A Ghost Story

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Subratoo and I were engaged in that debate again.

"That's not possible, dude." said I.

"But I saw her. She was here yesterday night."

"She has been dead for a month now," said I defending my point. "You loved her and you're obsessed with her even after she's gone and that's the cause of your delusion. It isn't her spirit; it's your mind."

I have always been a rationalist; my mind wasn't prepared to accept even a tiny bit of what he related of her return.

Julia died last year, on the night before her and Subratoo's wedding, in a car accident. Although Subratoo was in the same car, he survived that fierce crash; Julia wasn't that lucky though. In reality she was luckier than him. His survival was the cause of his constant torment. He wished he could die instead of her.

Subratoo had been my best friend since we were four. We played together, we fought over small things, we backed each other in times of need. Then, my father was transferred to a different city, I went to college and got a job. In years, we only exchanged a few phone calls and text messages. Then he told me that he was going to get married soon. Unfortunately, the Command had sent me to the North-East with my company to eliminate the armed rebels there. So I told him that I couldn't be there on his marriage day--which unfortunately never arrived. On the day which was supposed to be his wedding day, I called him. It was then when he told me of the unfortunate accident that had taken place the previous night. I could feel the pain in his voice, which had gone hoarse of weeping, I believed.

When the rebels in the North-East were under control, I could arrange a two month vacation to my grandmother’s place.

"You don't know how real it was. I'm sure my senses didn't deceive me. She was here...She was here." Subratoo said, resting on the boundary wall of the terrace, looking into the dark infinity and gazing the night sky when he'd finished.

I knew that he wasn't going to get contented with my pure reasoning and so I gave up trying. Then a breeze of wind came...

"I feel her presence, Subash. Please, go. She won't show up unless you're gone."

I somewhat got offended by this, but I didn't resist and left.

Next morning I went to his house and found the door locked up. I called him and he said he was in his office and would be home by nine in night.

I returned in the night around ten. We talked--about his life and mine--till the midnight and then he asked me to leave, for she'd come again. He said that she visited her at the midnight daily.
It all had become a routine from then on--I visited his place around ten, we hung around till midnight and then I'd leave.

Then, there was a Sunday. I thought I could go to his place even in the daylight but when I reached his home, I found it locked again. I called him to inquire and he said that he was at the cemetery, at Julia's tomb. I thought for a moment that I should go there too, but then decided to give him the moment of privacy.

Subratoo was my best friend, but he was troubled. He had been thinking about Julia and her spirit too much. In these years working for the army, I had killed and seen so many getting killed, but no one's spirit ever returned.

It was September 19th—Subratoo’s birthday. I knew he remained busy in the day, so I waited for the night. He needed some refreshment, so I bought a cake and some soft drink bottles for him.

In the night, my grandmother saw me leaving with the cake.

“Going somewhere, Subash?” she said.

“Yes, Grandma. To my friend’s place. It’s his birthday.” replied I.

“What’s your friend’s name, Subash?” inquired she.

“Subratoo, Grandma. Don’t you remember the boy I used to play with when I was a kid? You called him Subru Babu.” I answered.

“What? Subratoo? Subratoo Chatterjee?” She looked puzzled.

“Yes, Grandma. Why, what’s the matter?”

“He died last month in a car crash with his fiancée,” she said in seriousness, “Did’t you know that?”

“No, grandma, he survived. Though Julia, his fiancée died in the crash.” I told her.

“I’m quite sure they both died.” she said, tickling her nose.

“You must be mistaken. Okay, I’m going now.”—with this I left the house.

I reached Subratoo’s house. It was locked again. I thought he’d be at his office. I dialed his cell phone number…it said that the number was unreachable. So I knocked at his neighbour’s house to inquire if they knew where Subratoo would be at this time.

A lady opened the door. I asked her if she knew where Subratoo had gone.

“Who’s Subratoo?”—she asked a question in the answer to my question.

“The guy who lives there.” said I, pointing to Subratoo’s house.

“What? That guy? That guy died a month ago. That house has been locked since then.” She replied.

“What rubbish! I’ve been talking to that guy for a week face to face.”—I had started to get little worried.

“You need a psychiatrist.”—she flung the door shut on my face.

I tried several other neighbours, but they all related the same story that my grandma and that lady had already told. Sweat had wetted my shirt and my face. I tried dialing his cell phone number again…it wasn’t reachable. I checked my phone’s Recent Calls list. All the entries that described my conversations with him had vanished. I checked my inbox—all the text messages I received from him in the month were not there.

