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I l-o-v-e y-o-u {EDITED}
I l-o-v-e y-o-u {EDITED}

by moon jumper in Romantic Fiction
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This thread was created on April 6, 2008
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Silver Ferride (Part 2 Now Up)

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PostPosted: Sun Apr 06, 2008 6:47 pm    Post subject: Silver Ferride (Part 2 Now Up) Reply with quote

Silver Ferride

1964 / London / Trafalgar Square

Everyone remembers where they were when the American Empire declared war on the United British Colonies in 1962, Sandly Limerick mused. He leaned against Nelson's Column holding a cheap ciggy (rationed) in one hand and the Sunday Times in the other. It was Monday, but Limerick had no money for the current paper and he had been taught that a man without a newspaper was a very silly man indeed. It was an easy guise, something that helped one blend into the chaotic place that was London Town.

Yep, I was right here, leaning on the big bastard itself.

He cast his mind back. Cigarettes were better then – you could still buy them in packets (Embassy, Park Lane, Marlboroughs), these roll-ups were foul. His mouth scrunched on cue. Yeah... the City was glamorous as well, the column was white and the fountain sprinkled clear water into the pond; dinky men in top hats (the Charlie Chaplain's of the world) used to rush by, too busy to notice the few beggars dotted around the place. Nowadays we are all beggars. He tugged on his dirty shirt and straightened his flat cap. His eyes skimmed Trafalgar Square – the pond was coal black, the sprinkler destroyed; the column charred with the words: "FUCK AMERICA" fingered into the grime.

London was dying, withering away. And it was all because of the War.

Sandly hopped down the steps and flicked the nib of his ciggy into the dead pond. He swerved in and out of the mattresses of the homeless, careful not to invade their "personal bubble." He sat on the wall surrounding the pond, cast his arms back and gazed up at the sky which was electric blue, raddish-flavoured clouds blotted the horizon crafting a polkadot pattern.

A paper flyer rushed towards his feet in an eddy of wind. He picked it up and straightened it out. The face of King George IX on a red background. "BRITAIN NEEDS YOU!" Underneath some intelligent swine had added "FUCK AMERICA" in black biro.

I hate the war.

--Why do you hate it? A voice whispered in the back of his mind.

Because I fucking do!

An automatic response. If you delved deep enough he hated it because one reason – he was unemployed (a scrounger, a dole-monger, a freak, a layabout, an idle jack... scum of the earth). He was supposed to be in the Job Centre today, he had promised the wife, but he just couldn't face another patronising young fuckup speak to him like a two year old. The face of the King transformed into the spotter fuckup from the Job Centre:

"So Mister Limerick, what skills do you have?" He imagined the fuckup say.

"Well..err..I can play the violin... I also have a goddamn degree in Biology from Cambridge University!"

"Sorry Mister Limerick, music and biology are meaningless to the War Effort, we don't need strings or for you to play Bill and Ben (the Flowerpot Men) – we need dedication. Loyalty. BRITAIN NEEDS YOU!" The face of the fuckup reverted back George IX, who started to cackle madly, his eyes bulging from his badly painted face. He scrunched it up, taking pleasure in adding wrinkles to George's face then held it under the black water of the pond until he was sure that the paper had dissolved completely.

He woke from his daydream and pushed past the floor-dwellers. He would get a job today. He had promised. But not at the job centre, no no – not there, anything but there. He walked out of Trafalgar Square, letting his subconscious knowledge of London carry him away, his eyes flitting everywhere to look for pickpockets, criminals, yobs. Most buildings were rubble, the few that survived had been looted and smashed in, the owners not even bothering to board-up the windows.

The homeless-beggars-on-mattresses started to dissipate and the Toms took over, each one screaming out their wares.

"Fifty pence. Anything goes!"

Overpriced. One, a woman was well over 40 clutching her breasts before ripping out her greying hair.

