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by Light_Devil in Romantic Fiction
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This thread was created on June 9, 2008
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Tangled Up In Blue
Tangled Up In Blue

Tangled Up In Blue

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Icaruss   View This User's Portfolio
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PostPosted: Tue Jun 10, 2008 12:15 am    Post subject: Tangled Up In Blue Reply with quote

TANGLED UP IN BLUE

New Year[s]. Cal Towney wakes up to find Ashley Bateman’s side of the bed empty. He stands up. Walks around the room. It doesn’t take him too long to realize she’s gone. Feeling a knot in the middle of his throat, he stumbles out the room, rushes towards reception. He asks if they’ve seen her. No, they haven’t.

“Who the fuck are you?”

Thomas Braddock is wearing plastic fluorescent glasses shaped like the number 2008. He is, also, in his underwear. Cal stares at him for a second, and then asks:

“Is Ashley Bateman here?”

“No.”

“Doesn’t she live here?”

“She doesn’t.”

Then a voice comes from inside the apartment, and it takes a while for Cal to recognize it. It’s rougher than he remembers, but it’s her: “Let him in, you asshole!” Tom looks over his shoulder, and then back at Cal, annoyed.

“Wait,” he says. “I think you’re right.”

The asshole comes in wearing a suit. With a tie, and everything. It’s like twelve in the afternoon, and he’s dressed up like he’s dating a movie-star. I’m thinking it took me nothing but a couple of drinks to stick my dick inside of her— Why is this asshole trying so hard? Then again, it’s obvious these two have a history. One of those tumultuous relationship stories. Maybe he left her pregnant, and had her have an abortion or something. Probably went domestic on her ass.

Abortion-punch, that sort of thing. Scumbag.

“Is there a problem?” Cal asks. He’s been under fire from Tom’s glare for about a minute. The apartment is as ugly as the building— a broken down, graffiti-plagued place near the airport, which basically means the roof rattles every time a plane booms over it. In a few years, Cal suspected, it would be bulldozed. Deemed inappropriate to live in. It is a slum. “Who are you, again?”

“I’m Tom, Tom Braddock. Who are you?”

“I’m Cal. I’m an old friend of Ash’s.”

“Yeah? I’m her boyfriend.”

The quarter slides into the slot, and Cal dials the numbers as fast as he can remember them. He doesn’t know what he’s going to say, but he’s sure he is going to say something. The voice on the other side of the line is slow, monotone. Who is this? This is Cal, hello, Cal Towney. There’s a pause, and then: we don’t want to talk to you. No, I just wanna know if she’s there. If who’s here? Ashley— You know, Ashley, your daughter, is she there? He can hear other voices mumbling, disoriented. Hers, so sweet, so beautiful, is not among them. Why would she be here? You took her. She’s supposed to be with you. Cal takes his time to answer: no, she… she left. He hangs up the phone as soon as he hears the voices laugh, and then he rushes back to room 306. There has got to be something he can do.

“I’ll be right out!” she calls out. “Have a drink, or something, man!”

“I’m fine,” he calls back.

Tom is overweight, has a thick moustache and a burly nose. He walks with a certain sense of pride, but doesn’t have anything to be proud about. His armpits are wet, sweat creeping it’s way through the thin, greyish fabric of his t-shirt. He’s not attractive at all, and Cal is disappointed by the situation as whole. The apartment and the building seem like an appropriate environment for… Tom, but not for Ashley, never for her.

Cal can't help but wonder what the fuck she’s been doing with her life.

And then Ashley comes into the room. And she… looks so different. What he notices first: Ashley has dyed her hair black. She’s also got a piercing in her lips, and it’s small, and it doesn’t draw to much attention to itself, but Cal can’t help but think that it’s still her and she’s got a piercing in her mouth. It’s not that she looks bad. That’s not it. She looks wonderful: wearing tight blue jeans, a leather jacket and a pink shirt with the words “And Brains, Too” stamped on it. He just wasn’t prepared for her to look different from the image he has in his mind, where she is still seventeen, a child. Now Cal notices that her fingers are purple and that those blue eyes he used to stare at for hours are soaked in eyeliner. She never bragged about being beautiful, he thinks. She never felt like she was.

Ash rushes towards him, screaming his name. Cal can tell what’s going on, though. She can’t even look him in the eye. Is that how it’s going to be? Awkward? Ashley wraps her legs around Cal, and hugs him for what seems to be hours, shrieking giddily but he barely hugs her back. He can feel her breathing in his ear. Tom stares at them, arms crossed.

“I’ve missed you so fucking much, Cal,” she whispers.

“OK,” he croaks back.

It was retarded. Not that I was angry or something but, hey, I always took Ashley for the type of woman that didn’t do that kind of shit. I always thought about her as the quintessential woman of tomorrow, the type of woman that never needs a real relationship, that sees all men in the same light, yet here comes this guy from her sordid past and she’s throwing herself at him like there is no tomorrow. She’s got a look in her eyes like everything that’s happened since the last time she saw him had been a complete waste of time. And… I’m thinking that, you know, fuck it. That I didn’t need this. That was probably the second time I thought about leaving. And I swear I was gonna. Things got in the way, though. As they often do.

Ashley finally climbs down from him. “Wanna get out of here?”

Cal smiles at her, just like he remembered doing years ago, and says: “Sure.”

Outside, the sky is pale. It’s like the sun is struggling to stay awake. Last night’s celebrations lasted till the morning, and the cold asphalt is covered in confetti, masks, pamphlets, broken beer bottles and even the occasional piece of clothing. It’s almost one in the afternoon now, but you can still see people, dressed in cheap suits, sitting in the steps of apartment buildings, drinking from half-empty bottles of rum or whisky. Most of the town, however, is still sleeping. Cal thinks: This is what it must’ve looked like when she came back. They walk together, speaking sparsely. They have no real destination, and lunch sounds more like an excuse than a concrete plan.

“So, this guy… Tom, or whatever his name is…?”

“Yeah?”

“Who the hell is he?”

“Just some dude,” she explains. “Just a friend.”

“You’re sleeping with him.”

Ashley shrugs, and lifts a line straight off a movie: “Still living dangerously after all these years, I guess. You know how it is.”

