Seventeen Forever 4

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Jeremiah
****Part Two****
“Brat!” my mother exclaimed, throwing a dirty rag in my direction. I dodged it and it fell to the floor like with a light thud. “You know I don’t like ya coming home so late. You nearly gave me a heart attack.” She clutched at her chest. “What took ya so long?”
I grinned and took a seat at the table. “Me and Jesse…”
“Jesse and I!” Rebecca Colly, Jesse’s mother, corrected from her room. “Hush now child,” she said softer. She was cooing her six month old daughter, Hattie.
The thing about my house was that it wasn’t just my house. It belonged to my family, along with the Colly family. As we were growing up, it hadn’t really fazed us, but as grown boys, it’s a little cramped.
Anna, my sister, and James, Jesse’s little brother, were out in the yard playing around Jesse as he chopped firewood. You could hear their innocent laughter from a mile away, which paused right before you heard the clunk of the metal hatchet hitting the wood, then picking right back up again.
There were two bedrooms and a kitchen that we made into a dinning room, kitchen and a den. In one bedroom sleeps my parents and Jesse’s parents, along with Anna and Hattie, Jesse’s six month old baby sister.. Jesse, James, and I sleep in the other room.
My mother and Mrs. Colly had discussed renting out my bedroom to another family and move the three of us into the kitchen. Things are still undecided.
“Jesse and I,” I corrected, loud enough for Mrs. Colly to hear. “Were told that we couldn’t leave until all of the looms were built. And we didn’t.”
My mother’s hard expression softened. “Well, your supper’s cold.”
She flung a brown bowl towards me on the table. I grimaced at its contents. “What is it?” I asked, picking up the matching brown spoon. I turned the spoon over, letting the pasty substance drop back into the bowl with a disturbing ‘plop.’
My mother didn’t turn to me as she said, “food,” in a stern voice.
“You sure?” I asked, unconvinced.
Are you sure!” Mrs. Colly yelled again. Mrs. Colly had been a tutor for some of the local children. Before the mill was built, children had the time to be taught. However, the mill was built and all the children, including Anna and James, were either put to work or sent to the mines.
I rolled my eyes and shoveled the dark red paste into my mouth. “Tastes like chicken, eh?” my mother said sarcastically. Chicken and turkey were a rare thing to find on our table. That type of meat was considered the ‘rich man’s food.’ It was a rare delicacy to even have duck for a meal.
Jesse burst in the door, firewood in hand, as I was finishing up my last bite. After eyeing my bowl, he threw down the wood next to the fireplace and sat with me at the table, hands expecting. Without missing a beat, my mother threw a bowl of slop in front of him, just as she did with me.
“What is this?” he asked, moving the bowl and watching the slop slowly crawl around.
“It’s slop,” I said nudging his arm. “Tastes just like chicken,” I lied. My mother smirked as she wiped a pan with the dirty rag.
My mother was a stay at home loomer before the mill was built, making clothing for her family and the Collys. However, the mill was built and prices for food and rent went up. She was forced to take a job at the factory or we were going to lose our home. It was a really low blow to my father.
Our fathers, like most men in the town, worked at the mines. They work day and night; they are in tunnels, they cant tell the difference between night and day. My father and Mr. Colly take shifts coming home. One week, Mr. Colly comes home Saturday evening then goes back early Monday morning. The next week, it is my father’s turn to take a break. However, to pay the bills, my father skips his breaks and continuously works three weeks straight. My mother sits by the window in her rocking chair on those weeks, crying and waiting for my father to walk down the road to her. She was usually disappointed.
“Well, if ya don’t like it, don’t eat it!” my mother exclaimed, snapping back to reality.
Jesse was pinching the bridge of his nose and stuffing the spoon in his mouth. “No,” he said in a nasally tone. “I’ll eat it.” He let go of his nose and stuffed the rest of the slop in his mouth and turned away from my mother.
“Jeremiah, be a dear,” Mrs. Colly said, entering the kitchen. “Put some of that wood on the fire. I don’t want Hattie catching any illness.” As if on cue, Hattie started crying from within her room.
I quickly jumped up and picked a few logs that seemed like they would easily burn, and placed them on the fire. I watched the flames dance as I thought about having a baby of my own someday. And I dreamt of having a beautiful wife to cradle that baby in a rocking chair that I would have built during the harsh winter nights.
“We need to come home early tomorrow,” I finally said to Jesse, breaking a haunting silence. “We need more wood or we won’t make it through winter.”
It was early fall, not yet September. I had worries about what the winter would bring us that year. The winter before, we lost five townsfolk to disease, seven more with weak hearts. Luckily, it had skipped over our home.
Jesse nodded, understanding my fear. We were the men of the house when our fathers were away. It was our duty to take care of the woman and children not matter what it took.
“This job is teaching you how to take care of your own family,” my father once said to me. “It is the only job that matters.” Not that my work at the mill wasn’t important, it was just one small part of the bigger picture.
Remembering this brought me back to Lizzie Lamport. I had never thought that I’d have to take care of woman that I loved so dear. I had to provide for her and take care of her, just as my father does. It was something I was sure willing to do.
"Sometimes the worst bad guy makes the best good guy." Nigel--Untouched




