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The Dark Side of the Moon - Prologue
The Dark Side of the Moon - Prologue

by ashleylee in Romantic Fiction
Young Writers Society Forum Index » Other Fiction

This thread was created on June 21, 2008
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Coming Home

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lhighton   View This User's Portfolio
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PostPosted: Sat Jun 21, 2008 1:28 pm    Post subject: Coming Home Reply with quote

A tribute to my Nana, I suppose.

1929-2008

Coming Home

‘Sophie, I’m going to get a coffee. D’you want anything?’

I shake my head; I can’t drink. And then she’s out the door, the rubber soles of her sandals squeaking on the floor. My hands reach for something to fiddle, some object that will keep my mind occupied as I meander down that same route. I knew the whole façade by now.

‘Where’s Helen? Where’s she gone?’

Nana is looking at me – her eyes wide and alarmed, and her mouth twitching with both fear and impatience. I reach out, press my hand over hers, and feel the waxy skin of age. Her hand trembles under mine, like I am a monster. Everyone is a monster to her, now.

‘It’s all right. She’s gone to get a coffee.’

‘Oh, has she? I’d like a coffee, actually.’

‘No,’ I say with authority, and that authority over my grandmother is a horrible thing. ‘Remember what the nurse said? You can’t have coffee anymore.’

‘Why?’ she asks, her voice argumentative. It makes me feel miserable because I recognise that tone from years ago, when she and Mum would have one of their quarrels on politics. Mum the celery soup-making left-winger, and Nana the right-winger with a penchant for capital punishment.

I have to refrain from asking, ‘Don’t you remember?’ because it hurts her and frustrates her. Instead, I give her hand a gentle squeeze. ‘You spilled it all on yourself and you got burnt. Look, you have some squash here.’

Her orange squash is in a beaker with a lid on it. The lid has a nib coming out of it, like those beakers toddlers use when they’ve retired from the bottle or breast. It is appalling to see her sucking from it, like an oversized two-year old. She wears nappies now, too – big, extra-absorbent ones for her incontinence. I can’t imagine how it hurts her notorious pride.

‘Nonsense. If I’m burnt, where are my scars?’

They are there, imprinted on her wrinkles, but when I point to them, she looks away with an upturned face; tight-jawed and pretending I am not there. Reservedly, I remove my hand and place in my lap.

‘It’s a lovely day out there,’ I say, clumsily. The light is streaming in through the blinds like a parade, and I know she wishes to be at there, to be climbing the mountains like when she was young, and travelling the world, and hoarding exotic finds. Now she’s sat in a threadbare armchair, with bare legs and wearing a grotty lilac cardigan. I want to make amends, but it is too late – she is staring at the window as though it contains all her desires. It reminds me of this tiger at the zoo that kept walking back and forth all day long, so depressed that that was all it could do. After seeing that tiger, I had declared I would never go to the zoo again, and had kicked and screamed when my younger brother had wanted to go there for his birthday.

‘I just want to go home, Sophie.’

She always says she wants to go home. But she doesn’t remember where home is – she’s forgotten. Home – to her – means freedom, and no more toddler-beakers, and family always around. I want it, too, but Mum cannot cope. I know I can’t judge when Mum had to wash her, dress her and change her nappies.

‘I know you do.’

Her eyes meet mine. Mine are young but hers are ancient and deep-set. ‘Why can’t I come home? I’ll clean for your mother and I won’t cause trouble. Please.’

‘I want you to come home, and so do Mum and Dad and Farris, but you know what the doctor says. Come on now; let’s not sadden ourselves. How about a game of cards?’ Cards she can still remember – years of casinos in Monte Carlo have done that to her.

She is disappointed in me; I can see that. She lowers her gaze to her lap and does not reply.

It is not long before Mum comes in, with her coffee and a Mars bar for Nana. ‘So, what have you two been up to?’ she asks, cheerily. Her attempt at conversation shrivels up in this toxic atmosphere, and the realism of the moment is all too apparent.

Nana won’t eat her chocolate bar. She says she’s not hungry.