“Right,” he mutters. They don’t speak for a while. He’s been trying to get used to the fact that he’s walking next to the person he’s fantasized about for a long time. She’s trying to come up with a way to apologize.

And she goes, out of the blue: “You heard the new Dylan album, yet?”

“Is there a new Dylan album?”

“Oh, man. It’s an awesome album. It’s rock ‘n’ roll Dylan, like you like it, you know? And… He’s got a bunch of cool songs there, and even though he’s voice is all fucked up, it still sounds fantastic, alright? But he has this song… Like, this old 50s kinda ballad, and it was just— It’s about us, man. I’m serious, it’s like I was listening to it, and… I said to myself: whoa. This guy is singing about us.”

“What’s it about?”

“It’s this… really fucked up love story.”

“We’re a fucked up love story?”

“Well, what the hell kind of love story do you think ours is, man?” she asks, laughing. Her hand is grazing his, and a few steps later she’s already holding it. Cal feels a cold chill climb up his spine. He doesn’t know what it means. “You know, Cal… I really am sorry. I’ve always wanted to… I want you to know that. I am truly sorry.”

He’s been looking for a note, some sort of message, an explanation, anything. There’s nothing in the room. Cal is sitting next to the bed and the television is on. He barely pays attention to the images flashing in front of him. Room 306 seemed tiny the night before, but it seems a bit too big now. Empty. He needs to get out of there. Twenty minutes later he is inside the car. Los Angeles is a five hour drive away. Ashley's not there. As he turns the key and the engine wheezes, he still doesn’t know where he’s going to go.

“Is that what you want to talk about?”

“Not particularly,” she sighs.

“Then don’t.”

Ash gets closer and leans her head on his shoulder, softly, like she doesn’t even know she’s doing it, like it feels like the natural thing to do. The sidewalk they are walking on is old and fractured. The buildings around them are falling apart and there’s the littlest lawn a few meters away, completely barren. Cal asks:

“So, how are you doing?”

“What, in general? It’s alright. I’m working as a waiter and… I guess I do pretty good, with tips and stuff. How about you? Things good over in LA?”

“I don’t know. Sometimes they are.”

“You doing a lot of acting?”

“Not much.”

“I recognized you on the radio. The Colgate thingy?”

“That wasn’t me,” he states, bluntly.

“It wasn’t?”

“No. You’re not the first one that’s said that to me, though.”

“I could’ve sworn that was you—! I mean, it’s not like it’s a bad gig, man.”

“I know it’s not. It’s just… not me.”

“Like, I don’t even remember when it was the last time I went to an audition, much less got the job,” she continues, encouraging. Then lies to him, as if not to disappoint: “Been doing a lot of writing, though. May even get a piece published in a magazine or something.”

“That’s great,” Cal tells her. She smiles. The congratulations seems genuine, makes her feel good, even though she hasn’t even thought about writing in years. “You always did write pretty good.”

He feels her hand tightening its grip on his.

Joanne walks out of the bedroom, trying not to make any noise. Cal’s mother is in the next room, and Joanne’s been hearing her cry all morning. Wailing, even. As if she’d forgotten her son’s girlfriend was even there or didn’t care at all. Stealthily, she hurries to the bathroom, closes the door behind her, sits on the toilet. Ugh. She can’t believe him. Didn’t even say goodbye. Does that seem right? I mean, she’s right to be upset, isn’t she? Left her here with his mourning mother, went to see an ex girlfriend that obviously still holds some sort of psychological grip on him, and didn’t even bother to say goodbye, didn’t even bother to wake her up and say: ‘hey, I’m leaving now.’

Joanne groans. Why does she even care?

Granted, Cal has been a great boyfriend, but he’s always been a bit distant, hasn’t he? At least now, Joanne thinks, she knows why. Looks at her watch. How long has it been since he left? She can’t know for sure. At least an hour. How long does a lunch last? She can picture them talking. She can picture them laughing. She can picture them kissing. She can picture them screwing. Damn it. Outside, she can still hear his mother whimpering. It’s uncomfortable.

“He’s not my boyfriend, you know.”

“What?”

“Tom,” she says. “I don’t even know him, really.” Cal can’t help but laugh. She goes: “What? What’s so funny, man?”

“I don’t even know. I mean, is that supposed to make me feel better or something, Ashley?”

She answers, without hesitation: “Yeah.”

“Well, it doesn’t. Look— I mean, I come into your apartment, alright? And here’s this… dude, and we spoke on the phone this morning and you didn’t even mention him, you know? He’s walking around in his underwear. The place is a wreck.”

“Hey, don’t be an asshole.”

“It is a wreck.”

“I know it’s a wreck. You don’t have to say it’s a wreck.”

“Look, you’re just not living the life I expected you to be living, you know? And… OK, he’s not your boyfriend. That’s supposed to make me feel better? It doesn’t, Ashley. Kinda makes me feel worse.”

“He’s not taking advantage of me, if that’s what you mean.”

“That’s not what I meant at all,” he says. Then, lower: “That’d be better.” Ashley pretends she didn’t hear him.

He feels her hand loosening its grip on his.

There’s a small park they used to frequent not so far away from where they are now. Cal remembers laying in the grass with her, sipping vodka and talking gibberish. They imagined themselves as people of great importance, destined to leave their mark in the world. Fate, that sort of thing. Ashley reaches into her pocket and takes out a pack of cigarettes. Cal arcs his eyebrows: this is new. She lights one up and then offers him one. He declines, says he quit some months ago, can’t remember why exactly.

“I’ve been meaning to quit too,” she explains. “But I figured that since we’re already doing heart and liver transplants, it won’t be long till doctors are able to take a dog’s lung and put it my chest, you know?”

“I heard there’s this thing where… they get a needle, and stick it in your lungs. Takes the bad stuff right out.”

Ash looks intrigued. “Seriously?”

“Nah,” Cal mutters. They both laugh.

When she gets there it’s already late at night, and she’s tired. Rings the doorbell four times, before mother opens the door. Neither one of her parents looks surprised. We got a call from him, they calmly explain. There’s no screaming or getting angry or telling her that what she did was wrong. They instead inform her that there’s some food in the kitchen. Cold, stale chicken. Cal, more than three hundred miles away, cries in his motel room. Outside his door, LA welcomes him.

