The Stars Are Watching (Chapter1)

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This is the first chapter to a new story I started writing last week. Out of all of my stories *EVER* this one has taken over to become my absolute favorite. You can find the Prologue here: viewtopic.php?t=65538
NOW!
Moving on...



…Chapter One…
Wynne woke to the sight of dappled sunlight speckling the backseat of the car. Her mother and father were talking quietly in the front seat, seemingly unaware of her wakefulness as yet. She quickly closed her eyes, turning her head as though still asleep towards the window before opening her eyes again. On the other side of the glass, there was only the forest rushing past. Lining the road on either side and bending it’s leafy arms above the road.
Sneaking a glance in the rearview mirror by her mother’s elbow, Wynne could see the medium-sized moving truck that had following behind them the whole trip. Packed full with the belongings that her father had permitted them to bring along. She still clearly remembered that night, just a few months ago when he had charged in the front door, his ice-blue eyes positively wild with excitement.
“They’ve promoted me!” he had declared, spinning her mother around the room, laughing the whole while. “I’ll be the head of the whole emergency ward!”
“But what about Dr. Wren?” Wynne’s mother had asked next, laughing along with her father the whole while, and that was when Wynne had entered from the living room.
“Oh, no, no ,no!” Dad had answered, shaking his head and running his fingers through his constantly untidy hair. “We’re not staying here, we’re moving!”
Mum’s gasp hadn’t been nearly enough to describe the way Wynne’s heart had shot downwards.|
“Moving? How soon?”
“Not a week from now!” Dad had replied, before dashing up the stairs. Presumably to get a head start on the packing.
Dad had been wrong though. It was more then a week, because the house hadn’t sold right away. But Wynne was quite fine with that. She was fourteen! She had friends back in Vancouver, and there were familiar places and the plans that she had had for the rest of the summer. For the rest of her life too!
The thought had crossed her mind to simply deny that she was moving, and lock herself in her room. Refusing to leave. But then there was a certain romanticism about the whole idea. It was quite tragic really. And if the whole event had been taking place in a novel, she was sure that the heroine would eventually make things end up okay.
“Wynne? Are you awake?” Mum was leaning around her seat, nudging Wynne’s knee. “We’re almost there.”
Wynne straightened up, turning her gaze from the forestry outside to her mother’s face, leaning around the side of the seat. Mum didn’t look anything like her. She knew that as plain as day. Often, she had looked in the mirror and wished she looked like her mother. But it hadn’t happened yet.
Her hair was long and perfectly straight, but layered in a way that when she tossed her head, it seemed to been a little bit of gold. Her face was beautiful and kind, and Wynne didn’t think that she ever got angry. She used to be a actress, or so Dad had told Wynne many times. But whenever he mentioned the topic, Mum only blushed and looked down smiling.
“Yeah, I’m awake.” Wynne answered, returning her mother’s smile before looking back to the window.
“The town is just coming up here.” Dad said, glancing at her through the rearview mirror. “Our house is just on the edge of it.”
Wynne nodded.
Dad was the one whose looks Wynne had inherited. What with his wild, curly black hair that stuck out at every angle, depending on how early he got up. But if it was earlier then nine, it was sure to be utterly untamed. His face was darkly tanned from the hours that he spent outside. Whether it was running, working, biking or fishing. While his nails were almost more well manicured then her mother’s. But it was his eyes that everybody remembered.
Back in Vancouver, nobody knew the name of Dr. Lewis. There had been another Dr. Lewis working in a orthodontist’s clinic who was quite well known, but if you asked about the one working in the hospital. Well! No one knew of that man’s existence. But if you asked for the man with the slightly insane, sharp blue eyes. Nearly everyone who has made acquaintance with him would remember.
Wynne had the same dark hair, though it was only half as curly. And she nearly constantly kept it pulled back in a ponytail, of which only a few small strands could escape and curl. Her face somewhat resembled him, with a small mouth and wider cheekbones. Her eyes were blue, but not as bright and hardly as memorable as her father’s.
She wished to be memorable, almost as much as she wished to be pretty.
But not quite as much.
The car came to a slowed halt on a cement pad just off of the road. Quickly coming back to the present, Wynne turned to the window to find herself facing the highway that had just been traveling. But across the road was a series of houses. Each dramatically different then the other. Some with roofs caving in and vines growing up the sides, and others with neatly cut lawns and freshly painted sides.
“That’s our house.” Dad said, rolling down the window and sticking his head outside. Looking in the opposite direction that Wynne had been.
Wynne was surprised, she had only see trees and weeds where her father was looking now. But when she undid her seat belt and crawled to the other side of the car, she could spot the barely visible stone staircase that seemed to have been built into the very side of the mountain.
“Alright. I see stairs.” Mum was saying from the front seat. “But where’s the house?”
“Up.” Was Dad’s only reply.
Wynne stopped looking at the stairs and tried looking up the side of the mountain. After a very long flight of steep steps, you seemed to finally reach the house, which appeared as only a brown shingled roof against the greenery.
“You said it’s old, isn’t it?” Wynne asked, rolling down her window to get a better look.
“Yes, built in eighteen-ninety-three. Nobody has even lived it for the past twenty-some years.” Wynne could hear the barely concealed excitement in her father’s voice. As well as being a good doctor, he was also an enthusiastic history buff.
“Carry groceries up those stairs isn’t going to be fun.” Mum sounded much less excited by this prospect, and the movers who had gotten out of the truck behind them seemed to be thinking the same thing.
“Alright, let’s start the unloading!” Dad called to the trio of men, getting out of the car and starting towards the stairs. Not even bothering to close the door behind him.
“Are you excited about moving here?” Mum asked quietly, looking to the backseat where Wynne was still perched on her knees, looking up at what was to be her new home.
Wynne paused. She was momentarily unsure of whether to lie or not, then just shook her head, shrugging. “Whatever.”
It wasn’t much of a response, but as her mother turned and got out of the car she could have sworn she heard Mum mutter. “Me too.”
Then, for the first time, Wynne realized that she might not be the only person unhappy about the move.
"With all due respect, sir. I distrust your hat entirely."-- Jae Marquis




