very well written. I loved how she saw that little girl in her head. I only wish it could've been a bit longer. The detail and descritption was awesome. i found now grammatical or spelling errors except for this-
A sharp shot of pain rushed through my body as I tried to maneuver my hands to feel around but as soon as I tried to move.

I feel like it's not finished this sentence.
Keep up the awesome work and Happy Holidays!! :D

-Moony :D
If I can impact one person, just one, with my writing before I die, then I've lived a great life




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Hello. This is... intriguing to say the least.

I have to agree with In_The_Moonlight that the small intro you have doesn't really seem like a preface. The reason for this being that a preface usually has a page all to itself and it would look odd with such a small amount of text on such a large blank page. Having said that, I love the intro. It's very engaging and interesting. It is both abrupt and vague which I found to be quite the feat.

Anyway, let's get this going...

I kept on thinking that it wasn’t my fault. That it was all an accident. That all of this would go away in a few days.


I read the peice over once without stopping, and then when I went back to reread for my review this sentence confused me. Doesn't she not remember anything? And if so, why is she contemplating fault? It seems that she is trying to convince herself that it was an accident, and this implies that she thinks it wasn't. How does she know that?

Why? I asked myself.


Why should be in italics. Helps seperate the literal thought from the story.

These thoughts did not seem my own. The more I thought, the more I was pushed into what was happening around me.


You say thought twice in a row here, and the second sentence seems unclear. I get what you're saying, but it takes a moment and some interprutation. Maybe say, "The more my mind wandered..." or, "The more my mind tried to understand..."

The ground in front of me was soggy and brown.


Seems out of place. No other sentences so clearly describe the surroundings. Also, if she is on the muddy ground, how are the paramedics carrying her?

Still-life paintings swished past me as if they were in a hurry to get somewhere.


Love the imagery here!

Though, the father didn’t flinch a bit.


What? Is this sentence and the next one meant to be one sentence? If not, then you do not need the word 'though'.

I was going to something called an ambulance.


Is she really young? I don't see why she doesn't know what an ambulance is. Amnesia only affects the memory of personal events, at least the kind she would have, and even children as young as five know the word ambulance. Maybe you're trying to show the state of her mind and the confusion, but I think that's adequetely addressed in the hospitol.

“I need to talk to her myself. About her medical condition.” The woman said in a matter of fact voice. As she neared closer, I could see the golden badge on her chest reading “Dr. Braux”.


As she neared closer? Try, "...as she moved closer."

Besides, who are you?”


This doesn't need to be a new paragraph, and it seems odd that way.

“Well, you can talk to her after I’m done. I’m her doctor and therefore in charge.”


I have some serious problems here. I don't really think a doctor would be quite so abrupt and rude. If this doctor would then she seems like a jerk. Maybe just say "I'm sorry, I'm her doctor and I don't think she is ready to see you right now. She has just woken up and may not even know where she is or what happened. if you'll excuse us...?"
The way she acts with the cops and with the child are almost opposite in nature, at one point screechy and annoying, the next kind and understanding. This makes her seem two-faced and not very likeable. All this is my opinion, but I just really didn't like the impression this doctor gave. Do what you will.

No longer smooth and tan, no longer torn and red, but now rough and white.


You say her arms have gone through another transformation? I remember no mention of her noticing a first one. unless that was implied to have happened in the past....? I realize her arms were once perfect, then burned, and now bandaged but i think you should make mention of her noticing the first change so that this sentence and the one before it do not come out of nowhere.

They were thoughts of a child and a father.


I's cut this sentence.

The question seemed to come from nowhere but I knew deep down inside I knew that my clothes might lend a hand in the enigma of my own self.


Commas are needed here. "I knew, deep down inside, i knew that..." Before deep and after inside.

“Here, we had to cut your shirt to get to your arms but other than that, they are in good condition.”


They're not burned, or at least smoky?