Ashley takes a long drag from her cigarette. She seems thoughtful, like she’s considering something. Finally, she asks:

“You wanna go see if it’s still there?”

“If what’s still there?”

“You know,” Ash answers, pointing towards the park.

Cal smiles again. “Sure.”

Their first time was Cal’s first time. They were in the park with some friends, having a joint, and she asked him if he could come with her to the bathroom. The others laughed, clapped, whooped. It’s not what you think, man. It’s late at night, I don’t wanna get hurt or something, be a gentleman. When they got there –far from where their friends were, a tiny vandalized room with a toilet and a urinal-, she kissed him. What are you doing? She kissed him again. Nothing.

The bathroom stunk, it was not very romantic.

Cal was clumsy, ended fast and apologized as soon as they were done. It’s alright, she’d told him. You’d never done that before? Yeah. Yeah, what? I’d never done that before. And she couldn’t help but laugh a bit, and hug him. They’d been in the same school for years, but had only recently started to hang out. Cal had never really thought about her romantically up until that moment. I mean, I’ve done some stuff before, just never the… You know. Ashley nodded and knelt down. Took something out of her boot: a knife. What the fuck are you doing now? She leaned towards the old wooden door and carved, patiently: HERE, CAL TOWNEY SEXED ME. That’s not even a word! He still can’t believe how calm she was, how she could joke about it. It was as if… he had experienced a miracle and she had witnessed an interesting incident. By the time they walked back, their friends were gone. Want me to take you home? Yeah, sure.

The door creaks open. Ashley pushes Cal inside. He is close enough to smell her hair, as she touches the carving with the tip of her finger.

“It’s still not a word.”

“It’s a word, man. Like— I sexed, you sexed, he sexes. It’s a fucking -what do you call it?-, a verb.” She takes a step back. Cal feels her rear press against his groin. Ash goes: “I can’t believe it’s still here.”

The bathroom looks exactly like it did ten years ago. The floor is wet, the mirror in the wall is half broken, the toilet is overflowing with brownish water. Everything looks as shitty as it did ten years ago. Ash closes the door, unceremoniously. Cal knows what’s coming.

“What are you doing, Ashley? The place smells.”

“I wanna write something new.”

“Do you even have a knife?” he asks, trying to sound annoyed. Ashley turns around, and faces him. Their personal space is nonexistent. “Well, do you?”

“Yeah. In my pocket. What do you want me to write?”

“I don’t know,” he mumbles. “There’s nothing to write. Let’s just go.”

“There must be something we can write. Come on, just give me something to write about, man. Anything. Something… you know, new.”

He leans his head forward, and she does too. Their foreheads touch. Without even realizing it, Ashley wraps her arms around his neck. Cal is touching her waist.

“I have a girlfriend.”

“Yeah?”

“She’s back at my parent’s.”

“Yeah?”

“She’s really nice.”

“Fuck you, Cal,” Ashley sighs. “You didn’t mention her until now, you came to see me anyways. What’d you think would happen? I don’t care. You certainly don’t, either. You’ll leave in a couple of days, what difference does it make?”

“She’s my girlfriend, Ash. Don’t try to make it sound like it doesn’t matter.”

“I’m sure she’s a great girl.”

“Don’t make fun of her. Don’t you fucking talk about her.”

Their faces are still close to each other. He’s still touching her waist. Ash stares, accusingly: “You’re angry at me.”

“I’m not angry at you, Ashley, I stopped being angry ages ago.”

“No, because it’s like you can’t even talk about it. You’re acting like nothing happened, asking me about my job and shit? You can’t even acknowledge it and ignoring things isn’t the same as being past them.”

“It’s been eight years.”

“So, what? You don’t even wanna know why I left? You’re not even curious?”

“No. Why would I be curious? I forgave you.”

“That’s exactly it! You love me no matter what, it’s like I can’t do anything to scare you away. I was doing you a fucking favour, Cal.”

There’s a pause. They kiss. She tastes like cigarettes. It lasts about five seconds. Then, Cal lets go off her waist, and takes her arms off around his neck.

“I need to go now,” he whispers and Ashley nods. He’s probably right. The door creaks open and the door creaks shut. They will never see each other again.

THE END


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Last edited by Icaruss on Thu Jun 19, 2008 9:18 pm; edited 6 times in total
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PostPosted: Tue Jun 10, 2008 1:28 am    Post subject: Reply with quote

Wow. i have to say that was one of the most strange love story i have ever read. It felt read the whole time i was reading that, and it felt like a i was right there, watching it going on with my eyes.

You are an outstanding writer. i'm not a very good crit, but i don't see anything wrong with the chapter. i hope you post another story like this. Good Luck.

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PostPosted: Tue Jun 10, 2008 2:13 am    Post subject: Reply with quote

Wow...

What a sad, sad ending!!!! I can't believe you didn't let Ash and Cal get back together!!!

Evil or Very Mad Grr..that's makes me angry.

But, at the same time, your writing still makes it an amazing story.

The one thing I will comment on is some of the flash backs or flashes to different points of view were kind of...odd...to say the least.

At first, you are such a good writer that I didn't even notice them. But now, I think you need to put some flash-backs in italics and use break-lines or something to make the transition smoother.

Otherwise, wonderful story! I loved all three installments! Very Happy

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PostPosted: Wed Jun 11, 2008 1:09 am    Post subject: Reply with quote

That was one of the best peices of writing I've read in months. It was seriously amazing. I'm a little bit bummed Ash and Cal didn't end up together, but I get it, or at least I think I do. The whole story was so real, there was nothing cutesy about it, so in real life, they wouldn't have just run off and abandoned everything again like when they were seventeen.

marvelous work.

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PostPosted: Sun Jun 15, 2008 5:03 am    Post subject: Reply with quote

Huzzah! Last installment. ^_^

I must say, though it freaked me out at first, I loved the juxtaposition of the different scenes in one. My main piece on that would be to make the first switch extreme, and to keep it in third person. Putting it in first only makes it more confusing.

