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The Masked Musician

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The Masked Musician

Postby fragile_heart(!) on Thu Jul 09, 2009 4:00 am

Songs: Permanent -- David Cook, Unintended -- Muse  

For Kat's Contest  

 

---  

Her name flooded the headlines.  

“Gondola Girl is at it again!” 

“The Masked Musician Spotted Late Last Night!”  

Like she was some sort of twisted super hero, saving little children in perambulators and helping old women cross the street? Rubbish.  

Elizabeth gathered her skirt in her hands as she hurried toward Holly. When she approached her, she peeked in both directions, making sure her father wasn’t listening in.  

“Have you heard?” she whispered, her eyes still shifting. Could Elizabeth's obsession with gossip not seize even on their trip to Italy?  

“About what, Elizabeth, dear?” Holly asked, her mind distracted. Her eyes were looking at Elizabeth, but they weren’t seeing her corn silk ringlets, her sparkling sapphire eyes, her thin waist and bust. They were seeing the water lapping against the sides of the gondola softly, the silhouette of the houses by the alleys of water. Elizabeth’s pink lips were moving quickly, explaining something in a hurried undertone, but she was remembering the halo of light around the lanterns, reflecting in the milky waters like faces of the dead looking back.  

“Good Lord, Holly, did you even hear a word I was saying to you?” Elizabeth’s cheeks were flushed a rosy color, dashing on her porcelain ivory skin. Holly always wished to be as beautiful as Elizabeth. No men wished to chase her, with her boring blonde hair and green eyes.  

“No,” she admitted honestly. “I’m terribly sorry. I seemed to have dreaming on my feet.”  

Elizabeth was used to Holly’s daydreaming, but it didn’t mean she tolerated it. She rolled her eyes and exhaled, shifting her weight onto her right foot.  

“I said,” she explained slowly, “that the wretched girl is at it again. Her ridiculous violin playing kept me up last night, and Daddy’s on the look out for her.”  

“He is, now?” Holly asked dully, her attention elsewhere. She was thinking of Michael, the way his fingers felt on her skin as he caressed her cheeks. Did they feel like rose petals to Elizabeth?  

“Yes,” she answered, impatiently pushing a curl out of her face. “He said if she comes by our window one more night, he’s going to point his riffle and shoot her himself.”  

“Now, now, Elizabeth, I’m sure that’s all just your father’s big mouth.”  

“Just you wait,” Elizabeth warned. “Just you watch those headlines tomorrow.”  

* * *  

 

The sunset was beautiful that night, a wonder of pastel pinks, fiery oranges, and brilliant crimsons. When it finally faded into a blanket of azure, freckled with the silver glimmerings of stars, Holly snuck out of her bedroom, the midnight blue silk of her skirt like wisps of moonlight in her hands. She crept on her tip-toes down the stone staircase to foyer, and with one last look behind her, she nudged the wooden door open and exited into the night.  

Holly’s dark blonde hair fell in limp waves to her waist, where the mahogany of her corset transformed into the indigo of her skirt. A red silk ribbon was tied tightly around her throat, and a brilliant masquerade mask concealed her miserable face. It was pink like Elizabeth’s cheeks and laced with gold patterns, twining and lacing together into intricate knots.  

She placed her foot gingerly into the gondola, making sure her skirt didn’t drag into the water. When she was settled in, she pulled the violin out from under her arm and pushed away with the bow.  

The water was calm, rippling around the boat gently. She thought of Michael, the way he would sail them across the lakes back home in London. He always made her smile and laugh, soaking her dresses by splashing too recklessly with the oars.  

But now Michael was gone, snatched from her grasp. When he had introduced her to Elizabeth, she’d never had thought they’d fall madly in love. Infatuated, Holly thought. That’s what they are. So caught up in each others’ presences they forget all about who established their romance.  

Holly didn’t use oars here; she let the current take her where she liked, the trail of lanterns like fireflies in the night. She closed her eyes and bowed her head as a single tear fell behind the mask.  

“This is for you, Michael,” she dedicated quietly. It was the same five words she said every night before she played.  

She held up her bow straight to the moon, and then brought it down to the violin. She began playing a slow and mysterious song, the tune almost haunting. She continued playing the gloomy melody, the only way she could vocalize her pain.  

Several people in their night-clothes stepped out onto their porches to watch. An old man in white pajamas and a night cap, all striped with turquoise blue, squinted to see Holly’s face. But no one knew who the young girl was behind the mask. To them, she was just the familiar stranger, the girl who played the violin on a gondola late at night.  

