The Arsonist

2 posts
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Gender Male
Points 1145
Reviews 41
Everything is black.
Torn apart between the seams
and broken beyond the recognition
of a mother’s eye, a heart beating
neurotically stable like techno music,
and alone.

Silence roars like helicopters over the breaking
of twigs, like dreams, cracking
and crumbling like a hot mist that blinds you
until everything chokes up in the back of your throat
and rusts blood red as you spit sorrow, and disgust,
and gears out like chewing gum, and it all conglomerates
into a giant mess of ugliness; slow and sticky and static
because this universe is breaking down.

Then there is nothing left to break and its dead, still.
Wax sculptures read your mind with eyes of infinity
and nobody wants to care.
They just smirk and drip black tar from their fingernails
and pretend to listen to the silence between the screams.

Then the drums start to kick
and the band begins to play an angry chord
and the stars run away from the blame of it all.
They tremor and pulsate a finite rhythm
and you realise that everything ends
and its ending.

But the mirror cracks and a leaf burrows out of the
rubble and sits fragile and triumphant on top of its brothers.
It takes one breath and the clouds explode
and everything is beautiful.
I should have been a pair of ragged claws
Scuttling across the floors of silent seas. . . . . .

"The Lovesong of J Alfred Prufrock" T.S Eliot




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Gender Female
Points 1690
Reviews 21
I have to say, I'm very impressed. The imagery in this poem is stunning, and it leaves you feeling intrigued and moved and wanting more. Very powerful.

There are a few things I think could be strengthened or clarified to add to that power. I felt like, at a few points, it got a little over the top or wordy. Like this:

nobody wants to care.
They just smirk and drip black tar from their fingernails


I love the image here, but I think it could be reworded to be more powerful. The first line teeters on the brink of being emo or angsty, which you don't want--I'd consider cutting it or softening it so it feels less self-centered. The word "just" adds to that. Also, this is just a very personal impression, but I'm not sure the word "smirk" fits there. It felt out of place, maybe because it suggests something humorous, when this poem has so little humor in it. I would have gone for a more serious feel, like a glare or stare or grimace--the same sense that the speaker is being watched (by dead people, yes?) but without that sense of adolescent derision. Just my thoughts.

Or this:

and the stars run away from the blame of it all.
They tremor and pulsate a finite rhythm
and you realise that everything ends
and its ending.

But the mirror cracks and a leaf burrows out of the
rubble and sits fragile and triumphant on top of its brothers.
It takes one breath and the clouds explode
and everything is beautiful.


Not all of this is like that, but I pasted the whole thing because, aside from those few vague or overdone points ("the blame of it all," "everything is beautiful"), I'm just not sure what's going on here. The title helped me for the first few stanzas, and I was putting it in the context of a fire, a disaster of some kind, from the point of view of the person who caused it. But I can't make sense of the last stanza, and that does serious damage to my appreciation of the poem. It's a powerful image, but I just don't know what it means.

Also, quick note: the two places where you wrote "its" should both have apostrophes, since they are contractions of "it is." :wink:

Hope this helps. Great work--keep writing!

~Stripes
"Existence is only futile if you say it is, and it's only meaningful if you say it is. And if you say neither, then it's just boring." -E.S.J.



They who talk all day of beauty call all the plain things dirty
— John Darnielle