Basically, this was the best ending to a story I have read in a long time. Though they didn't end up together, they ended up together--which is why you should still consider working with Joanne a little more, just so don't have quite the amount of glib 'Told you so' attitude towards the last scene. But, come on. Cal and Ashley are adorable (in their own way) together.

The only thing I want to comment on is loose threads. You tied up most of them, but you didn't quite explain the section in part two where Ashley takes the order from the guy at the bar that she wants to call a 'rapist'--I wasn't certain whether or not to comment on it then because I figured it would be explained in this one. It wasn't. I didn't get the sense that it was Cal, either, since it's fairly clear that she still loves him, and that he was better than Tom and the other guys she is with now. Make sure that if you introduce a new concept to a certain character in vague terms that you clarify it at the end--it will make your story feel more complete.

Again, this was excellent. Please let me know if you have anything else up that you'd like me to review.

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PostPosted: Sun Jun 15, 2008 3:44 pm    Post subject: Reply with quote

Arrgh no! They didn't end up together. I could sense it coming, anyhow. ... more than them being together anyway.

Tangled Up In Blue was one of the best romantic stories I have ever read. It was not important whether the couple was together or not, it was their story that was important, to the reader; how they got into their situations and with whom. The dry and realistic atmosphere was the 'hook' to it because, most other romance stories are whimsical and predictable. With this, you didn't know what was happening, largely due to the flash forwards and backs.

I do feel that you did tie up most of the loose threads to this plot bar the rape guy. What did happen with that situation?

Again, no nit picks. Wayhey!

Thank you for advertising your story to crit ;p It was a pleasure to do so; procrastinating from RE revision in style!

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PostPosted: Thu Jun 19, 2008 8:15 pm    Post subject: Re: Tangled Up In Blue Reply with quote

Icaruss wrote:


Tom is overweight, has a thick moustache and a burly nose. He walks with a certain sense of pride and arrogance, but he doesn’t have anything to be proud about. His armpits are wet, sweat creeping it’s way through the thin, greyish fabric of his t-shirt. He’s not attractive at all, and Cal is disappointed by the situations as whole. The apartment and the building seem like an appropriate environment for… Tom, but not for Ashley, never for her.



Icaruss wrote:
And then Ashley comes into the room. And she… looks so different. What he notices first: Ashley has dyed her hair black. She’s also got a piercing in her lips, and it’s small, and it doesn’t draw to much attention to itself, but Cal can’t help but think that it’s still her, and she’s got a piercing in her mouth. It’s not that she looks bad. That’s not it. She looks wonderful: wearing tight blue jeans, a leather jacket and a pink shirt with the words “And Brains, Too” stamped on it. He just wasn’t prepared for her to look different from the image he has in his mind, where she is still seventeen, a child. Now Cal notices that her fingers are purple and that those blue eyes he used to stare at for hours are soaked in eyeliner. She never bragged about being beautiful, he thinks. She never felt like she was.


Icaruss wrote:
It was retarded. Not that I was angry or something but, hey, I always took Ashley for the type of woman that didn’t do that kind of shit. I always thought about her as the quintessential woman of tomorrow, the type of woman that never needs a real relationship, that sees all men in the same light, yet here comes this guy from her sordid past and she’s throwing herself at him like there is no tomorrow. She’s got a look onin her eyes like everything that’s happened since the last time she saw him had been a complete waste of time. And… I’m thinking that, you know, fuck it. That I didn’t need this. That was probably the second time I thought about leaving. And I swear I was gonna. Things got in the way, though. As they often do.


Icaruss wrote:
Ash gets closer and leans her head on his shoulder, softly, like she doesn’t even know she’s doing it, like it feels like the natural thing to do. The sidewalk they are walking on is old and fractured. The buildings around them are falling apart and there’s the littlest lawn a few meters away, completely barren. Cal asks:


Icaruss wrote:
Their first time was Cal’s first time. They were in the park with some friends, having a joint, and she asked him if he could come with her to the bathroom. The others laughed, clapped, whooped. It’s not what you think, man. It’s late at night, I don’t wanna get hurt or something, be a gentleman. When they got to they got there –far from where their friends were, a tiny vandalized room with a toilet and a urinal-, she kissed him. What are you doing? She kissed him again. Nothing.
The bathroom stankstunk, it was not very romantic.


A couple things about this ending, you keep switching between people and places and times without warning and it's confusing. You have to give some sort of transition. Jumping us around like this is annoying and causes a great deal of confusion. What was the point of it anyway? I sort of understood flashing back to the hotel when she left, but what was up with Joanne? It was so random and didn't really fit into what was going on.

Your descriptions were better in this part, but I didn't feel like they meshed into the story aspect very well. They were sort of out there and obvious.

You seem to be switching tenses in some places. Not just in the installment, but in some of the previous ones as well. You shift from past tense phrases to present tense phrases which is confusing. When you read through, just keep an eye out for words that are either in past or present tense. I'm not sure what tense you wanted to the the story in, you seem to favor past.

Also watch the dialogue, you do things like put a colon before you start or you run several phrases together in a single line without quotations. You should be using a comma. Especially in some of the previous installments during monologue sections.

Example:
Quote:

Cal asks:
“So, how are you doing?”


Quote:

I tell him, I say: take it easy.


That was in Ash's monologue section from part two. You didn't even use quotes in that part. There a few like that through the three parts. Just some minor things that can be cleared up when editing.

You have a very interesting love story here, I think it is pretty good already and from here you can just improve it and polish it up. Good luck with what ever you are going to do with this story and we hope these crits have helped you.

The CCF thanks you for your business and hopes you will think of us in the future for your Critiquing needs.

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PostPosted: Fri Jun 20, 2008 8:22 pm    Post subject: Reply with quote

I liked it. I am really glad Cal didn't get back together with Ashley, Joanne was better for him. I'd like more because I'd really like to hear how their lives end up. Does Cal finally get over Ashley and allow himself to really love Joanne? Does Ashley keep on slumming it or does she get her act together and improve her life? What about Tom, why doesn't he leave? What got in the way? My only thing is that when you were doing flashbacks in the previous entries you would date them whereas in this one you didn't so that the first few times you did flashbacks and changed perspectives it took me awhile to figure out what was going on and I ended up having to go back and reread some paragraphs. Other than that...excellent!
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PostPosted: Sat Jun 21, 2008 4:35 pm    Post subject: Reply with quote

These were my initial reactions when I began reading this section:

Ah, the two timelines are running together now. That’s interesting.