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Jaz, dear, sorry about the links thing! I got really confused and then sick! XD So, sorry for the slowness of this review! And, thanks for using my thread!

:arrow: Grammar - I had a couple of nitpicks, but nothing major that disrupted the flow of the writing...If you really want me to cover those, just PM me or something...I didn't think it was too important! :roll:

:arrow: Flow - decent job on this. There weren't really any clumps of description, so I don't really have too much to say here. The pace of this was a little slow for me. I didn't think that too much happened in this chapter. I think that you were trying to give us an overview of Jeremiah's character, however I don't think it is necessary to devote an entire chapter to this. I would either delete this chapter; it doesn't contribute too much to the story...Or, you could make this a lot longer. Then, you can add some more about his character and the way his family functions. Right now, this is really like a filler chapter...Filler chapters tend to cause the reader to lose interest, so either expand or delete it...Or, you could combine it with some of the other chapters.

:arrow: Description - There still isn't enough description in this. Don't worry, I don't describe enough either. :wink: So, what exactly does his house look like? Is it run-down? Or is mansion-like? Is it spacious or ate they cramped? This could also hint to how poor or rich they are. This, in turn, could lead to some excellent characterization. Anywayz, what do the characters look like? Is the mother's face lined? Who's the youngest? With Mrs. Colly, is she haggard with age? Or is she sprightly? Was she beautiful? Is she still? Hint at the ages of the characters a bit as well. You tell us that Hattie is
six months old. I'm sure there is a subtler way to go about this. This isn't that important because the flow isn't disrupted. However, I would like you to imply the ages of Jesse and Jeremiah. Their heights, maybe? You could say something like how their mother was such an overpowering presence, although both Jeremiah and Jesse were taller. Then, I would say how she was so overpowering because she wasn't going through the moody teenage phase, like Jesse and Jeremiah. This would tell us their ages, without actually saying it. That's a pretty bad example, but it would help us get a picture in our minds of Jeremiah and Jesse. And, it's so much better than saying, "Jeremiah is sixteen. Jesse is nineteen." Another thing that I would like to see is what exactly the house looks like. What is the kitchen like? Are the walls pink? Is it spacious but dusty? Or, is it tiny, but kept clean? This would help us see the characters of the people that occupy the house as well...I would do the same with the bedroom where Hattie is.

:arrow: Mood - Eh...again, I'm not too sure what the mood is in this area. A couple of questions that I would like you to add in here. What does the MC think of his family? How strong is his family? Do they always stick together, or are the bonds that they share extremely weak? What is Jesse like? Does he have a soft spot towards Hattie? How do they treat Mrs. Colly? Is she an essential part of the family or do they have a more concrete relationship with Jeremiah's mother? As you can see, I'm placing extreme emphasis on the relationships within the family. This is mainly because I think that this chapter is supposed to be family-oriented. If this is right, then explain their bonds a little more. Does the family function smoothly although they do not have money? Or is poverty tearing them apart. From the details you have given us, I'm leaning towards the former. However, I would like to have a little proof...y'know? Anywayz, I think that the mood is supposed to be somewhat calm and peaceful. If so, show us how exactly it is peaceful. If you want to go a little overboard, then add a little metaphors! Tell us how the house simply emanates an aura of peace and quiet. Maybe compared his house to the warmth and peace of a warm summer day. These will add to the mood and description, without disrupting the flow. Y'know?

