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by carelessaussie13 in Other Fiction
Young Writers Society Forum Index » Other Fiction

This thread was created on May 21, 2007
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Cliche is for Wimps -- Part 1

Cliche is for Wimps -- Part 2
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PostPosted: Mon May 21, 2007 9:16 pm    Post subject: Cliche is for Wimps -- Part 2 Reply with quote

The car ride from Utah to Tennessee was the worst to come out of our whole situation. The kids and I stopped at a hotel overnight twice, but that still made three days of nothing but the car for a five year old and a one year old. They handled it better then I thought they would, but if we ever go back to Utah—we are flying.

The movers didn’t leave Utah until the day after we did, so we all got to Nashville around the same time. We were moving back into my childhood home with my parents for a little while, until we found a decent, affordable, place of our own. It wouldn’t be so bad. I always loved that house. It always had the perfect setting—up on a hill just high enough to see over the trees. When I was little, my mother and I used to get up once a month before dawn and watch the sun rise over top the pines. It was always our special thing, even to this day my older sister doesn’t know about it.

We lived just outside of Nashville in a place called Belle Meade. The house was decent size—three bedrooms, two baths. For the time being, Paige would have her own room and Austin and I would share. My parents offered to finish the upstairs loft for Austin if we were to stay for the long run, but I declined—I already felt like we were intruding. I was glad to be moving back though, it would give my parents a chance to really get to know their grandkids.

We pulled up to the curb outside my parent’s home sometime in mid-afternoon. Austin had fallen asleep about twenty minutes prior to our arrival, but Paige was wide awake. Her crystal blue hues stared out the window, focused on the house, a smile on her face a mile wide.

“We’re here!” I stated the obvious, excited to be out of the car for a long while. Turning the key the engine seared off, making a noise that can only be described as a missile making a speedy downfall. I saw my mother’s small face pop in the window between the curtains, soon followed by my father’s. Her small frame didn’t waste anytime hurrying out the front door and to the curb. Paige had since jumped out and ran to meet her; they embraced. Through the window I could hear my mother’s joyous squeals, but no one could actually understand them. I stepped out of the car and opened the backdoor, unbuckling my sleeping Austin from his car seat and softly moving him to my shoulder. Shutting the door, I made my way over to my mother, “Hey Mama.”

“You look so good baby! I’ve missed you guys!” She screeched, throwing her arms around my neck cautious of Austin. She kissed Austin’s cheek, “He’s getting so big!”

I chuckled slightly for the sake of the moment, “And heavy!” I glanced up the sidewalk to the top of the steps. There stood my father, tall and solid, a face that screamed respect yet showed no emotion. My mother’s glance followed mine, and as Paige moved next to me she locked her vision in as well. My father had always liked Art, but although he believed that what we did was the right thing to do under the circumstances, he knew I didn’t love him and that broke his heart. I wasn’t sure how he was going to react. After a few moments of complete and utter silence, I found some courage, “Hi Daddy.”

He stood there for a few moments longer, his gaze set on me as if he was searching my soul for something to tell him what to do or think. He sighed heavily and slowly made his way down the steps until he was barely two feet in front of me. A smile came across his tired face, “We’ve missed you baby girl.”


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PostPosted: Fri Jun 01, 2007 5:01 am    Post subject: Reply with quote

'Lo Write Me.

It seems you haven't even got a 'hey! like, so cool!' remark on this. ^_^'' Anyhow, that's rotten.

I've only skimmed the first piece. But you have an even, engaging voice in the first-person narration.

My only thoughts on this installment is its feeling of distance. I've noticed, oftimes, poets tend to get so in fiction--a little sentimental or a little hark-back and world-weary. The world-weary is excellent, under the circumstances - rather worn and resigned from this woman. Specifically, in the first part, it fit as the the first part was setting things up and detailing the past.

But it seems to get somewhat bogged down in this piece. There's a lot of summarisation and past tense; and not much present detail or experience. The characters get mixed up, lacking characterising differentiation - not more than names a few desultory looks at appearance; and as the tone tends towards the past, paragraphs switching between happening and was happening, the action and thread got terribly tangled in my mind.

Example:
Quote:
I chuckled slightly for the sake of the moment, “And heavy!” I glanced up the sidewalk to the top of the steps. There stood my father, tall and solid, a face that screamed respect yet showed no emotion. My mother’s glance followed mine, and as Paige moved next to me she locked her vision in as well. My father had always liked Art, but although he believed that what we did was the right thing to do under the circumstances, he knew I didn’t love him and that broke his heart. I wasn’t sure how he was going to react. After a few moments of complete and utter silence, I found some courage, “Hi Daddy.”


Perhaps you notice that being a bit dense? You might break it at least twice, paragraph after dialogue; paragraph when you begin "my father...".

Slow the background information down and let the character feel and see the things. First-person is bloody hard to balance objectively. Don't let your narrator's inner dialogue bog down the action and outer one. ^_^

A few textual and structural things:

Quote:
They handled it better then I thought they would, but if we ever go back to Utah—we are flying.


Past tense to present. Unless it is a direct thought, in which case, make that clear. Perhaps italics? Its own sentence?

Quote:
I always loved that house. It always had the perfect setting—up on a hill just high enough to see over the trees.


Double 'always' may be rather much, redundant.

