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Twelve Prologue and Chapter One Part One

Postby Stella Thomas on Mon Dec 21, 2009 9:18 pm

AN:

Spoiler! :
Yes, this is my baby. I'm slightly scared about putting it up, but I need to hear what YWS has to say. What I'm mainly looking at is: declichéfying the prologue as much as possible, making the introductions in the first part of Chapter One smoother and less obvious, defining my characters as different individuals (I know who they are, but I need to know that you know as well) and checking my sentence structure isn't too messy. Oh, and dialogue. Since I'm so fussy about other people's, please pick me up on mine if it's dodgy. So. Like. Here it goes.
 

 

Prologue 

 

Scarlet remembered her mother’s death. 

Her sisters said that at not even a year and a half old she was too young to, maybe she imagined it. Scarlet suspected she had, indeed, filled in some details from stories she had been told, created some of them herself. 

But she definitely remembered Charlotte’s screams. 

As a toddler, her sense of what was right and what was wrong relied on whether or not it caused her or someone else pain. That screaming signified what must have been the worst thing that could possibly happen. In fact, she even questioned if it was screaming at all. It was a curdling noise, the sound of a heart ripping in two clean down the middle. The sound of the world ending. 

Eleven year old Melanie had run into the nursery and shushed Scarlet and her elder sister Delphine who stood in her cot, chubby hands gripping the bars as if trying to crush them. Melanie put her arm around her and held Scarlet, her own head bent over them. Scarlet remembered the brush of her hair on her own soft head. 

Things began to happen. The girls who had left to see what the matter was, or those who had not yet come in from their various locations round the palace were ushered into the nursery, where they sat ashen faced and terrified. Around them, servants hurried, sobbing and wailing in their own sorrow, whispering what had happened to each other. The heavy hooves of a messenger horse could be heard even above the storm. Some strong men went to the tower roof and came down with something wrapped in cloth. At the sight, Flora slammed the door to the corridor shut. Below, the city bells began to ring out that the queen was dead. The girls all huddled together, some crying, some whispering, some frozen. 

But Charlotte, always so strong, shunned any comfort and curled up, by herself, in a tiny pathetic ball. Scarlet could always remember that sight, a heap of red silk on the floor. And the screaming. 

The screaming… 

 

Chapter One 

 

Opening her eyes, Laurel took in the oak rafters, the light whispering in through the shutters, the crack in the plaster that looked like the side of an oak leaf and knew exactly where she was. 

The Meltwater Lake Academy for Young Ladies had become a second home to Laurel over the past six years. Putting her feet on the floor she expected the cold it would send up her ankles, the pulling of mountain air at her arms as she left her quilt down. She anticipated the hoarse whispers of “Sleep well?” the other girls suffering from morning throat asked each other. As always, she moved quietly so as not to disturb those still sleeping, though the rap on the door telling late-sleepers to get up would soon come. Her fingers found from habit the hook on the shutters and she opened them to reveal the ice-coloured morning, white tipped mountains, the lake surface slowly melting, the bare broken limbs of trees dropping water that was once snow. And even now, though the garden was bare and dead, she could see Tom’s bent back amongst the flowerbeds. He was probably whispering for the new shoots to come, as he had been when they first spoke. Laurel smiled. 

She pulled a pink day dress on over her shift, found some stockings and let her black hair free of its night time plaits, leaving it loose around her shoulders. One of the others beckoned to her and she left. 

The corridor that led them down to breakfast was long, but beginning to fill up with girls as they all went the same way. Laurel hung to the back of her group, not feeling the urge to gossip or chatter about her dreams. As they passed one doorway however, a vision in green flew at her. 

“Lo!” her sister said, tossing the black hair they shared out of her face. “Have you seen Immy?” 

Laurel had to suppress a laugh. “Morning to you too, Cass. Can’t say I have, don’t see why I would have if you haven’t. Sleep well?” 

Cassandra nodded and looking around once more, linked arms with Laurel as they continued down the corridor to the dining hall. There, in the spacious room filled with blue-white morning, they found their way to the first table below the staff table on the right. Here was where the sisters always sat for breakfast, three to a side, and, looking over, Laurel saw the other table where her elder sisters had sat in their time. It was now filled with girls who were not related to her, but could have been, they had known each other so long, known each other so well. 

As for actual family, though, turning back to where Cassandra and her now took their places, only Sienna was waiting. With her dark blonde hair brushed to perfection and pushed demurely behind her ears, she smiled but said nothing. 

“Morning, Sea,” Laurel said. “Sleep well?” 

Sienna nodded but as Laurel opened her mouth to ask if she was going to the village Cassandra cut across her, whispering, “There’s Immy, look at her, has she no shame?” 

