Bye for Now. Part I

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So this is a story I made for a contest. Tell me what you think, please.

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Life, what is life but a thin thread meant but a thin thread meant to be cut somewhere along the way. As for death, death is hunting us, running after us like a predator after its prey, and we’re its prey. And it will eventually catch up on us and it will do its job, cover us with its white blanket and close our eyes, without mercy or compassion.
And me, I do not fear death, for I have experience death in the most metaphoric way there can be. I learned that we should enjoy the moments that life gives us, the little moments that make up our life because every second we lose will be a reason to regret your past. But I can’t regret what I’ve lost when I haven’t loved.

Sally-Ann Rosencrans wrote. It was early in the morning, but already late for her to prepare for school. She wanted to write more since it was the one thing she enjoyed, but her mother was already calling her from downstairs. So she closed her journal and got up, feeling a little dizzy as she did so. No big deal, she thought. It was just some small vertigo, everyone could have those but she had been having them every day. It’s nothing, she said to herself. Even though, she knew she was lying to herself, she still did it.
When the vertigo was forgotten, she decided to go downstairs to her mother.

“Sally” She heard the sweet voice of her mother as she was walking downstairs. “Sally you’re late.”

“I know, I’m coming mother” Sally answered already half way to the kitchen but her mother met her there.

“You’re late Sally. The bus will be here in any minute” He mother said with her lovely brown eyes popping wide. Sally loved them; she thought they matched well with her pixie like face. Too bad she didn’t have those eyes. Sally’s eyes were green, just like her father’s.

“Mom, calm down, I’m just a little late” She hugged her mother with a bear hug the kind she used to enjoy when she was eight years old. Good old times when she was still a healthy girl, living her life as if it was the last day of it. But everything changed when she got to her tenth birthday. Sally didn’t like remembering nor wanted to, she felt ok with the life style she was having right now. It might have been annoying not to go out with her friends for a while, or being overprotected, but after all, it was all for her health.

“Sally are you ok?” Her mother asked her all of a sudden, her white face turning whiter with concern. “You look a bit pale”

After all, her mother had noticed there had been some change in her. Two days ago she had felt nausea and headaches, but had given no attention to it. The last day, the headache got worse and it was accompanied with fever. But she didn’t tell her mother for it was useless to concern her with her issues. Yes she felt a bit sick, but it was nothing to worry about. The easiest thing to do was forget it and go on.

“I’ve been feeling a bit sick, but that’s all, you’ve got nothing to worry ok?”And the school bus’ horn sounded loud as she kissed her mother and said goodbye. “Nothing to worry, ok?”

She ran to the bus and got on. NO great change from the day before, it was all the same; the same kids, the same seats, the same road, nothing new or nothing she would care about much.

Thankfully, one of the boys that usually went in the bus Sally took, was sick and couldn’t go to school so she got earlier to it. She didn’t really like that kid, so she basically laughed in her insides when she heard that he wasn’t coming.

The school as well as the bus ride had nothing new, not even a new color on its wall. But unlike the bus ride, when she went out the bus, the first thing she did was take a breath. It smelled wonderful, like early spring, with the smell of fresh flowers and wet grass.

The cold atmosphere of winter was already fading, the warmness of spring taking over now.

“HI” she heard a soft manly voice call from behind her. The one reaction that followed was hyperventilating; she knew that voice, it was the voice that she heard in her dreams however corny that sounded to her.

“Miss Rosencrans, I’m still waiting for the daily kiss” Alex. She turned around to see he’s angel like eyes penetrate hers. He was one of the reasons in which she believed that there was more to her than just that sickness and suffering. He was beautiful with his blue eyes and fine features.

And without any other premises, not talking or laughing, he leaned forward and touched her lips with his. It was soft almost magical, as always and still she couldn’t get used to it. It always was as the first time he kissed her; incredible, soft and romantic. It was what she liked about him; how he made her feel, how it made her soar.

“Good Morning Mr. Alexander” It was something she shouldn’t avoid, saying his complete name was always amusing to her. “Mr. Nathan Alexander”
A sudden smile was trying to find a way out of his mouth, but he was keeping it inside.

