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The Elephant Boy {seventeen}
The Elephant Boy {seventeen}

by Kylan in Other Fiction
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This thread was created on July 26, 2008
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Ash In The Box

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PostPosted: Sun Jul 27, 2008 2:46 am    Post subject: Ash In The Box Reply with quote

All right, so my aunt entered us in this contest a while ago, wanting to see how different our responses to the same prompt is. I have 24 hours to write it, so I need critiques FAST. (Though I will still edit after the time's up, so don't worry about taking too long if you really can't. Also, this will probably become a script? XD>)

Go ahead and critique harshly, but I know it stinks. The word limit was SOOOO hard - I read it over and was line 'Oh, wow - that's like, the complete bare bones. O.o'

I ended up with exactly 900, the word limit.

Ash In The Box

"Good morning Uncle Scott," Dianne says as she walks into the store, the bell chiming above her head.

"Oh, hello dear." He leans forward rests his arms on his front desk. "What can I do for you today?"

"Nothing, Uncle Scott. I actually found what I was looking for last week. It's Erin's birthday in a few days, you know."

"I've heard! But why didn't you pick it up last time you were in here?"

"I wanted to check with Amy, just to make sure Erin hadn't outgrown it yet – who knows how long kids want to play with jack-in-the-boxes?"

"Well, let me know if you need anything, dear," he says, turning back to the black-and-white TV behind him.

"Of course."

She turns, heads to the back of the store, and crouches down see the toys.

"Please be there…" she mutters, scanning the rows of jack-in-the-boxes. Her eyes fall on the one she had found earlier. She picks it up, holds it out in front of her, examining it to make sure it's perfect.

She stands and walks back to the counter, trying not to trip and drop her jewel with all the stray toys kids left on the ground.

"You found what you where looking for?" her uncle asks, turning away from his TV.

"Mmm-hmm." She sets the box down on the counter proudly.

She looks up and sees his hand pause over the box. "P-Pink?" he stutters.

"Yeah. Erin's going through that girly-girl phase – she can't seem to own enough pink!"

When he doesn't respond she looks at him closely, her brow furrowed. "I see…" he whispers, his hand still poised over the box.

"You might want to restock; this was your last pink one," she says, her voice hesitant.

"Was it now?" he asks, picking up the box gingerly. Dianne watches him turn it in his frail hands, staring at every single crevice.

"Dianne, I don't think I can sell this to you…"

"Why not?"

He looks up from the box, his wide eyes staring right into hers. "Because it is not for sale!" he says, and Dianne recoils away from him.

"Uncle Scott, what are you-"

He shakes his head, turning away from her, hunching his shoulders like a shield around the box. "I'm sorry dear, you can't buy this… I need to go…"

He turns and walks through the doorway, leaving Dianne standing there alone.

"Uncle Scott!" she yells, hurrying after him and into the dim hallway. It's narrow – claustrophobically narrow – but she ignores that, walks farther down. "Uncle Scott, are you okay?"

Ahead of her, she sees her uncle fumbling with his keys. She walks closer, listening to the jangle of keys and the click of her heels.

He doesn't seem to notice her. Shoving a rusted old key into the lock, he opens the door and walks into the back room.

"Uncle Scott?" she asks uncertainly, inching closer to see where he's gone.

It's huge. The ceiling is at least two stories high and the walls are covered in pink. Her uncle stands in the middle, looking so small, a single florescent light beating down on him.

Dianne glances at him, then walks over to the wall to look at it more closely – it's too dark to see anything. But when she gets there, she realizes that the walls aren't pink – there are shelves full of pink jack-in-the-boxes. Hundreds are lined up perfectly – like soldiers. But they're not like the one she had wanted to buy. On the front, names are written in dripping red that smells like blood. The covers are open, and – she peers inside one – there are ashes inside.