Laurel followed Cassandra’s green gaze to where their next eldest sister was sitting at the head table. She had slid into one of the teacher’s chairs, her jet black ringlets held back by what Laurel was sure was a paintbrush. She fiddled with the prongs of a fork while she talked to the art tutor, the young and relatively handsome Tristan. As she watched, he reached out and touched her fingertips. It made Laurel’s stomach flip over. Imogen and Tristan were both artists, and she knew they gave little heed to protocol as such. Laurel was only vaguely uneasy about the four year age gap but the fact that Tristan was, to all intents and purposes, a teacher worried her far more. Still, to say anything would be hypocritical, she reminded herself, thinking of Tom’s blue eyes and the mixed scent of compost and flowers that rose from his clothes. 

“At least it answers your question, Cass,” she murmured. 

The hall continued to fill, and Imogen retreated to her seat opposite Cassandra, and the two leant over the table and began to whisper excitedly. Laurel looked at the two still empty seats beside her, but almost as the thought of where are they? began to form in her mind, footsteps slapped towards them and a red-cheeked Delphine took her seat. 

“Sorry I’m late,” she said, slightly out of breath. 

“You’re not, Mistress Quale isn’t here yet,” Laurel said. “But where have you been?” 

“I went for a run around the lake.” 

“Alone?” Cassandra, leaning back in her chair, raised an eyebrow. 

“Well, no, Adam was there-” Delphine said, clearly trying to be dismissive, and seemed relieved as girls began to stand up and go silent around them. They followed suit as Alannah Quale, the headmistress of the Academy, went up to the head table, followed by her son Henry, who grinned with pearly white teeth at the girls and winked at Cassandra, the rest of the staff, seeming sullen in the morning, and finally, Scarlet, who broke off to join her sisters. 

“Sit,” Mistress Quale said, bowing her head graciously once she had taken her place. They did so as the food was brought in and the hubbub began to rise. 

“’Let, where were you?” Imogen asked, frowning. “We’re used to Delphine being late, but not you-” 

Scarlet’s blue eyes- Laurel remembered her mother’s being the same shade, Charlotte’s too- glittered. “I met Mistress Quale on the way down,” she began, “and she said she had something for me so we went to her study, and, well…” 

From her skirt pocket, Scarlet revealed a creamy white rectangle and passed it to Laurel, being the eldest present. On the front, lay a single word. 

Princesses. 

 

Chapter One has five other perspectives in it, but I thought I wouldn't torture you with them all. So. Go on!

"Reality is merely an illusion, albeit a very persistent one." -Albert Einstein.
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Re: Twelve Prologue and Chapter One Part One

Postby peanut19 on Mon Dec 21, 2009 9:43 pm

Stella! I'm a very bad girl please torture me with more messed up princesses. Now for the actual review. I don't really have any nitpicks, no misspelled words you found the one I saw. But I would like to comment on your writing :). You know how in a movie sometimes it starts off with action then blinks out into like normal life? Well that's how your prologue felt when I read it. It was intense at the beginning then it faded like a movie. I think these piece is one of the only ones I have ever read that does that. The only other thing I have to say is if you're going to say something say it. You don't have to have fancy words like "oblong" to get your point across just say envelope.
Good job and I know this wasn't very helpful. PM me or tell me in chat when you post more, I'd love to read it.

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Re: Twelve Prologue and Chapter One Part One

Postby Karsten on Mon Dec 21, 2009 11:00 pm

Hi Stella,

I enjoyed the writing throughout this piece, and the strong first line and dramatic opening hooked me, but ultimately I found that my interest petered out as the first chapter got bogged down in uneventful daily routine. I also struggled to cope with the dozens of briefly-drawn minor characters, which I think is a symptom of overall lack of focus in the plot department. By the end, I kind of felt like the the story had failed to live up to the promise of the beginning. So my overall feeling is that while you obviously have talent as a writer, this piece may not be showcasing your skills as well as might be hoped.

The key problem I’m perceiving here is lack of plot. The prologue showcases a short dramatic event, the death of Scarlet’s mother, which is great. The first chapter has ... waking up. Getting dressed. Going for breakfast. It’s like the drama level goes from 60 mph to a complete stop. I’m not averse to a slowing of the pace to allow for character-building and setup, but there does need to be some drama, conflict and tension in an opening chapter. I’m not sure that you can get away with 1000 words of pink day dresses and sisterly greetings without any plot.

One rule of thumb for where to start a story goes something like this: There are many routine and uneventful times in a character’s life. Your story starts the time things go dramatically and unexpectedly wrong. That’s the inciting incident, and I think that needs to be moved up to take pride of place in the opening, because the morning that’s the same as every other morning isn’t cutting the dramatic mustard.

