Adah Lone
I woke up to two tubes of lipstick in the make-up supplies.
"Mom!" I yell across the house.
"Adah!"
"Are you buying me lipstick and subtly placing them in the bathroom?"
At this, there is a bunch of scuffling. My Mother bounds up the stairs, peaking her head into my bathroom. She's already ready for work in a purple hijab and business suit. Her brown eyes sparkle.
"Perhaps." I roll my eyes at her, and she smiles. "Well, yes, this new bunch. When I saw you with Hayah's lipstick on I had to buy you some of your own. She might want hers back! Besides, you looked so pretty yesterday. I can only encourage my daughter's confidence!"
"Thanks, Mom." I reach over and hug her. She accepts, gladly. I don't hug her as much as I should.
"You're welcome, Adah. Now, put it on!"
"You can't watch! I'm not very good at it yet!"
My Mother shakes her head at me, but goes out of the bathroom humming.
**
I wore a dress today, which was another one of my questionable calls. It was pretty cold out, and I thought leggings would be warm enough. Here's to me being wrong.
It was Saturday. I think I was the only person ever to hate Saturdays. I don't know what to do with myself on Saturdays. Again, it's all the opportunity and the utter inability to do anything with it.
I go back to Starbucks.
I order while pushing my hair out of my face. It's way too long to actually do anything with, and it hangs long and damp down my back. As the barista hands me my coffee, I find myself wishing I was in school. Not so I could learn or anything, but so I could go back to helping Collin. There's something soothing about sewing. It reminds me of Grandma, and the conversations we'd have. It also, therefore, makes me feel a bit guilty.
I text my friend Kat over a mocha of some sort. (I told the Barista to choose.)Can you hang today? Heart breakingly bored.
"Hey. Adah, right?"
I look up. Isabel Something-or-another is sliding in next to me, flipping red hair over her shoulder. "Uh, yeah, hi?"
"I'm Isabel."
"Yeah, um, I know. Lincoln isn't that big of a school."
My phone rings. I itch to answer it, but decide it'd be impolite. Isabel does not look to be in the best of shape. She's in sweatpants, though she's normally the sort of girl to dress up. Her face is make-up free, exhaustion filling every crease.
She waves her approval. I open the message. No. Sorry. I have to work. I don't even bother typing in 'it's okay'. Kat knows it really isn't, but there's not anything we can do.
"Plans fall through?" Isabel asks.
I look up. "Yeah, a baby stage version of them, anyway."
Isabel laughs. "Mine too. Well, sorta." She bites her lips. A bit of chapped skin falls off.
I suddenly know exactly what I want to be doing.
Okay, that was a bit of a weird order of thought, but I jingle around my pocket to make sure the keys are still there. Score!
"Sorry, Isabel, but I have to be going."
"Oh. It's okay."
We both know it's not, but I don't respond.
****
I start with a title. It's the backwards order of things, but that's how I work.
Two Halves Of A Girl
The art room is intoxicating, the smell of paint and clay filling your lungs so you breath that instead of oxygen. I don't spend nearly enough time in here, but I like to think that helps the smell stay unique. I'm lying to myself, but that's okay.
I start with her face, while it's fresh in my mind. I draw the curves of cheeks a lips, the plain face of someone who is still a child. I shade until I have to sharpen my pencil, and then I shade again.
No one is in the school, so I strip my leggings off in the room and throw on an apron over my dress. I throw open the doors and blast Mr.Fisher's stereo to Taylor Swift's 1985 because it fit the piece.
I draw the other half in blazing color, every colored pencil in my arsenal to sharpen in the face. Make the figure an adult in stilettos and short shirts. A person who sparkles.
I'm in the midst of blurring the line, the second sentence of I Know Places
It's a scene, and we're out here in plain sight
when I realize I'm being watched. I clamp my mouth shut, ready to explain myself to some annoyed teacher or confused janitor.
It's Collin Maye.
I stare at him for awhile, and I become suddenly aware of the fact that it probably doesn't look like I'm wearing pants under the apron. He looks beyond me, at the picture.
"Collin?"
"Oh!" He looks flustered, and I feel flustered. "Hi, Adah. We should really stop meeting like this."
I blush. "Are you here working on costumes again?"
"Yeah. They really need to get done for the production of Wicked."
"Right. Wicked."
His eyes wander onto my picture again. Can he tell who it is? Oh, what if he thinks I'm a freak?
WhatdoIdo?WhatdoIdo?
"You're a great artist." He says.
"It's just a hobby."
"A hobby? That's..." He drowns out whatever he was going to say. Was it good or bad?
I fiddle with the ends of my apron. I don't want to look at the picture. I feel suddenly stupid for coming here. The portrait could've easily be done in the small notebook I keep in my room. I was just itching to use the keys Fisher gave me, encouraging me to show my art more to the world.
Well, here's the world, I guess.
"Do you want to take a break? Go out for ice cream or something?"
He looks at me. "It's the middle of winter."
My nervous sass comes out. "Are you saying you don't want ice cream?"
He smiles. "Never. Are you driving?"
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