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Heeey, this is an excellent piece of writing. Absolutely by the book, and by the good book, not by the crappy book at that :smt003 .

Good sense for psychological details. Especially the teen of course. Now, since if you try to give a similarly in-depth account of adult behavior or motivation you'll trip up immediately, /dad rushing up the stairs after anouncing the moving is on the edge of this/, I would reccomend that you keep descriptions of adult minutae dry and matter of fact, and compensate details through the protagonist, and any other teens if they pop up as the story unfolds.

Here are a few things I noticed:

Wynne could see the medium-sized moving truck that had following behind them the whole trip.
- a bit faulty in structure a bland but working version would be 'that had been following their car during the whole trip' a non-bland working version - well, that would be up to you :D

Packed full with the belongings that her father had permitted them to bring along - this sentence has a second half which clashes totally. Two topics tied together in an unnatural manner, maybe you should give them their own sentences.

“They’ve promoted me!” he had declared, spinning her mother around the room, laughing the whole while. “I’ll be the head of the whole emergency ward!”
“But what about Dr. Wren?” Wynne’s mother had asked next, laughing along with her father the whole while, and that was when Wynne had entered from the living room.
- two things here, a) both are described as laughing 'the whole while'. b) if we are in the memories of Wynne, then what was said and who span whom in the room while Wynne was not in the room is not something which is contained in Wynne's memories. But it's a nice scene, so I suggest you find a way to have Wynne witness all this a minute earlier or something.

Between the end of the memories and mom turning around and asking Wynne if she is awake, I suggest you put three stars to signify the shift. Or signify it in some other way, perhaps with an explanatory sentence

... when the car slows and stops, Wynne shouldn't be 'returning to the present', because her memory trip has already been and gone, after that was a moment of real time in the car, and after that we had the explanation of who looks like whom. So here, as opposed to the above need for something to signify the shift - here there is no need. After the info about curling strands of hair we can resume real-time without the need for a 'bridge' like the 'returning to the present'

Anyway, as you can see - just minor structural/internal logic issues from my point of view. But let me say that again - very nice text so far. Almost elegant at points
she got a dazed impression of a whirling chaos in which steel flashed and hacked, arms tossed, snarling faces appeared and vanished, and straining bodies collided, rebounded, locked and mingled in a devil's dance of madness.
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Heeeeello there :)

This is really good! I was only able to find a few grammatical errors, and they were things that were probably just missed when you edited. Napalmerski said pretty much everything that I was going to say, so I don't need to spend the time repeating all of that. There was only one thing that I wanted to point out.

