Hey, Dude! I'm rusty on reviewing, so heads up, there'll be strangely-phrased phrasings in abundance.
He gathered a handful of the dried fodder for the horses to feed on, and they did not hesitate to eat straight from his hands.
I counted five prepositional phrases. That's loads, considering three's the limit. The opening sentence, too, but I didn't mention it because opening sentences are typically clunky, as their sole purpose lies in establishing the current situation. (Pretend that was worded better.)
Then the contractions, or rather, the lack of them. It disrupted the fluency, as opposed to contributing to a formal tone: "did not hesitate." When I was younger, I actually got so fed up with contractions I started using them at every opportunity, and I guess I developed a habit. It doesn't make my style any less casual, though.
One last thing. Structure. If it's a compound sentence and you're structuring the independent clauses the same way, usually the subjects coordinate: "he" and "he," but instead the narrator's got "he" and "they." That's fine, as long as there's notable contrast between the clauses' lengths, which there isn't, so I'd recommend combining them.
Tie it all together and: "He gathered a handful of the dried fodder and fed it to the horses, who accepted it eagerly." That's just a rough sketch, though, and grammatically speaking, it's incorrect (should be "all of whom").
“What I like best?" What kind of question is that?"
Accidently inserted a third quotation mark here.
It’s- I mean, just look at it!
Forgot a quotation mark here. That hyphen should also be doubled, since it wasn't used for stuttering.
Lucian set the empty bucket between the horses and followed Radi to the backside of the wagon. He brushed his hand against his leg and looked to the west at the immaculate white castle. Lucian held his hand over his brow to shield his eyes from the late afternoon sun, which already began its decent behind the towers surrounding the palace.
That's a lot to chew. The sentence structure doesn't vary throughout the paragraph; it's all active voice (subject + predicate + complete thought, and in the first two sentences, a coordinating conjunction, as well), but you alternated pronouns. It doesn't sound right, somehow. I also caught a spelling error there. "Decent" should be "descent." I'd recommend something along the lines of: "Lucian ... horses before following Radj to ... wagon. Brushing his hand against his leg, he looked ... castle. The late afternoon sun had already begun its descent ... palace." (I cut out bits so it wouldn't seem like I was just striving for points.)
Once hidden behind the thick morning fog, the royal fortress was now visible from far beyond Melliark's outer walls.
Tense trip-up here. It's an easy fix, though; just cut out "now."
he gained his balance.
Should be "regained his balance."
"It'll be alright, Grandpa."
"Alright" is used as a parenthetical phrase, like "Alright, let's go." "All right" is used like "It'll be all right."
will recog--".
Accidently inserted a period here.
“It’s a pleasure to finally meet you, Sir.
"Sir" is one of those exceptions to the rule, so it shouldn't be capitalized.
There was loads of internal dialogue (whatever you call it). Normally I only brush by it to correct the grammar, but since you used proper grammar, I can discuss its usage. Like dialogue, internal dialogue functions best without dialogue tags, and there's only one dialogue tag you can use, anyway: "[subject] thought." But in the end, it's more interesting reading it when it's woven into the narration. More difficult for the writer, sure, but that's what helps make it more interesting. Just watch out for things like "What a pretty sunset, he thought" or "My goodness! Julia thought." I'd say the only instance where this much internal dialogue's acceptable is a piece centered on telepathy.
Speaking of internal dialogue, the dialogue. The characters used slang and contractions and interjections, which contrasted a bit oddly with the narration. Like modern versus classical.
I also think the characters could use a little polishing, considering we're this far into the novel, but other than that, fantastic job. It flowed beautifully. I don't even need to mention basic elements like grammar and dialogue and pacing because your grammar was impeccable, your dialogue varied, and your pacing well-measured. I jumped in well past the exposition, but I still had a solid idea of what was going on, and that's huge. My eyes were glued to the screen, too; I was enraptured.
When reading the summary, I'll confess, I could see things tilting toward cliché. The writing eliminated any possibility, though. It was unique and high-quality in itself. (And c'mon, who doesn't love healing magic and training schools?)
Keep it up! Looking forward to more!
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Reviews: 308
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