Daddy -- Pt. 1

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A/N: an experimental project -- a story written in poetry and prose. will most likely be an extended short story/novella. And yes, I know that the dialogue doesn't have quote marks. No need to point it out. :P Also, the order of the scenes will be played with later on, in case they're not meshing for you at the moment.

--

dog heaven – 8/1953

and along the scooping, interminable road with a fine
red dust that kicks up like facepowder and turns all the brown
latesummer leaves pink, i walk. one step at a time, as if each
step was the last time i'd feel solid ground under my feet. all
the sunflowers on the side of the road crumpled and suck-faced,
like denture-less, rattling old men, wheezing their seeds, suffering –
they peer down the road as if they know someone is coming.

and the loveless flea market of smaller blossoms perched, buttoned up,
they spin and toil, petticoated in dust, breathing through their mouths.
we all look up. the sun cracking the earth like an interrogator. all the muddy wet
spots from the storm that passed over two days ago curling and separating
like continents. the woods mumble. the same woods were I saw the harry
townsend's family distilling moonshine in and where the great dane that
was daddy's pride and joy is buried in a gorilla sized plot

with a good christian crucifix at its head, to bear it up to
wherever it is supposed to go. if i stop for too long, i can hear their voices,
the leaves with all the chlorophyll baked out of them rustling and shh-ing
like mothers hushing their babies and the spring gabbing in the ruts
and rusty inbetweens of stream-boulders and skipping stones. I hear them whispering
to me and telling me what a traitor
I am.

my shoes are falling apart, the heel flapping dully,
and the shadows in the woods cloak
and mumble like plague priests.



grandpa – 8/1952

He had been dying for so long that nobody expected to find grandpa lying with unblinking eyes and a stopped heart in his rockingchair that afternoon. They found him outside under the long, cool veranda, retreated up in bundles of sweltering winter clothing, like a touched night snail. His jaw loose, papery white bandanas of skin. The inky spots and diagrams of age blotching his arms. The tattoo of that woman he met in Tulsa shriveled up and purple in her funeral veils of ink, a stain on his peeling upper arm, bleeding through his skin, into his stopped bloodstream, and down the sluices and canals leading to his botched, fluting heart. I stand back and let daddy carry him inside. His head lolls to the side, his face rusty and old and oily with death, like some old used car part.

The rocking chair nodded gently. Ava stopped it with her hand. Daddy had me open the door and stepped inside. The smell of the railroads was even stronger now that he was dead. The grease of a working man, the coaldust, the strike and yawn of iron cables against one another. I stood there for a moment looking over the property. Looking down the dirt road that led into town.

The peach tree's petals dropped, white and mewling, like milkless cats' tongues.

Ava laughed a little. I think I'm gonna miss that old bastard tearing up around the place telling dad what to do. Lord, I loved that.

I nod.

It's chilly, I say.

Yeah.

Not even halfway done with August yet.

Yeah.

Then a storm must be coming. See over those mountains. Bet you a dollar we'll be drowning by tomorrow.

Ava looked at me.

He loved you a lot.

I look down. I look at the wheat fields, and at the cockpit of lilies that Penny's been tending to by the pond, and the old, gutless tractor oozing and knuckled forward, afraid of dying in its sleep.

Yeah.

The screen door opened. Daddy stepped onto the porch and we stopped talking and the night started falling and grandpa's chair rocked and rocked and rocked.



come unto me – 7/1952

praying among the poppies, their shocked heads nodding and
their lips loose – they bow their heads and stand skinny in the tallgrass,
with the cicadas sawing their socketed buzz. daddy prays, and you can see
that vein worming in his forehead, as if the prayer was bleeding through
his pores. the poppies seem to stifle their laughter, like sunday school
children, and daddy's jaw grinds, his face red, his sermon

lying in pages on the ground next to him and the bible on
deadwood log, open to The Acts.

and when he practiced, he flung his arms to heaven, and we hid behind
the gray, dead fieldtrees – pinched and hollow and sifting the song from the wind
with its branches. i chewed grass, and penny played with carpenter ants,
black and bullying, and ava listened gravely as daddy screamed damnation
and spat bible verses to a cloudless sky and all the wickered trees would
knit their branches and nod and seem to agree, but
they have been around for a while.

the clouds return when he is finished, white and satisfied, like burped babies.
the organ reeds of the tallgrass strike up and the choir of the cicadas and daddy
massages the worm in his forehead and the wind flips the pages of the bible
aimlessly, as if it where a comic book that it had read a thousand times
before. we come out of hiding and bring him is lunch – cold turkey and rye
and as he eats we are silent and the poppies avoid our stares.
"I am beginning to despair
and can see only two choices:
either go crazy or turn holy."