"Want a good time?" She said in a perfect cockney accent, you could tell the fakers a mile away. He quickly walked away from her while she cackled madly. If he had a gun, he would pull it out and shoot the bitch. But weapons were so hard to come by nowadays, he had tried hard to get one – to protect his family from the Toms and criminals which were free to walk the streets since the police had been merged with the army. The only thing he had to rely back home was the rusty crowbar that he kept beside his bed. There had been one nasty incident a few weeks back when a burglar had smashed through the window and tried to steal the wireless and a few antique plates. He couldn't stop himself, he had hit that thieving bastard so hard... the blood, god the blood.

The wife, Santha, had hushed the kids up while he had dragged the body away in the dead of the night. He had dropped it in a yellow skip. It wouldn't get emptied - garbage collection encouraged waste which was now considered treason. The corpse would rot away along with the streets potato peel, egg shells, out of date news papers.

He had made his way to a huge street. Huge, but empty. Thousands of red "BRITAIN NEEDS YOU!" posters had been plastered to the parallel concrete walls. Barbed wire twisted around the top. There were no pavements on this road, so Sandly moved to the centre.

No motors nowadays. No motors 'cos there's no petrol. No petrol 'cos no one's mining anymore.

It seemed to go on and on, this road he had found. But of course, it didn’t. Sandly had been to the end many times. He squinted and followed the path until he came to a huge white building (this was white unlike the grime of Nelson's column). It was like something out of a picture book, a huge Tower tickling the polkadot sky.

"Prime and Dawson Limited Central Headquarters," he whispered. A thousand George-the-ninth's grinned from every angle. He pinpointed the corner of one of the posters, a plain white text logo covertly in the corner: "Produced by Prime and Dawson Limited." The Super-Company. It could have even been the only company left in Great Britain. Sandly didn't know but he did care.

"Prime and Dawson Limited," he said it again, this time with some bitter hatred. They had sprung up from nowhere to deal with "the pressures of the war" and had ended up using the government pot to buy up stock in just about every industry. Overnight they had acquired British Coal, British Rail, British Airways, all the major food produces and utility plants. Prime and Dawson held all the power, an unchained giant, free from the regulations of the state with endless amounts of money pumped into continuing the structure of the company.

He had left that building in 1962. The day Prime and Dawson bought up the last stock in Limerick Bioweapons, there had been a short meeting then immortal unemployment. His life as a biologist was over in seconds, his degree from a red brick uni' counted for nothing and pretty soon he was wearing a flat cap and dirty overalls, downgraded from his detached abode to a dingy terrace and was sending his kids to a rundown state school.

The fuckup job centre man flitted across his mind: "So Mister Limerick, what skills do you have?"

Sandly clicked his fingers and purple sparks of light danced around his finger and thumb.

"Magic," he said aloud. Georgie Porgie was no longer smiling.

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Last edited by Phorcys on Sat Apr 12, 2008 4:10 pm; edited 2 times in total
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PostPosted: Sun Apr 06, 2008 9:14 pm    Post subject: Reply with quote

Hmmm... that's quite an intresting story you got their; i'm quite impressed. You've got quite a good pace and you've really given an indepth descrpition of the main characters personality. I like how you made something like a degree in biology all but useless in this society as well. Quite well written as well, I couldn't see that many spelling mistakes in it. Still, i did see some and here they are:

Quote:
Nowadays we are all beggars

while this is much of a spelling mistake it would sound better as 'we're all beggars'

Quote:
dinky men in top hats

This really doesn't fit in with the personality of someone who got a degree from cabridge, whatever their present state

Quote:
transformed into the spotter fuckup from the Job Centre

you meant 'spotted' their, right?

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PostPosted: Mon Apr 07, 2008 10:28 am    Post subject: Reply with quote

Thank you for the comments hunter111. I agree with all of them and I'll work on changing them in the redraft.

