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Secrets of the Unfaithful {3}
Secrets of the Unfaithful {3}

by Angel of Death in Romantic Fiction
Young Writers Society Forum Index » Fantasy Fiction

This thread was created on November 19, 2007
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Phoenix Rising, Book One of The Elemental Project, Part Two

Phoenix Rising - Book One of the Elemental Project, Part One

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PostPosted: Mon Nov 19, 2007 9:31 pm    Post subject: Phoenix Rising - Book One of the Elemental Project, Part One Reply with quote

PHOENIX RISING

PROLOGUE

FROM THE DIARY OF PROFESSOR YANA KIFRER

Day One of the Elemental Project

We have discovered, at last, the secret! An orb which holds the power, bound and not entirely ready to be released. So now we intend to create an orb for the Experiment, and it shall live! However, the method used to create this orb is unknown, and I fear it shall take a very long time to discover.

Day Two

We have chosen a substance to make the orb from – diamond, but obtaining and shaping the jewel may be more difficult than we had hoped. Still, we believe we have a way to infuse the orb with power, and so create the life force of the Experiment. SA/98-013 is progressing nicely. We believe it will be complete very soon.

Day Five

Finally, we managed to store power inside the orb. It is now safe inside our containment and analysis units. SA-98-013 is also safe and its body is nearly created. Soon… soon we will finally have defied God and done what only He is meant to do – create Life!

Day Nine

It stirred from its sleep today and we saw with horror what we had wrought. It is a monster. The Experiment cannot remain here – it must not remain in existence for long. A creature like the one we strove to create would be a disaster, but we could not see it… I am sorry. I have doomed us all.

Day Twelve

No! SA/98-013 is an abomination and now it is free to wreak havoc upon the world… This is a fate that I brought here with my own hands, and I must undo it. But I fear I am too late, for it is showing a power and intelligence beyond any of our scientists. Ah, if only I could see sooner that I was blinded by my greed for power, for I believed that the world would bow before me for my genius.. But now… we are going to die. Seuja is awake.

Chapter One

the beginning

There’s a myth in Kaldor City. They say that the ocean is a living creature, rearing up to attack those who trespass in its deepest, most vicious reaches. Often the myth became reality, as bathers were swallowed up by the fierce waters. In fact, in Kaldorian religion, any form of water is treated as a living thing, so as not to upset the ultimate, giant waves. So, when the first drop of rain landed on Ataka’s long black hair, he smiled and stared up into the grey sky with his dark-green eyes scanning the heavens, waiting for more to come. His wish was soon realised, but he hadn’t wished for what ended up happening.

Also in Kaldorian legend, they say that the clouds are the ghosts of departed souls who wished to become one with the sky. The rainfall is caused by the tears of the dead people, weeping for their lost home.

As I said, Ataka hadn’t wished for what actually happened; the clouds poured out their burdens (rain), and streaks of lightning flashed across the sky. Ataka pulled up the hood of the black and purple robes that declared him a member of the Guild of Philosophers, and set off across the soaked concrete pavement, heading for the mud-palace, as it was known by its inhabitants.

The mud-palace was in fact the part of Kaldor inhabited by those who had been orphaned or couldn’t pay for a proper house. Essentially a hundred square miles of mud, tarmac, concrete and wood, the mud-palace was the last resort for Kaldorians. Ataka was among those unlucky enough to be in that situation, but he had vowed to his dying parents that he would get a job in a Guild and save himself and his brother from the fate that awaited all mud-dwellers: death. Every week the mud-palace was purged of bodies, but people kept on dying. That couldn’t be helped, but it was happening far more than was necessary, and people from the lower-class parts of Kaldor were being forced into mud-life every day. This couldn’t keep happening, or the mud-palace would have to be enlarged to fill maybe a fifteenth of Kaldor.

Ataka strode through the gates of the mud-palace, quickly flashing an identity card at the guards. Everyone living in the mud-palace was issued with one to prevent someone sneaking in and staging a massacre. Thousands of people lived in the mud-palace, but Ataka was looking for a familiar face at the entrance. He soon found it.

‘Ataka!’