Overall, it's a great introduction to a story. But it is only the very beginning of the beginning and I'm eager to see the rest. Thanks for writing, never stop![b]
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Thanks everyone for reviewing as Christmas comes nearer and nearer! I really appreciate it. Of course that doesn't mean anyone else can review my work as well lol.

Moony - Haha, thats interesting...I've never heard of the movie but I just googled it...Yeah, her name is Aubrey too..lindsay lohan is in it (yuk) but anyway uh I've grown so attached to the name Aubrey...I don't necessarily want to change it. But, thanks so much for bringing that to my attention!! I'll keep that in mind.
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Well, all of my grammatical and punctuational nitpicks have all ready been pointed out, but I will say this...

Suddenly the scenery changed.

Suddenly, everything disappeared.


Not only should you not use "Suddenly" twice so close together, but I suggest not using it at all. It sounds too childish.

The father got up out the big blue chair they were sitting in, shoving the girl on the floor.


"got up out of the big blue chair"


I love the new chapter; your revisions were excellent. I know I do it so much, so it might sound a little hypocritical (haha), but there's a lot of short one sentence paragraphs that are just dialogue. Yes, it is important for your characters to communicate, but I just suggest having different styles of sentences in there. Give a little description here and there and such.

I look forward to your new second chapter. :D Keep up the great work!




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Here I am! Hope you don't mind a shorter critique.

One sentence down. I have no intention of stopping now. I’m going to tell my story for all to see—no matter what happens. The memories have been too much to bear so I’ve resorted to pen and paper. Then, to a typewriter. Then, to a publisher. So here I am, and here you are. Together. For a story of four lives and how they intersect: a girl, a boy, a widow, and a raven. Maybe it was luck. Maybe it was destiny. Or maybe, just maybe, it was a fairytale.


I don't think "preface" is the right term. Introduction, maybe. Is this supposed to be the blurb at the back of the book or something?

A sharp shot of pain rushed through my body as I tried to maneuver my hands to feel around but as soon as I tried to move.


You've put that she's tried to move twice in this sentence, making it hard to read.


“Now don’t be afraid little girl. I’m Dr. Braux. Your doctor.” Her frown was replaced now with a smile as she talked. She was white like the monsters before in the ambulance though this time she was obviously human and wore a dark purple sweater and khaki pants.


Delete "obviously." Replace the "and" with a ". She"

No longer smooth and tan, no longer torn and red, but now rough and white.


Did she see her arms when they were burned before? If she did we didn't see it. If we didn't see burns before, don't describe burns now.

Both of my arms going to my shoulder and both hands were bandaged.


This is a little.... strange. You use the word "both" twice, and in this case only one is needed.

All the memories just came to me involuntarily. They were thoughts of a child and a father.
“I…I don’t know. I don’t know why I’m here.” I stammered. The child and father thoughts surely weren’t related to this, were they?


I don't get this. 1- if an author puts something in, it's for a good reason. So, if you've put memories of the child and the father, something that has to do with the child and father will show up later. 2-The first two lines feel detached from the next passage.

Dr. Braux frowned and inhaled and then placed her hand on my bandaged hand.


And & and. Hand & hand. The word combanation here is little hard to read.

I was wearing a hospital gown.


Wouldn't she be under a nice, warm blanket?

I ran my fingers along the chain; it felt like heaven.


Aren't her hands bandaged? How can she run her fingers along it?

My fingers stopped at the connector piece of the necklace. It was a little gold plate that had the words “To Aubrey” on it.


Wouldn't the hospital have noticed that?

Overall: Much better. We now have some consiquences to her being in the fire. The beginning is a bit choppy, and in the hospital there could be some polishing to do (like taking shock into consideration, for example) but it's much more real now.

Keep up the good work!
A writer is a world trapped in a person— Victor Hugo

Ink is blood. Paper is bandages. The wounded press books to their heart to know they're not alone.



It is a happiness to wonder; it is a happiness to dream.
— Edgar Allan Poe