Firstly, acknowledge that the dearth of PoC religious figures seen positively is tragic. The bottom line that you would put forward a positive representation of how eternal wisdom/peace unending and full of glory comes from a woman who is recognized properly as the virgin Mary, PoC or otherwise is uplifting. Essentially, you're putting good into the literary world. Good.
Second, I don't think you have matters to be concerned as long as you keep your sensitivities both in mind and in check. There's a sweet spot between the realms of objectification/appropriation and on-the-nose social justice where you masterfully subvert tropes and precedents.
I mean, I know you. I know you're capable of it. Just try to find that sweet spot and stay in it.
ETA: Also, take my advice with a grain of salt. You're the one I go to for considerations for religious writing--not the reverse. >.> PoC sensitivities, though, yee.
I am a forest fire and an ocean, and I will burn you just as much as I will drown everything you have inside.
-Shinji Moon
I am the property of Rydia, please return me to her ship.
Browse through Writing with Colour. Their ask box is currently closed, but there's tons and tons of information there about objectification of black women and how to avoid it.
A writer is a world trapped in a person— Victor Hugo
Ink is blood. Paper is bandages. The wounded press books to their heart to know they're not alone.
There's also the matter of how Mary was not black, but a Jew. PoC representation is important, but racebending is pretty easily offensive, and often an unnoticed form of erasure of various ethnicities.
In the case of the various paintings of Black Madonnas, a lot of them are the result of soot discoloration from centuries of candles being burnt in the vicinity, and none of the ones I've seen have depicted features present in various African ethnic groups. They basically depict dark-skinned Caucasians (which in itself is a form of racebending).
In this case though, there's a simple justification for Mary appearing as an ethnically black woman that doesn't involve implicit erasure: by all accounts, Mary appears familiar and instantly recognizable, and it's not much of a stretch to extrapolate that it's because of how the ones receiving the visions idealize and perceive her. In other words, Mary appears black to those women because they see Mary as being black for various reasons (such as their idea of motherhood being tied to being a black woman).
It will really depend on how you execute things, but I don't think that Mary being depicted as explicitly black would be a form of objectification in and of itself.
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