Wait, now it’s also changing perspective?


Although it’s understandable after a re-read, maybe it would be useful to indicate that someone new is telling the story?

Quote:
The quarter slides into the slot, and Cal dials the numbers as fast as he can remember them. He doesn’t know what he’s going to say, but he’s sure he is going to say something. The voice on the other side of the line is slow, monotone. Who is this? This is Cal, hello, Cal Towney. There’s a pause, and then: we don’t want to talk to you. No, I just wanna know if she’s there. If who’s here? Ashley— You know, Ashley, your daughter, is she there? He can hear other voices mumbling, disoriented. Hers, so sweet, so beautiful, is not among them. Why would she be here? You took her. She’s supposed to be with you. Cal takes his time to answer: no, she… she left. He hangs up the phone as soon as he hears the voices laugh, and then he rushes back to room 306. There has got to be something he can do.


In this section, who is saying what is unclear. Again, I had to stop after a couple of sentences to go back and realise ‘Why would she be here?’ is one of Ashley’s parents now speaking.


Quote:
Tom is overweight, has a thick moustache and a burly nose.


Never heard ‘burly’ used to describe a nose before. I’m not sure it sounds right.


Quote:
“I recognized you on the radio. The Colgate thingy?”
“That wasn’t me,” he states, bluntly.


Laughing


Quote:
Granted, Cal has been a great boyfriend, but he’s always been a bit distant, hasn’t he?


Rather like Ashley was with him. It’s a shame that he’s never recovered.


Quote:
The bathroom stunk, it was not very romantic.


Comma splice. Not a crime (in my opinion) since your writing has a poetical quality, but you could swap it for a semi-colon or full stop.


Overall:

Powerful last line! I’m normally a fan of happy endings but I like poignant doomed-love endings too – if they’re written well, which yours was.

The distinct feature of this section was the switching of time-frames and perspectives all in one. While it works for the most part, I think Sam got it right when she suggested making it extremely clear the first time everything changes, so readers know to expect it.

You have a great story here. The characters are three-dimensional, the tone and atmosphere are unusual and the realistic portrayal of their love story had a real impact on me when they went their separate ways at the end. It was a well-written piece.

Well done!

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PostPosted: Sat Jun 21, 2008 5:32 pm    Post subject: Reply with quote

Icaruss I congratulate you on a job well done! Very Happy This was great. The whole story was steady from beginning to end. You should be proud. I was slightly disappointed about the ending. I thought Cal and Ash would get back together, but then I thought it was for the best when I read this:
Quote:
That’s exactly it! You love me no matter what, it’s like I can’t do anything to scare you away
Even though it was pretty adult I enjoyed it thoroughly. Try getting this published. I wish you the best of luck in writing.

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PostPosted: Mon Jun 23, 2008 2:19 am    Post subject: Reply with quote

Incredible story, and it was written with amazing talent, so I hate to be a critic. But the whole last line kind of threw me off. If it was taken out, and a different line was put in I would enjoy that. Something that would leave you wondering who ended up where. I would say to leave the loose ends, let the reader guess.

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PostPosted: Mon Jun 23, 2008 5:00 pm    Post subject: Reply with quote

I think it was a perfect ending! The story was very real and raw and at times it was ugly... but that's great because love can be ugly sometimes. I know what it's like to worship someone as a kid. Then you part ways, grow up, experience life, and all the while still remembering that person with this light around them, like they're this otherworldly being. Then when you finally see them again, they are withered. That glow has faded away and they are otherwise unremarkable and yet you can't help but see them as how you remember them... rather than how they actually are. The only question is this: Did they change over the years and become this pathetic shadow of their former selves? Or was it you that changed, and they were never really that spectacular to begin with?

Long story short- I loved it!

If I had to critique something about it, I would say it was a little disorienting. Since the point of view changed so frequently you weren't always sure where you were or who was talking. But with a few little changes this would be beyond publisher worthy.
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PostPosted: Mon Jun 30, 2008 8:31 pm    Post subject: Reply with quote