While we’re talking prologue and first chapter, the switch of viewpoint character from Scarlet to Laurel confused me. When I read the prologue, I assumed that this was a dramatic backstory event for the protagonist in the fine tradition of prologues everywhere, so I was all prepared to invest in Scarlet emotionally. But the first scene here suggests that it’s Laurel who is the protagonist. Also, until Scarlet reappears nearly at the end, there is absolutely no continuity between the two scenes at all. Time, place, character, story -- everything has changed. So there’s nothing to suggest that the two scenes are remotely connected. I was slightly bewildered by the jump and struggled to understand the purpose of the prologue (apparently not the protagonist’s backstory) in the context of the main storyline (whatever that is).

The other key problem I noted is an excess of characters. I went back and counted them all up, and your 1300-word piece has fourteen characters. That’s a metric truckload of characters. Each one feels quite flat: we get their name and possibly a physical detail like their hair colour, but they’re onscreen so briefly, the reader never gets the chance to get to know their personality. It also created a kind of overwhelming feeling for me: I felt like I was being deluged with more characters when I was still struggling to get to grips with the previous ones.

My recommendation here would be to streamline the characters. If they’re not critical to the scene, axe them. 1300 words is plenty of room to introduce and thoroughly characterise a handful of characters -- it’s just not enough room to do a full dramatis personae of every possible character and their dog. Streamlining would also help focus the reader’s (and perhaps the story’s) attention on what is most relevant.

The writing is clean and easy to read, with occasional good imagery: the scream that sounds like the world ending; the ice-coloured morning; the ringlets held back with a paintbrush. Since you’re good at unique imagery, you might want to check your use of clichéd phrases. You’ve got some jet-black ringlets, a scream that I think is meant to be blood-curdling, etc.

I noted a minor issue with frequent use of names in dialogue. People rarely actually use each other’s names in dialogue. Apart from that, it sounded convincing to me -- in fact, at times I thought it was too convincing: the dialogue reflects all the boring minutae of daily life (“Morning,” “Sleep well?”, etc) instead of focusing on the dramatic, the unusual and the plot-relevant. I wonder if you could either tighten up this small talk by cutting unnecessary lines or punch it up by making it more unusual.

And that’s about it. To sum up, I enjoyed the writing and would read something else of yours for the writing alone. The dialogue was fine and I’m not sure why you’re worrying about it. The excess of characters is not so fine for me, and I’m feeling in urgent need of more drama.

Hope this helps.

Cheers,
Karsten

PS: I've attached the document with a few line edits.
PPS: Have you read the Chalet School books? I got a definite feeling of similarity.
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Re: Twelve Prologue and Chapter One Part One

Postby Karsten on Mon Dec 21, 2009 11:14 pm

Writeup of the line-edit comments from the .doc file:

Prologue comment - The prologue felt quite repetitive in places. Ideas tend to be repeated 2-3 times: the idea that Scarlet might have imagined or embroidered the memory, etc. Maybe it could be tightened?

Stella Thomas wrote:Her sisters said that at not even a year and a half old she was too young to, maybe she imagined it.


The dangling preposition is clunky - consider rewording.

In fact, she even questioned if it was screaming at all. It was a curdling noise, the sound of a heart ripping in two clean down the middle.


What precisely does the coagulation of a dairy product sound like? Or is this a blood-curdling noise? (In which case it’s a cliché.)

Things began to happen.


This is quite bland and unspecific - example of what could be cut.

But Charlotte, always so strong, shunned any comfort and curled up, by herself, in a tiny pathetic ball. Scarlet could always remember that sight, a heap of red silk on the floor. And the screaming.


I’m confused. From the Charlotte screaming reference above I thought Charlotte was the mother.

1. Opening her eyes, 2. Laurel took in the oak rafters, the light whispering in through the shutters, the crack in the plaster that looked like the side of an oak leaf and knew exactly where she was.


1. Starting with a character waking up isn’t generally a great idea - it encourages the writer to spend the opening doing morning routine stuff like brushing teeth and getting dressed instead of wading into the drama.
2. Yikes! Character jump. (I actually read this as Scarlet initially because I assumed Scarlet was the protagonist.) No apparent continuity in time, place, character, storyline - if prologue not the protagonist’s backstory, why is it here?

Overall chapter 1 comment: This story is feeling quite fluffy. It’s full of nice happy smiling families and sisters with cutesy nicknames - no conflict, no struggle, no tension.

From her skirt pocket, Scarlet revealed a creamy white rectangle and passed it to Laurel, being the eldest present. On the front, lay a single word.
Princesses.