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PostPosted: Mon Apr 07, 2008 11:10 am    Post subject: Reply with quote

Wow, that was quite excellent. I really did enjoy it. I like the outlook Sandly Limerick has on the war and what has become of London. You have portrayed his character in a way that I instantly love him.
If I'm not quite mistaken, a bit of research has gone into this piece. I like that and your story is all the more real for it.
Descriptions good, language use excellent, grammer and spelling mistakes (that I picked up) nil. And that hint of things being not quite what they seem at the end there, delicious. I look forward to reading more Smile

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PostPosted: Tue Apr 08, 2008 3:42 pm    Post subject: Reply with quote

Thank you DS. Anyone else any points to make?

Some questions I have for readers:

1) The character of Sandly Limerick - endearing? Do you as a reader enjoy reading through his eyes? Interesting? Any other comments?

2) The world - do you understand it? Does it need to be made clearer where things are taking place / why WW1 and WW2 never happened etc...? Any other comments?

3) The style - Too fast? Too slow? Right speed? Too info dumpy?

Thanks again.

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PostPosted: Fri Apr 11, 2008 5:19 pm    Post subject: Reply with quote

Hi Phorcys. You have a very good piece of writing here. Your style and tone is wonderful and very fitting of the piece.

As for your questions:
1) Sandly Limerick is a good character and I did enjoy reading through his eyes. He seems honest and fairly trustworthy - which are good qualities for a main character to have.
2) I understand the world but I am slightly confused as to what happened to WW1 and WW2.
3) Your style is fine and your pace is perfect. It's easy enough for the reader to follow yet not slow enough to make it boring.

OK, I only noticed a few little things:

Quote:
He leaned against Nelson's Column holding a cheap ciggy (rationed) in one hand and the Sunday Times in the other.

I think that with the style you are writing in it's perhaps better to use 'cigarette' instead of 'ciggy'. You do this again later as well.

Quote:
He sat on the wall surrounding the pond, cast his arms back and gazed up at the sky which was electric blue, raddish-flavoured clouds blotted the horizon crafting a polkadot pattern.

A bit of awkward phrasing. Perhaps try re-arranging it. Something like:
He sat on the wall surrounding the pond, cast his arms back and gazed up at the electric blue sky, the radish-flavoured clouds blotting the horizon and crafting a polkadot pattern.

Quote:
The face of the King transformed into the spotter fuckup from the Job Centre:

I disagree with the change that hunter111 said, I think it should be 'spotty' instead.

Quote:
One, a woman was well over 40 clutching her breasts before ripping out her greying hair.

This sentence confused me. I think it needs to be changed around or perhaps get rid of the 'One' at the beginning.

Quote:
to protect his family from the Toms and criminals which were free to walk the streets since

Would flow better if 'which' was 'who'.

Quote:
Georgie Porgie was no longer smiling.

This one is completely not your fault. It's a nice line to end on, but I just don't get it. I know I'm being stupid, but hey.

Overall, a very good piece. Is there more to it, like another chapter?

All the best and keep writing,
Alainna
xxx

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PostPosted: Fri Apr 11, 2008 5:41 pm    Post subject: Reply with quote

Thank you very much for your exceedingly helpful review. Yes, this aims to be a novel length word but it may turn out to be a novella depending on which direction I take. Thanks again.

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PostPosted: Fri Apr 11, 2008 6:34 pm    Post subject: Reply with quote

Hey. I admit that I skimmed this, because I'm short of time. So I'll refrain from giving an official opinion until I
I've read it throughly and completely.

As to your questions...

1) The character of Sandly Limerick - endearing? Do you as a reader enjoy reading through his eyes? Interesting? Any other comments?

I didn't find him ENDEARING - that seems too strong a word - but I felt like I understood him and I supported him in his goals. He doesn't seem like the type of man one can have a fond relationship with. He seemed to me as a man that's tough and quiet, in a way.

2) The world - do you understand it? Does it need to be made clearer where things are taking place / why WW1 and WW2 never happened etc...? Any other comments?

I did understand the world pretty well. I think you did an excellent job with your info. You didn't overwhelm us with it, and I managed to comprehend what was happening and why.

3) The style - Too fast? Too slow? Right speed? Too info dumpy?

