Unity Chapter 1 Part 1

10 posts
User avatar
Gender Female
Points 4198
Reviews 157
I will return reviews for this.

Unity
Chapter One: On The Train

As Vera Noble stepped onto the train platform, she realized that she’d barely spoken to her mother all summer. A stupid thing to realize now of all times, right before she was about to leave Fort James for nine months, and if anything she should have known it all along. She had spent the entire summer cooking up excuses to get out of the house, but she’d spared little thought to the flipside of her efforts: that when this moment came, she would have nothing to say to Kathleen Noble.

Mother and daughter stood two feet apart and didn’t look at one another. The silence hung between them like a heavy curtain. Kathleen was steadying Vera’s large trunk and Vera was clinging to the handle of her smaller suitcase, and she was trying to think of how to bid goodbye to her mother. It should be as simple as a hug and “I’ll miss you,” but the thought of lying made Vera uncomfortable. Perhaps it meant she was a bad person, or a bad daughter, but she’d never really conceived of Kathleen Noble as a mother before. More like a stranger with which she shared the house for three months of the year. Not that there was anything wrong with that, she told herself firmly. Better that they didn’t speak to each other at all than if they argued.

Vera was starting to sweat, and not just from the sweltering mid-August heat. Why did it take so much effort just to say goodbye? She stared across the train tracks at the fading advertisements posted on the opposite wall, as if hoping that the models’ insipid smiles would give her inspiration. Or at least a dose of courage.

“Vera.” Vera jumped—it seemed Kathleen had taken the initiative. She tried to suppress a relieved sigh.

“Yeah, Mom?” She didn’t look at Kathleen directly.

“Are you sure about this?” Kathleen’s voice was hesitant, quavering. “I mean…”

“Sure about what?” Vera said, although she knew exactly what her mother was talking about. She became immersed in a dried-up glob of blue gum next to her shoe.

“You know! Attending that school…” When Kathleen looked at Vera, her expression was critical. “You don’t have to go there, you know. You could be starting at Fort James High this year, with Jane and Alice’s kids.”

Rage and a flicker of disquiet rose inside Vera. She hated when her mother brought up this topic, because it hit closer to Vera’s heart than she’d admit. Kathleen didn’t think that Vera belonged at the Institute. Sometimes, Vera didn’t think so either. She, who had yet to pick a guild while her friends had all settled into place years ago.

But to hell if she was going to show any weakness in front of Kathleen. She faced her mother and drew herself to her full height, which was exactly the same as Kathleen’s. But otherwise they couldn’t be more different. Kathleen was rail-thin and visited tanning parlors so often her skin had been burnt a shade bordering orange; Vera, by contrast, was chubby and pasty. Kathleen had dyed her hair platinum blond and styled it differently every other week; Vera was content to keep her dark strands lank and chin-length. Judging by the pictures she’d seen of her father, she thought she looked more like him than Kathleen, and that made her happy.

Kathleen was the one who fit it better with the residents with Fort James—almost all of her friends looked just like her. The kind of parents who went shopping and visited beauty parlors with their daughters. Her low-cut tunic top and jeans were stylish and brand new, and elicited less odd looks than Vera’s black blazer and knee-length pleated gray skirt. Not only was her uniform rather heavy for the weather (Vera did not want to think about the itchy band of skin under her collar), but few people in Fort James sent their children to boarding schools.

Then again, few people in Fort James could perform magic.

Mom,” Vera said. “I’ve been going to the Institute for three years already, it’s not like I’m not gonna suddenly change my mind right now.”

“You starting high school ought to be a big deal,” Kathleen said, giving Vera a baleful look. Vera folded her arms and glared into the heat shimmering in waves off the rusty tracks. Her armpits itched beneath her blazer and blouse. “We could have gone to buy school outfits together, I could have told you everything you needed to know about Fort James High and being a Jaguar…normal things, you know. But this year it’s just like any other year, you’ll leave for that place and you won’t see me again until next summer and you’ll give me the same silent treatment you’ve given me all this summer—”

“Mom, it’s cause I have nothing to say to you!” cried Vera, her frustration bubbling. “When you try to ask me about all those things, clothes and shopping and boys and movies, I don’t care, I don’t have those things at the Institute. You never ask me about my classes or anything—you know, the stuff I care about!”

Kathleen’s lips pressed into a thin red line. “So you’d rather be one of them than a normal girl.”

Vera’s insides went cold but she refused to capitulate. Never, never show weakness to Kathleen Noble. She said, her voice thin, “Quit calling it ‘that place.’ It’s the Carmichael Institute for the Study of Magic.”

“Even the name is horrible,” Kathleen said. “Like it’s an asylum, instead of a school… Vera, darling, I know that Fort James would be so much better for you! You’ve never had a chance to be a normal girl before, have you? I’m sorry, it was partly my fault, I didn’t do anything when the other kids teased you about your father…but can’t you see, you don’t have to follow in that dreadful man’s footsteps anymore! You can be a normal girl, don’t you want that?”

