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  • Other Poetry Re: These Words

    It hasn't got any substance at the moment. Where are the descriptions? It's just a retelling. One of the most important things about poetry is that you need to show ...

    Jun 21, 2008
  • Lyric Poetry Re: The Prologue to Everything

    I'm not so keen on Maybe you wrote it, maybe you didn’t. It’s this arbitrary nature that separates man from beast, bird from the foul world that taints us from ...

    Jun 21, 2008
  • Lyric Poetry Re: Surrender

    All our secrets lie bare before us. The sheets are a pristine white canvas, ready to cloud with our frustrations. I'd probably cut those first two lines. They're too said. ...

    Jun 19, 2008
  • Dramatic Poetry Re: Soliloquy of an Unknown Soldier

    How I longed for the day I would see the sun we always sang about in this soulless hell. With your first stanza, there definitely is something about the flow ...

    Jun 19, 2008
  • Dramatic Poetry Re: World Moves

    It's an interesting poem. I really liked the way that it was narrated. The idea put forward first and then the creative way that it is metaphorically described. My main ...

    Jun 19, 2008
  • Dramatic Poetry Re: 20 September, 2051

    Now I am sixty and my eyes are failing, so the blue-hued kettle on the kitchen counter becomes a dark apparition. A marauder’s mask with horns; scarier still I cannot ...

    Jun 18, 2008
  • Lyric Poetry Re: That Lucifer Girl

    First off, your first stanza. The tone comes across very bitter. Nothing wrong with that. It is probably my favourite stanza. But it doesn't make the next stanza very consistent. ...

    Jun 11, 2008
  • Dramatic Poetry Re: Your Words

    Your words are sweet and kind to me, cliché words, so I am told. You don't make your meaning clear here. For example, taking the phrase without "cliche words", it ...

    Jun 11, 2008
  • Lyric Poetry Re: A Hug

    First off, you need punctuation. It is very important. Full stops are like a sudden blackout. Commas, a breath before you jump. They say things implicitly. Plus they make dividing ...

    Jun 10, 2008
  • Science-Fiction Novels Re: The City that Forever Sleeps

    Your first paragraph. Not gripping enough. An apocalyptic story needs to really grab the reader from the start and you don't do that here. Well, why doesn't it grip me ...

    Jun 10, 2008
  • Narrative Poetry Re: Broken-IN-love.

    Okay two things to start. One, you need a ratio of two reviews to one post. It's a good idea because more people will post on your work if you ...

    Jun 10, 2008
  • Dramatic Poetry Re: Wake Up

    This doesn't go anywhere. You're talking about how it's crazy that things aren't the way you think they are, I think. But you don't illustrate that very well. You simply ...

    Jun 10, 2008
  • Narrative Poetry Re: The Audition

    Okay, firstly (and something other many others will remind you to do) you need to maintain a 2:1 ratio of critiques to posts. If you do this, people are more ...

    Jun 10, 2008
  • Dramatic Poetry Re: Summer Heat

    I liked this. It was a new slant on something and well described. I feel him surveying me, stalking me, smothering me in his arrogance. In his arrogance doesn't work. ...

    Jun 10, 2008
  • Other Poetry Re: Thank You

    Well first off, you need punctuation. Badly. There isn't one full stop in there. It makes the poem weaker. Full stops add finality. E.g. You disgust me. Commas, well they ...

    Jun 10, 2008


If a dog will not come to you after having looked you in the face, you should go home and examine your conscience.
— Woodrow Wilson