Ataka whipped around. Right behind him, soaked to the skin but grinning broadly, was the brother Ataka had vowed to save from mud-life.

Ataka stepped forward and embraced him.

‘Valdon.’

Valdon grinned again, withdrawing from his brother’s hug.

‘It’s good to see you again, brother.’

Ataka was the oldest of the pair at seventeen years of age. Valdon was fourteen, but managed to get into all sorts of trouble even without being the age at which, by Kaldorian law, you could be tried by a court. He wasn’t even old enough to have a sword or dagger, a necessity among Kaldorians. Especially those who, as Valdon did, wore the black and brown robes of the Guild of Warriors.

At this point, having now mentioned two Guilds, I think I should talk a little about the different types of Guild.

The most famous was the Guild of Seers. The black-robed Seers were gifted with the ability to see into the future, meaning that they could predict the happening of an important event and prevent or encourage it.

The Guild of Police was almost equally famous; as they walked around the streets lowering the crime rate in their black and red robes, they were hard to miss.

The Guild of Builders was the King’s favourite. That was no secret. They had built him a magnificent palace right in the centre of Kaldor, every one of the ten thousand black and white-robed men swarming around it and adding more blocks of marble to it.

The Guild of Magicians was made up of perhaps four hundred black and green-robed men. The Magicians’ was the smallest Guild, as only about a twentieth of the population of the universe as Kaldorians knew it could use Magic. Even those who could were often denied the chance to join by their friends and family – Magicians were highly distrusted and not encouraged to recruit. Ataka was one of those who could have joined but didn’t. He had learnt a little Magic on his own, but not enough to defend himself with.

The black and grey-robed Guild of Advisors served the King, who wore no robes, just his gold and steel battle armour, personally, the black and purple-robed Philosophers assisting them.

The black and brown-robed Warriors fought in wars, sometimes with voluntary peasants.

And finally, the white-robed Guild of Servants commandeered perhaps one hundred and fifty thousand people, each of whom served the members of other Guilds.

And now, back to the story.

Ataka gave his brother a searching look.

‘You got in trouble again today, didn’t you?’

Valdon looked as though he might deny it, then nodded.

‘What for?’ pressed the elder brother.

Valdon shook his head.

‘What for?’

Valdon said something very quietly.

‘Didn’t catch that, sorry.’

Valdon raised his head.

‘I broke Sirion’s leg in a practice bout.’

‘And what did Sirion do to deserve a broken limb?’

Valdon shook away the arms that had gripped his shoulders.

‘Lost control,’ he muttered.

Ataka sighed.

‘You didn’t remember that the Magical shields placed around you and your opponent in a duel only withstand moderate physical contact?’

Valdon’s eyes widened.

‘Physical contact,’ he whispered.

‘What is it?’ Ataka murmured. ‘What has piqued your usually non-existent interest?’

‘I… Ataka, I think I used Magic.’

Ataka took an involuntary step backwards.

‘So the power does run in the family,’ he mused.

Ataka then grabbed Valdon and led him to the section of the mud-palace reserved for the brothers.

‘What did the Magic look like?’

‘Blue beam,’ Valdon said. ‘Came out of the practice sword as I hit Sirion.’

‘You didn’t mean to do this?’

Ataka had never heard of a Magician accidentally using his powers. As novices they occasionally let loose with a little Magic as they became frustrated, or felt another powerful emotion, but the warriors were trained to empty their minds as they fought.

‘Think I was a bit desperate,’ said Valdon, shrugging. ‘My defence was nearly gone.’

‘As always,’ muttered Ataka quietly.

‘Oi!’

Ataka put on an ‘innocent’ face that wouldn’t have fooled a six-year-old.

‘That isn’t fair!’

‘But it is true!’ retorted Ataka.

Valdon tried to stare his brother down, before quickly giving up. Most people gave up after about three seconds.

‘Ok, so I need to work on not being so berserk all the time, now will you shut up?!’

‘Alright, alright! Talk about being touchy…’

Ataka turned away.

Valdon cried at him ‘You can’t turn your back on us!’

Ataka looked back.