Every year, Kathleen gave some variant of this speech on the train station. Vera had rapidly grown tired of it and it was part of the reason why she hated saying goodbye to her mother. She wanted nothing more than to look forward to the coming semester at Carmichael Institute, but instead every time she left on the train to Upstate New York, she was hurting inside like she’d just finished throwing up. Watching her other friends interact, even the ones who’d grown up with a nonmagical parent, made her jealous; none of them had to worry about disappointing their parents with every day they spent at the Institute.

“I know if you tried hard you could probably make the cheer team, maybe not varsity but pom at least,” Kathleen continued, her watery blue eyes creasing in pain. “If you really tried to lost weight and improve your image instead of skulking in your room all day, you’d be the darling of Fort James High. You can’t imagine how long I’ve dreamed of going to football games to watch you cheer and scream the old fight song along with you—”

Vera had heard such laments from her mother before and should have just laughed them off—Kathleen was being unrealistic. Ridiculous, even. She should’ve known that Vera had no hope of being normal and popular ever since the Institute’s scouts had identified her magic talent at the age of eleven. Vera had viewed their arrival as salvation from her dull suburban life in Fort James, and—even more ridiculously—a sign of her father’s legacy. Kathleen treated that day as the end of the world. And then started pretending it hadn’t even happened; she continued to wax romantic about her daughter the potential cheerleader and prom queen with disturbing sincerity. Sometimes Vera pitied her mother so much that she wanted to tell Kathleen that sure, okay, she’d go to Fort James High with all the other girls in town. Anything to make her mother happy for once in her life.

But there was the Institute and Zed and Ville and Louisa waiting for her and what would they say if they discovered that she’d left them to become a cheerleader? There was the magic her father had passed to her, of which she was proud no matter how much Mom tried to make her ashamed of it. Even if she didn’t have a guild yet, even if she didn’t have a dream or goal the way most of her high-powered classmates did, at least she knew she belonged at Carmichael more than she did at Fort James.

“And by now you should have your first boyfriend, you’re fourteen,” Kathleen continued. “When I was fourteen I dated Alec King for a semester, oh, he was the sweetest boy but just so clueless…you should have a boyfriend and you should go to slumber parties with your friends, maybe join the Spanish Club so you can go on that trip to Macchu Pichu, I did in my junior year, oh it was divine, oh, Vera…”

Kathleen was almost sobbing. Vera’s stomach twisted. “Mom, please…”

All Kathleen wanted was to talk with her daughter about school. And Vera would’ve gladly talked if she thought Kathleen would appreciate it. Tell her all about the guilds, maybe even share her woes about being unable to find one that fit her. Tell her about the Intramural Magic Tournament that was held every year and how she’d advanced to the quarterfinals last year only to be eliminated by Colleen Nevermore from the Duchess-Sky guild. Tell her about creating illusory lakes and forests in Intermediate Practical Illusion Weaving. Tell her about…Zed.

But she couldn’t because Kathleen wouldn’t understand and didn’t want to hear those things. And Vera had long given up on explaining her world to her mother. Most norms who had little contact with magicians were content to pretend the magical world had nothing to do with them, and Kathleen Noble was no exception. Even if she had married a mage and produced a magical daughter.

“Why couldn’t you have been a Jaguar this year, Vera?” Kathleen whispered.

The train whistle sounded in the distance and was soon followed by the steady chug-chug of wheels on rails. Vera straightened, clutched her suitcase handle tightly, and said, “Because I’m a magician, Mom.”

They said nothing more, didn’t even look at each other, until the train arrived and Vera stepped aboard and stored her luggage and settled into a window seat. She rested her cheek on her palm and gazed out of the window at the station beyond. There was her mother standing on the platform, with a look of utter devastation on her face.

Vera turned away and didn’t look out of the window until the train started moving.

~*~

What I really want to know is how Harry-Potter-ish this is. There's always a risk of a story about a magic school ending up too Potter-tastic. It should become abundantly clear soon that this is not a Harry Potter knockoff, but I'm worried a little about this first scene.

Thanks in advance for reviews.
Ah, it is an empty movement. That is an empty movement. It is.




User avatar
Gender Male
Points 1478
Reviews 5
Hey Bickazer, you've been a great help to me so far. Hopefully I can return the favour. I'll go into a little more detail tomorrow but there's a rather pesky fly buzzing around my head which I'll have to deal with.

Anyway you asked if it sounded a little potter-tastic so I'll just talk about the parts that rang alarm bells for me. This'll be nitpicking though and is the sort of thing that when I read I instantly thought "Oh, there's something like that in Harry Potter."

*Firstly the title of the chapter, 'On the train' reminded me instantly of King's Cross station in the Philosopher's Stone. I assume this is the whole chapter and there isn't actually much that happens "on the train" as it reads anyway. If it isthen is the train necessary?Ignore that just noticed the title of the topic If it isn't then that's fair enough.

*The name of the school reminded me of a renamed Hogwarts School of Witchcraft and Wizardry.

*The point about magical teaching starting at the age of eleven.

*As soon as any type of magical tournament was mentioned I instantly thought of Quidditch.

Those are the only things that reminded me a little too much of Harry Potter. I realise someone of them can't really be helped. Obviously the school needs a name and its clear you've tried to steer as far away from the Hogwart's one as possible.

