Hi there Jack! I noticed your poem has been hanging out in the Green Room for over a month, so I thought I'd drop by with a review for you.
I can really relate to this poem on the end of the person receiving the confusion -- after having a long conversation with someone about conflicting identity stuff, she said something along the lines of "I'm going to email you something, don't freak out when you read it, and if you do freak out, you know my number, you can text me." When I got home and checked my email, I saw she sent me the "Am I a lesbian master doc" and needless to say I did freak out, big time. And similarly to the way the poem talks about "not knowing you needed the ticket", I didn't know I needed to read that document -- but yeah, I did.
What strikes me about the speaker of this poem is that they seem to be conveying two tones: one of mischief, like, "I'm gonna rock this human's world by showing them that heternormativity is NOT the answer and I take pride in the gay chaos I am causing", but also one of love, care, and concern for the person being addressed. Especially the way they describe the "ticket" as something they know the other person needs, and reminds the person that they can call them if they want to talk to someone about the "gender or sexuality confusion". To me, the combination of these two "motives" makes the narrator sound a bit more human than if it was purely "I'm here to do good", if that makes sense.
Critique-wise, I don't have any huge ones. I did notice you say "tonight" twice, and I think that in such a short poem it might be worth it to avoid that kind of repetition. Even just changing out "as we stand here tonight" for "as we stand here this evening" would eliminate that repetition nicely.
The sentence also feels a bit run-on, especially in the way that the middle chunk ("as we stand here tonight in this family life center and i hand you the ticket that you didn’t know you needed") is a separate idea to the outer parts. I think it could be interesting to experiment with parenthesis or potentially even line breaks to make the sentence slightly simpler to untangle, but it's really up to your taste and what effect you're going for. Right now it feels like this is something that might be scribbled on the back of the "ticket", and if you added line breaks it wouldn't feel like that anymore.
I would agree with winterwolf that the choice of lowercase capitalization works super well for this poem; it makes it feel more personal, more familiar, more "this is a message being shared one-on-one with the person I'm causing identity confusion".
Overall, I really enjoyed reading and reviewing this poem! I hope this is useful to you, and I'm sorry I don't have more constructive criticism. If you have any thoughts/questions about stuff I said, feel free to bring those up!
all the best,
-whatcha
Points: 22098
Reviews: 455
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