“Yes, built in eighteen-ninety-three."


Now, this is really, really small, but I just thought I'd point it out. In a novel, like this, if a number is below 100, you write it out (ex. Fifty-Two), but if it is over 100 you just write out the numbers. Because you were using a date it should have been like

“Yes, built in 1893."


Other than that, there was nothing really. This chapter could have been a bit longer, but that doesn't really matter. I'm excited for the next chapter!

By the way, I'm pretty sure the house they moved into was the one from the prologue, correct?
Feel free to message me if you have any questions about anything I said, or to let me know when the next chapter comes out!
~~DisturbedDisorder~~

I am a little more provocative then you might be..
It's your shock and then your horror on which I feed..
So can you tell me what exactly does freedom mean..?
If I'm not free to be as twisted as I wanna be..!?

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Hey! I'm phaix, lovely to meet you. I really enjoyed this, i hope there's more to come! I really want to know more about the house and what adventures it could bring for Wynne. You write well in a way that (most of the time!) flows nicely and is really engaging :D anyway, to the review!


On the other side of the glass, there was only the forest rushing past. Lining the road on either side and bending it’s leafy arms above the road.


This sentence is a little shakey, I think it's the full stop that breaks up the two sentences. Think about changing that :)

“They’ve promoted me!” he had declared, spinning her mother around the room, laughing the whole while. “I’ll be the head of the whole emergency ward!”
“But what about Dr. Wren?” Wynne’s mother had asked next, laughing along with her father the whole while, and that was when Wynne had entered from the living room.


I liked the first one, but then the repetition isn't good. One or the other!


“Not a week from now!” Dad had replied, before dashing up the stairs. Presumably to get a head start on the packing.
here you break the sentence with a full stop again. Use a comma instead :D

But Wynne was quite fine with that. She was fourteen! She had friends back in Vancouver, and there were familiar places and the plans that she had had for the rest of the summer. For the rest of her life too!
Back in Vancouver? At the moment she is thinking this, she hasn't moved yet right?


Wynne had the same dark hair, though it was only half as curly. And she nearly constantly kept it pulled back in a ponytail, of which only a few small strands could escape and curl.
I really like this description :)

“Alright, let’s start the unloading!” Dad called to the trio of men, getting out of the car and starting towards the stairs. Not even bothering to close the door behind him.
Oops! You did it again :)

I hope I have been helpful :) PM me when there's more!

Phaix
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Very good. :smt040 I really enjoyed this.

Wynne woke to the sight of dappled sunlight speckling the backseat of the car. Her mother and father were talking quietly in the front seat, seemingly unaware of her wakefulness as yet.

I'm not sure why, but this makes her seem to be younger- like nine or ten. It could be just me though. :)

On the other side of the glass, there was only the forest rushing past. Lining the road on either side and bending it’s leafy arms above the road.

These two should be combined. ;)

She had friends back in Vancouver, there were familiar places, and the plans that she had had for the rest of the summer. For the rest of her life too!

Some punctuation errors. I used bold for the editing. ;) "There were familiar places" seems a little anti-climatic. The best thing to do is list a few. :D

But then there was a certain romanticism about the whole idea. It was quite tragic really. And if the whole event had been taking place in a novel, she was sure that the heroine would eventually make things end up okay.

I found this slightly amusing. :D It could tie very well into the fact that her mother is an actress, or Wynne being a book worm, "Yes, just like Jane Eyre (or some other character) FORCED to wander the moor....." :D

...outside to her mother’s face, leaning around the side of the seat.

At first, it sounded like Wynne was leaning around the seat, not her mom. ;)

Back in Vancouver, nobody knew the name of Dr. Lewis. There had been another Dr. Lewis working in a orthodontist’s clinic who was quite well known, but if you asked about the one working in the hospital. Well! No one knew of that man’s existence. But if you asked for the man with the slightly insane, sharp blue eyes. Nearly everyone who has made acquaintance with him would remember.