Uitimately I don't think you're going to get away with none of it reminding people of parts of Harry Potter. More importantly it doesn't read the same as Harry Potter, it feels like its aimed at an older audience and that comes across.

Anyway, I'll look through this again tomorrow. Off to kill a fly.
Last edited by Yahowshuwa on Mon Aug 02, 2010 10:59 pm, edited 1 time in total.




User avatar
Gender Female
Points 53415
Reviews 1125
Hey Bickazer, Stella here! No need for a return review, unless you desperately want to. I'm just reviewing because I want to.

I. NITPICKS

As Vera Noble stepped onto the train platform,


Unless she's just gotten off the train, why is she stepping onto the platform?

“You know! Attending that school…” When Kathleen looked at Vera, her expression was critical. “You don’t have to go there, you know. You could be starting at Fort James High this year, with Jane and Alice’s kids.”


Okay, we know she's already been there, and "attending" that school sounds too formal, but here we also get the sense she's only going for the first time.

Kathleen had dyed her hair platinum blond


blonde.
“If you really tried to lost weight


lose

Tell her about…Zed.


The ellipsis seems redundant.

II. HARRY POTTER

You asked, so I'm going to say. It definitely gives that vibe- but mostly for me for two reasons.

a) the train. Going to school on a train. I don't know how many other people do that.
b) not seeing her mother for nine months. I don't know any schools that keep people for the whole nine months, only ever heard of it in Harry Potter books.

It is a story about a school for magic, so there are going to be elements that are the same. But right now, this scene is pretty blaring, and I want to know why you decided to start here. It's not really gripping, and it almost underlines the similarities between the two.

III. MOTHER-DAUGHTER RELATIONSHIP

So, I'm guessing you've put quite a bit of thought into this, but at the same time I noticed a few things that were off. She said she only thought of her mother as someone she spent three months of the year with. But what about all the time before that? And are there not phone calls or letters? I found the relationship pretty hard to believe.

I think your dialogue could use a little work. I realise that they don't have a typical relationship, but right now it just doesn't ring natural, and I think that's part of the problem- the other part being is that your Kathleen seems to be just a typical suburban mum. Which definitely exist, but you can't just say that and say that's her character. I'd like to see a little more depth to her, because I wasn't getting much more- and some insight into Vera's own personality. Right now, I'm not convinced she deserves my attentions as a protagonist.

IV. OVERALL

It wasn't bad, not exactly a hook of a beginning, but it sort of worked, in its way.

Hope I helped, drop me a note if you need anything!

-Stella x
"Stella. You were in my dream the other night. And everyone called you Princess." -Lauren2010




User avatar
Gender Female
Points 16930
Reviews 180
Hey Bickazer!!

So first of all I have to say I liked this, it was really good. You asked if it was too Harry Potter-ish, well, the last reviewers have already stated that, and I have to agree with them in that. I think it would be quite hard not to read this and immediately think of Harry Potter, but it's really nice that you're trying as hard as you can to get away from Harry Potter. But as far as i have read I think this has tons of potential and I can't wait to read more about it.
So now I'll point out some things from your story.

1. Characters.
I liked them both, Vera and Kathleen, the conflict between them, I consider, is quite appealing for the reader and quite realistic. I get Vera as the misunderstood teenager who happened to have magical powers, which is absolutely awesome but I just think you should give us more of her. I like her though, I like how you portrayed her feelings and the things she was afraid to say and how she never let herself break down in front of her mother.
As for the mother, I'm sorry but she's so superficial that it almost kills me. But that's part of the mother's personality I guess. The thing is, a writer should always look for some new things and as Stella said, some of the problem with Kathleen is that she is quite too typical and I'm sure there is more to her, but right now I'm not seeing that. She's looking quite two dimensional right now.
As for the father, i like the intrigue created around him but I think you should introduce him a little more to us and tell show us why he's special.

2. Pace
I think is quite good, because the story can be easily followed here. I just think it gets a little stuck somewhere in the middle of this part where they only keep on repeating how much her Kathleen wants Vera to be normal. Try to not repeat the things, we already know that part, so try to develop that and show us instead of repeating it.

3. Dialogue
I think it's ok, but most of it is done by Kathleen, not by Vera. Also, I think that it got stuck in the I want you to be normal part because kathleen keeps telling her that. At a point is nice because it's showing us hoe they get along and how much the mother wants the daughter to live a normal life. But there's too much repeating on that and you're telling us. Try showing us instead. Besides she tells us that they have had this conversation over and over every time she has to go back to school so what's the point of them doing that again if we already know that conversation was the one they were going to have. Also, Vera says bout two or three sentences, it would be nice if you try to get her more involved in the conversation and make the dialogue a little more interesting.

4. Overall
Good thing is that you didn't have many spelling and grammar mistakes which makes the story a lot easier to read and a really good. I liked it, just pointed out a few things that I hope will help you improve your story.

XOXO
Pudin
Les sanglots longs
Des violons
De l'autonne
Blessent mon coeur
D'une langueur
Monotone.