- Serenade, Adélia Prado




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Hey there, Ky

Risky choice, putting this here. Tis mostly a graveyard, after all. Just one or two things I thought I'd point out.

the same woods were I saw the harry


where

He had been dying for so long that nobody expected to find grandpa lying with unblinking eyes and a stopped heart in his rockingchair that afternoon


I'd change the 'he' and 'grandpa' around so that it reads more smoothly, like so:

Grandpa had been dying for so long that nobody expected to him with unblinking eyes and a stopped heart in his rocking chair that afternoon.


Even then, it's an ungainly sentence and I think it bears looking into, when you have the time, to see if you can do something better. Not much else to say really, only with the poetry, I have a personal tendency of skimming over it, not expecting to find anything relevant to the story there, so I'd be wary of where I place what and when if I were you. Your writing is already overladen with poetic imagery, so you run the risk of losing people by doubling up.

Keep the prose spare. I think you did a good job buddy.

Cheers
Last edited by Jiggity on Tue Dec 01, 2009 5:26 am, edited 1 time in total.
Mah name is jiggleh. And I like to jiggle.

"Indecision and terror, thy name is novel." - Chiko




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Hey Kylan,

This is one of those pieces of yours that I really enjoy reading, but is near impossible to critique. :P

I would recommend maintaining a narration style in this. Variation is good, but I think the story could be improved by putting the variation closer. Like, the description of his tatoo was excellent, but in the following paragraph the narration of actions is a bit boring. I'd like to see both the eloquence and fragmented style in the same paragraph, you know?

This:

Daddy had me open the door and stepped inside. The smell of the railroads was even stronger now that he was dead.


Could also use a touch of clarification. It's moreso a slip up on my part, but I misread that somehow and it sounds like the 'he' is referring to Daddy. :P


And! It's a crime! You have no quotation marks! How could you? :-O

:P

*

Anyway, nice beginning. I was drawn in, and you sustained my interest until the end. For future chapters, I would recommend heightening the end of chapters a bit so that your audience wants to read on. Don't end on such relaxed notes, dear.

August? Peach tree petals? This kind of stood out to me, because peach trees always seem to flower in the earlier part of the year, but I'm not sure if that's different in some places? I could be wrong, haha. And, I've never been anywhere to see most, but I have never seen a white peach tree flower. :P

Good work, this, Kylan. I'm going to follow along and review as you post, and if I don't... bug me.

;)

June
"I'd steal somebody's purse if I could google it and then download it." -- Firestarter




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Hello Ky!

I really liked this, but I feel the poetry was the best part of this piece. The prose was written beautifully but I felt it was cut short by the dialogue. Images were flashing through my head and then all of a sudden the MC's interaction with Ava comes and kills the picture.

I think I would like more descriptions, more sentences before you go to dialogue and actions, because what's going on is more important to me. Or you can do an equal amount of dialogue and descriptions.

I also felt that the ending wasn't strong enough. It seemed like a final note. Like this was the ending of a stand-alone when I know that this is not a stand alone.

Other than that, this was well-written piece as always.

Keep writing,

~ Angel
True love, in all it’s celestial charm, and
star-crossed ways, only exist in a writer’s
mind, for humans have not yet learned
how to manifest it.




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Kylan wrote:the sun cracking the earth like an interrogator.

This didn't really work for me. I suppose an interrogator cracks questions at people, but so many other things crack or our violent-- but it's really an irrelevant issue.
I adored the rest of the piece.
Kylan wrote:if i stop for too long, i can hear their voices,
the leaves with all the chlorophyll baked out of them rustling and shh-ing
like mothers hushing their babies and the spring gabbing in the ruts
and rusty inbetweens of stream-boulders and skipping stones

that was my favorite paragraph/stanza of the piece.
And I kind of like the mixture of poetry and prose. It feels more true to life. On one hand, we get this flowery, beautiful imagery and then we're punched with bare-bones dialogue, none of those silly dialogue tags or quotation marks included and it just feels very... well-rounded.
So that's my two-cents
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