This description is good, but seems a little out of place. Perhaps you could insert some thoughts from Wynne on this, like "I want dad to be happy, but this is a little ridiculous," etc., etc. ;)

That's all I got. :D Very good. Nicely done. I like how you gave Wynne and her parents a good relationship, albeit an imperfect one. It's a refreshing change from the "teen angst" and all that entails. :D :D Again, keep writing! I love your work. :D

*Seraph*
:smt051
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Hey Jokeless, it's Stella here! I can't find your prologue... I'm hoping it's not too important (I don't much like prologues anyway)...

I. NITPICKS

Wynne woke to the sight of dappled sunlight speckling the backseat of the car.


Weather! Yay! Excitement!

Lining the road on either side and bending it’s leafy arms above the road.


his, her, its, he's, she's, it's. See the pattern?

Wynne could see the medium-sized moving truck that had following behind them the whole trip.


that had been.

and that was when Wynne had entered from the living room.


If she just came in, then how did she know they were spinning around?

Her hair was long and perfectly straight, but layered in a way that when she tossed her head, it seemed to been a little bit of gold. Her face was beautiful and kind, and Wynne didn’t think that she ever got angry. She used to be a actress, or so Dad had told Wynne many times. But whenever he mentioned the topic, Mum only blushed and looked down smiling.


Try to avoid big fully descriptive passages.
“That’s our house.” Dad said,


Confused about dialogue punctuation? Here!

“Carry groceries up those stairs isn’t going to be fun.”


Carrying.

Okay.

II. BEGINNINGS

I know how hard beginnings can be. The thing is, you've got to try and grab us. So far, Wynne's moving far away to an old house- an experience I just had personally. But even still, it's used to often in fiction, it's really nothing new. Why are you giving us all these details about her father's life in Vancouver, when you could be building for a story! Surely that's more fun? I'd like to see you start in a more grabbing way, give us a reason to keep reading. Right now, she's moved house. Oh, cool. Great. So what else is going to happen in your story?

III. OVERALL

It was good, just a little boring.

Hope I helped, drop me a note if you need anything!

-Stella x
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Hey there.

Wynne woke to the sight of dappled sunlight speckling the backseat of the car.


Na, never start with an opening of someone waking up. It's been done many times. It's cliche.

Her face was beautiful and kind, and Wynne didn’t think that she ever got angry.


You would of been better off showing how kind she was from that conversation they had at the start.

Overall impressions:

I think you have some idea of what character development is and I give you kudos for it. When I finished reading this, I had a pretty good idea of who the main character and her family was like. Your sentences also flowed reasonably well and are to the point.

What I think you could work on however is deciding what is relevant and what's not. The middle of the story dragged somewhat because you were talking about physical appearance and their occupation from out of nowhere. It seemed like you were trying to add filler to this in the hopes to add more depth to it.

Andy.
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"The thought had crossed her mind to simply deny that she was moving, and lock herself in her room. Refusing to leave. But then there was a certain romanticism about the whole idea. It was quite tragic really. And if the whole event had been taking place in a novel, she was sure that the heroine would eventually make things end up okay."
This right here. This gives me a lot of insight into what kind of character she is. >.< Also, you've done a very good job here of playing off the oft-used 'I'm moving and my life sucks. T-T' character rant and giving us something unique. Well done. ^^

"She wished to be memorable, almost as much as she wished to be pretty.
But not quite as much."
Again, AWESOME character development. Great job of showing us what's important to the character.

Not a whole lot has happened yet, but I'm thinking this has a lot of potential. :) The writing's good so far, and again, I'm really liking your characters... Keep up the good work. :)
"Pay Attention. Pay Close Attention to everything, everything you see. Notice what no one else notices, and you'll know what no one else knows. What you get is what you get. What you do with what you get is more the point. -- Loris Harrow, City of Ember (Movie)



I was flummoxed by fractious Franny's decision to abrogate analgesics for the moribund victims of the recent conflagration. Of course, to display histrionics was discretionary, but I did so anyways, implicating a friend in my drama to make the effect cumulative. I think a misanthrope would have a prosaic appellation, perhaps one related to autonomy and the rejection of anthropocentrism. I think they wouldn't think much of the prominence of watching the coagulation of tea to prognosticate future malevolent events, not even if those events were related to jurisprudence.
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