Verlaine




User avatar
Gender None specified
Points 8954
Reviews 89
I have to admit, I wasn't very hooked on the story until you mentioned her performing magic. After that I was very interested to see how it panned out. I had a brief an initial 'hey magic school kind of like harry potter' moment, but once you started describing her life at school and her mother's views I could definitely feel the turn away from a 'harry potter world' atmosphere. And honestly, not having any Harry Potter vibe would be very difficult just because of the nature of the HP books. So I think your safe on that note.
I like the conflicts introduced here, and I'll be interested to see what happens next.
Good luck!!
If there's a book you really want to read, but it hasn't been written yet, then you must write it.~Toni Morrison

It is written in m life-blood, such as that is, thick or thin; I can do no other~ Tolkien




User avatar
Gender Female
Points 22732
Reviews 377
Hey Bick :)

Bickazer wrote:I will return reviews for this.

You don't have to, but if you did want to spend some time on this battle scene I wrote, then that would be awesomely appreciated. Comments in red, repetition, if there is any, in green. Hope this is helpful :) Spoilered so it doesn't clog up your review page.

Spoiler
Bickazer wrote:Unity [First off, having read what you wrote at the bottom as an author's note about this being similar to Harry Potter, I'm wary about "Unity" meaning the amalgamation somehow of the different houses in the magical school you set this in]
Chapter One: On The Train [As Stella said, perhaps starting on a train is not the best way not to draw parallels, if you know what I mean.]

As Vera Noble stepped onto the train platform, she realized that she’d barely spoken to her mother all summer. A stupid thing to realize now of all times, right before she was about to leave Fort James for nine months [It'd be less Harry-Potteresque if you limited this time to six months, or even three. Or the whole year, as some boarding schools do.], and if anything she should have known it all along. She had spent the entire summer cooking up excuses to get out of the house, but she’d spared little thought to the flipside of her efforts: that when this moment came, she would have nothing to say to Kathleen Noble [Just a small thing, you've provided her last name already, so it seems redundant that you've done it again].

Mother and daughter stood two feet apart and didn’t look at one another. The silence hung between them like a heavy curtain. Kathleen was steadying Vera’s large trunk [Another thing that sounds like HP. Even "duffle bags" or "suitcases" would make it less like HP] and Vera was clinging to the handle of her smaller suitcase, and she was trying to think of how to bid ["Bid" seems too formal. I don't bid my mother goodbye for nine months.] goodbye to her mother. It should be as simple as a hug and “I’ll miss you,” but the thought of lying made Vera uncomfortable. Perhaps it meant she was a bad person, or a bad daughter, but she’d never really conceived of Kathleen Noble as a mother before. More like a stranger with which ["of whom"?] she shared the house for three months of the year. Not that there was anything wrong with that, she told herself firmly. Better that they didn’t speak to each other at all than if they argued.


But to hell if she was going to show any weakness in front of Kathleen. She faced her mother and drew herself to her full height, which was exactly the same as Kathleen’s. But otherwise they couldn’t be more different. Kathleen was rail-thin and visited tanning parlors so often her skin had been burnt a shade bordering orange; Vera, by contrast, was chubby and pasty. Kathleen had dyed her hair platinum blond and styled it differently every other week; Vera was content to keep her dark strands lank and chin-length. Judging by the pictures she’d seen of her father, she thought she looked more like him than Kathleen, and that made her happy.

Kathleen was the one who fit it better with the residents with Fort James—almost all of her friends looked just like her. The kind of parents who went shopping and visited beauty parlors with their daughters. Her low-cut tunic top and jeans were stylish and brand new, and elicited less odd looks than Vera’s black blazer and knee-length pleated gray skirt. Not only was her uniform rather heavy for the weather (Vera did not want to think about the itchy band of skin under her collar), but few people in Fort James sent their children to boarding schools.


Vera had heard such laments from her mother before and should have just laughed them off—Kathleen was being unrealistic. Ridiculous, even. She should’ve known that Vera had no hope of being normal and popular ever since the Institute’s scouts had identified her magic talent at the age of eleven. [It would perhaps be less like HP if the scouts found people at an older age.] Vera had viewed their arrival as salvation from her dull suburban life in Fort James, and—even more ridiculously—a sign of her father’s legacy. Kathleen treated that day as the end of the world. And then started pretending it hadn’t even happened; she continued to wax romantic about her daughter the potential cheerleader and prom queen with disturbing sincerity. Sometimes Vera pitied her mother so much that she wanted to tell Kathleen that sure, okay, she’d go to Fort James High with all the other girls in town. Anything to make her mother happy for once in her life.


Well. Grammatically it was fantastic, I found no spelling or syntax errors. Your paragraph breaks were where they should be, and you know how to form coherent, understandable sentences. The style of writing is good, not jarring like some others. You don't have any unnecessary information dumps, and it was a very easy read.

What I really want to know is how Harry-Potter-ish this is. There's always a risk of a story about a magic school ending up too Potter-tastic. It should become abundantly clear soon that this is not a Harry Potter knockoff, but I'm worried a little about this first scene.