Behind her, she hears a clash, and she jumps. "Uncle Scott?" she asks, turning to see him standing in the same spot, the jack-in-the-box broken at his feet. "What are you doing?" She steps closer to him, her hands out to show that she's not going to hurt him, but he doesn't even acknowledge her. "Uncle Scott, did you mess up with your medications again?"

He whips around to face her. "Get out of here!" he yells. "Get out! It's going to get you! The store's going to kill you!"

She shakes her head, inching closer and closer. "Uncle Scott, I think I'm gonna call the doctor… He'll help you…"

His eyes are wild as they stare into hers, and when she gets close enough to touch him, he smacks her hand away, leaving it burning. "Uncle Scott!" she exclaims, holding her hand to her chest. His eyes are wild and he's muttering to himself, and she doesn't know what else she can do. She turns and runs for the door – hears her uncle running behind her – but she's younger, faster. She slams the door shut, locks it with the key he left in it, and looks through the window above the knob to see her uncle clawing at the door.

"Don't worry, Uncle Scott. I'm just going to call your doctor, and everything will be fine…" she tells him, turns away – unable to watch him like this any longer – and runs down the hall.

When she returns, she doesn't see her uncle in the room, but the door is still locked. The pink jack-in-the-box still lies on the ground, and it's fully restored, with her uncle's name written on the front in dripping red and what looked like ashes inside.


_________________
Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth. -Oscar Wilde

Join the CIA.

In response to hearing my new story idea: "Aunt April": Oookaaay. You are one sick little puppy aren't you?


Last edited by JFW1415 on Sun Jul 27, 2008 4:11 pm; edited 4 times in total
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PostPosted: Sun Jul 27, 2008 3:12 am    Post subject: Reply with quote

Hey Wifeykins,

You told me to be harsh, I'll try!


-"Get them! Get them, you useless cowboy! What do you think you're doing? I could ride better than you fools!" Mr. Prescott shouts, glaring at his black and white TV with the black and white horses running and the black and white horses galloping and the black and white static hiding them. "Get them, you fools!"-

Ugh! Too many black and whites! That part made me a little confused and I just kept thinking, when is this ggoing to end! *Is trying to be harsh, but is failing* But seriously, cut out all but maybe two black and whites.


-her polished black heels clicking sharply on the hardwood floor.-

Mmmm! Yes! Love that! I can almost hear it! Keep that part for sure!


-Nah – the cowboys need to get their act together."-

No dash, comma.


-"Ah, yes. Well, don't ruin the surprise for me! I had forgotten."-

Since it is in the present tense, had needs to be have.


-But I think she'll really enjoy what I'm getting her.-

Not but, doesn't sound good. use 'Although' or another word besides a fanboy. Or just start it with 'I think'.


-The room is huge, and the lights way up on the ceiling are a bright fluorescent,-

Try this, it sounds and looks better, 'The room is huge, and the lights, way up on the cieling, are a bright flourescent,'


-"Mr. Prescott?" he hears from behind him, and he turns to see Dianne standing my the door-

My the? How about by the, darling? Twisted Evil


-And the flames that had erupted behind him, the flames that had eaten all those in the pink jack-in-the-boxes on the wall, engulfs him.-

Since it is in present tense, it should be engulf, without the s.


Very good! I like it! Just change up these things and you are waaay good to go, doll.

You're going to win.

-Sadie Twisted Evil
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PostPosted: Sun Jul 27, 2008 3:13 am    Post subject: Reply with quote

Reviewing time! *puts on cape and gets sceptre* >D

Quote:
Mr. Prescott shouts, glaring at his black and white TV with the black and white horses running and the black and white horses galloping and the black and white static hiding them

I usually like repetitive words used for style purposes, but this sentence is kind of hard on the eyes. I think it's because you're repeating two words (or actually, three) and that you repeat them four times, which seems excessive. It would be best for you to rewrite this somewhat like: saying "the horses ran and the static hummed, etc., all washed in black and white."