TANGLED UP IN BLUE
New Year(s). [Which year? When is this? The change in format is a little disruptive.] Cal Towney wakes up to find Ashley Bateman’s side of the bed empty. He stands up. Walks around the room. It doesn’t take him too long to realize she’s gone. Feeling a knot in the middle of his throat, he stumbles out the room, rushes towards reception. He asks if they’ve seen her. No, they haven’t.
“Who the fuck are you?”
Thomas Braddock is wearing plastic fluorescent glasses shaped like the number 2008. He is, also, in his underwear. Cal stares at him for a second, and then asks:
“Is Ashley Bateman here?”
“No.”
“Doesn’t she live here?”
“She doesn’t.”
Then a voice comes from inside the apartment, and it takes a while for Cal to recognize it. It’s rougher than he remembers, but it’s her: “Let him in, you asshole!” Tom looks over his shoulder, and then back at Cal, annoyed.
“Wait,” he says. “I think you’re right.”
The asshole comes in wearing a suit. With a tie, and everything. It’s like twelve in the afternoon, and he’s dressed up like he’s dating a movie-star. [You should put your labels back in, telling us when there's a change in perspective and who's speaking. I know it's Tom but it's still confusing and disruptive. Your reader has grown comformtable with the format, don't change it now.] I’m thinking it took me nothing but a couple of drinks to stick my dick inside of her— Why is this asshole trying so hard? Then again, it’s obvious these two have a history. One of those tumultuous relationship stories. Maybe he left her pregnant, and had her have an abortion or something. Probably went domestic on her ass.
Abortion-punch, that sort of thing. Scumbag.
“Is there a problem?” Cal asks. He’s been under fire from Tom’s glare for about a minute. The apartment is as ugly as the building— a broken down, graffiti-plagued place near the airport, which basically means the roof rattles every time a plane booms over it. In a few years, Cal suspected, it would be bulldozed. Deemed inappropriate to live in. It is a slum. “Who are you, again?”
“I’m Tom, Tom Braddock. Who are you?”
“I’m Cal. I’m an old friend of Ash’s.”
“Yeah? I’m her boyfriend.”
The quarter slides into the slot, and Cal dials the numbers as fast as he can remember them. He doesn’t know what he’s going to say, but he’s sure he is going to say something. The voice on the other side of the line is slow, monotone. Who is this? This is Cal, hello, Cal Towney. There’s a pause, and then: we don’t want to talk to you. No, I just wanna know if she’s there. If who’s here? Ashley— You know, Ashley, your daughter, is she there? He can hear other voices mumbling, disoriented. Hers, so sweet, so beautiful, is not among them. Why would she be here? You took her. She’s supposed to be with you. Cal takes his time to answer: no, she… she left. He hangs up the phone as soon as he hears the voices laugh, and then he rushes back to room 306. There has got to be something he can do. [Okay, I see what you're doing, should have read on a little longer I suppose because this sort of works. When you just read and don't think critically, it all runs together quite nicely.]
“I’ll be right out!” she calls out. “Have a drink, or something, man!”
“I’m fine,” he calls back.
Tom is overweight, has a thick moustache and a burly nose. He walks with a certain sense of pride, but doesn’t have anything to be proud about. His armpits are wet, sweat creeping it’s way through the thin, greyish fabric of his t-shirt. He’s not attractive at all, and Cal is disappointed by the situation as a whole. The apartment and the building seem like an appropriate environment for… Tom, but not for Ashley, never for her.
Cal can't help but wonder what the fuck she’s been doing with her life.
And then Ashley comes into the room. And she… looks so different. What he notices first: Ashley has dyed her hair black. She’s also got a piercing in her lips, and it’s small, and it doesn’t draw too much attention to itself, but Cal can’t help but think that it’s still her and she’s got a piercing in her mouth. It’s not that she looks bad. That’s not it. She looks wonderful: wearing tight blue jeans, a leather jacket and a pink shirt with the words “And Brains, Too” stamped on it. He just wasn’t prepared for her to look different from the image he has in his mind, where she is still seventeen, a child. Now Cal notices that her fingers are purple and that those blue eyes he used to stare at for hours are soaked in eye-liner. She never bragged about being beautiful, he thinks. She never felt like she was.
Ash rushes towards him, screaming his name. Cal can tell what’s going on, though. She can’t even look him in the eye. Is that how it’s going to be? Awkward? Ashley wraps her legs around Cal, and hugs him for what seems to be hours, shrieking giddily but he barely hugs her back. He can feel her breathing in his ear. Tom stares at them, arms crossed. [A good change in Cal's reactions, as if the real Ashley can't live up to his memory of her.]
“I’ve missed you so fucking much, Cal,” she whispers.
“OK,” he croaks back.
It was retarded. Not that I was angry or something but, hey, I always took Ashley for the type of woman that didn’t do that kind of shit. I always thought about her as the quintessential woman of tomorrow, the type of woman that never needs a real relationship, that sees all men in the same light, yet here comes this guy from her sordid past and she’s throwing herself at him like there is no tomorrow. She’s got a look in her eyes like everything that’s happened since the last time she saw him had been a complete waste of time. And… I’m thinking that, you know, fuck it. That I didn’t need this. That was probably the second time I thought about leaving. And I swear I was gonna. Things got in the way, though. As they often do. [I'm so batting for Tom. I don't know why but I feel like he deserves Ash more. They suit.]
Ashley finally climbs down from him. “Wanna get out of here?”
Cal smiles at her, just like he remembered doing years ago, and says: “Sure.”
Outside, the sky is pale. It’s like the sun is struggling to stay awake. Last night’s celebrations lasted till the morning, and the cold asphalt is covered in confetti, masks, pamphlets, broken beer bottles and even the occasional piece of clothing. It’s almost one in the afternoon now, but you can still see people, dressed in cheap suits, sitting in on the steps of apartment buildings, drinking from half-empty bottles of rum or whisky. Most of the town, however, is still sleeping. Cal thinks: This is what it must’ve looked like when she came back. They walk together, speaking sparsely. They have no real destination, and lunch sounds more like an excuse than a concrete plan. [Some good description here.]
“So, this guy… Tom, or whatever his name is…?”
“Yeah?”
“Who the hell is he?”
“Just some dude,” she explains. “Just a friend.”
“You’re sleeping with him.”
Ashley shrugs, and lifts a line straight off a movie: “Still living dangerously after all these years, I guess. You know how it is.”
“Right,” he mutters. They don’t speak for a while. He’s been trying to get used to the fact that he’s walking next to the person he’s fantasized about for a long time. She’s trying to come up with a way to apologize.
And she goes, out of the blue: “You heard the new Dylan album, yet?”
“Is there a new Dylan album?”
“Oh, man. It’s an awesome album. It’s rock ‘n’ roll Dylan, like you like it, you know? And… He’s got a bunch of cool songs there, and even though he’s his voice is all fucked up, it still sounds fantastic, alright? But he has this song… Like, this old 50s kinda ballad, and it was just— It’s about us, man. I’m serious, it’s like I was listening to it, and… I said to myself: whoa. This guy is singing about us.”
“What’s it about?”
“It’s this… really fucked up love story.”
“We’re a fucked up love story?”
“Well, what the hell kind of love story do you think ours is, man?” she asks, laughing. Her hand is grazing his, and a few steps later she’s already holding it. Cal feels a cold chill climb up his spine. He doesn’t know what it means. “You know, Cal… I really am sorry. I’ve always wanted to… I want you to know that. I am truly sorry.”
He’s been looking for a note, some sort of message, an explanation, anything. There’s nothing in the room. Cal is sitting next to the bed and the television is on. He barely pays attention to the images flashing in front of him. Room 306 seemed tiny the night before, but it seems a bit too big now. Empty. He needs to get out of there. Twenty minutes later he is inside the car. Los Angeles is a five hour drive away. Ashley's not there. As he turns the key and the engine wheezes, he still doesn’t know where he’s going to go.
“Is that what you want to talk about?” [I love how this line fits so smoothly with the flash-back sort of thing. Good work.]
“Not particularly,” she sighs.
“Then don’t.”
Ash gets closer and leans her head on his shoulder, softly, like she doesn’t even know she’s doing it, like it feels like the natural thing to do. The sidewalk they are walking on is old and fractured. The buildings around them are falling apart and there’s the littlest lawn a few meters away, completely barren. Cal asks:
“So, how are you doing?”
“What, in general? It’s alright. I’m working as a waiter and… I guess I do pretty good, with tips and stuff. How about you? Things good over in LA?”
“I don’t know. Sometimes they are.”
“You doing a lot of acting?”
“Not much.”
“I recognized you on the radio. The Colgate thingy?” [Haha. I was wondering if you'd bring that back in. I'm glad you did because it gives the reader a flash-back of him and Joanne happily laughing together and it feels wrong, him being with Ash. It feels awkward. That's good.]
“That wasn’t me,” he states, bluntly.
“It wasn’t?”
“No. You’re not the first one that’s said that to me, though.”