I don't know if I would read it if I picked it off the bookshelf in a store, as it does sound a bit too much like Harry Potter. There are several things you could change:

1) You could make the two worlds more harmonious. "Norms" and magicians (another thing that was similar to HP, norms = muggles, magicians = wizards/witches. The second, I know, is hard to escape drawing parallels to, but it's the whole setting that makes it glaringly obvious) could get along and live comfortably among each other. If the world was full of magic and technology, and half of the children of Fort James also attended other various magical schools, then this would be less like the exclusive HP wizarding world. The Institute could be a prestigious magical school. That way you can still get the whole "Vera is unique amongst everyone else at Fort James" thing. A world where magic is widely accepted would be way different to HP. It's just the mix of a normal world, and the mix of a magical world is always going to sound like Harry Potter.

2) Don't have the starting scene on at the train station. Even if the train doesn't transport Vera all the way to the Institute, the similarity to HP is still too obvious. Could she get to the school some other way? There are many other ways to travel to Upper New York; she could bus it, or fly, if she was older, she could drive herself.

3) You start the story before the actual story begins. Like the HP novels. Why don't you start the story in the middle of term one, in Intermediate Practical Illusion Weaving or something. Even better, why not make the school a college, or university. You'd have to raise Vera's age, but that would be a huge difference from the age range of HP. This ties back into point 1. Perhaps everyone in this world has a small amount of magical talent. Rudimentary Magic is taught at all schools, so people could learn to use their magic. Maybe not everyone has magic, and those that don't attend public schools that don't cover magical knowledge. But there are special schools, like the Institute where people can become advanced magicians and study different areas of magic (the way universities work with different fields of study). The whole Vera going to a magic school, is not accepted with her mother because she isn't "normal", the teenage scene - it all looks like Harry Potter. Change the world around Vera, and it'll become less like HP.

4) The "guilds". I know normal schools have houses. I was in Kougari and Hibiscus and Nebo and Hinkler in my four schools throughout my life. But. School Houses sound too much like HP now. "Guild" is a bit different, but if guilds = houses, and there are four houses and she hasn't decided which one she'd like to join. . . then that's Harry-Potteresque. Unless I'm entirely wrong, and a guild is the direction in which their education follows. Ie, Healing Guild, Defence Guild etc etc.

Other than those points, I didn't pick up on anything else that sounded like Harry Potter. But that's the problem, isn't it? It all sounds like Harry Potter.

Read this:

Spoiler
“Are you sure about this?” Kathleen’s voice was hesitant, quavering. “I mean…”

“Sure about what?” Vera said, although she knew exactly what her mother was talking about. She became immersed in a dried-up glob of blue gum next to her shoe.

“You know! Attending that school…” When Kathleen looked at Vera, her expression was critical. “You don’t have to go there, you know. You could be starting at Fort James High this year, with Jane and Alice’s kids.”

Rage and a flicker of disquiet rose inside Vera. She hated when her mother brought up this topic, because it hit closer to Vera’s heart than she’d admit. Kathleen didn’t think that Vera belonged at Hogwarts. Sometimes, Vera didn’t think so either. She didn’t seem right for Gryffindor.

But to hell if she was going to show any weakness in front of Kathleen. She faced her mother and drew herself to her full height, which was exactly the same as Kathleen’s. But otherwise they couldn’t be more different. Kathleen was rail-thin and visited tanning parlors so often her skin had been burnt a shade bordering orange; Vera, by contrast, was chubby and pasty. Kathleen had dyed her hair platinum blond and styled it differently every other week; Vera was content to keep her dark strands lank and chin-length. Judging by the pictures she’d seen of her father, she thought she looked more like him than Kathleen, and that made her happy.

Kathleen was the one who fit it better with the residents with Fort James—almost all of her friends looked just like her. The kind of parents who went shopping and visited beauty parlors with their daughters. Her low-cut tunic top and jeans were stylish and brand new, and elicited less odd looks than Vera’s black blazer and knee-length pleated gray skirt. Not only was her uniform rather heavy for the weather (Vera did not want to think about the itchy band of skin under her collar), but few people in Fort James sent their children to boarding schools.

Then again, few people in Fort James could perform magic.

“Mom,” Vera said. “I’ve been going to Hogwarts for three years already, it’s not like I’m not gonna suddenly change my mind right now.”

“You starting high school ought to be a big deal,” Kathleen said, giving Vera a baleful look. Vera folded her arms and glared into the heat shimmering in waves off the rusty tracks. Her armpits itched beneath her blazer and blouse. “We could have gone to buy school outfits together, I could have told you everything you needed to know about Fort James High and being a Jaguar…normal things, you know. But this year it’s just like any other year, you’ll leave for that place and you won’t see me again until next summer and you’ll give me the same silent treatment you’ve given me all this summer—”

“Mom, it’s cause I have nothing to say to you!” cried Vera, her frustration bubbling. “When you try to ask me about all those things, clothes and shopping and boys and movies, I don’t care, I don’t have those things at the Hogwarts. You never ask me about my classes or anything—you know, the stuff I care about!”

Kathleen’s lips pressed into a thin red line. “So you’d rather be one of them than a normal girl.”