Quote:
With that, she turns and heads to the back of the store, exactly where she had been the week before, crouches, and starts shuffling through the jack-in-the-boxes Mr. Prescott sold, leaving him alone to watch his store. He can hardly see anyone in it – he has toys on the floor and in the boxes and on the shelves and on the wall and on the ceiling – but he could hear them all. He loves the sound of his store; he loves hearing the voices of happy children echoing in his walls, the excited squeals when they come upon a favorite toy.

I think you should start a new paragraph at "He can hardly see anyone in it". My reasoning: in the first sentence, you're talking about Dianne and what she's doing, and then in that sentence you switch to him peering around at his store, all in the same paragraph. I was confused when I first read this because I thought you were still talking about Dianne, and suddenly you say "he", and then I thought that he was the one looking for the toy, but then I read back and see it IS Dianne. So if you start a new paragraph we'll know it's a change in concentration and perspective.

Quote:
This is not for sale!" he yells, and Dianne recoils away from him.

Considering she wasn't even really listening to what he said about not selling it and she was still stuck on pink, it's kind of too much for him to yell at her, since she wasn't arguing with him really. Maybe just have him speak very strictly and seriously, which would also surprise her.

Quote:
"I'm sorry, dear… you can't buy this… go look 'round the rest of the store… see if you can find anything else little Erin would like… but not this…"

That's a lot of ellipses. Replace them with some commas, though you could probably keep one or two of them. But a lot of them together look bad.

Quote:
leaving Dianne there, her purse open, children running around her, mother's tapping their feet behind her, to listen to the chimes.

This is strange because it felt like the store had been empty. If there were people in there, you need to reiterate it some more earlier on.

Quote:
He takes out his keys and fumbles with them, trying to balance the pink jack-in-the-box in one hand and find the key in the other. He finally comes across what he's looking for – the rusted black one – and sticks it in the slot. It clicks, and he slips in, leaving the key in the lock

What door is he unlocking, exactly? There's no setting here. He's in a hallway in the back of the store and apparently there's a room back there too - ? You need to explain.

Quote:
and he turns to see Dianne standing my the door

Little typo. *points*

Quote:
"Mr. Prescott, are you okay? Did you mess up with your medications again?"

He's on medication? Is he sick? I got a hint at the beginning that he was a little foggy in the head (he was yelling at a tv show about cowboys and indians! What's there to yell at there?), and if he is ill in someway in his old age, I think you should mention it more at the beginning. Give her a reason to say that to him, because right now it's more out of the blue.

Aw, that's a very cute/morbid story. ^_^ I like the plotline - I certainly never have read about a killer jack-in-the-box. I did really like it, and I hope you win.

One more thing though: I think you should mention it's a toy story early on in the story. I didn't realize it was a toy store until she asked about the toy. If you mention it earlier, perhaps even give the store a name, I could get a better grip of setting from an even earlier point.

I hope this helped! I put on my harsh face for this one. Haha. Thanks! PM ME WITH QUESTIONS!

~ Clo

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PostPosted: Sun Jul 27, 2008 4:03 am    Post subject: Reply with quote

Jen,

You said be harsh, so I will. Smile I’ll skip the praises and narrow this critique down to the stuff that you need to change.

The ending was, I’m sorry to say, horribly done and rushed. You need to build the suspense up through the entire story, not just at the end. Maybe have Prescott eye the jack-in-the-box before she takes it? Something. From the second that Dianne wants to buy the toy, it becomes rushed, which isn’t good.

I know that you’re pressed on word count here, but I know what to do. Take away from the beginning. You spend too many words in the conversation between Dianne and Prescott, and if you delete that (and just have them say “Hi” or nod, or something, that would be good) you will have less words, and more words to work with for the ending.

The ending. Oh boy. From the second Prescott takes the jack-in-the-box away from Dianne, it becomes terribly rushed. Use those extra words from the beginning to good use. Describe what the jack-in-the-box looks like. Maybe have a tiny story about when one of the victims was killed? Anything. You need to expand that part.