-----------

Farris and I are watching television when we hear it. A low sob. Animal-like, howl-like. Farris stands up and so do I. A sense of dread fills me, drowns me; I don’t know what is going on but I know it will be bad. I tell Farris to stay, that he can cuddle my teddy bear, and he silently agrees, sitting back down and curling into himself.

I walk to the kitchen and see where the whimpers and sobs are coming down, and then a piercing howl like the wildest wolf for a climax. I stand in the doorway, as Mum sits at the table with her face pressed her into Dad’s chest. Dad is standing beside her and his face is troubled, anxious, like a man knows trying to overcome tears. I am still standing in the corner and they have not noticed me. I see the phone slipping from Mum’s limp, lifeless hand. I was quiet but then I know it all. I understand. In chorus with my mother, I let out that same savage howl, and half-collapse at the fridge; my legs are buckling and the tears are falling already. Farris runs to me – he does not understand but he cries, too. I cannot look at anyone or anything, but shout, raw, too loudly, ‘She’s dead, isn’t she? She’s dead!’

‘I’m afraid she is, Sophie,’ Dad says, his voice squeaky as he tries to contain his masculinity.

‘No!’ I scream and then I run to the living room and collapse on the sofa. Farris is hot on my heels.

Dad comes to me, holds me tight. I cry, and I cry, till I’ve no tears left.

We have to go and see her, to see her body. Even Farris. I know then that she’ll never be coming home.

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GML   View This User's Portfolio
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PostPosted: Sat Jun 21, 2008 3:30 pm    Post subject: Reply with quote

This is heartbreaking. Your writing was wonderful. Your best paragraph was the one starting with 'It's a lovely day out there.' In there was beautiful description and good explanation of Nana.

Nana meant a lot to you; you can tell this just by reading it. You were brilliant at showing how heartbroken you were when talking to her in the hospital or nursing home or wherever she was.

The only thing that I didn't like was this line:
Quote:
Farris is hot on my heels.

It breaks the mood that is going on, making it sound like a chase scene.

Everything else was good. Especially the conversation between Nana and the main character. Well done.

Gold star!

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PostPosted: Sun Jun 22, 2008 6:36 am    Post subject: Reply with quote

I liked this, especially in the beginning. I thought the second bit broke the mood a bit, but it was so good.

I can't say a lot about your writing. It was heartfelt and emotional, but not particularly descriptive. I would have liked to see the room you were in, and I couldn't. It was just blank, and that was quite annoying. But apart from that, you conveyed the emotion the characters felt very well, and I could almost feel it myself.

Quote:
I know then that she’ll never be coming home.


I don't like this. 'm sure you can come up with something better, because it really breaks the mood and I had trouble reading it. Not like, I couldn't make out what the words were, but my brain didn't seem to like them, and were trying to see something that wasn't there.



Overall, great job. A bit more description and a new last line, and this would be perfect.

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lhighton   View This User's Portfolio
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PostPosted: Sun Jun 22, 2008 12:36 pm    Post subject: Reply with quote

Okay, thanks both of you.

GML: Thank you for your critique. I'm glad I portrayed the emotion without getting too clouded to write with clarity. I will probably lose that sentence you don't like - I agree that it's not right for the mood of the text.


chocoholic: Thank you, too. I see what you mean about the description - I always get far too carried away with the characters and the dialogue.
You don't like the second part, where Sophie finds out her Nana's dead, but I really can't rid of that bit because it is the most important part, to me. The death is supposed to be the climax, it means a lot to me. But fair dos.
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PostPosted: Wed Jul 02, 2008 7:50 am    Post subject: Reply with quote

Hello again, Lauren!

I decided to pick a random literature piece to review and this was it. Smile


Quote:
Her hand trembles under mine, like I am a monster.


Hmm, I think it would read better if you changed it to "Her hand trembles under mine, like I was some kind of a monster." I'm not quite sure about the comma, whether it's supposed to be or not.


Quote:
‘I just want to go home, Sophie.’

She always says she wants to go home.


I'm not very into the repetition here. What if it was "She always says that" or "That's what she always says"? Or something like that.


You've written this well. I think you should delete the dialogue from the last paragraph; that way it would be more effective, at least to me. But the description is good, and I'm glad I happened to pick this certain text. Good job!