‘Oh, really? Who’s ‘us’, then?’

Valdon clapped a hand over his mouth.

‘I’m – I’m sorry, I just keep blurting out strange things today… and I’m having constant déjà vu… I’ve even seen into another person’s memories, but I looked the man whose memory it was up in the library… this particular person died in the year I was born.’

Now Ataka was interested. His own brother, a – But best not to make presumptions. Who knows, his theory might be wrong.

‘Got any ideas?’

‘Sort of. I’ll get back to you on that one.’

Valdon’s face went white and his hands curled into fists. Ataka had already started to walk away, but he turned back as a hissing noise crept up behind him.

‘Valdon?’

Now Valdon’s eyes were red, the pupils vertical slits, like a cat. Smoke poured from his mouth and nostrils.

‘Tell… no secret… angry…’

Ataka pulled the giant claymore he normally fought with from its sheath. Valdon noticed it and hissed defiantly. Ataka pointed the weapon at him, and the creature flinched. It pulled something invisible from the air with each hand, and a strange tendril of darkness crept from the spot his hands had touched to his outstretched fingers, and seemed to solidify and form two discs. Ataka had heard about these strange weapons… chakra they were called; discs with razor sharp edges, a handle in the centre. The clever thing in Kaldorian chakra was that the outside had a flammable coating, but the handle was steel covered in a substance that would not catch fire. Apparently Valdon knew this for the weapon was set alight by Magic.

‘You Cast,’ whispered Ataka. Casting was the term used to describe the use of Magic, but there wasn’t much call for such a phrase nowadays.

‘Yes… Cast… Magic…’

‘What has happened to you?’

‘Not the boy!’ it hissed. ‘Me!’

‘Fine,’ said Ataka, and brought the claymore down upon its head.

Valdon opened his eyes slowly to see Ataka’s concerned face peering down at him. Ataka smiled.

‘You’re awake.’

Valdon felt as though he would rather be asleep, but kept his eyes open anyway.

‘What happened?’

‘I don’t know. But what I do know is that when I hit you some sort of Magic came out of you. It destroyed the food stores completely.’

Valdon groaned. They shared food with their neighbours and he had seen them angry before. It wasn’t a sight he ever wanted to see again.

‘Now what do we do?’

Ataka grinned.

‘Now, my brother, we fish.’

As it turned out, it was over a week before they managed to get their fishing done. Valdon had almost reached fifteen years of age, and as it was traditional for a young man to receive his first proper weapon at fifteen, Ataka took him to the swordsman, Mort. They were greeted with a loud yell; Ataka and the twenty-nine year old swordsman and blacksmith had had a very close friendship in Ataka’s youth.

“Ataka!” bellowed the older man. He was rather round but his arms were incredibly muscled.

“Good to see you, Mort.”

“Vida!” roared Mort, and a young, blonde-haired woman emerged from a door in the back of Mort’s shop.

“Hello, Ataka,” she said.

“Hi, Vida,” Ataka replied, inclining his head. Vida was Mort’s fiancée, although much more peace-loving than her Warrior husband-to-be.

“This must be Valdon,” Vida observed. “He looks just like you.”

“Is that a compliment?” asked Ataka.

“For him or you?” Vida retorted slyly.

“Er, hi,” piped up Valdon.

“Honoured to meet you,” Vida told him, extending a slender hand to shake Valdon’s rather larger one.

“Yes, yes…” Mort sighed. “So what brings you here, ‘Taka?”

“Valdon’s fifteenth is coming up.”

“Ah!” Mort suddenly seemed a lot more animated. “So it’s a sword you’re looking for!”

Ataka nodded.

“Guild?!” demanded Mort of a rather shell-shocked Valdon.

“Warrior,” he squeaked.

“Aha!” Mort yelled in Valdon’s face. “A like mind at last!”

The swordsman turned to Ataka.

“You would not believe the amount of Philosophers we get through here who don’t know their pommel from their scabbard…”

Vida removed a piece of string marked with knots from a shelf on the wall.

“Right or left-handed?” she asked Valdon.

“Right,” he told her, looking rather pleased at the female attention.