The moon hung like a glittering gem in the sky. It was as silver as Elizabeth’s wedding ring and sparkled just as bright. A memory of Holly and Michael floated into her mind. It was the two of them basking in the warmth of the sun, his gentle touch brushing a tendril of her hair away from her face.  

“Your eyes, my love,” he said drowsily, “are as bright as the stars at night. No, they’re greater than that. They shine just as the moon. Possibly brighter.”  

Holly closed her eyes as her heart clenched. How was a heart expected to beat after being shattered into dust? Was it possible?  

She remembered the day she found out. Elizabeth had come to talk to her, no doubt to tell her, but she already knew. She had seen Michael. She had witnessed the dazzle in his eye. Holly knew she didn’t matter anymore. Her imagination had been transforming reality, distorting it. She thought her words weaved together like a silky spider web, just as his did. Fantasizing that her laugh would caress his face like angel’s wings, as his did.  

And then came the evasion. Michael started to avoid her, thinking of excuses whenever she approached. He turned away whenever he caught a glimpse of her hollow, broken face, with its sunken eyes and hopeful quiver.  

Holly didn’t realize where she was going. She heard a low rumble, then a shattering. She opened her eyes and glanced up to see what was going on, and that’s when she saw Elizabeth standing on a balcony up ahead, tugging at her father’s arm, which had a shotgun pointed at the river.  

“Father, stop!” she hissed.  

“Absolutely not!” he bellowed, jerking free of her grasp. “It’s obvious someone needs to step up and take responsibility for this girl.”  

“Leave it to the police. Please, Daddy, just go back to sleep,” Elizabeth pleaded.  

"I will not sleep until this...ruckus has been seized! I have a meeting with the Italian army to prepare for, and nothing is going to be settled if this girl is riding around at night with that damn violin!"  

“What ever is going on?” said the voice, that beautiful, smooth voice that Holly knew so well.  

Michael emerged onto the stone porch, rubbing sleep from his eyes. His ink black hair was tied back in its usual ponytail, reflecting the silver orb that was the moon. One tendril, that one pesky tendril he always dragged out of his face on hot summer days, framed his angular cheekbones and pointed chin.  

“Admiral, what on earth do you think you’re doing?” he asked, his eyes widening at the sight of the gun.  

“Doing what the authorities should have done two weeks ago, when all this blasphemy started!”  

The admiral aimed the gun, pointed it straight at Holly. But she continued to play, hunched over her violin, the miserable song floating, tempting to reach out and touch Michael’s heart, the way he touched Holly’s. But he had eyes for no one but Elizabeth. His brown eyes saw no other woman that existed. She closed her eyes, the tears leaking down her cheeks.  

Boom.  

Holly heard it before she felt it. She heard Elizabeth gasp, and when she opened her eyes, she had run and buried her face in Michael’s chest. Michael was staring at her in shock, and the Admiral looked smug as he set the gun down.  

Holly dropped the violin, and it fell to the floor with a clatter. She placed a hand to where she had been hit; the place just shy of her heart. When she removed it, she caught the glimmer of scarlet dripping down her fingers. She looked back up at the balcony where it had all taken place, and the Admiral was gone, leaving Elizabeth sobbing and Michael’s face frozen in surprise.  

The end was coming soon; Holly and Michael could both feel it in the cool night air around them. The corners of Holly’s vision grew blurry, like looking through tired eyes.  

Another memory of Michael popped into her mind. Falling asleep in the dark forest, waking to see Michael smiling sleepily, a finger tracing the features on her face. The pain caused her to stumble off the seat and onto the floor next to her violin, and the gondola swayed beneath her.  

Holly could feel life slipping away. She could feel darkness threatening to close in on her, trying to detach her from the twisted world of reality she was trapped in. But there was one last thing she wanted to do before she died, and even if she had to fight off the black shadows, she was going to do it.  

Her head, propped up by the wooden seat, was angled toward Michael. She lifted a heavy hand, and though the movement felt like wading through thick mud, she pulled off the mask. When Michael saw her face, crumbled and sagging, tired from Death’s call, he let go of Elizabeth, who crumpled to the ground. He ran to the banister of the balcony, reaching his hand over.  

“No!” he screamed. “No, Holly, no!”  

As the gondola drifted on, Holly watched as he followed it, up until he ran out of ground to follow. The balcony ended, and gondola kept floating away, gliding further away from her love.  