Quote:
When I was little, my mother and I used to get up once a month before dawn and watch the sun rise over top the pines. It was always our special thing, even to this day my older sister doesn’t know about it.


Ack, make that triple 'always'. ^_^'' Though I quite like the detail of her childhood.

--

All in all and finally, I think the catch through most of it is -- what is it supposed to be? Either it's a prolonged musing and memory-trip for the narrator; or it begins with memory setting up a current and moving story.

If the latter, it needs to pick the pertinent details - just as poetry cuts out extra syllables, weighty adjectives, to get an image or purpose - and it needs the pertinent past details to connect like hinges to a door to the present. ^_^ Again, the voice is so engaging; the woman sounds natural.

But her story needs to be delineated. ^_^


Feel free to PM me.





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PostPosted: Fri Jun 01, 2007 6:28 am    Post subject: Reply with quote

Hey, it seems Imp has taken care of all the little details, so I don't have much to say. I liked this just as much as the first one, my only thing would be distance, like Imp said. There is close to no emotion, yet it's written in a way that is supposed to be so emotional that it seems empty almost.

I loved the part with her dad, he seems cool, and for some reason he's now my favorite character. He also had the most emotion. =D.

Can't wait for the next part! Keep up the good work!
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PostPosted: Sat Jun 02, 2007 4:09 am    Post subject: Reply with quote

Nice. It was sweet and funny. I liked it better than I liked the first one. I loved th last line.
Is there more coming?
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PostPosted: Thu Nov 29, 2007 2:33 pm    Post subject: Reply with quote

I have a mixed opinion on this part, dear. I think you need to add just a touch more personality so that the reader can attach themselves to your narrator. Maybe another line or two of dialogue would help. Try to add some more emotion, more feeling.

That said, I do like it a lot. I think you have some pretty descriptions, though maybe you could add more of the characters? Like how the mother and father have changed since she last lived with them? And the house. I would love some more information about the setting. Is it a modern house? A small cottage? An Edwardian or other periodic house? What time of year is it? You seem to skim over time very easily in this piece - the journey goes very fast, you jumping from old past to recent past - so try to pin down a few precise details. Just mention flowers or wall vines to get a feel of spring/ summer, leaves on the ground for autumn or have Paige shiver if it's winter. Or describe what they're wearing. That would help add to characterization as well as the time frame.

The action was good. The conflict with the father was nice and I hope to see more of that in any future installments. The plot is developing well. The idea of them trying to find their own place hints at future troubles as does the father's reaction. Very subtle - just enough to make your reader wonder where you're going with this story but not enough for them to have any concrete ideas.

Here's a few small suggestions -

The kids and I stopped at a hotel overnight twice, but that still made three days of nothing but the car for a five year old and a one year old. [I think you need to re-phrase this and add more. Maybe something like - 'The kids and I stopped at a hotel each night but the three days spent in the car were trying for all three of us. With only a restless baby for company, Paige soon tired of the adventure and began asking questions of our new home.']

They handled it better then I thought they would had anticipated, but if we ever go back to Utah—we are flying.

When I was little, my mother and I used to get up once a month before dawn and watch the sun rise over top the pines. [This sounds a little awkward. Maybe '...rise over the top of the pines.' or '...rise above the pines.' would work better?]

We pulled up to the curb outside my parent’s home sometime in mid-afternoon. [Perhaps '...home around mid-afternoon' would be smoother?]

Overall, this is well written but I'd like to see more characterization and a little more description. Just a few of the finer details that will make it that bit easier to relate to and visualise.

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PostPosted: Sat Feb 23, 2008 3:31 am    Post subject: Reply with quote

Boing! Part two. ^_^

Quote:
made three days of nothing but the car for a five year old and a one year old.

Their ages should be hyphenated, like "five-year-old" and "one-year-old."

Quote:
my childhood home with my parents for a little while, until we found a decent, affordable, place of our own.

The comma after "affordable" is unnecessary.

Quote:
It was always our special thing, even to this day my older sister doesn’t know about it.

I think either a semicolon or a hyphen after "special thing" would be slightly more operative.

Quote:
Turning the key the engine seared off, making a noise that can only be described as a missile making a speedy downfall.

This sentence seems to be worded a bit awkwardly to me. Maybe a comma after "key?" Hm. It just doesn't seem very clear to me.

Quote:
Her small frame didn’t waste anytime hurrying out the front door and to the curb.

"Any time" should be two words in this context.

*pokes* There had better be more to this story, since you posted it back in May. =P

I definitely get a better feel for the story with this additional bit, although there seriously had better be more or you'll have a one-person riot on your hands. I'd like to see more of this story before I give you a thumbs up or thumbs down. I like it so far, I just think there's more to it! =P

All my comments from part 1 apply here, as well. ^_^ Keep it up!

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PostPosted: Sat Feb 23, 2008 2:06 pm    Post subject: Reply with quote

I'm not so sure of how I feel about this one. Maybe that's why this would work better has a longer story. It would make the transition from sad/nostaligic to the happier tone here more smooth. As well, it would give you more chances for that "Show, don't tell" craziness that people always bug us about. You know, describe the kids' behaviour to show us that they handled it well. For example, when I was writing about when my family drove to disney world, my brother and I didn't complain about being bored and didn't ask how long it would be until got there.

But once again, it's nice to have a mature voice in a group that is meant for youth, not just kids.

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