On the Way Back

4 posts
User avatar
Gender Female
Points 890
Reviews 29
I wrote this about when some of my family and I went fishing and my brothers had...let's just call it way too much fun...comment, critique, and enjoy!!!

On the Way Back


My brothers jump the waves on our boat,

making me and my nephew Carlos laugh. A wave comes over,

soaking me and Carlos with ocean. My brother in law

hands me his navy-blue sweater, which

Carlos and I each put an arm in.

He lays his head on my lap, and soon

his small body

stills,

all the life which had been in him only moments ago

leaving him for the moment. I stroke

his hair, spiky, springing as

my hand passes over it, light as

the sun on a bright day.

The fish we’ve caught fight restlessly in their bucket,

knowing their time is coming,

knowing my brother will not be kind and merciful.

But as for that moment,

I will always remember

that five year old boy,

who laid his head on his aunt’s lap,

who slept until the motor of the boat stopped,

who stuck his fingers in the fish’s mouth

so fearlessly for the group shot that followed.
'"Many years ago, when I was young, I saw a fire, and what looked like death-- and beyond that, in the dark places, something...or some One, who knew me. Shall I at last find my way back to that wonderworld of Night?"'




User avatar
Gender Male
Points 32885
Reviews 2058
This was kind of cute, I suppose. Really the only thing I can comment on [plus, tonight all my critiques seem overly useless, sorry!] is that this is very prose like. What separate this from prose? In other words, what makes this a poem other than the fact that it is in verse?

Bring in more imagery, more sensory words. What does the fish smell like? Is the water splashing your face?

Also, I couldn't get much emotion out of it. What is the narrator feeling? Try to make me feel with her.
“It's necessary to have wished for death in order to know how good it is to live.”
― Alexandre Dumas, The Count of Monte Cristo




User avatar
Gender Female
Points 890
Reviews 99
It's very simple, but I think it's pretty good.

In the beginning, you keep saying Carlos, and then you suddenly remember there's such a thing as pronouns. You should mix the actual name and pronouns up better.

The story's good. But at the end it tries to be touching, and I, like Claudette, don't get much emotion out of it. You should work on that part, to make our readers feel that sense of pride, contentment, comfort ect.

I think writing a short non-fiction story about this or some other family experience would be a good choice for you.
Calvin : You can't just turn on creativity like a faucet. You have to be in the right mood.
Hobbes : What mood is that?
Calvin : Last-minute panic.

Got YWS?




User avatar
Gender Female
Points 890
Reviews 91
Some more details would be nice, as Clau said; part of the appeal of this is that it's simple and straightforward, but you can still include detail and emotion without getting 'flowery' or overly complex. Writing this as prose might help, even if you want to revisit it as poetry -- it will give you room to develop the scene, really describe everything and get a sense of conveying the characters on the page. And then you can condense that down to important images, back into a poem.



In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.
— JRR Tolkien