“I could’ve sworn that was you—! I mean, it’s not like it’s a bad gig, man.”
“I know it’s not. It’s just… not me.”
“Like, I don’t even remember when it was the last time I went to an audition, much less got the job,” she continues, encouraging. Then lies to him, as if not to disappoint: “Been doing a lot of writing, though. May even get a piece published in a magazine or something.”
“That’s great,” Cal tells her. She smiles. The congratulations seems genuine, makes her feel good, even though she hasn’t even thought about writing in years. “You always did write pretty good.”
He feels her hand tightening its grip on his.
Joanne walks out of the bedroom, trying not to make any noise. Cal’s mother is in the next room, and Joanne’s been hearing her cry all morning. Wailing, even. As if she’d forgotten her son’s girlfriend was even there or didn’t care at all. Stealthily, she hurries to the bathroom, closes the door behind her, sits on the toilet. Ugh. She can’t believe him. Didn’t even say goodbye. Does that seem right? I mean, she’s right to be upset, isn’t she? Left her here with his mourning mother, went to see an ex girlfriend that obviously still holds some sort of psychological grip on him, and didn’t even bother to say goodbye, didn’t even bother to wake her up and say: ‘hey, I’m leaving now.’
Joanne groans. Why does she even care? [Yay, Joanne's view. And it's a good atmosphere. She's quite easy to relate to, quite easy to like.]
Granted, Cal has been a great boyfriend, but he’s always been a bit distant, hasn’t he? At least now, Joanne thinks, she knows why. Looks at her watch. How long has it been since he left? She can’t know for sure. At least an hour. How long does a lunch last? She can picture them talking. She can picture them laughing. She can picture them kissing. She can picture them screwing. Damn it. Outside, she can still hear his mother whimpering. It’s uncomfortable.
“He’s not my boyfriend, you know.”
“What?”
“Tom,” she says. “I don’t even know him, really.” Cal can’t help but laugh. She goes: “What? What’s so funny, man?”
“I don’t even know. I mean, is that supposed to make me feel better or something, Ashley?”
She answers, without hesitation: “Yeah.”
“Well, it doesn’t. Look— I mean, I come into your apartment, alright? And here’s this… dude, and we spoke on the phone this morning and you didn’t even mention him, you know? He’s walking around in his underwear. The place is a wreck.”
“Hey, don’t be an asshole.”
“It is a wreck.”
“I know it’s a wreck. You don’t have to say it’s a wreck.”
“Look, you’re just not living the life I expected you to be living, you know? And… OK, he’s not your boyfriend. That’s supposed to make me feel better? It doesn’t, Ashley. Kinda makes me feel worse.”
“He’s not taking advantage of me, if that’s what you mean.”
“That’s not what I meant at all,” he says. Then, lower: “That’d be better.” Ashley pretends she didn’t hear him.
He feels her hand loosening its grip on his.
There’s a small park they used to frequent not so far away from where they are now. Cal remembers laying in the grass with her, sipping vodka and talking gibberish. They imagined themselves as people of great importance, destined to leave their mark in the world. Fate, that sort of thing. Ashley reaches into her pocket and takes out a pack of cigarettes. Cal arcs his eyebrows: this is new. She lights one up and then offers him one. He declines, says he quit some months ago, can’t remember why exactly.
“I’ve been meaning to quit too,” she explains. “But I figured that since we’re already doing heart and liver transplants, it won’t be long till doctors are able to take a dog’s lung and put it my chest, you know?” [Ash's black humour=love.]
“I heard there’s this thing where… they get a needle, and stick it in your lungs. Takes the bad stuff right out.”
Ash looks intrigued. “Seriously?”
“Nah,” Cal mutters. They both laugh.
When she gets there it’s already late at night, and she’s tired. Rings the doorbell four times, before mother opens the door. Neither one of her parents looks surprised. We got a call from him, they calmly explain. There’s no screaming or getting angry or telling her that what she did was wrong. They instead inform her that there’s some food in the kitchen. Cold, stale chicken. Cal, more than three hundred miles away, cries in his motel room. Outside his door, LA welcomes him.
Ashley takes a long drag from her cigarette. She seems thoughtful, like she’s considering something. Finally, she asks:
“You wanna go see if it’s still there?”
“If what’s still there?”
“You know,” Ash answers, pointing towards the park.
Cal smiles again. “Sure.”
Their first time was Cal’s first time. They were in the park with some friends, having a joint, and she asked him if he could come with her to the bathroom. The others laughed, clapped, whooped. It’s not what you think, man. It’s late at night, I don’t wanna get hurt or something, be a gentleman. When they got there –far from where their friends were, a tiny vandalized room with a toilet and a urinal-, she kissed him. What are you doing? She kissed him again. Nothing.
The bathroom stunk, it was not very romantic. [Good setting.]
Cal was clumsy, ended fast and apologized as soon as they were done. It’s alright, she’d told him. You’d never done that before? Yeah. Yeah, what? I’d never done that before. And she couldn’t help but laugh a bit, and hug him. They’d been in the same school for years, but had only recently started to hang out. Cal had never really thought about her romantically up until that moment. I mean, I’ve done some stuff before, just never the… You know. Ashley nodded and knelt down. Took something out of her boot: a knife. What the fuck are you doing now? She leaned towards the old wooden door and carved, patiently: HERE, CAL TOWNEY SEXED ME. That’s not even a word! He still can’t believe how calm she was, how she could joke about it. It was as if… he had experienced a miracle and she had witnessed an interesting incident. By the time they walked back, their friends were gone. Want me to take you home? Yeah, sure.
The door creaks open. Ashley pushes Cal inside. He is close enough to smell her hair, as she touches the carving with the tip of her finger.
“It’s still not a word.”
“It’s a word, man. Like— I sexed, you sexed, he sexes. It’s a fucking -what do you call it?-, a verb.” She takes a step back. Cal feels her rear press against his groin. Ash goes: “I can’t believe it’s still here.” [I love how the two scenes run into each other. Very well done.]
The bathroom looks exactly like it did ten years ago. The floor is wet, the mirror in the wall is half broken, the toilet is overflowing with brownish water. Everything looks as shitty as it did ten years ago. Ash closes the door, unceremoniously. Cal knows what’s coming.
“What are you doing, Ashley? The place smells.”
“I wanna write something new.”
“Do you even have a knife?” he asks, trying to sound annoyed. Ashley turns around, and faces him. Their personal space is nonexistent. “Well, do you?”
“Yeah. In my pocket. What do you want me to write?”
“I don’t know,” he mumbles. “There’s nothing to write. Let’s just go.”
“There must be something we can write. Come on, just give me something to write about, man. Anything. Something… you know, new.”
He leans his head forward, and she does too. Their foreheads touch. Without even realizing it, Ashley wraps her arms around his neck. Cal is touching her waist.
“I have a girlfriend.”
“Yeah?”
“She’s back at my parent’s.”
“Yeah?”
“She’s really nice.”
“Fuck you, Cal,” Ashley sighs. “You didn’t mention her until now, you came to see me anyways. What’d you think would happen? I don’t care. You certainly don’t, either. You’ll leave in a couple of days, what difference does it make?”
“She’s my girlfriend, Ash. Don’t try to make it sound like it doesn’t matter.”
“I’m sure she’s a great girl.”
“Don’t make fun of her. Don’t you fucking talk about her.”
Their faces are still close to each other. He’s still touching her waist. Ash stares, accusingly: “You’re angry at me.”
“I’m not angry at you, Ashley, I stopped being angry ages ago.”
“No, because it’s like you can’t even talk about it. You’re acting like nothing happened, asking me about my job and shit? You can’t even acknowledge it and ignoring things isn’t the same as being past them.”
“It’s been eight years.”
“So, what? You don’t even wanna know why I left? You’re not even curious?”
“No. Why would I be curious? I forgave you.”
“That’s exactly it! You love me no matter what, it’s like I can’t do anything to scare you away. I was doing you a fucking favour, Cal.”
There’s a pause. They kiss. She tastes like cigarettes. It lasts about five seconds. [I think it would be more effective to write: 'She tastes like cigarettes. Five seconds of cigarettes slipping down his throat. Then Cal...' or something that just incorporates the five seconds a little more subtly.] Then, Cal lets go off os her waist, and takes her arms off around his neck.
“I need to go now,” he whispers and Ashley nods. He’s probably right. The door creaks open and the door creaks shut. They will never see each other again. [Good ending. But I'd like there to be a hint that she's going to write something. I want her to write something on the wall. Overall, I think you've got a good story here. It could be expanded. Cal could be made more loveable but then, maybe it's just because Ash is such a strong character that she seems to eclipse the others a little. And that isn't bad because she's the one the reader is left with at the end, left feeling sort of sorry for. But I'd feel more sorry if Cal and her had more of a connection earlier on, if you had a few more scenes of them feeling right together instead of always wrong. It's a great story though. Hope this helps a little, feel free to ask questions xx]