“You always have to do that” He kissed her again and again she laughed. They loved each other, even though they had been together for only one year. She had always seen him as the blue prince that would come save her; and he had always seen her as the princess that he needed to rescue. After much struggling with the desire of kissing each other, one night at camp, it happened. He kissed her. It had all gone well since then.

“Love you” He said whispering to her ear.

“Umm, not more than I love you” She said, wrapping her arms around his neck and kissing him again. Guilty pleasure, she thought, laughing to herself. But there was something wrong suddenly. His kiss was not feeling ok, his touch was not as warm as it always was, or was it her?

“Sally, sally, are you ok?” But his voice was heard distant and a little distortional. She tried to open her eyes but all she saw was a black background. Oh No, she thought and she slowly felt how her body went weak in his arms, feeling how every limb lost its strength, until her mind could not tell where she was anymore and she drifted to a sudden darkness.
Les sanglots longs
Des violons
De l'autonne
Blessent mon coeur
D'une langueur
Monotone.

Verlaine




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Hello my dear Pudin. Here as you requested.

As I am not the greatest for story reviews, please excuse me but I'll try my hardest.

Interest

Now this was interesting,definitely interesting. Opening up with a written journal about life and death is a little bit cliche but always captures attention. The words you used definitely foreshadowed the end of the piece which is great. You lost my interest a little bit when you suddenly introduced the Alex character, who is he? Where does he come from? Though the why you suddenly introduced him was a nice surprise, I am still left unsure of who he is and what the heck he is doing in this story.

Characters

I feel the personality and physical appearance descriptions of the characters are lacking. You don't give me anything to work with, my imagination is what created the characters for me. All you give me personality wise through the story is a sweet almost young girl like behaviour for the girl and a gentleman behaviour for the boy. Give us more! Mold the picture of the characters in our head.

Overall writing

This story seems a little bit more old-fashioned, so there are some places I suggest you use a more formal, traditional language.

For example:

“HI” she heard a soft manly voice call from behind her. The one reaction that followed was hyperventilating; she knew that voice, it was the voice that she heard in her dreams however corny that sounded to her.


Things like 'a soft masculine' and 'however banal that sounded'. Things like that really change the way the reader interprets the story.


Well there you go. :D Hope I helped. Keep up the good work.

Kamas
"Nothing is permanent in this wicked world - not even our troubles." ~ Charles Chaplin

#tnt




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Hey! I got your request, so here I am to review! (Just beware of the nit-picks! :lol:) But let's get started, shall we?

Nit-Picks

Life, what is life but a thin thread meant but a thin thread meant to be cut somewhere along the way.


I would probably put Life as a separate sentence, or reword it. With this particular wording, it'll just work better.

what is life but a thin thread meant but a thin thread meant to be cut somewhere along the way.


Huh?

As for death, death is hunting us, running after us like a predator after its prey, and we’re its prey.


The 'and we're its prey' isn't really necessary.

And it will eventually catch up on us and it will do its job, cover us with its white blanket and close our eyes, without mercy or compassion.


A bit awkward. Maybe reword it a bit.

And me, I do not fear death, for I have experience death in the most metaphoric way there can be.


Experienced.

I learned that we should enjoy the moments that life gives us, the little moments that make up our life because every second we lose will be a reason to regret your past.


A bit of a run-on/awkward sentence. Maybe do some rewording and split it up a bit.

Sally-Ann Rosencrans wrote.


Definitely not the most hooking first sentence. Maybe change it a bit so it's more interesting.

Even though, she knew she was lying to herself, she still did it.


No need for a comma after though.

“Sally” She heard the sweet voice of her mother as she was walking downstairs. “Sally you’re late.”


"Sally[comma]" [no capital]she heard the sweet voice of her mother as she was walking downstairs. "Sally[comma] you're late."

Also, I noticed that this is a bit awkward. Maybe reword it a bit.

“I know, I’m coming mother” Sally answered already half way to the kitchen but her mother met her there.