Vera’s insides went cold but she refused to capitulate. Never, never show weakness to Kathleen Noble. She said, her voice thin, “Quit calling it ‘that place.’ It’s Hogwarts!”

“Even the name is horrible,” Kathleen said. “Such disgusting visual imagery… Vera, darling, I know that Fort James would be so much better for you! You’ve never had a chance to be a normal girl before, have you? I’m sorry, it was partly my fault, I didn’t do anything when the other kids teased you about your father…but can’t you see, you don’t have to follow in that dreadful man’s footsteps anymore! You can be a normal girl, don’t you want that?”

Every year, Kathleen gave some variant of this speech on the train station. Vera had rapidly grown tired of it and it was part of the reason why she hated saying goodbye to her mother. She wanted nothing more than to look forward to the coming semester at Hogwarts, but instead every time she left on the train, she was hurting inside like she’d just finished throwing up. Watching her other friends interact, even the ones who’d grown up with a nonmagical parent, made her jealous; none of them had to worry about disappointing their parents with every day they spent at Hogwarts.

“I know if you tried hard you could probably make the cheer team, maybe not varsity but pom at least,” Kathleen continued, her watery blue eyes creasing in pain. “If you really tried to lost weight and improve your image instead of skulking in your room all day, you’d be the darling of Fort James High. You can’t imagine how long I’ve dreamed of going to football games to watch you cheer and scream the old fight song along with you—”

Vera had heard such laments from her mother before and should have just laughed them off—Kathleen was being unrealistic. Ridiculous, even. She should’ve known that Vera had no hope of being normal and popular ever since Hogwarts had sent her a letter via owl about her magic talent at the age of eleven. Vera had viewed the school invitation as salvation from her dull suburban life in Fort James, and—even more ridiculously—a sign of her father’s legacy. Kathleen treated that day as the end of the world. And then started pretending it hadn’t even happened; she continued to wax romantic about her daughter the potential cheerleader and prom queen with disturbing sincerity. Sometimes Vera pitied her mother so much that she wanted to tell Kathleen that sure, okay, she’d go to Fort James High with all the other girls in town. Anything to make her mother happy for once in her life.

But there was Hogwarts and Zed and Ville and Louisa waiting for her and what would they say if they discovered that she’d left them to become a cheerleader? There was the magic her father had passed to her, of which she was proud no matter how much Mom tried to make her ashamed of it. Even if she hadn’t settled properly in the arms of Gryffindor warmth, even if she didn’t have a dream or goal the way most of her high-powered classmates did, at least she knew she belonged at Hogwarts more than she did at Fort James.

“And by now you should have your first boyfriend, you’re fourteen,” Kathleen continued. “When I was fourteen I dated Alec King for a semester, oh, he was the sweetest boy but just so clueless…you should have a boyfriend and you should go to slumber parties with your friends, maybe join the Spanish Club so you can go on that trip to Macchu Pichu, I did in my junior year, oh it was divine, oh, Vera…”

Kathleen was almost sobbing. Vera’s stomach twisted. “Mom, please…”

All Kathleen wanted was to talk with her daughter about school. And Vera would’ve gladly talked if she thought Kathleen would appreciate it. Tell her all about the house rivalries, maybe even share her woes about being unable to fit in properly. Tell her about the Quidditch matches that was held every few weeks and how she almost made Beater in the team try outs only to be eliminated by Colleen Nevermore. Tell her about creating kittens out of pots in Transfiguration. Tell her about…Zed.

But she couldn’t because Kathleen wouldn’t understand and didn’t want to hear those things. And Vera had long given up on explaining her world to her mother. Most muggles who had little contact with wizards were content to pretend the magical world had nothing to do with them, and Kathleen Noble was no exception. Even if she had married a wizard and produced a magical daughter.

“Why couldn’t you have been a Jaguar this year, Vera?” Kathleen whispered.

The train whistle sounded in the distance and was soon followed by the steady chug-chug of wheels on rails. Vera straightened, clutched her suitcase handle tightly, and said, “Because I’m a magician, Mom.”

They said nothing more, didn’t even look at each other, until the train arrived and Vera stepped aboard and stored her luggage and settled into a window seat. She rested her cheek on her palm and gazed out of the window at the station beyond. There was her mother standing on the Platform 9 ¾ , with a look of utter devastation on her face.


It's your work, only I've changed a few things to make it Harry Potter. If you want it not to sound like Harry Potter, you're going to have to change a lot. It'll be a big task. PM me if you change it, it'd be really interesting to see where you take this.
I have an approximate knowledge of many things.




User avatar
Gender Male
Points 5577
Reviews 672
Hello Bickazer.

As Vera Noble stepped onto the train platform, she realized that she’d barely spoken to her mother all summer.


She only realized that now? What has she been doing all summer?

More like a stranger with which she shared the house for three months of the year. Not that there was anything wrong with that, she told herself firmly. Better that they didn’t speak to each other at all than if they argued


I don't understand this relationship. How do they even get by? Why don't they talk to each other? There's too many logical gaps here.

Then again, few people in Fort James could perform magic.


Could use some elaboration. It's kind of an interesting point.

Every year, Kathleen gave some variant of this speech on the train station.