This is it, she thought. She blinked slowly, the pain creeping up into her chest, then her shoulder, then her arm. It was steadily dispersing throughout her body, but nothing compared to the pain of her already-broken heart shattering into dust. Life, love, meaning, gone…  

I love you, she struggled to think, blackness rushing over her eyes like a thick shield. I’ll always love you, Michael. Even if you have her. You’ve always been in my heart.  

That’s when darkness reached up and took her into its clutches, and Holly finally let it pull her under.  

 

* * *  

 

Elizabeth’s prophecy had been right. The newspapers were overflowing with news of the Masked Musician’s death. The Admiral had made the call anonymously, and searches for the body turned up blank. Some people suspected she was lying at the bottom of one of the waterways, trapped in her watery grave.  

Only Michael really knew exactly who she was. The next morning, Elizabeth came out onto the balcony to find him staring blankly out at the water, both hands on the railing as if they were holding him up. She slithered her arms across his chest and hugged him.  

“I wonder where Holly is,” Elizabeth muttered idly.  

“Yes,” Michael answered robotically.  

“I have to show her that I was right. I told her my daddy would do it,” she said haughtily. Obviously, she had ignored the memories of her breakdown the night before.  

“It’s not right to boast, Elizabeth,” Michael scolded, and then returned to the house for some tea.  

 

That night, as Elizabeth lay sleeping by his side, Michael heard the heartbreaking melody floating in from his window. But when he rushed to the balcony, his heart beating at full force in his chest, his eager smile fluttered away. The reflection of the lanterns in the waterways stared back at him, glistening the way Holly’s eyes used to shine.

Last edited by fragile_heart(!) on Thu Jul 23, 2009 2:07 am, edited 2 times in total.
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Postby nixonblitzen on Thu Jul 09, 2009 3:36 pm

Hello, fragile heart (!) I really enjoyed reading this.

Like she was some sort of twisted super hero, saving little children in strollers and helping old women cross the street? Rubbish.
First, when is this story set? I got kind of an Edwardian/Titanic feel. If this is somewhat correct, I think the word "perambulator" or "pram" would fit better.

“Have you heard?” she whispered scandalously. Elizabeth’s life revolved around gossip, and the trip to Italy was no excuse to be left behind.
I just like the way these lines are written. : )

“About what, Elizabeth, dear?” Holly asked, her mind distracted. Her eyes were looking at Elizabeth, but they weren’t seeing her corn silk ringlets, her shimmering sapphire eyes, her thin waist and bust. They were seeing the water lapping against the sides of the gondola softly, the silhouette of the houses by the alleys of water. Elizabeth’s pink lips were moving quickly, explaining something in a hurried undertone, but she was remembering the halo of light around the lanterns, reflecting in the milky waters like faces of the dead looking back.

“Good Lord, Holly, did you even hear a word I was saying to you?” Elizabeth’s cheeks were flushed a rosy color, beautiful on her porcelain ivory skin.
These flowery descriptions of Elizabeth's physical appearance kind of confused me. At first I though Holly had a thing for Elizabeth! Maybe these descriptions could be placed somewhere else? Also, why are there so many descriptions of Elizabeth's beauty? Is it to make Holly jealous?

“I said,” she explained slowly, “that the wretched girl is at it again. Her ridiculous violin playing kept me up last night, and Daddy’s on the look out for her.”
This should begin with a capital t.

She was thinking of Michael, the way his fingers felt on her skin as he caressed her cheeks. Did they feel like rose petals to Elizabeth?
Maybe this could say something like, "...the way his fingers had felt on her skin as he had caressed her cheeks. Did they feel like rose petals to Elizabeth when he touched her?" Something like that would clear up the relationships. I was confused about who Michael was and why he would be caressing both their cheeks. It's explained later, but I think this clarification would be nice.

He said if she comes by our window one more night, he’s going to point his riffle and shoot her himself.
Should be "rifle".

When it finally faded into a blanket of azure, freckled with the silver glimmerings of stars, Holly snuck out of her bedroom, the midnight blue silk of her skirt like wisps of moonlight in her hands.
I think this sentence is too long and has too many flowery descriptions in it. The meaning gets kind of muddled.

She placed her foot gingerly into the gondola, making sure her skirt didn’t drag into the water. When she was settled in, she pulled the violin out from under her arm and pushed away with the bow.
Rereading this now, I just recognized the painting that you based this off of. Great job!

When he had introduced her to Elizabeth, she’d never had thought they’d fall madly in love.
Shouldn't this say, "When she had introduced him to Elizabeth, she'd never had thought they'd fall madly in love." ?

