When I was Seventeen

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I don’t suppose what happened to me up ‘til then, when we were surviving on the streets and living out each day like our last was very interesting. Most of my life had been disappointingly bland, devoid of excitements or funny memories that fill up wedding speeches and family albums. To all intents and purposes, I was born to social royalty in upper class New York to a wealthy father in the journalism business and a mother who would keep up appearances until we all went blind.

I was never going to love her. For one thing, I hardly saw her. And for another, I barely knew her. Most of what I collected about her I heard from my maids and babysitters- she was a weak, deranged woman who wouldn’t leave my father if he announced he was moving one of his many mistresses in to live with us. I’d always known he was nothing but a baboon with too much money and an underdeveloped brain. He was a stranger and an idiot to me. I was content with that.


I couldn’t fault my parents completely however. Because, through some clear misjudgment of fate was granted two things I knew I would have never survived without.

The first was my brother Luca. From the moment they brought him into the baby blue nursery down the hall from my own, I knew that they had made some glorious mistake in their miserable lives and gave me him. Looking back, Luca was nothing particularly special- he was just a kid who happened to end up in the same crazy family as me, someone who played tricks on me and occasionally made me cry with his insensitively, but who always knocked my door at the end of the day, smiling and wanting forgiveness, who awkwardly listened to the rain and their fighting with me, silently holding my hand like he would hold it forever.

I’ll never forget the day they sent him away to school. I swore I’d never love anyone like the way I loved my brother. And I never did.

The second thing my parents gave me was the place in my prestigious Catholic private school three hours from home. We had the works, the navy-blue checked skirts and sweaters, the rules, the rumors of nuns pushing unruly girls down the ‘old stairs’- the soulless, cracked holy relics and three hundred years of crushed individuality that they circulated through the school through the air condition that we spoilt little rich girls lived off. I should have hated the place. But I didn’t.

Igor picked me off at point range on my very first day in Saint Jude’s. He was the resident Ballet and classical arts teacher, an emigrant from the old country with suspicious papers but a total resilience to life and a knack each year for avoiding the green card police. The school would always protect Igor, regardless of his questionable relations with the students and even stranger dealings with his co workers concerning his healthy use of the cane and his wicked, foul language. He claimed to have seen me stretching up to get my coat off its hook in my classroom and to have had visions of me as the greatest dancer he’d ever taught. My father called him a pervert and for once I had to agree. Igor’s persistent claims that he was as gay as the day was long just didn’t add up. But all of these- the cane, the verbal abuse, the threats and the blisters and leg splints and six hour long rehearsals were minor details to the bigger scale that was taking rise. Because, to prove a point or to spite everyone in Saint Jude’s, by the time I was sixteen years old I was the best ballet dancer they’d ever had.

I don’t know if you’ve ever had an obsession, but it’s one of the worst and sweetest things in the world to have. It takes to the brink of insanity and back again and makes you more happy and more miserable than any human ever will.

‘Look in the mirror, little girl,’ he would say, as the sweat dripped from every pore I had like someone had set the room on fire and I sucked the air for oxygen like I was going to die ‘she will be great, and she will be great.’

My glory hadn’t come without its costs. I mean, think about it. I was not only the richest, but the most talented and questionably the prettiest girl in school. That’s a hell of a lot of pressure for one person to have. And so I dealt with it in the only way I knew how- by being a cold hearted bitch.

It seems like only yesterday that my life was plagued with barely contained sabotage- my school books stolen and flushed down the old lavatories, my hair cut from behind me in math class, my birthday parties conspicuously under attended. Truth was, I would have been lonely if I knew what that was. I was an island, and there was no way that was going to change. Ambition had found its twisted way into my brain and made me slightly deranged with a heady mix of confidence and arrogance that terrified and impressed everyone in my close vicinity. Even Igor, the sweaty dictator was a growing nervous wreck around me. He knew better than to threaten me anymore, as his protégé I could make or break his reputation and future career. Everybody hated me.

There’s a saying, or maybe it’s just a cheesy film- but in desperate situations, they say ‘something’s gotta give.’

And it did.
We are all in the gutter, but some of us are looking at the stars.

Oscar Wilde.




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This was very good, in my opinion. It was to the point and had good voice. However, I have a couple of critiques. My first critique is, I strongly advise reading over it a bit more. There were a few typos, it was nothing major, but it's sad when a grammar mistake or a runoff sentence interrupts the flow of a story. If you did read over it once, I suggest reading it out loud, or even reading it backwards (that way your brain can't skip over mistakes as easily as it does when you're reading). Okay, in the second paragraph, the first sentence is "I was never going to love her." Now, I know it's her mother now, but I'm sure you could understand how I got a bit confused because I came in knowing it was a romance story, it was a new paragraph therefore separate from the introduction of her mother, and the main character's gender hadn't been introduced yet. I sincerely advice saying "I was never going to love my mother."

Now, you're good at describing what's happening inside the actual frame of the story. You're describing what your audience is actively concerned about, but some of the things you wrote could have had more depth, because otherwise you leave some question's in your readers head that distract from the actual story. I have a few examples from questions I had while I was reading. Why did their parents send Luca off to school? Why did they send her to Catholic school? What country is Igor from? Now I'm assuming Russia, but you should never let your reader assume. Also, there was a specific part I was quite critical on while reading, because I'm big on characterization and all:

I was not only the richest, but the most talented and questionably the prettiest girl in school.


When a girl describes herself as the most talented and questionably the prettiest girl in school, it makes her come off as conceited. Now, making her conceited is fine, but if that's not why you intended there has to be a reason that she thinks she's the most talented and one of the prettiest girls in the school. You're writing this in first person, so we are accepting the sentences as her thoughts.

Despite all that I really liked this short story. I'm not sure where the romance was unless there was something going on between her and Igor, but I didn't even really care while I was reading. I like the tone and you moved pretty smoothly through her life, in a way that wasn't rushed. There's just some stuff in the story that needs to be further explained and it'll be great.




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Okay, I’m going to dive in head first on this one and point out a few very small things that I wanted to bring up.

I don’t suppose what happened to me up ‘til then,


First off, I’ve never been quite so happy to see somebody use the correct ‘til instead of till. *dances* But that just leads me right straight into another point, primarily the informality of ’til. Using the whole “until” just sounds much cleaner and more suited to this. ’til, at least in my opinion, is best kept in dialogue to emphasize the way someone just happens to say the word.

Look in the mirror, little girl,’ he would say, as the sweat dripped from every pore I had like someone had set the room on fire and I sucked the air for oxygen like I was going to die ‘she will be great, and she will be great.’


This sentence seems rather long, and I think that it is primarily from the fact that, well, the end confuses me with the repletion and I don’t know if you just forgot a comma after “die” or if you meant to put a period there and capitalize the ‘s’ in ‘she’ but I’m just all around confused.


Overall
You had me at the beginning really well. The narrative was great and I could see this making a lovely prologue or a very simple outline of a the first half of a story. But towards the end, you started to lose me. Right at this line in fact.
I was not only the richest, but the most talented and questionably the prettiest girl in school.
As Chelarose mentioned, it’s a line which will put off readers. They’ll see her has haughty and arrogant. And you don’t want that.

However, you’re really only skimming the surface. I mean, this is all very vague and happens a little two quickly that we don’t have a chance to get to know people or the setting. Anything really.

But I want to see how you take this further, with a little tweaking of course. ;)
Never forget who you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armor yourself in it, and it will never be used to hurt you.



You sound like you're becoming emotionally involved with the custard.
— Nikki Morgan