Vida held one end of the string on Valdon’s right shoulder and, holding the other end to Valdon’s wrist, measured how many knots were in the section of string running down his arm. She then measured his fingers, palm and forearm, measurements rolling off her tongue as Mort noted the figures down.

“That’s it,” she told Valdon.

“Aye, you’re a real swordsman now!” laughed Mort.

Valdon didn’t really find this funny, but forced a polite chuckle anyway.

“Your death stick will be with ye in a couple days!” Mort yelled almost incomprehensibly.

“He means come back and fetch your sword tomorrow,” Vida explained.

The river bank was muddy and wet; Valdon, equipped with his new sword, struggled through it with his boots half-submerged under the muck.

‘How much further?’

‘Not too far!’

‘Good!’ Valdon yelled back, then cried out as his foot snagged on something and he tripped over to land face-down in the mud. ‘Hey?’ he spat through the stuff in his mouth. ‘Don’t leave me behind!’

Ataka turned back, exasperated.

‘What now?’

‘I twicked.’

‘You what?’

Valdon spat out the mud and tried again.

‘I tripped.’

Ataka burst into laughter.

‘How? You tripped on mud? Or your own feet?’

Valdon sprang to his feet.

‘I don’t know…’

He rooted around in the mud and fished out a polished black orb. It was about the size of a football, and looked strangely beautiful as it glinted in the dim sunlight.

‘This is what I tripped on.’

Ataka squelched through the mud to look at the sphere.

‘What is it?’

‘Not sure. I think it’s made of onyx but apart from that…’

‘It’s a rock?’

‘I’m not sure. But you know the really weird thing? It feels like its weight keeps changing, like it seemed really light at first, then it went all heavy and now it’s light again. It’s almost as if it’s controlling gravity…’ Valdon thought for a moment, and then with a yell, he dropped the black ball, which had begun to glow red, blue and green at the mention of the word gravity.

‘It burnt me!’

Ataka reached down, and sure enough, the ball was red hot to the touch. He whipped his hand away, and fell backwards towards the river.

‘No!’ Valdon cried – it was well known that the fish in this river were vicious and would drag a person under before tearing them to pieces. But as his brother fell under there was no splash or ripple, and the orb began to float around the area Ataka had gone under in. Valdon didn’t know what to do – take his chances with the fish to try and save his brother, run or investigate the orb further? He made his mind up in a split second, took a deep breath and dived in.

He could see nothing in the murky water, but felt nothing around him save for a few weeds. Where had the fish and Ataka gone? He swum further towards the bottom and froze as a bright light seared his eyes. Now his hands were over his face and useless; he was falling down into the water, down, down…

Thanks for reading, though I doubt you read the whole thing... anyhow, should probably be posting Part Two fairly soon. Open to constructive criticism, please let me know what you thought was good and what needs improving.

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PostPosted: Mon Nov 19, 2007 11:19 pm    Post subject: Reply with quote

I read it all. ^_^

It was quite good, actually. I like the world you created for your characters, it feels unique and interesting. I was especially intrigued by your description of the mud-palace, you did a good job with giving us hints about the nature of your world in a subtle, natural way, without having to resort to info-dumping.

Speaking of info-dumping, I think you might want to work with the paragraph where you told us about the guilds. A lot of this information can be shared with the reader at the point in the story when it becomes necessary to know. For example, say you have a member of the Guild of Builders who's an important character, you could mention then that "A man walked in, wearing the black and white robes of the Guild of Builders." Or something similar.This way, you could get rid of the "Meet the Guilds" paragraph entirely, and that way avoid overloading your reader with so many colors and numbers to remember. Because the thing is, when you dump your reader with too much info at once, they aren't likely to remember it. When it comes to the world around your characters, it's best to put information on a need-to-know sort of basis: we haven't met anyone from these other Guilds yet, and so far they've had little bearing on the plot. Bring them up when the reader needs to know.

Pacing felt a little too fast, especially in the scene where Valdon gets possessed or whatever the situation was. Maybe you should have let us see a little more of how Ataka was reacting and feeling. After all, his beloved little bro is being controlled by some sort of demon... I dunno about you, but I'd be freaking out. Or at least worried. So showing us that sort of thing might make the scene feel less rushed.