Holly didn’t use oars here; she let the current take her where she liked, the trail of lanterns like fireflies in the night.
I think this should be "it". The current is taking her wherever it likes.

It was as silver as Elizabeth’s wedding ring and sparkled just as bright.
I was surprised to find that Elizabeth & Michael are married, after Holly described them as "infatuated".

“Your eyes, my love,” he said drowsily, “are as bright as the stars at night. No, they’re greater than that. They shine just as the moon. Possibly brighter.”
This is supposed to be romantic, but to me it came off as cheesy and cliche.

She thought her words weaved together like a silky spider web, just as his did. Fantasizing that her laugh would caress his face like angel’s wings, as his did.
I think I know what you mean here, but it's kind of hard to tell. Maybe saying "as his did to her" would make it more clear?

His ink black hair was tied back in its usual ponytail, reflecting the silver orb that was the moon.
How can hair reflect the moon?

But he had eyes for no one but Elizabeth. His brown eyes saw no other woman that existed.
This seems a little redundant.

I think the way you describe Holly dying is really beautiful. I'm not sure if it's realistic at all, but I like the imagery.

“It’s not right to boast, Elizabeth,” Michael scolded, and then returned to the house for some tea.
I really, really like this line for some reason. We get to see what their life will be like from now on.

Overall, it was a really good read, if a bit melodramatic.
Good luck in the contest.
Rachel
"He found his voice tended either to disappear or to come out too loud." -William Golding
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Re: The Masked Musician

Postby angels-symphony on Fri Jul 10, 2009 5:54 am

Hey Frag ^^ Shina here for a review as promised ;)

Sorry I'm late, my sister and I were making a map for my fantasy novel O_O It took us thirty minutes to decide where to put a mushroom village and nearly an hour to setlle on a shape for the continent.


Her name flooded the headlines.

I think it needs a colon (:) since the headlines come after it, also a pretty good hook ^^ Jumps right into the story.

“Gondola Girl is at it again!”
“The Masked Musician Spotted Late Last Night!”

When I first read this, I thought that Gondola Girl and the Masked Musician were two different people, but it was probably because I was thinking about Phantom of the Opera xD Just make sure that the titles she has are somewhat similar so it doesn't confuse the readers.

I also think you need to switch these two parts so it reads:

"Gondola Girl is at it Again!
The Masked Musician Spotted Late Last Night!

Her names flooded the headlines like she was some sort of twisted superhero, saving little children in strollers and helping old women cross the street. Rubbish."

Since the titles are in the newspaper, the first letters need to be capitalized except for the little words like "is" and "at".

Like she was some sort of twisted super hero, saving little children in strollers and helping old women cross the street? Rubbish.

This line doesn't sound like a question, so I suggested you combine it with the first line *as shone above*

Elizabeth gathered her skirt in her hands as she hurried toward Holly.

You should mention the setting right about now, even just a tad so we know where Elizabeth is hurrying.I know you mention she's in Italy later, but you need to mention something about a room or a corridor or something ^^

“Have you heard?” she whispered scandalously. Elizabeth’s life revolved around gossip, and the trip to Italy was no excuse to be left behind.

This is being tell-y *shakes head*. I know you have good imagery and can paint images with your words, Frag. What exactly is "scandalously?" Are her eyes wide with excitement? Her red lips pursed? Her fingers gloved? And rather than saying her life revolved around gossip, you could show it by mentioning she has a big mouth or is nosy.


“About what, Elizabeth, dear?” Holly asked, her mind distracted.

I think rewording this to "Holly asked, her thoughts elsewhere."

Her eyes were looking at Elizabeth, but they weren’t seeing her corn silk ringlets, her shimmering sapphire eyes, her thin waist and bust.
This is a run-on and I think you're trying to say:
"Her face was directed toward Elizabeth, but she wasn't looking at her corn-silk ringlets, her sparkling sapphire eyes, or her thin waist and bust."
I changed "shimmer" to "sparkle" because shimmer is more like... eyeshadow shimmer, a faint glow or shine. That wouldn't be for eyes.

They were seeing the water lapping against the sides of the gondola softly, the silhouette of the houses by the alleys of water.

Good description ^^ But you should change the beginning to match the previous sentence:
"Her eyes lingered at Elizabeth's side, gazing at the water lapping against the sides of the gondola, at the silhouette of houses by the alleys of water"

Elizabeth’s pink lips were moving quickly, explaining something in a hurried undertone, but she was remembering the halo of light around the lanterns, reflecting in the milky waters like faces of the dead looking back.