I never felt the breeze of air so cold and scary. The rustle of the trees and the dark night made me feel vulnerable. I dropped the box of cake and the plastic bag that contained the soft drink bottles on the road. I felt no strength in my knees; I bowed down.

I must have spent about an hour in that position—resting on my knees in the middle of that lonely road—when honking from a car brought me back to my senses.

Next day I reached a local library, searched for a month old newspaper. It said:
“August 2nd, 2011
A truck and a car collided on National Highway-7 last night. The sources say that the truck driver was drunk which led to this fierce accident. Both of the passengers in the car, Julia Williams and Subratoo Chaterjee, died in the car crash. The police have arrested the truck driver.”

My rational mind fell into shreds.
Last edited by 343GuiltySpark on Fri May 06, 2011 5:25 am, edited 1 time in total.
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Oooooooooo Scary! I loved it! I don't see anything wrong with it at all! Keep writing, I like that feel of chills running down my spine that you gave me with this story!

Kayla
"Insanity is doing the same thing over and over again and expecting different results"... Writing is basically the same thing, but more fun.




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"That's not possible, dude," said I.

Said I sounds strange. You may want to change it to I said.

"She has been dead for a month now." said I defending my point, "You loved her and you're obsessed with her even after she's gone and that's the cause of your delusion.

There should be a comma after now and a period after point.

It isn't her spirit, it's your mind."

The comma should be a semicolon.

Then, my father was transferred to a different city, I went to college and got a job.

There should be a comma after college.

She was here." Subratoo said, resting on the boundary wall of the terrace, looking into the dark infinity and gazing the night sky when he'd finished.

The period after here should be a comma.

She wouldn't show up unless you're gone."

To keep this in the same tense, change wouldn't to won't.

We talked--about his life and mine--till the midnight and then he asked me to leave, for she'd come again.

Till the should be until.

He said that she visited her at the midnight daily.

She should be he. Also, the the isn't needed.

I visited his palace around ten, we hung around till midnight and then I'd leave.

Palace should be place.

Then, there was a Sunday. I thought I could go to his place even in the daylight but when I reached his home, I found it locked again.

There should be a comma after daylight.

It’s his birthday” replied I.

There should be a comma after birthday.

“Subratoo, grandma.

Grandma should be capitalized.

“What? Subratoo? Subratoo Chatterjee?”she looked puzzled.

The dash isn't needed.

“He died last month in a car crash with his fiancée,” she said in seriousness,Don’t you know that?”

The comma after seriousness should be a period. Don't should be didn't.

Though Julia, his fiancée died in the crash.” I told her.

The period after crash should be a comma.

“You need a Psychiatrist.”

Psychiatrist should be lowercase.

I tried several other neighbours, but they all related the same story that my grandma and that lady had already told.

Neighbours should be neighbors.

The sources say that the truck driver was drunk which led to this fierce accident.

Fierce doesn't quite make sense in this sentence.


This story is very intriguing. It never lost my interest.

There are a few sentences that you may want reword. A little proofreading should help that.

The other minor problem I can see is exactly how to use quotation marks. This website could be useful:
http://www.grammarbook.com/punctuation/quotes.asp

By the way, welcome to YWS!
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""She has been dead for a month now." said I defending my point, "You loved her and you're obsessed with her even after she's gone and that's the cause of your delusion. It isn't her spirit, it's your mind."" This is a very... Logical way of arguing, but arguing isn't always logical. At this point he just sounds all stiff and scientific about it. I would make him sound a little more impassioned. "She's been dead for a month! You loved her, you're obsessed with her even now that she's gone... It isn't her spirit, it's your mind!" (Love that last line, by the way. ^^ )

Lots of telling instead of showing. :[ You're basically summarizing their entire lives, and even though some of this is pretty tragic, your MC doesn't seem to care. Maybe he is 'a rationalist', but right now he just sounds like a robot. Unfeeling. Uncaring. Frankly, hard to connect with or care about. And if we don't connect with your MC, we're not going to connect to the story as a whole. Think. Is there a way you an incorporate this information without flat-out telling us? Through dialogue, or something?

Can he tell us a little more what her appearance was like?

"but then decided to give them the moment of privacy. " This makes it sound like he believes dead-chick is really there. Does he start too, after this goes on for some time? If not, I would maybe change it to 'give HIM the moment of privacy.' Respecting his friend without indulging in what he's already called unbelievable.

Hm... This could be a good old startling ending (I've seen it a number of times before, but if the execution is well-done, I think you're good), but I found myself not able to believe it. Wouldn't he have figured all this out before? Where did his grandma think he went every day? Wouldn't the neighbors have seen him going to the house to speak with him all the time? Is his friend a ghost, or is the MC just insane?