See you around,

Demeter xx

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PostPosted: Wed Jul 02, 2008 12:16 pm    Post subject: Reply with quote

Thank you, Demeter. Nice to see you again.
The more times I read this, I see further weakness it in. I'm glad that you liked it... but it's wierd when you dislike your own creation, isn't it?
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PostPosted: Wed Jul 02, 2008 2:42 pm    Post subject: Reply with quote

Just a few little nitpicks:

Quote:
I know she wishes to be at there,


Perhaps it should be 'she wishes to be out there?'

Quote:
a threadbare armchair, with bare legs


Just a small thing, but maybe you could change one of the 'bare's to something else? It's just a little repetitive.

Quote:
let’s not sadden ourselves.


This bit of dialogue seems a bit dated, I thought the person speaking was fairly young. If you think about actually saying something like this in conversation it seems a little odd, doesn't it?

Quote:
Her attempt at conversation shrivels up in this toxic atmosphere


I think it will be more impacting if you removed the work 'up'.

Quote:
Nana won’t eat her chocolate bar.


I could be wrong about this one, but I think 'Nana doesn't' sounds better.

Quote:
Farris stands up and so do I.


Perhaps change to: 'Farris stands up, as do I.'

Quote:
A sense of dread fills me, drowns me; I don’t know what is going on but I know it will be bad.


This end of this sentence is like an anti-climax because you used so many adjectives at the beginning that the word 'bad' doesn't seem as devastating as it should do. Perhaps instead change to 'but I know it can't be good news.' That's not much better, but I thinkk it does need to be changed in some way.

Quote:
Mum sits at the table with her face pressed her into Dad’s chest.

I'm thinking it's a typo, but you should think about getting rid of the 2nd 'her'.

Quote:
like a man knows trying to overcome tears.


I didn't understand this sentence, did you mean 'like a man who knows...', or just 'like a man
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PostPosted: Wed Jul 02, 2008 2:46 pm    Post subject: Reply with quote

(sorry, I accidentally clicked 'ALT & S' so it sent before I'd finished!)

So, to continue:

I didn't understand this sentence, did you mean 'like a man who knows...', or just 'like a man trying to overcome tears'.


That's all! But, overall I really liked it! I enjoyed reading it and it reminded me of Alice Sebold's Almost Moon but with more heart and from a younger perspective. Congratulations on this fine piece of work!
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PostPosted: Wed Jul 02, 2008 2:47 pm    Post subject: Reply with quote

lhighton wrote:
it's weird when you dislike your own creation, isn't it?


Haha! No, I don't think so! I think we're our own worst critics and it's normal to dislike our own creations, remember that what sounds normal in your head probably isn't normal in other people's!
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PostPosted: Wed Jul 02, 2008 3:11 pm    Post subject: Reply with quote

Thanks, Luvzi12, that was a super-considerate crit. Very Happy
I see I've made a horrendous amount of typos - and yet I want to be a proof-reader when I'm older. Hmmph.

Quote:
Quote:
let’s not sadden ourselves.


This bit of dialogue seems a bit dated, I thought the person speaking was fairly young. If you think about actually saying something like this in conversation it seems a little odd, doesn't it?


I suppose, but if I'm honest, that's how I sometimes speak, hehe. It stems from reading too many classics, methinks.

Thanks, thanks and thanks again. Hey, I think I've seen you about here before... did I crit you? If not, I soon will. Smile
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PostPosted: Wed Jul 02, 2008 9:52 pm    Post subject: Reply with quote

Good luck with wanting to be a proof reader! I want to be a literary critic, I always said from the age of three that I wanted to be a literary cricket haha, but it was just because I thought I could read a lot of books, but when I was about fifteen/sixteen I got really in literary theory, and now I'm studying English Literature at University and I think I want to be some kind of critic when I'm older, I know I have to read a lot more though! Over the last three years I've realised that I've kind of been slacking in the leisurely reading department, mainly because of my studies.

Anyway, I've filled up your page enough now! I'm going to go comment on the comment that you left me on my writing hehe! Thanks for that by the way! xxx
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