This is a bit confusing, but a beautiful description. Just some rewording:
"Elizabeth's pink lips fluttered, explaining something in a hurried undertone as she recalled the halo of light around the lanterns reflected in the milky waters like faces of the dead."

“Good Lord, Holly, did you even hear a word I was saying to you?” Elizabeth’s cheeks were flushed a rosy color, beautiful on her porcelain ivory skin.

Beautiful, here, is a tell-y word. I'd suggest mentioning it was a contrast.

No,” she admitted honestly.

"Admitted honestly" is repitition because it means the same thing. Scratch out "honestly"

“I’m terribly sorry. I seemed to have drifted off into a reverie.”

"Reverie" wasn't really the word they used during the time and it isn't used often, either. Usually they'd say something along the lines of:
"I seem to have gotten caught up in a fancy."
*seemed was in the wrong tense.

“He is, now?” Holly asked dully, her attention elsewhere.

Holly seems to be Elizabeth's friend, so she'd at least fake some enthusiasm as she thought about Michael.

“He said if she comes by our window one more night, he’s going to point his *riffle and shoot her himself.”

D: Can't believe this?! I'm shocked!
And "riffle" should be "rifle" ^^ I'm sure it was just a typo.


“Just you wait,” Elizabeth warned. “Just you watch those headlines tomorrow.”

Tying in the headlines ^^

The sunset was [s]beautiful that night,[/s] a wonder of pastel pinks, fiery oranges, and brilliant crimsons.

The description implies that it was beautiful ;)

When it finally faded into a blanket of azure, freckled with the silver glimmerings of stars, Holly snuck out of her bedroom, the midnight blue silk of her skirt like wisps of moonlight in her hands.

I like how you describe their clothes and the scenery ^^
*midnight-blue

She crept on her tip-toes down the stone staircase to the foyer, and with one last look behind her, she nudged the wooden door open and exited into the night.


It was pink like Elizabeth’s cheeks and laced with gold patterns, twining and lacing together into intricate knots.

There's a repitition of "lace" so you might want to change that.

She placed her foot gingerly into the gondola, making sure her skirt didn’t drag into the water. When she was settled in, she pulled the violin out from under her arm and pushed away with the bow.

D: I didn't see that coming.
But now Michael was gone, snatched from her grasp. When he had introduced her to Elizabeth, she’d never had thought they’d fall madly in love.

I think you mean "When she had introduced him to Elizabeth"

Infatuated, Holly thought. That’s what they are. So caught up in each others’ presences they forget all about who established their romance.


She held up her bow straight to the moon, and then brought it down to the violin. She began playing a slow and mysterious song, the tune almost haunting. She continued playing the gloomy melody, the only way she could vocalize her pain.

You've scored big points with me here ^^ I'm a big fan of classical music in writing xD And the first line of this had great imagery.

The moon hung like a glittering gem in the sky. It was as silver as Elizabeth’s wedding ring and sparkled just as bright.

*sniffles* Poor Holly.

Fantasizing that her laugh would caress his face like angel’s wings, as his did.

Another description I favor ^^ My novel's titled Angel's Symphony and you have beautiful descriptions comparing both angels and music :P *must read more*

Boom.

This ruins the effect because it kind of sounds like a pirate's canon. Maybe just mentioning a gun fire?

When Michael saw her face, crumbled and sagging, tired from Death’s call, he let go of Elizabeth, who crumpled to the ground. He ran to the banister of the balcony, reaching his hand over.

Michael is a stupid boy *nods* I don't think he deserves either of them.

“her under.



Elizabeth’s prophecy had been right. The newspapers were overflowing with news of the Masked Musician’s death.

I was not expecting this *sobs*

“I have to show her that I was right. I told her my daddy would do it,” she said haughtily.

Actually, maybe Michael does deserve a snob like Elizabeth.


Obviously, she had ignored the memories of her breakdown the night before.
“It’s not right to boast, Elizabeth,” Michael scolded, and then returned to the house for some tea.

Lol on this part, but Michael is still an idiot.


The reflection of the lanterns in the waterways stared back at him, glistening the way Holly’s eyes used to shine.


*tear*

I hope this isn't somehow a true story :( No girl should have to feel like that or deal with stuff like that.

Truly amazing, Frag ^^ Just a few things in the beginning to fix and it should be in ship shape.

Also, you need to mention exactly why the admiral was going to shoot her if you didn't already. I don't see why an admiral would shoot someone playing music at night, especially since she was good.

Great read ^^

-Shina
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Postby baby.fratelli on Fri Jul 10, 2009 2:41 pm

Her name flooded the headlines.

