Hey Nightscape!
I always have a helluva lot of fun with late night poetry sessions xD There's something serene about the am hours, so I can get really inspired, or I can be in a sleep-deprived rambling mania, one of the two. Anyway, so I struggled with punctuation as well. I still do, actually. Poetry gives you more creative freedom with punctuation, but I just want to clear up some confusion about it, because there seems to be a lot of conflicting advice floating around the YWS (punctuation is necessary in poems! punctuation is not necessary in poems!)
It's actually more like both are true. It depends on the poem.
Punctuation is for clarifying and for separating sentence structures. In other words, punctuation is necessary when it becomes necessary. If a poem doesn't have any punctuation at all and it is difficult to read because of it, it is necessary. A poem should never be difficult to read because of punctuation, rather a poem becomes difficult to read because of improper punctuation. Punctuation itself, when used correctly, should always clarify and it should always be negligible. You shouldn't even notice it. Where reviewers are saying that the punctuation here is subtracting from the work, I noticed mostly in this piece, it's just comma use - you've just added them in places where they needn't be. No biggie, that's the easiest fix in the world. I do that all the time, too. I know you said something about how you prefer to not use any punctuation in a poem, and whether that's okay, and the answer to that is: does the poem need it? Is your poem creating this effect:
For me, line breaks are a part of a poem's punctuation, because the way we read line breaks nowadays serve many of the same effects and purpose that punctuation do. That's why you see those poems without much punctuation for example, they are separating their non essential clauses with lines rather than with commas. I hope this helps clear up some of the confusion about punctuation. Anyway, I really don't want to make this review about punctuation because I can go for a day and a half - but if you want to chat and discuss punctuation stuff, I'm only happy to do so, just drop me a line ^_^
I like this poem though. I find it interesting that there is this sassy voice, it is very powerful and there is a sense of flow and rhythm, I'm not distracted by the rhymes at all, except that first stanza. For some reason, the "what do I see? /me" line sounded almost nursery-ish xD The rest, I kind of loved - like the undetected/selected - that was interesting. A lot of your slant rhymes too ^_^ I love when people look at assonance for rhyme rather than similar spelling of words. So the voice is powerful and it is almost even scary in the forcefulness of the tone, the "you're getting paranoid, you're falling apart" - it sounds like that inner voice destroying the ego, like a person adopting two personas so there's this theme of darkness and self-hatred. The speaker of the poem I interpret being the omniscient self, and the "you" the person in the mirror (so the poem is self-referential/the speaker speaking to themselves). At other points in the poem, the "you" seems to refer to society. Like at the point where the speaker is slipping into "your world" I have to wonder whether the speaker is saying that they are a person pretending to be someone else, so a wolf among sheep's clothing kind of experience? ORR if the poem is saying that there's a "depressive/cold/harsh" side of this person and that depression is what is slipping into "your" world, as if there are two sides to the narrator. By the title, I am leaning towards the former interpretation, but I do like both sides of it. The ending is really interesting to me too, almost sad in some ways - why are people so hard on themselves, why are they so heartless/cold? OR I suppose it can be interpreted as hopeful, perhaps this narrator was going through a pretense for society and by the end, the narrator decides to "kill" that pretense or be herself.
I'd like to see this a bit more developed! I understand it's a lyrical piece, so that does have its constraints, but it'd be so awesome if we can delve a little deeper into the speaker's world, perhaps have them refer to an actual event and re-tell that event? The "I slipped into your world" part for example, I wanted to see that happen as it occurred. Chat me up, we can talk about it
~ as always, Audy
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