I think this has potential, but it still needs some polishing, and the ending may need a little work, as does your character development and showing versus telling. :]

Keep writing. :)
"Pay Attention. Pay Close Attention to everything, everything you see. Notice what no one else notices, and you'll know what no one else knows. What you get is what you get. What you do with what you get is more the point. -- Loris Harrow, City of Ember (Movie)




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Hey! Hawk here for a review. (:

Okay, so first off I've just got to say that I love ghost stories, and this was a good one! As silentpages said, I feel like it could use some polishing before reaching its full potential -- but more details on that later on.

I think my main nitpick would be the way you introduce the ending. It felt too soon; I think you could have really expanded it and stretched it out so that the surprise came at the end. Maybe you could show him going to visit his friend and have someone ask why he's going to the locked-up house, planting the first seeds of confusion and doubt in his (and the reader's) mind. I just feel like it's a good twist, and that you introduce it early enough to make the stuff afterwards pale in comparison and lose its mystery and intrigue.

I also felt like you did a lot of telling instead of showing. I realize this is a short story and you have to expedite some of the back story for the rest of it to make sense, but I still feel like there are some things you could explain through dialogue between the two characters.

A minor issue I noticed is your grammar punctuation, and I'd like you to take a look at this post. Demeter does a fantastic job of explaining when and where those pesky commas or periods should go. I use it all the time.

On that same note, the beginning seemed awkwardly formal. Take a look:
"That's not possible, dude," said I.

"Said I" isn't something you really hear or read anymore; it feels antiquated and belongs to those old-time stories. The use of "dude" immediately counters the possibility of this story being written from the past. I would cut the formality and just go with plain old "I said."

As for the last sentence, I absolutely loved it -- don't change a word! It was perfect, the way you wrapped back to the rationality that you mentioned at the beginning. This whole story is great, and with some cutting and cleaning I think it could become simply perfect. It reminded me a lot of The Sixth Sense, which I really enjoyed.

That's all I've got to say. Keep up the good work, and let me know if you've got any questions or whatnot. Cheers! (:
There are two kinds of folks who sit around thinking about how to kill people:
psychopaths and mystery writers.

I'm the kind that pays better.
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Thanks for your advice and critique, people. I've tried to fix some grammar and punctuation errors as advised. Regarding the Telling vs. Showing problem, I still need to learn a lot.
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Subratoo had been my best friend since we were four. We played together, we fought over small things, we backed each other in times of need. Then, my father was transferred to a different city, I went to college and got a job. In years, we only exchanged a few phone calls and text messages. Then he told me that he was going to get married soon. Unfortunately, the Command had sent me to the North-East with my company to eliminate the armed rebels there. So I told him that I couldn't be there on his marriage day--which unfortunately never arrived. On the day which was supposed to be his wedding day, I called him. It was then when he told me of the unfortunate accident that had taken place the previous night. I could feel the pain in his voice, which had gone hoarse of weeping, I believed.


Is this entire paragraph necessary? You wrote it to develop character between Subratoo and the narrator. Why not write a quick scene doing the same thing? It will be less invasive, more effective, and more fun to read. My eyes glaze over paragraphs such as these. I find myself wondering why I should care, because this kind of narration doesn't evoke any emotion.

I enjoyed the evolution of the main character, from a rationalist into a broken believer. However, to voice RangerHawk's concerns, the reveal was way too sudden. His grandmother outright saying that he died ends the story for me. It seems pointless to read on because now we know that it's the main character who's being delusional rather than his friend. And you don't give any hints that might suggest weaving back and forth; you know, something like a breadcrumb of proof that Subratoo just miiiiight be a real person, or, before the reveal, that he just miiiiight be a ghost. These stories are propelled by curiosity and suspense, and you kind of kill both of those when you outright reveal that Subratoo was a ghost. Although I read your whole story, I lost interest after that sentence.

On that note, why did the friend vanish when he did? Usually in stories like these ghosts vanish after completing some kind of goal. What goal did Subratoo accomplish, then? Or did he vanish for no reason? In "real life", ghosts may well appear and vanish without a reason, but when you write a story, readers expect answers for such important plot turns. You could very well write an emotional scene that serves both as character development (by which you could also relay plot information without infodumping), and as a reason for the ghost to leave.

Your ghost,
cC
_




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I am not usually much for ghost stories, this however has an interesting appeal to me.

Other then what the above reviewers have already stated I can see no problems with it.

I love the way your ending just drops! It leaves the reader wanting more.

Well done and keep writing,
~FW~
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