“Gondola Girl is at it again!”

“The Masked Musician Spotted Late Last Night!”

Like she was some sort of twisted super hero, saving little children in strollers and helping old women cross the street? Rubbish.

Elizabeth gathered her skirt in her hands as she hurried toward Holly. When she approached her, she peeked in both directions, making sure her father wasn’t listening in.

“Have you heard?” she whispered scandalously. I get what you mean, but I don't think the word scandalously works well. Cause it looks like you're saying it was scandalous that she was whispering.Elizabeth’s life revolved around gossip, and the trip to Italy was no excuse to be left behind.

“About what, Elizabeth, dear?” Holly asked, her mind distracted. Her eyes were looking at Elizabeth, but they weren’t seeing her corn silk ringlets, her shimmering sapphire eyes, her thin waist and bust. I get that you are trying to include a description of your character, but the way you have worded it, almost sexualised - shimmering eyes, mentioning the bust, is probably not the way Holly would look at her friend anyway. Perhaps either make the description more the way a friend would describe another friend, or give clues about her description a different way later on. They were seeing the water lapping against the sides of the gondola softly, the silhouette of the houses by the alleys of water. Elizabeth’s pink lips were moving quickly, explaining something in a hurried undertone, but [s]she[/s] Holly was remembering the halo of light around the lanterns, reflecting in the milky waters like faces of the dead looking back.

“Good Lord, Holly, did you even hear a word I was saying to you?” Elizabeth’s cheeks were flushed a rosy color, beautiful on her porcelain ivory skin.

“No,” she admitted honestly. “I’m terribly sorry. I seemed to have drifted off into a reverie.”

Elizabeth was used to Holly’s daydreaming, but it didn’t mean she tolerated it. She rolled her eyes and exhaled, shifting her weight onto her right foot.

“I said,” she explained slowly, “that the wretched girl is at it again. Her ridiculous violin playing kept me up last night, and Daddy’s on the look out for her.”

“He is, now?” Holly asked dully, her attention elsewhere. She was thinking of Michael, the way his fingers felt on her skin as he caressed her cheeks. Did they feel like rose petals to Elizabeth?

“Yes,” she answered, impatiently pushing a curl out of her face. “He said if she comes by our window one more night, he’s going to point his [s]riffle[/s] rifle and shoot her himself.”

“Now, now, Elizabeth, I’m sure that’s all just your father’s big mouth.”

“Just you wait,” Elizabeth warned. “Just you watch those headlines tomorrow.”

* * *


The sunset was beautiful that night, a wonder of pastel pinks, fiery oranges, and brilliant crimsons. When it finally faded into a blanket of azure, freckled with the silver glimmerings of stars, Holly snuck out of her bedroom, the midnight blue silk of her skirt like wisps of moonlight in her hands. She crept on her tip-toes down the stone staircase to foyer, and with one last look behind her, she nudged the wooden door open and exited into the night.

Holly’s dark blonde hair fell in limp waves to her waist, where the mahogany of her corset transformed into the indigo of her skirt. A red silk ribbon was tied tightly around her throat, and a brilliant masquerade mask concealed her miserable face. It was pink like Elizabeth’s cheeks and laced with gold patterns, twining and lacing together into intricate knots.

She placed her foot gingerly onto the gondola, making sure her skirt didn’t drag in[s]to[/s] the water. When she was settled in, she pulled the violin out from under her arm and pushed away with the bow. I liked how the gondola girl turned out to be Holly ... I’m surprised I didn’t pick up on it actually, so you’ve done your job properly.

The water was calm, rippling around the boat gently. She thought of Michael, the way he would sail them across the lakes back home in London. He always made her smile and laugh, soaking her dresses by splashing too recklessly with the oars.

But now Michael was gone, snatched from her grasp. When he had introduced her to Elizabeth, she’d never had thought they’d fall madly in love. Infatuated, Holly thought. That’s what they are. So caught up in each others’ presences they forget all about who established their romance.

Holly didn’t use oars here; she let the current take her where she liked, the trail of lanterns like fireflies in the night. She closed her eyes and bowed her head as a single tear fell behind the mask.

“This is for you, Michael,” she dedicated quietly. It was the same five words she said every night before she played.

She held up her bow straight to the moon, and then brought it down to the violin. She began playing a slow and mysterious song, the tune [s]almost[/s]Try to avoid being passive. haunting. She continued playing the gloomy melody, the only way she could vocalize her pain. I don’t think that last part is necessary as it is already inferred.