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PostPosted: Sun Jul 20, 2008 2:34 am    Post subject: Reply with quote

This was awesome. It was just so gritty and dirty and real and i loved it.

I'm all for unconditional love and happy endings and all that fluffy stuff, but i'm so happy that Cal and Ash didn't end up together.

Ash is just waaaay too self destructive to ever be in a remotely healthy relationship. It's like she's in this downward spiral and she just can't find her way out. I know i should probably feel sorry for her but i can't help thinking that she's just really pathetic.

Also, i like the way you portrayed sex in this story. Probably a wierd thing to say, but in romance, sex is always this HUGE deal, when in real life it's just not that important. I mean, yeah, Ash probably isn't the best example of a healthy sex life but at least it's real.

So kudos to you, this story is amazing.

P.S. Love the title. One of my favourite lyrics.
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PostPosted: Sun Jul 20, 2008 4:48 am    Post subject: Reply with quote

Nit-Picks

Quote:
The asshole comes in wearing a suit. With a tie, and everything.

Ditch the comma. And what's with the sudden POV swith? First we were with Cal, now Tom?

Quote:
It is a slum.

Switched tenses.

Quote:
And then Ashley comes into the room.

What room? The lobby? Show me where they are – I'm so lost. Set up the atmosphere – the basic things you notice. Lighting, time of day, occupants, etc.

Quote:
wraps her legs

Do you mean 'arms?'

Quote:
shrieking giddily

Comma after.

Quote:
congratulations seems

Ditch one of those s's.

Quote:
The bathroom stunk,

Semi-colon instead.

Overall Comments

Well, I think you should put in the names. I got so confused it ruined the piece for me. And work on your voices – they all meshed together, so the transitions were nearly unnoticeable but then it was like 'wait, why's Cal looking at Cal? Oh – it switched ten paragraphs ago…?'

And setting, please? Just the atmosphere – the basic things you notice when you walk into a room.

So… PM me for anything. It's 12:44 AM here, but I stayed up to finish, 'cause now I'm caught up in my critiques. So I doubt this made sense or was helpful. O.o

~JFW1415

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Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth. -Oscar Wilde

Join the CIA.

In response to hearing my new story idea: "Aunt April": Oookaaay. You are one sick little puppy aren't you?
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This thread was created on June 9, 2008
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