How old is she? What year is this? Normally, I would think that a young girl would call her mother 'mom' or something. It's almost like her mom calling her 'Sally-Ann Rosencrans' all the time. Make sure your dialogue fits the person, the year etc. so that it's believable.

“You’re late Sally. The bus will be here in any minute” He mother said with her lovely brown eyes popping wide.


OK, her mom already said that. You don't want your characters repeating themselves over and over all the time.

Also, it should be 'her', but that's just a typo.

She hugged her mother with a bear hug the kind she used to enjoy when she was eight years old.


Awkward. Either reword the whole thing, or add some punctuation and reword a little bit as well. :smt002

Sally didn’t like remembering nor wanted to, she felt ok with the life style she was having right now.


Reread and reword.

“Sally are you ok?” Her mother asked her all of a sudden, her white face turning whiter with concern. “You look a bit pale”


Remember punctuation (commas etc.). Don't over or under use it! ;)

And the school bus’ horn sounded loud as she kissed her mother and said goodbye. “Nothing to worry, ok?”


Remember, there's no need to capitalize after dialogue unless it's a name. Also, didn't she just say 'nothing to worry about.'? Don't repeat yourself! ;)

NO great change from the day before, it was all the same; the same kids, the same seats, the same road, nothing new or nothing she would care about much.


Un-capitalize 'o'. Also, this is a bit of a run-on.

Thankfully, one of the boys that usually went in the bus Sally took, was sick and couldn’t go to school so she got earlier to it.


Awkward and confusing.

“HI” she heard a soft manly voice call from behind her.


Hi.

The one reaction that followed was hyperventilating; she knew that voice, it was the voice that she heard in her dreams however corny that sounded to her.


Sorry, but I just don't like semi-colons in places that can easily be periods. :( This isn't that important though.

She turned around to see he’s angel like eyes penetrate hers.


his.

It always was as the first time he kissed her; incredible, soft and romantic.


Awkward.

It was something she shouldn’t avoid, saying his complete name was always amusing to her.


Couldn't.

He kissed her again and again she laughed.


Huh?

“Love you” He said whispering to her ear.


Ack... Punctuation, miss, punctuation!

“Sally, sally, are you ok?”


Always capitalize names.

And that's it for the nit-picks!

Characters

I didn't really feel that we got to look as deep into the characters as we should have been able to. Maybe work on developing them a bit more. Here are some writing tips that you might like to read:

topic18786.html
topic29372.html
topic23997.html
topic53682.html

But as the story goes on, the characters might get more developed as well. Just something to think about though.

Dialogue

Another big thing that I mentioned a bit earlier is your dialogue. You need to work a bit on this. Dialogue is a big part of most stories, and if it's not believable, your story won't work.

One thing that you need to make sure of as well is that it fits the character. Do you think that a young boy who grew up in a scummy neighborhood in inner city New York would say something like, "Good going, old boy! Would you like to come over and have a nice little tea party at my place?" No, definitely not!

So as you can see, believable dialogue ties in a lot with character development. One of the tips I linked to above also talks a bit about this topic.

So maybe just go over your dialogue a bit more and make sure it's believable.

Misc.

There's not much else I have to say, other than to warn you to watch out a bit more for awkward sentences, typos and such. So far, this is a very intriguing story, and I am excited to see what happens next! I'm very sorry that this took so long for me to post, but finally I'm finished.

But now I must be off! Good luck with the next two parts, and I can't wait to read the finished product! Well, as I said, good bye for now! See you around!

~ Trish :smt006
~ Patricia Tina :smt006

Don't look in the spoiler.

Spoiler
I lost the game.

"I always hear punch me in the face when you're speaking, but it's usually subtext."
~ Dr. John Watson




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Hey there, here as requested. Sorry it's a little late, you caught me at a busy time!

Ok, so Trish has got a load of the nitpicks, but I'll take another look through. (Sorry if it's repeated.)

Life, what is life but a thin thread meant but a thin thread meant to be cut somewhere along the way.