Really? Every year? Sounds rather far-fetched to me. I'm more curious as to what they talk about besides this.

They said nothing more, didn’t even look at each other, until the train arrived and Vera stepped aboard and stored her luggage and settled into a window seat. She rested her cheek on her palm and gazed out of the window at the station beyond. There was her mother standing on the platform, with a look of utter devastation on her face.

Vera turned away and didn’t look out of the window until the train started moving.


Seems like you were excited to get this up that you rushed the ending.

Overall impressions:

Hrmm. On the whole, this chapter can be summed up as being rather awkward. I can see what you're trying to do here, but I feel that the gaps in logic here has let you down.

I understand that Vera detests her mother Kathleen because 1. She is embarrassed by her mother trying to stay hip and 2. because Vera doesn't agree with her mother's ways. That I understand. However, it came out rather unrealistic. I don't get how their family dynamic works. Even if there is conflict between them, I don't think they'll just ignore each other so long as they are together. Look at Harry's relationship with the Dursleys as an example.

Your characters really need to be fleshed out. They aren't even characters at all. What the heck does Vera do in her free time anyway? Play World of Warcraft? Be a couch potato? God, anything would be nice right about now, as all I'm getting is that she sits idly at home all day like a statue. Is this how 11 year old girls behave nowadays? I get that she's kind of socially awkward, but come no. And I don't fully get why Vera would prefer to go to magic school than live a normal life. Yea, maybe the magical world is a lot more exciting than the human world and that she has people that she knows there, but what else? I think that by the age of 11, she'll have some rather tangible reasons for wanting to be in the magical world.

Kathleen is kind of bland too. I get that she's this mum that wants her daughter to adhere to the norms and is one of those mums that wants to stay "hip", but honestly, she's kind of weird to me. She seems to act way too teen-like for her age. When I was reading this, I actually thought that she was actually a teenager instead of a mum. The problem with Kathleen is that she lacks this sense of responsibility as a mother. Even if the mother doesn't really seem all that mature and does some pretty dodgy things, there should still be this understanding that it's her role to look after her daughter and to bring her up as a civil member of society. The question is to what extent you decide to show how "responsible" Kathleen is. Right now, her mind's all wrapped up in high school dynamics. What the heck? Isn't there more to her? Is this all they ever fight about?

Your dialogue needs work too. It came out forced, not only because of the points above, but it was like you were trying to use them as bullet points for your characters and of the magical world.

And just a minor nitpick, but are they the only two people on the platform? They seem so detached from the situation that they're in, but I'm not going to elaborate on this point.

Lastly, why is this considered fantasy? Besides having vague references to things like guilds, magic school and magic, the entire first chapter dealt mainly with teenage melodrama (and it was kind of boring because of how tedious it was). If this would of been a teen fic, it would of had the same effect. How exactly do fantasy conventions and elements play into this novel of yours? Even in the first chapter of Harry Potter and the Philosopher's stone, there were elements of fantasy woven into the prose, such as the influx of obscure events, people dressed in wizarding robes appearing on the streets, the Dursleys panicking when these events happen, the "mysterious" like tone etc. And not only that, but JK also played a big focus on establishing Harry's strange past and foreshadowing the idea that he is the only person that ever survived an attack by the Dark Lord himself. Sounds fantasy no?

Pondering as to whether this is similar to Harry Potter or not should be the last thing I would worry about. I think this has potential, but it needs to be thought about more carefully if this is to be a success.

I hope my review has helped. Good luck.

Andy.

P.S: I don't need a return review by the way. Just reviewing coz I felt like doing one lol.
Last edited by Squall on Tue Aug 03, 2010 5:16 am, edited 1 time in total.
"To the edge of the universe and back. Endure and survive."




User avatar
Gender Female
Points 1596
Reviews 66
I enjoyed reading this chapter, but i think this is a lot like harry potter for at least three reasons.
1. The train.
2. The fact that they start magice when they're 11
3. That the MC does not get along with her fam.

Pretty good otherwise, but could use a few improvements... I figure everyone else has already got them covered. =)
Xx This side of mortality is
scaring me to death
to death xX

-The Temper Trap: Soldier On




User avatar
Gender Female
Points 4198
Reviews 157
Thanks for all the reviews, everyone. I'm a little busy to reply individually right now but I promise I'll get round to it eventually. And PM me if you need anything reviewed in exchange.

In retrospect, this is the worst possible opening for this story. Thinking back on it, I realize that the setting isn't that much like Harry Potter, but that was not made clear in the opening scene. In particular, I realize I need to establish the fact that the magic and normal worlds coexist and are both fully aware of one another. Which could've been done better than a bad attempt at teen drama (perhaps unrealistic because I get along very well with my parents).

I'll continue writing this and go back and revise this opening scene later because as it is it can be completely replaced without changing anything, but I don't want to be trapped in that hideous cycle of writing and rewriting at the same time.

Thank you all, I hope some of you decide to stick with this story in future installments, which I'd say get better. But Death of the Author and all that, so don't take my word for it.
Ah, it is an empty movement. That is an empty movement. It is.