Dianne suddenly went to, “I know what to do! You stay here!” very quickly, and that’s not good. If a storeowner took away something that he said you couldn’t buy, would you really be that desperate to get it back? And why does she lock him in the room? Why couldn’t she let him out and make him take a seat at the sales counter or something? Maybe then she’ll calmly talk to him and find out what the heck is going on. Much more realistic.

I hope you have a fun time editing.

-Jared


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PostPosted: Sun Jul 27, 2008 2:59 pm    Post subject: Reply with quote

Edited! I tried to use all of your comments, but to Jare: I'm just a weirdo with my dashes, so. XD> Ooers! But that might mean less words? Si, it does. *Goes to edit*

Help?

~JFW1415

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In response to hearing my new story idea: "Aunt April": Oookaaay. You are one sick little puppy aren't you?
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PostPosted: Sun Jul 27, 2008 5:06 pm    Post subject: Reply with quote

Ash In The Box

"Good morning Uncle Scott," Dianne says as she walks into the store, the bell chiming above her head. [Good mention of the bell, it gives a nice impression of an old fashioned shop.]

"Oh, hello dear." He leans forward [Comma here.] rests his arms on his front desk. "What can I do for you today?"

"Nothing, Uncle Scott. I actually found what I was looking for last week. It's Erin's birthday in a few days, you know."

"I've heard! But why didn't you pick it up last time you were in here?"

"I wanted to check with Amy, just to make sure Erin hadn't outgrown it yet – who knows how long kids want to play with jack-in-the-boxes?" [I'd love to see some character description. Maybe have her laugh here or smile and describe her face a little. Or is she the dramatic type? The type to gesture with her hands? Then you could describe the colour of her skin or whether she's plump or slender. Just a sentence would help.]

"Well, let me know if you need anything, dear," he says, turning back to the black-and-white TV behind him.

"Of course."

She turns, heads to the back of the store, and crouches down to see the toys. [Or if you want to use less words 'by the toys' or 'beside the toys' which sounds better actually. Go ahead and abuse their lack of restraint on characters: don't be afraid to drop a few longer words in.]

"Please be there…" she mutters, scanning the rows of jack-in-the-boxes. Her eyes fall on the one she had found earlier. [Don't tell us this. If she picks it up, it's clearly caught her eye and that's enough for us so cut this sentence.] She picks it up, holds it out in front of her, examining it to make sure it's perfect. [Maybe say 'examining its perfection.' to save more words.]

She stands and walks back to the counter, trying not to trip and drop her jewel with all the stray toys kids left on the ground. [Rather than say she's trying not to trip, maybe describe her stepping carefully around littered toys, clutching the box tightly. That's more showing as opposed to telling, see =)]

"You found what you where looking for?" her uncle asks, turning away from his TV.

"Mmm-hmm." She sets the box down on the counter proudly.

She looks up and sees his hand pause over the box. "P-Pink?" he stutters.

"Yeah. Erin's going through that girly-girl phase – she can't seem to own enough pink!"

When he doesn't respond she looks at him closely, her brow furrowed. "I see…" he whispers, his hand still poised over the box.

"You might want to restock; this was your last pink one," she says, her voice hesitant.

"Was it now?" he asks, picking up the box gingerly. Dianne watches him turn it in his frail hands, staring at every single crevice. [Frail hands? This is the first suggestion of him being very old. I'd put him in his early sixtys but this suggests way beyond that. Maybe try to drop in the fact that he has white/ grey hair earlier. Try to get a little character description in. I know you're restricted but I'm sure you can spare a word here or there.]

"Dianne, I don't think I can sell this to you…"

"Why not?"

He looks up from the box, his wide eyes staring right into hers. "Because it is not for sale!" he says, and Dianne recoils away from him.

