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Perfection
Perfection

by emmyc101 in Dramatic Poetry
Young Writers Society Forum Index » Narrative Poetry

This thread was created on January 7, 2006
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Nicolas's Whore

Topic ID: 6700
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Once Upon A Dream   View This User's Portfolio
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PostPosted: Sat Jan 07, 2006 9:40 pm    Post subject: Nicolas's Whore Reply with quote

Fluorescent lit classroom

The dim, cheap light

Bouncing off the rug and walls

All the desks are packed away for the summer.

I followed you for a reason

And it’s not to help you look

Through piles of meaningless paper

Cobbling together a last minute assignment,

No, I have something more

Interesting in mind

I think you do too.



Do I distract you 

Hiding in this small, partitioned corner

Where you can’t see me but can only hear

My taunting you carefully:

“You can’t see me”

Come get me,

“But I see you”

You know you want to.



Bodies pressed together

My back against the wall

Molded at the lips

An almost too perfect clandestine tryst

It isn’t the first.



Bright sun soaked concrete

Blinding and merciless

I can still feel where your lips

Met mine

A brand burnt with all the summer’s heat;

I lick my lips, trying to get it to fade

Because now I feel a little bit…dirty.


Last edited by Once Upon A Dream on Mon Jan 09, 2006 8:47 pm; edited 1 time in total
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Snip Snip   View This User's Portfolio
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PostPosted: Mon Jan 09, 2006 3:00 am    Post subject: Reply with quote

I really like "The dim, cheap light" line. I think that's describing florescent light perfectly <3.

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so give me all your poison,
and give me all your pills,
if this is what you want then
FIRE AT WILL
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Black   View This User's Portfolio
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PostPosted: Mon Jan 09, 2006 5:37 am    Post subject: Reply with quote

Hi, this is a very thoughtful poem. I liked some of the words used, like: cheap, clandestine tryst, and brand burnt. They kind of clittered off my teeth like that, which was a good thing. But a lot of this language has been used before, and there weren't many 'out-of-the-ordinary' similes or phrases used. It was difficult to tell whether it was the reader you were talking to, or someone in the poem. Are they supposed to be this mysterious? Hiding a face maybe clever, but only if you do it absolutely perfectly; this case was more on the ???s side, to me. The parentheses need to go, they are like brick walls that flash red lights. They are used in academics to inappropriately squeeze in factual and aiding information. The way you ended it, kind of made me sour. They way you placed dirty kind of throws the poem off balance for me, especially since the ending you need a nice flip or curve, I think that is what you were trying to achieve with 'playing dirty'. Overall, I got the nice dirty feelings you wanted me to feel, and just needs some touch ups with word use and line interpretation.


Last edited by Black on Mon Jan 09, 2006 9:21 pm; edited 1 time in total
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PostPosted: Mon Jan 09, 2006 8:46 pm    Post subject: Reply with quote

Snip Snip-Thanks for your comments!

Black-Hmmmm...I found your comments especially interesting. The "who is the narrator talking to" question is something I hadn't thought about, but it did make me realize that that wasn't altogether clear. What I'm not sure of is how to fix that without rewriting the whole thing, as I'm pretty happy with how it is now. The parantheses...I actually did edit them out, but I forgot to edit my original post. I've now edited it. I'm glad you got that dirty feeling throughout the poem, as that's what I was going for, but the tone of the way the word "dirty" is used at the end is different, or at least that was my intention. Throughout the poem, I was going for a feeling of naughty, kind of exciting dirtiness, but at the end, when the narrator actually uses the word, it was more in a way of meaning guilty, regretful, filthy, used, wrong. I don't know if that cleared things up, or if you would have anything else to offer based on that, but thank you very much for your comments in any case.
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This thread was created on January 7, 2006

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