User avatar
Gender Female
Points 13389
Reviews 260
Hello my dear~ I’m so psyched to see you’ve got a chapter of a new work up! (Even though I should be working on that Linked Worlds review. >_> <_<)

Anyway! I saw a description of this story in your blog, and it sounds really interesting, so even though I’m tired and incoherent and randomly depressed right now, I decided to stop by. :D I know you’ve got a ton of reviews right now, all of which are way better than anything I could put together, but I’m going to bug you anyway, because that’s just what I do. XD

I really, really liked the opening of this chapter—it’s been were really good at establishing the characters and showing us the relationship between them, even if it was just Vera and Kathleen so far. I can definitely feel how much Vera is struggling with her mother and how much this is a bone of contention between them, and I can definitely feel how painful this is for Kathleen, how much she just doesn’t understand the situation and her daughter’s feelings and needs. I feel like she’s very far removed from Vera’s world, and I can understand, I think, how hard it must be for her to accept that she and her daughter essentially live in different worlds. There’s a part of Vera’s life that she can never ever be a part of, and I can see how that would be a struggle for her. Honestly, it seems like neither of them really understand each other—it’s sad, and I think it’s pretty realistic, really.

We haven’t seen much of it yet, but I am so psyched about the plot for this thing. :D I’ll admit it—I have a massive weakness for fantasy set in a school. (that’s a really specific weakness XD) Schools just have so much room for characters and subplots and interactions and all that stuff, and I also feel like they help to ground a lot of fantasy stories in incredible relatability—the realities of teachers and class and homework are things just about anybody can relate to. Most of all, though I think they just provide so much chance to enrich a fantasy world, and I’m not even sure why. XD I just know that they make urban fantasy feel so much more tangible and real to me, and I’m incredibly excited to see where this world is going to go to and how the plot is going to develop. There have already been some really neat hints so far, like the mention of the guilds, the way the institute scouts out potential students, the hints about the other students Vera mentions, and the mentions of Vera’s father… I’m super curious. :D

I know some people have suggested changing where the story opens, but I’m going to admit that I kind of like that it starts just before she goes to the school, instead of while she’s at it. I think it’s just the fact that I feel like this story is one that focuses more on the characters, their development and interactions, than on, you know, WOW COOL MAGIC!!!1111!1 Of course, I’m a weird sort of reader, one who gets really bored with that stuff and makes a beeline for characters right away (again, why do I choose fantasy? XD) so others might think of it differently. But I really think that a subtle start, focused on the characters and their interactions rather than the flashes and bangs of magic, suits this story well (especially since you talked about wanting to make it character driven in your blog XDD).

If I had to criticize this chapter, I’d say that the conversation between Kathleen and Vera kind of dragged on a bit. It didn’t take long for me to get the impression that Kathleen wanted her daughter to stay at home and be “normal” and live her life the way Kathleen did, so it feels kind of tiresome to have this matter be… I guess, elaborated on for the rest of the chapter? But when I look back over it, the convers ation itself wasn’t actually that long. I think the problem might simply be that Kathleen was explaining to Vera about how she wanted her to stay home in the dialogue, and Vera was explaining what Kathleen wanted in the narration—I think it ended up being just sort of redundant. It also felt kind of sort of infodump-y? I feel like the way Kathleen feels is really clearly shown through the dialogue, so Vera doesn’t really need to explain it to us.

Okay, now for Harry Potter. Really, it seems like the only real similarities are the train, the age at which students begin the school, and of course, the magic school itself. XD Sure, Vera doesn’t get on with her mom, but it’s certainly not in the same way that Harry doesn’t get along with the Dursleys. (By the way, the fact that my edition of Word doesn’t accept “Dursley” as a word is like the greatest tragedy of my life ever. XD) If you really want to avoid them, I suppose it is possible to change some of those connections—you could have the students start at ten or twelve, or make it a bus instead of a train. Most of the similarities so far are in the little details, more cosmetic, less important.

But I’m going to be honest with you—I really think merely the fact that this is a magic boarding school is going to make it really, really hard to avoid Harry Potter comparisons. You can definitely make it your own, you can develop these characters and make them amazing and give them depth, you can create an exciting and original world—I know you can, because I’ve seen all your monstrous talent firsthand. But I think the comparisons are going to be a little inevitable, just because Harry Potter is such a big thing in our generation’s collective experience. It’s just such a big pop-cultural thing that it’s hard to avoid. That doesn’t mean you can’t keep going with it (PLEASE KEEP GOING. XD) but I don’t think you’ll ever escape the comparisons entirely.

Well, now that I’ve spent 1000+ words saying nothing at all, I’d just like to say—I’m really excited about this concept and this story, and I hope you have as much fun writing these things as I have reading them, because you always inspire me to keep writing, to keep working hard, so one day I can be as amazing a storyteller as you are <3 (Though that’s a far-off day indeed XD). Keep up the amazing work, and I’ll see you in the next part. ^_^ And now I really ought to get to work on Linked Worlds edits… XD
"The world is not beautiful, therefore, it is." --Kino's Journey

Hey, how about a free review?



As my artist’s statement explains, my work is utterly incomprehensible and is therefore full of deep significance.
— Calvin