"Uncle Scott, what are you-"

He shakes his head, turning away from her, hunching his shoulders like a shield around the box. "I'm sorry dear, you can't buy this… I need to go…"

He turns and walks through the doorway, leaving Dianne standing there alone. [You can cut 'there' out to drop a word and I think it reads more smoothly without it.]

"Uncle Scott!" she yells, hurrying after him and into the dim hallway. It's narrow – claustrophobically narrow – but she ignores that, walks farther down. "Uncle Scott, are you okay?" [You could have stronger description here. Maybe something like '...hurrying after him, into a dim hallway. It's narrow, leaving little room for air. The breath she inhales tastes stale and dry. She walks further. "Uncle Scott....' That uses seven extra words admittedly but you could trim here and there.]

Ahead of her, she sees her uncle fumbling with his keys. [This could be rephrased as 'Ahead, she sees her uncle fumbling with his keys.' which would save a few words.] She walks closer, listening to the jangle of keys and the click of her heels. [And here I'd suggest 'She walks closer. The keys jangle and her heels click, click, click.' which again saves a few words.]

He doesn't seem to notice her. Shoving a rusted old key into the lock, he opens the door and walks into the back room.

"Uncle Scott?" she asks uncertainly, inching closer to see where he's gone.

It's huge. The ceiling is at least two stories high and the walls are covered in pink. Her uncle stands in the middle, looking so small, a single florescent light beating down on him.

Dianne glances at him, then walks over to the wall to look at it more closely – it's too dark to see anything. But when she gets there, she realizes that the walls aren't pink – there are shelves full of pink jack-in-the-boxes. Hundreds are lined up perfectly – like soldiers. But they're not like the one she had wanted to buy. On the front, names are written in dripping red that smells like blood. The covers are open, and – she peers inside one – there are ashes inside.

Behind her, she hears a clash, and she jumps. "Uncle Scott?" she asks, turning to see him standing in the same spot, the jack-in-the-box broken at his feet. "What are you doing?" She steps closer to him, her hands out to show that she's not going to hurt him, but he doesn't even acknowledge her. "Uncle Scott, did you mess up with your medications again?" [This is how you talk to a guy who's possibly gone a little crazy and may have forgotten to take his medication? I've seen people in this situation. They often revert to basics and cajoling. Maybe something like 'Uncle Scott, did you forget your medications again?']

He whips around to face her. "Get out of here!" he yells. "Get out! It's going to get you! The store's going to kill you!"

She shakes her head, inching closer and closer. "Uncle Scott, I think I'm gonna call the doctor… He'll help you…"

His eyes are wild as they stare into hers, and when she gets close enough to touch him, he smacks her hand away, leaving it burning. "Uncle Scott!" she exclaims, holding her hand to her chest. His eyes are wild and he's muttering to himself, and she doesn't know what else she can do. She turns and runs for the door – hears her uncle running behind her – but she's younger, faster. She slams the door shut, locks it with the key he left in it, and looks through the window above the knob to see her uncle clawing at the door.

"Don't worry, Uncle Scott. I'm just going to call your doctor, and everything will be fine…" she tells him, turns away – unable to watch him like this any longer – and runs down the hall.

When she returns, she doesn't see her uncle in the room, but the door is still locked. The pink jack-in-the-box still lies on the ground, and it's fully restored, with her uncle's name written on the front in dripping red and what looked [Should be look.] like ashes inside.

________________________
The ending is a little weak and I think you could cut some length out of the speech and add to the description to build a little atmosphere but in general, it's good considering your restrictions. Maybe a line describing the texture of the box? Or a little more about the back room? Or the shop? Are there many cluttered shelves? Is the carpet fading, the wallpaper peeling? Is it run down? Or is there fresh paint on the wall? This is a horror story but play to the gothic. Have a broken bulb in the light, cracked paint work, faded carpet, an old, groaning air conditioning system. You wouldn't need many words to describe that.

Good luck, dear! Pm me if you have questions,

Heather xx

p.s. Sorry I didn't read your blog earlier.

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