Very, very nice job overall, and other than the Guild info-dump, your world building and character development was intriguing and subtle, the way it should be. Excellent. I look forward to Chapter Two.

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PostPosted: Tue Nov 20, 2007 2:09 am    Post subject: Reply with quote

Holy freaking crap!

Are you sure you aren't a published author? Seriously! Ok, I have only read the journal entries, and you have me hooked! Ahhhh! I am now your fan!

The last journal entry didn't seem very realistic though..just saying.

Ok...now I'm off to read the rest of it!

Holy freaking crap!

Lol, I just read the whole thing. Man, this is FREAKING amazing! No kidding! I absolutely loved every bit of it The only part that I thought was a teeny bit wrong was the dialog when the two MC's were going to go and get the measurements for the sword. The woman didn't seem very plausible, but that is common. No one is perfect.

OMG, please please please post more! I'll do anything! I am now officially your #1 fan!

Post more!

BBB

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PostPosted: Tue Nov 20, 2007 9:41 am    Post subject: Reply with quote

Hm, interesting. I wish I could write you a better review here (I might later today), but I have to get offline. I just wanted to say that I loved the first line of your first chapter. "There’s a myth in Kaldor City." It's a great opener.

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PostPosted: Tue Nov 20, 2007 5:02 pm    Post subject: Reply with quote

Thanks to y'all for reading and reviewing, I have now edited the manuscript so that the paragraph involving the Guilds is gone, and only the sentence explaining the job of the Warriors remains. Also, Part Two coming up soon, and something else...

Oh yeah, paragraph involving demon is being edited, and I am aware that the whole thing seems a bit too fast-paced - this is the whole reason I put the paragraph involving the swordsman in, to make sure that they weren't ending up in the new world TOO quickly. The woman isn't really supposed to be real, just the polar opposite of her fiancé. The more observant reader may have noticed that Mort is French for death, while Vida is Spanish for life, another little tribute to exactly how different they are.

Anyhoo, thanks very much, and look out for Part Two!
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PostPosted: Tue Nov 20, 2007 7:50 pm    Post subject: Reply with quote

Hi! I see you haven't been here long, so welcome to YWS! I did read the whole thing (let's face it, what good would I be if I didn't?), and I can see you have potential, though have a lot that needs working on here. Now, remember that this critique is my response to your work - anything I say is not personal, but just me trying to help you improve your work and your writing ability. With that said, let's begin.

Firstly, I like the world you've created for your characters. It seems fairly well-structured (though I do have some gripes about it, but I'll talk about those later), and I particularly like your system of Guilds. It's refreshing, and I look forward to this plot point being put to good and original use in future posts. However, there are many things you can improve on.

I'd like to ask you to space your paragraphs. It makes it easier to read, and, the way it is, many people will be put off. A huge block of writing is an unbelievably daunting thing to look at.

I like the journal segment at the beginning. It reminded me very much of the opening scenes of Pokemon - The First Movie, which isn't necessarily a bad thing, though it shows me that, if the first thing I think of when starting to read this is another story, it needs to be modified to make it stand up in it's own right. I think, for a journal, the entries need to be more in-depth. You're very brief in all these journal entries, as though you're rushing to get them out of the way. Take more time, and explain a little bit more about the professor - the way it is now, it sounds more like a scientific journal than a personal diary. Give it more character, as though the professor is actually writing it. Some hints about what he has gone through to get this far. Nothing smack-you-in-the-face obvious, but subtle hints. Something like 'The elite at Blah Blah University said it could never be done, but here I am, doing the impossible'. Obviously, you can think of a better way of doing it than that, but it's just to give you an idea of what to do.

Also, here, the amount of time seems unrealistic. We are told that, while having chosen diamond to make the orb from, 'obtaining and shaping the jewel may be more difficult than [they] had hoped.' Why, then, does it take only three days for them to, not only obtain and shape the diamond, but to store the power inside it as well? Skip a few more days, a few weeks, even. Presumably, if obtaining and shaping a diamond, a practise that's been going on for centuries, will take this much time and difficulty to do, finding a way to store 'power' inside will take even longer. Even if 'the secret' has been discovered, we aren't told that it is the secret to how to do it ourselves. You need to be more specific. Add more diary entries, be more specific. This is the journal of a scientist, being vague would not be in his nature.