If I had to choose, I would say is was a bit too fast. I mean, if you left it it would be fine, but it could be improved. Add a couple more details about surroundings. That'd be nice. I'm a sucker for old London-type pieces. I relish the descriptions. And as I said in question 2, I think you did fine with your info.


Nice work. Watching for more.

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PostPosted: Sat Apr 12, 2008 4:09 pm    Post subject: Silver Ferride Part 2 Reply with quote

London / Street 391 / Number 4

Sandly tried to spit out the vicious smell of lead while he sat with his back to his cellar wall; hands (white) on his knees. His children (Lucy, Robert) and his wife (Santha) had somehow fallen asleep, their own comfort a sea of brown rags. Not Sandly, the privilege of sleeping at night had become somewhat withdrawn. His eyes wide, strained, flitting from side to side in a primitive attempt to get rid of his pounding head ache that made his temples throb.

Thump thump thump.

The bombs landed, almost silently around Number 4. Some whistled then crashed with magnificent explosions. Others were silent until impact, where they would create discord within the savage symphony. Some merely cracked, and failed. Sandly hoped if ever an AE bomb landed on Number 4, that it would be one of these cracking and failing ones – no more dangerous that a poor firework. But these degenerate tikes were few and far between. The American Empire was smart enough to make sure their bombs were extremely efficient killing machines.

How could they sleep? The noise was a cancer; it ate away at him – gnawing on the brink of his subconscious. They were going all out tonight, those bastard Americans. All out indeed. He squinted at his watch, four o'clock. He never bothered adjusting his watch for daylight savings, it seemed pointless. Spring forward, fall back, his mother's voice screamed at him from some twenty years ago. Since '62 the months, the seasons, the years were a constant dream. Nothing was certain. Sandly guessed it was May-ish time, from the brightness of the sun, but even that was becoming guesswork because of sooty industry smoke, clotting the sky.

Thump thump thump.

He shivered now, wrapping his arms around his legs. His back prickled to the touch of the lead plating on the wall. He rubbed his fingers pointlessly on his numb feet, trying to get some blood flow back into them. He glanced at the Sunday Times on the floor beside him. The headline read: "Hoorah for the Colonies!" Another victory... He picked out the old phrases: "Greenland", "Canada." Apparently, the forces had gained territory. Bullshit. Sandly knew better than to trust the papers, they were all run by Prime and Dawson anyway, machines to reassure their country's dying people. If one listened to the Times, one would think there was no war at all...just a minor annoyance – a small fly in a huge ocean of ointment.

He clicked his fingers and purple magic once again danced around his fingers. Raw magic, useless magic. Sandly had tried to do things with it, but could not – he did not understand how to control it. He could summon it, like he could summon sick from his belly, but he didn't know how to use it. Perhaps it was another cruel trick of Satin. They give with one hand, and snatch with the other, his mother cackled again. He shook his head trying to shake her foul image from his mind.

He watched the purple sparks. Was this just another dream? Just another trick of the mind? Perhaps it was as certain as the month. He had discovered magic on the night he had lost his job. He had guzzled down a good three bottles of Single Malt, and waited for his wife to come home. The disappointment on her face, that pathetic, stupid disappointment...He had beaten her senseless. A game, a trick, a proper sport. He clenched his fists and felt his cheeks burn. He regretted it. It was the easy solution, it was his wife or his kids. It had to be done, and it was done.

(His mother's banshee wailed at him again: Desperate times call for desperate measures son. A little beating didn't do me any harm.)

And when he cried that night, desperately trying to get the blood from his hands the sparks came, all of his arms radiated purple light. First he thought it had been dodgy whiskey or the magic mushrooms from uni', but no. He could summon it when he was stark-raving sober.

Thump thump thump. It was louder now, as if someone was knocking on the cellar door... he looked up and the hilarious thing was – they were!