Several people in their night-clothes stepped out onto their porches to watch. An old man in white pajamas and a night cap, [s]all striped with turquoise blue[/s]Be careful you don’t overload on necessary details – make everything count., squinted to see Holly’s face. But no one knew who the young girl was behind the mask. To them, she was just the familiar stranger, the girl who played the violin on a gondola late at night. I don’t see why this would make newspaper headlines... Could just be me.

The moon hung like a glittering gem in the sky. It was as silver as Elizabeth’s wedding ring and sparkled just as bright. I notice a trend of comparing everything to Elizabeth and I quite like it. A memory of Holly and Michael floated into her mind. Because she referred to herself in the third person, I was confused for a bit and thought it might be Elizabeth who was remembering this. I’d put “a memory of herself with Michael” It was the two of them basking in the warmth of the sun, his gentle touch brushing a tendril of her hair away from her face.

“Your eyes, my love,” he said drowsily, “are as bright as the stars at night. No, they’re greater than that. They shine just as the moon. Possibly brighter.” Intentionally cliché?

Holly closed her eyes as her heart clenched. How was a heart expected to beat after being shattered into dust? Cliche again. Was it possible?

She remembered the day she found out. Elizabeth had come to talk to her, no doubt to tell her, but she already knew. She had seen Michael. She had witnessed the dazzle in his eye. Holly knew she didn’t matter anymore. Her imagination had been transforming reality, distorting it. She thought her words weaved together like a silky spider web, just as his did. Fantasizing that her laugh would caress his face like angel’s wings, as his did. The last few sentences are a bit clunky. Rephrase?

And then came the evasion. Michael started to avoid her, thinking of excuses whenever she approached. He turned away whenever he caught a glimpse of her hollow, broken face, with its sunken eyes and hopeful quiver.

Holly didn’t realize where she was going. She heard a low rumble, then a shattering. She opened her eyes and glanced up to see what was going on, and that’s when she saw Elizabeth standing on a balcony up ahead, tugging at her father’s arm, which had a shotgun pointed at the river.

“Father, stop!” she hissed.

“Absolutely not!” he bellowed, jerking free of her grasp. “It’s obvious someone needs to step up and take responsibility for this girl.” This is losing its believability... Are they really this angry over some music being played? Perhaps if you inserted a paragraph about how stressed out the Dad is cause he can’t get to sleep... do they all live within hearing distance or something?

“Leave it to the police. Please, Daddy, just go back to sleep,” Elizabeth pleaded.

“What ever is going on?” said the voice, that beautiful, smooth voice that Holly knew so well.

Michael emerged onto the stone porch, rubbing sleep from his eyes. His ink black hair was tied back in its usual ponytail, reflecting the silver orb that was the moon. One tendril, that one pesky tendril he always dragged out of his face reads funny. Like the hair is inside his face and he is tugging it out. Perhaps rephrase. I think it may be dragged that is throwing me off. on hot summer days, framed his angular cheekbones and pointed chin.

“Admiral, what on earth do you think you’re doing?” he asked, his eyes widening at the sight of the gun.

“Doing what the authorities should have done two weeks ago, when all this blasphemy started!” I really don’t think blasphemy is the right word here. Doesn’t fit.

The admiral aimed the gun, pointed it straight at Holly. But she continued to play, hunched over her violin, the miserable song floating, tempting to reach out and touch Michael’s heart, the way he touched Holly’s. But he had eyes for no one but Elizabeth. His brown eyes saw no other woman that existed. She closed her eyes, the tears leaking down her cheeks.

Boom.

Holly heard it before she felt it. She heard Elizabeth gasp, and when she opened her eyes, she had run and buried her face in Michael’s chest. Michael was staring at her in shock, and the Admiral looked smug as he set the gun down.

Holly dropped the violin, and it fell to the floor of the boat with a clatter. You don’t have to add that, but when I read floor, I didn’t think of a boat. She placed a hand to where she had been hit; the place just shy of her heart. When she removed it, she caught the glimmer of scarlet dripping down her fingers. She looked back up at the balcony where it had all taken place, and the Admiral was gone, leaving Elizabeth sobbing and Michael’s face frozen in surprise.

The end was coming soon; Holly and Michael could both feel it in the cool night air around them. The corners of Holly’s vision grew blurry, like looking through tired eyes.

Another memory of Michael popped into her mind. Falling asleep in the dark forest, waking to see Michael smiling sleepily, a finger tracing the features of her face. The pain caused her to stumble off the seat and onto the floor next to her violin, and the gondola swayed beneath her.