Quote:
Soon… soon we will finally have defied God and done what only He is meant to do – create Life!

He's writing in a journal - 'Soon... soon[...]' is far too dramatic. If this was dialogue, then sure, it would be fine. But nobody writes like that. 'Soon we will finally[...]' will do just fine. Also, I get the impression here that the professor has some atheist, or at least agnostic, tendencies, the reason being his thought that he can 'defy God'. If so, It doesn't seem to follow that he would say '[...]what only He is meant to do'. This implies that he is against this sort of experimentation. If it is only God who is 'meant to do' this, then why would the professor seek to do it himself? Something along the line of:
Quote:
Soon we will finally have defied "God" and done what the sceptics and fanatics say only He is meant to do - create life!

This is more in keeping with what appears to be the professor's attitude - or at least, as much of it as we can tell from these diary entries.

In the last two entries, the cliché alarm starts buzzing. I've seen this many times (the aforementioned Pokemon movie being an example), and it made me feel as though I couldn't be bothered to read on. After all, why read something that you've seen/read/heard a thousand times before? Obviously, this is an important plot point - try to make it a bit original. This will come easier if you give the narrating voice (in this case, the professor) some character, as I've said before. it's too flat at the moment, too uninteresting to read and get stuck into. As to what's being said, freshen it up a bit, don't follow the cliché crowd - instead of saying how monstrous it is, say that it's surprisingly calm. Certainly don't make the first time it stirs be the time that they see 'they horror that [they] had wrought.' Again, this suggest you are rushing, and as a result the reader feels 'why should I bother to read through this if the writer obviously doesn't want to write it - it can't be important', which could be a fatal mistake - this may be the essential plot point that the reader needs to keep in mind. It could also turn readers off altogether, resulting in an instant closing of book and being put back on the shelf, never to be picked up again. Neither result is good. Again, take your time.

Personally, I would have liked to have seen an altogether different result - the 'thing' could have been described as quiet, almost dead, right up until the last entry, where you would have a short statement saying something like
Quote:
The creature is beginning to move more, almost exploring its environment. It seems almost agitated, as though it is aware of its entrapment. It needs studying more closely. It moves constantly, pressing against the diamond orb. We shall have to be careful.

Then, you could either have a note saying 'this was the last entry in Professor ...'s Diary', or just leave it blank, the latter being, in my opinion, the more effective of the two.

Now, onto the main bulk of the story. Here, you seem to have the opposite problem to the beginning - you are far too specific, the whole thing is basically a huge info-dump, with some awkward dialogue thrown in there.

The first two blocks of writing are all info-dump - meaning, you tell us loads about Kaldor City. You tell us, you don't show. There is too much information to process in one sitting - you're overloading your reader with so much, that we are taking little or none of it in. This is the sort of thing you skip past to get to the real action. And you don't want your reader to skip past any of it, you want to keep their attention solidly throughout. This is an incredibly difficult task (nigh on impossible, some, including I, might say. Heck, even Rowling loses my attention sometimes), but it is your aim throughout all of your writing. The first step to preventing this is to stop info-dumping - to show, not to tell. 'Show, don't tell' - a phrase you'll hear a lot on this site. Basically, it means that, instead of telling us all this information, as you have done here, show us through the characters actions, and by means of the plot. Telling results in a bored reader and the story over in a few pages. Showing makes the story last much longer, as you're forced to wait until a certain situation comes up for your character, and, through use of dialogue, description, and subtle hints in those two things, you show your reader, without them really knowing, a place's history, characters' personalities, etc. etc. Showing also makes it much more interesting to read.
Quote:
As the door handle turned, Mary was scared.

This is an example of telling. As you can see, it sounds bad, as well as just being plain uninteresting.
Quote:
The door handle turned, slowly. Mary, shivering, whimpered slightly and hid behind the chair, her breathing becoming rapid and her palms sweaty. She kept her eyes shut tight - after all, what can't see her can't hurt her, right?