This ... doesn't make too much sense. It might be better if you said
"What is life but a thin thread? Just a thin thread that will be cut somewhere along the line."
Ok, so terrible example but you need to watch how you word things.


And me, I do not fear death, for I have experience death in the most metaphoric way there can be.

Saying "in the most metaphoric way there can be" doesn't really cut it for me. Again, it needs to be worded better.

She wanted to write more since it was the one thing she enjoyed, but her mother was already calling her from downstairs. So she closed her journal and got up, feeling a little dizzy as she did so. No big deal, she thought. It was just some small vertigo, everyone could have those but she had been having them every day. It’s nothing, she said to herself. Even though, she knew she was lying to herself, she still did it.
When the vertigo was forgotten, she decided to go downstairs to her mother

Rather a lot of shes in that sentence, you think? Try to use some variations.

EDIT: Ok, so I did a few other nit-picks here but then I checked and Trish had pretty much said them all.

Basically, you do need to work on developing characters. They are the bread and butter of your story - if you have a good plot but no strong characters it will fail. Here is a good article on building a strong character.

Also, there's been a little bit about dialogue. This is an article on writing dialogue correctly and this is an article on dialogue grammar.

But it's a very good, enjoyable story! I'm looking forward to seeing the next parts!

Hope this helps a little.

~Amy
"It is curious how often you humans manage to obtain that which you do not want."

-Spock.


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I liked this one. The characters could have been a little more in depth, but other than that it was amazing. I could almost feel what your character was feeling as i was reading this. In that aspect you did a great job. I hope you continue to write so that i can continue to read. (as you can tell I suck at reviews.)
ShadowPrincess




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Hey, Pudin…hope I’m not too late.

Okay, firstly, the way you wrote the story was like giving telling us the various events such s early in the morning or that she was sick. Above all, the reader does not feel some kind of emotion to the story or though you’re trying to denote the mood, it seems lacking.

Firstly, the first part of the story, you tried to introduce the story through her diary but I think you should try writing only a few parts or the key words of the diary and instead focus on how the girl is writing. Like try to say that she is writing very fast or that she is coughing while she is writing. That way, we can have a clue that she is sick and that she is writing something important.

As for the other parts of the story, try showing it rather than telling like when you said that the mother sense something wrong, try showing it…how is she different by the expression of her face and when your denoting a weather, try to relate it with the character like if its cold, show her that she is shivering or that she is having a hard time to breathe. In that way, everything can be revolve around her.
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Tony: You won't hurt me.
John McClane: Oh, yeah? Why not?
Tony: Because you're a policeman. There are rules for policemen.
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Ok, firstly I liked it, but it is nowhere near flawless. I know a good romance when I see one, and this could really go places.

The whole first part (In italics) made absoulutly no sense at all. The phrase with the most un-senseness (Sorry, that's the only word I could think of) was:
Life, what is life but a thin thread meant but a thin thread meant to be cut somewhere along the way.
This made the least sense, and the other reveiws agree with me.

Sally-Ann Rosencrans wrote.

No offence, but this is a very bad opening sentance. It didn't grasp my attention like an opening sentance should.

“Sally you’re late.”

This is said about three times by her mother. There is no reason for her mum to say it three times. Once is plenty.

Thankfully, one of the boys that usually went in the bus Sally took, was sick and couldn’t go to school so she got earlier to it. She didn’t really like that kid, so she basically laughed in her insides when she heard that he wasn’t coming.

That was pointless. Enough said.

Umm, not more than I love you”

The part in bold is one hundred percent completly un-nessesary. It makes it sound like Sally-Ann was unsure if she loved Alex.

I won't worry about punctuation nit-picks (they have already been pointed out), but for starters, you need more of it.

You introduced Alex a bit fast, I know nothing about him, so I couldn't relate to them as a couple as I knew almost nothing about Sally-Ann as well.

Keep going, like I said, it can really go places.
Some Angels Are Destined To Fall.
Love Never Dies.



The most difficult thing in the world is to know how to do a thing and to watch somebody else doing it wrong, without comment.
— T. H. White