Thump thump thump. The loose lead door rattled, the handle swaying underneath, rocking from one clank to the next. It rattled again. His wife (Tessa) rolled over. He flinched. Who had got into his house? Was it another burglar? If it was, he would find himself rotting with his brother in potato peel, eggshells. He picked up the crowbar, and held it tightly. He stepped over Lucy, the crowbar ready, swaying its end slightly, ready to thump thump thump him.

There was a moment of pure solitude, where there was no thumping, no knocking, no headache and no War. He was alone, transfixed onto a cellar door that was not lead but gold. He was Jack at the top of the beanstalk, ready to enter the giant's castle with his sword (the crowbar) loyal at his side.

The giant's door opened and the dream ended. He was Sandly again and the man crouched over the cellar trapdoor held out a hand. Sandly didn't kill the fucker, nor did he attack him. He handed him the crowbar, a slapstick smile on his face. He had a kind of magnetic pull, a pull that meant no harm at all – a kind, friendly face. He took his hands again and allowed himself to be pulled up to his living room. Both men took seats on the sofa (loose coils, springs).

Sandly didn't speak a word, too afraid, too...amused at the strange man-thing who sat next to him on the sofa. It was not really a human, more like an alien out of War of the Worlds, or a strange mutant (Robert would know). Blue skin, dry and leathery; deep black eyes; yellow nails, like talons, on the tip of his hands. Yet he was dressed in the most cultured of attire: a pinstripe suite with an American-style trilby on his head, sweet blond hair cascading down over his black overcoat.

It spoke, "Listen, do not interrupt me or I will rip out your larynx," his voice was like gravel rolling over sand paper, like the gargle of the ocean. "I am the Shark. It is a codename, real names are too dangerous." He flicked his fingers and purple light span around them, much faster than Sandly's own attempt. He watched, amazed and also disappointed that he was not unique. "Yes, you can do it as well. Few can, it’s a rare ability. You stupidly did it in public – a mistake. You also did it in front of your family – another mistake. Each mistake endangers you greatly."

Sandly almost spoke, but the Shark grabbed his throat. He panted, wondering if after this meeting he would end up with the rotting prick in the skip... with potato peel...eggshells.

"I found you before they did. You are lucky. Because if they did, you would be dead...or worse." The Shark took out a piece of paper and placed it into Sandly's hand. He felt it. Real paper. He tried to read it but the Shark clenched his grip. "Not yet, there is a location and time on that paper. Be there tomorrow at the stated time or member of your family will be killed."

He was released and immediately he coughed and spluttered for air, breathing it in and feeling worse for it. The Shark's leathery lips touched his ear. "If you aren't there after five minutes, another member will be killed, then another – it's an easy pattern, that even a retard like you can follow."

Sandly raised his head and snarled, dog-like towards the bastard that was spouting all the threats. He groped around and found his crowbar but the Shark sent a blast of white light forward which stung his hand. He held it to his stomach and rocked with pain, but only for a while. This man...this Shark could control magic. He could transfer the purple crap into a weapon.

"Oh – and if you use magic again, not one, not two, but three – that’s three – members of your family will be killed. It's an amazing currency, one we pride ourselves on." He felt the ice-cold chill of the Shark's kiss before he ran out of the door he came in through, disappearing into the blizzard of explosions.

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PostPosted: Sat Apr 12, 2008 5:00 pm    Post subject: Reply with quote

Oooh, very good.

I only have a few things to say this time.

1) I didn't like the fact that you used a lot of brackets in this chapter. It was unnecessary most of the time and you could have incorporated the information in other ways.

2) You changed the wife's name! It was something else in the first part and now it's Tessa - so make sure you change the chapter accordingly.

Quote:
no more dangerous that a poor firework.

'that' should be 'than'.

Quote:
Be there tomorrow at the stated time or member of your family will be killed."

Should be an 'a' before 'member'.

The tone of this chapter is noticeably different to the first. I also felt like it lacked the wonderful description and emotion that the first part had.

Overall, this was good and I look forward to any more that you post. Keep it up and let me know when you post more.

All the best,
Alainna
xx

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