This is an example (albeit, not a very well-written one) of showing. The difference between the two is clear. And the more readable one? The second. Now, you do show some use of showing, but only where your characters are concerned. You need to show us EVERYTHING! Having said that, however, telling can, in certain situations, be effective. However, I think it requires some experience to know when it is an effective tool. For now, try to show as much as possible. It may sound tiresome, but your writing will be much better for it in the long run.

As practically all of these first two blocks is just info-dump and needs changing dramatically, I won't go over them particularly extensively. However, there are things I feel I should draw your attention to.
Quote:
There’s a myth in Kaldor City. They say that the ocean is a living creature, rearing up to attack those who trespass in its deepest, most vicious reaches. Often the myth became reality, as bathers were swallowed up by the fierce waters.

This is quite good, and doesn't really need changing. It can still be a good opening paragraph, and will help to draw your readers into the story. After this, you would introduce Ataka. Something simple, along the lines of 'Ataka was a firm/was not a believer of this myth.' Clean and simple. As it is, Ataka's introduction is fairly messy and, due to the mass of info-dumping and unnecessary description, unclear. The whole thing just gets warped into one big mess, and so Ataka's entrance is far less significant or worthy of attention than it ought to be.

Quote:
So, when the first drop of rain landed on Ataka’s long black hair, he smiled and stared up into the grey sky with his dark-green eyes scanning the heavens, waiting for more to come. [...] The rainfall is caused by the tears of the dead people, weeping for their lost home.
As I said, Ataka hadn’t wished for what actually happened; the clouds poured out their burdens (rain), and streaks of lightning flashed across the sky.

This is grammatically correct and the spelling is good and everything, so I commend you for that. At least you've taken the time to go through this and correct any mistakes before posting, which we all appreciate. However, you over-describe. 'Long black hair' - generally I'm opposed to a description of a character's hair, or any other such superficial thing, as a way of introducing them, but here, though it's a bit iffy, and a change wouldn't be a bad thing, you can just about get away with it. 'Grey sky' is fine. 'Dark-green eyes', however, is not. It's unnecessary - tell us about his eyes when it matters. At this moment in time, all it's doing is dragging out a piece of description that doesn't really matter all that much anyway, and so it isn't needed. '[...]stared up into the grey sky, eyes scanning the heavens[...]' is good enough here. In the second part of this quotation, you're being rather patronising to the reader: 'the clouds poured out their burdens (rain)'. The whole point of having a metaphor, such as 'burdens', is that you don't need to state that it is rain. It's far more effective without. As it is, you're stripping away from the reader the ability to smoothly conjure up any image in their mind, taking all the work away from them, which makes it boring. 'The clouds poured out their burdens' is good use of metaphor, though it could be better; 'the clouds released their burdens' being an example of how to make it such. Your job is to give the reader the foundations of an image, they've got to build the rest of it themselves. Otherwise, reading would be pointless and (I sense repetition) boring. The reader has to do some of the work.

The very minute you mention 'mud-palace', my brain is thinking 'what? It's pouring with rain, how the hell is a palace of mud not going to dissolve into yuck?' I would re-think this. Though mud-palace may sound and look effective in the mind's eye, unless the climate is one of baking heat, where it rains very little very rarely (which, from what we've read so far, it is not), then this doesn't sound very realistic at all. Realism is still important, even, conversely, in Fantasy. I suggest you change this to something more appropriate, such as the 'wood-house' or the 'timber-temple' (although something from your own mind will be much better, for obvious reasons Wink ).

Quote:
Every week the mud-palace was purged of bodies, but people kept on dying.

I don't like this, 'purged' usually means something like the cleansing of a soul, or the cleansing of something. 'Emptied', or something like that, would be a better replacement.