:arrow: Plot - I don't usually have this category, however in your story, I feel that it is necessary. There are a lot of things going on here. So far, you have talked about Jeremiah's family, his love for Lizzie, Lizzie's friends and family, and the mill. I can't say that there is a problem with this. However, I feel that it is going to be difficult to incorporate it all, and relate it all to one another. Obviously, their love will go to the forefront. However, it raises a lot of questions. What exactly are the families like? Are they extremely conservative? Is Lizzie's family obsessed with wealth? Do they object to her infatuation with Jeremiah? Does Jeremiah's family care about wealth? Does it matter to them whether or not Lizzie is rich? The plotline is a bit complicated, but it looks quite interesting. So, I would definitely continue this.

:arrow: Overall - I'm not a big fan of this chapter...It seems like it's meant as a filler. There isn't any concrete information here either. To me, it seems like this is just a long transition, which makes the leader lose interest. I would either delete it or expand it greatly adding in relationships and such. If expanded, it would help show Jeremiah's character. This would capture the reader's interest a lot more...Thanks again for using my thread, darling. I hope this helped! ^_^
Love is the answer to life yet the slowest form of suicide.
Love is a paradox.
And that's why we love it.

Got YWS?




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Neat! I really liked the way you brought out the characters of the people through dialogue. I find it hard and you did it really well. Also the period, which I gathered to be around the eighteen hundreds? came out well too. Thi to mee feels a lot like a sort of character sketch and I think if that's how it was meant, it worked really well. I also like the romance thread the way it is a the moment - just please, don't let it come out too strong!! Overall, really good. You need to do some polishing, changing the word order of this sentence, switching this word for that one, but that's a minor issue. :D




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I'm hideously late with this, forgive me.

Thoughts:

qu'est-ce qui se passe?
So uh, what happened to the awesome description a la the first couple chapters? I was drowning in dialouge in these chapters and, though some of it was quite good, it felt imbalanced. To use a tennis analogy, you've got a good backhand, you don't need to hit forehands the whole chapter :)

I don't know what to tell ya
Jeremiah's mother syas the following, "You know I don’t like ya coming home so late. You nearly gave me a heart attack.” She clutched at her chest. “What took ya so long?”. Question: Why does she say ya instead of 'you' only half the time in this sentence? She can't have intentionally pronounced it correctly as that would make no sense. Keep accents consistent.

Anachrophobia
I spotted a couple anachronisms. They talk about saving a buck and penny pinching in chapter 3. Neither of these forms of currency existed yet. They also discuss reading books which is out of place, most people read poetry or the Bible, stories were rare. Orally told myths or fairy tales maybe but reading is unlikely for these kids. This stuff seems trite, but in historical fiction it jacks you out of the time period and thus out of the story.

Man oh man
You asked me my comments on how you're doing keeping the points of view separate. Frankly, it's decent, but not great. A couple of problems stand out in my opinion (as a basically Jeremiah aged male). Number 1 would be parlance, I know people talked fancier in those times but mill workers should not be tossing around some of the lines they do, especially in chapter 3 (i.e. 'You have known it?' should probably just be 'you have?'). I think it's weird because in some points I think you nail this feeling and other parts they talk like aristocrats. Mill workers should talk like millworkers, nobles should talk like nobles; rarely should one emulate the other.
The second problem would probably be summed up in how they discuss/think about women. I haven't talked to any boys from this time period, but I can say from what I've read of historical records and of my personal experience that, before eyes and hair, which is what your characters seem to think first of, guys normally think of, well, honestly, the more sexual parts of the female. The lips, the chest, the rear etc. You can say it was a less vulgar time, my retort would be 'boys are boys are boys.' We're often really quite simple about feelings of love. On the other hand, I thought the thinking in chapter four about providing for a wife and thinking about a family to be good characterization. So, mixed bag.

These chapters seemed a little bit like filler. I think the idea behind it was to introduce characters, which is fine, but there still needs to be 'something' taking place to carry the reader along. But I think your writing is still strong and I enjoyed reading this. I should get to chapters 5 and 6 a little bit quicker than a month and a half this time :) Feel free to pm me with questions or when you get the next chapter up.

-Pattycakes



Blessed is the man who, having nothing to say, abstains from giving us wordy evidence of the fact.
— George Eliot