#12 - runs (music)
the joys of playing second lie in runs across the break and the compromise of not squeaking your ears out or the low and pretty to play the harmony - it’s not the rhythm that will break you, it’s the transposed violin that jumps between Eb and C and leaves no room for transition. It’s not the rhythm, it’s the fighting fingers and breath and notes that don’t come out that lead to exposed divisi that only is melodic if you don’t get lost in the details.
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