Quote:
Ataka strode through the gates of the mud-palace, quickly flashing an identity card at the guards. Everyone living in the mud-palace was issued with one to prevent someone sneaking in and staging a massacre. Thousands of people lived in the mud-palace, but Ataka was looking for a familiar face at the entrance. He soon found it.
‘Ataka!’
Ataka whipped around. Right behind him, soaked to the skin but grinning broadly, was the brother Ataka had vowed to save from mud-life.
Ataka stepped forward and embraced him.
‘Valdon.’
Valdon grinned again, withdrawing from his brother’s hug.
‘It’s good to see you again, brother.’
Ataka was the oldest of the pair at seventeen years of age. Valdon was fourteen, but managed to get into all sorts of trouble even without being the age at which, by Kaldorian law, you could be tried by a court. He wasn’t even old enough to have a sword or dagger, a necessity among Kaldorians. Especially those who, as Valdon did, wore the black and brown robes of the Guild of Warriors.

Firstly, 'identity card' seems extremely out of place for the setting - a time when people still, apparently, live in mud huts. Also, I don't see why a government which so ruthlessly lets its own people die in squalor would bother trying to prevent a massacre - surely this would just mean a lot of dying people would be out of the way, to make room for more? Having said that, why would anyone want to massacre all these people anyway? They're the poorest of the poor. Obviously nobody cares at all about there welfare, and many of them die on a regular basis, so what would be the point of massacring them all? This is the sort of detail you need to sort out.

And then we have Valdon's arrival. Grinning broadly, apparently soaked but, it seems, exhilarated, for reasons we discover just after, and happy... is this what we expect of someone who's practically living in a grave-yard? No. He should be down-trodden, lying in a corner somewhere, wearing filthy rags and looking famished. As it is, it seems these people just drop dead for no reason. From what we can see of Valdon, he's well-fed, healthy, and takes part in regular sporting activities (something else which doesn't really fit in with a place where orphans are supposed to be packed in as much as possible and dying every day). Also, presumably, due to the monstrous amount of deaths, food is something that is very scarce here. Is this because Valdon routinely destroys all the food in the place? This needs modifying a lot. Do not be afraid to give your characters flaws. Make Valdon a weakling, a runt of the pack. He surely should be if he's grown up in such gruesome conditions.

I'll skip past the Guild bit - just a load of info-dumping. Tell us these facts as we progress through the story. They can be your reserve to lighten to the load a little bit when you feel like it, something to help advance the plot. Oh, and builders would not wear robes while building, it would be incredibly impractical.

Now, your dialogue is very strange, as are your characters' actions. Ataka seems to turn from a responsible adult to an immature child, and vice versa, in a matter of seconds, and very frequently. Keep his personality constant - unless, at the end, there has been some event in the story that has made his personality change significantly. Either have him mature and responsible around Valdon or, (and for me, preferably) have him childish. I think the latter would be more entertaining, and could be used to show a contrast and a split in Ataka's personality - he could be mature around other Guild members, who he's not particularly close to, and then display his closeness to Valdon by actually being more open and relaxed around him. It's something to think about.

This sword-fight scene - it doesn't do you any favours. It's confusing, above all else, and makes very little sense. Move it, maybe, to some time later in the story, where we may have a subtle hint as to why this would happen. as it is, it's completely out of place.

This is as far as I'm really going to go - you have much the same strengths and weaknesses in the rest of the piece, and there's very little that I think I need to critique on there. Just follow my advice over, and you should be able to spot any problems you have. I'd be a bit careful with where this is going, plot-wise. The whole 'stone' thing means that the cliché bells are ringing faintly in the background. But, as long as you keep control of your story, this should not be a problem. I do want to read on and find out more, which is always a good thing.

This shows great potential - from both a creative and ability point of view. While being a bit awkward with your dialogue, your descriptions are well written, if overly so. It needs some major modifications, but you've displayed enough skill here to prove that you have the ability to make such changes, and do them well. Keep writing, and I look forward to reading and reviewing your second post!

-Kyle

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PostPosted: Tue Nov 20, 2007 8:46 pm    Post subject: Reply with quote

A lot of editing has been done as a result of comments, and will continue to be done. Thanks to all for your help.

I'm not going to post the edited version as I think it would just be a bit pointless, although I will if anyone wants me to, or once I have finished ALL editing.
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