Holly could feel life slipping away. She could feel darkness threatening to close in on her, trying to detach her from the twisted world of reality she was trapped in. But there was one last thing she wanted to do before she died, and even if she had to fight off the black shadows, she was going to do it.

Her head, propped up by the wooden seat, was angled toward Michael. She lifted a heavy hand, and though the movement felt like wading through thick mud, she pulled off the mask. When Michael saw her face, crumbled and sagging, tired from Death’s call, he let go of Elizabeth, who crumpled to the ground. He ran to the banister of the balcony, reaching his hand over.

“No!” he screamed. “No, Holly, no!” Getting a bit cheesy...

As the gondola drifted on, Holly watched as he followed it, up until he ran out of ground to follow. The balcony ended, and gondola kept floating away, gliding further away from her love.

This is it, she thought. She blinked slowly, the pain creeping up into her chest, then her shoulder, then her arm. It was steadily dispersing throughout her body, but nothing compared to the pain of her already-broken heart shattering into dust. You’ve used the same shattering to dust imagery twice. I’d suggest changing one, or both. Life, love, meaning, gone…

I love you, she struggled to think, blackness rushing over her eyes like a thick shield. I’ll always love you, Michael. Even if you have her. You’ve always been in my heart.

That’s when darkness reached up and took her into its clutches, and Holly finally let it pull her under.


* * *


Elizabeth’s prophecy had been right. The newspapers were overflowing with news of the Masked Musician’s death. The Admiral had made the call anonymously, and searches for the body turned up blank. Some people suspected she was lying at the bottom of one of the waterways, trapped in her watery grave.

Only Michael really knew exactly who she was. How did he see her but Elizabeth didn’t?The next morning, Elizabeth came out onto the balcony to find him staring blankly out at the water, both hands on the railing as if they were holding him up. She slithered her arms across his chest and hugged him.

“I wonder where Holly is,” Elizabeth muttered idly.

“Yes,” Michael answered robotically.

“I have to show her that I was right. I told her my daddy would do it,” she said haughtily. Obviously, she had ignored the memories of her breakdown the night before. Oh...

“It’s not right to boast, Elizabeth,” Michael scolded, and then returned to the house for some tea.


That night, as Elizabeth lay sleeping by his side, Michael heard the heartbreaking melody floating in from his window. But when he rushed to the balcony, his heart beating at full force in his chest, his eager smile fluttered away. The reflection of the lanterns in the waterways stared back at him, glistening the way Holly’s eyes used to shine.

I really couldn't feel for your character and I think this was because it was too... over-the-top? I guess I prefer characters to be real you know - have more than one dimension. The way Michael was described was so romanticised and cheesy that I have no idea who he is. I don't know why the girls like him. I also don't know why he likes Elizabeth as you've made her out to be a bitch, nothing more. The idea of a mysterious masked violin player is nice, but everything else I feel like I've read before. Not that this wasn't written well. it just did not stand out to me.
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Postby Lady of Fire on Fri Jul 10, 2009 9:08 pm

Oh my gosh, you brought me to tears! I'm whipping tears off my keyboard right now!

This was a very good story and I could easily seeing this in a book store if you expanded it. I am truly impressed. Great job.
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Postby *writewatiwant* on Mon Jul 20, 2009 8:44 pm

Hi Avery! I'm not really sure how to review this. I kindda liked everything.

I'm sorry I must fail epically on an overall review, but oh well.

I really liked your characters, your setting. I really liked her death; it was very emotional. Maybe too long, for a shot in the chest.

Anyway, I'm like a couple of days away to post the results.
Good luck,
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Postby cnvalambrosia on Tue Jul 21, 2009 12:47 am

I loved this. Devstating desire. Have you read Wuthering Heights? I think you might like it.

I wasn't exactly clear on this so I'll ask You ... is her face deformed? and. Are you going to continue this? If so pm me when you do.
~C.N.

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Postby EllyMelly on Wed Jul 22, 2009 4:15 pm

Good Morning, Fragile Heart.

Wow. Wow. Wow. And wow!! This was so heartwarming and such a tearjerker. I love it!

One question, though. Is this taken in the Victorian Era? I could tell from the clothing and other things. I'm so huge for historical fiction that I'm picking on what I read. But this, was beautiful.

A Five Star!

I didn't really find any grammar mistakes because I was so engrossed into this story. You pulled the reader in easily, and that's a great thing.

A truly wonderful piece!

Melly

P.S. Sorry if I wasn't much help on critiquing. :wink:
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