This is falling flat for me. The chapter overall is quite slow-paced, and so I thought it was building to a payoff -- but this is just kind of a gentle hint that there may be some plot in the future, possibly. If it was an ominous, spine-tingling message, like “YOU ARE ALL MARKED FOR DEATH” or something, we’d know the party was really getting started. But “Princesses” tells us nothing: it just seems like a non-sequitur.
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Re: Twelve Prologue and Chapter One Part One

Postby Ranger Hawk on Mon Dec 21, 2009 11:20 pm

Hey Stella! I'm going to just put my thoughts down; I didn't find a whole lot to nitpick on, and I'm quite the nitpicker. :D However, I do agree with the others about the story starting out with a good action scene and then changing to something not quite as thrilling. Also, having so many characters introduced in the beginning is a little overwhelming. All right, that's about all I have to say; the rest of it is down there in blue.

Stella Thomas wrote:Prologue

Scarlet remembered her mother’s death.
Her sisters said that at not even a year and a half old she was too young to, I'd add something like "...she was too young to remember it, and that maybe she imagined it." The sentence just has an awkward sound to it. maybe she imagined it. Scarlet suspected she had, indeed, filled in some details from stories she had been told, created some of them herself.
But she definitely remembered Charlotte’s screams.
As a toddler, her sense of what was right and what was wrong relied on whether or not it caused her or someone else pain. That screaming signified what must have been the worst thing that could possibly happen. In fact, she even questioned if it was screaming at all. It was a curdling noise, the sound of a heart ripping in two clean down the middle. The sound of the world ending.
Eleven year old Melanie had run into the nursery and shushed Scarlet and her elder sister Delphine who stood in her cot, chubby hands gripping the bars as if trying to crush them. Melanie put her arm around her and held Scarlet, her own head bent over them. Scarlet remembered the brush of her hair on her own soft head.
Things began to happen. The girls who had left to see what the matter was, or those who had not yet come in from their various locations round the palace were ushered into the nursery, where they sat ashen faced and terrified. Around them, servants hurried, sobbing and wailing in their own sorrow, whispering what had happened to each other. The heavy hooves of a messenger horse could be heard even above the storm. Some strong men went to the tower roof and came down with something wrapped in cloth. At the sight, Flora slammed the door to the corridor shut. Below, the city bells began to ring out that the queen was dead. The girls all huddled together, some crying, some whispering, some frozen.
But Charlotte, always so strong, shunned any comfort and curled up, by herself, in a tiny pathetic ball. Scarlet could always remember that sight, a heap of red silk on the floor. And the screaming.
The screaming…

Chapter One

Opening her eyes, Laurel took in the oak rafters, the light whispering in through the shutters, the crack in the plaster that looked like the side of an oak leaf and knew exactly where she was.
The Meltwater Lake Academy for Young Ladies had become a second home to Laurel over the past six years. Putting her feet on the floor she expected the cold it would send up her ankles, the pulling of mountain air at her arms as she left her quilt down. She anticipated the hoarse whispers of “Sleep well?” the other girls suffering from morning throat asked each other. For some reason this sentence doesn't sound very clear to me. It just doesn't read very smoothly. As always, she moved quietly so as not to disturb those still sleeping, though the rap on the door telling late-sleepers to get up would soon come. Her fingers found from habit the hook on the shutters and she opened them to reveal the ice-coloured morning, white tipped mountains, the lake surface slowly melting, the bare broken limbs of trees dropping water that was once snow. And even now, though the garden was bare and dead, she could see Tom’s bent back amongst the flowerbeds. He was probably whispering for the new shoots to come, as he had been when they first spoke. Laurel smiled.
She pulled a pink day dress on over her shift, found some stockings and let her black hair free of its night time plaits, leaving it loose around her shoulders. One of the others Other who? My guess would be another of the girls, but it's not exactly clear to the reader. beckoned to her and she left.
The corridor that led them down to breakfast was long, but beginning to fill up with girls as they all went the same way. Laurel hung to the back of her group, not feeling the urge to gossip or chatter about her dreams. As they passed one doorway however, a vision in green flew at her.
“Lo!” her sister said, tossing the black hair they shared out of her face. “Have you seen Immy?”
Laurel had to suppress a laugh. “Morning to you too, Cass. Can’t say I have, don’t see why I would have if you haven’t. Sleep well?”
Cassandra nodded and looking around once more, linked arms with Laurel as they continued down the corridor to the dining hall. There, in the spacious room filled with blue-white morning, they found their way to the first table below the staff table on the right. Here was where the sisters always sat for breakfast, three to a side, and, looking over, Laurel saw the other table where her elder sisters had sat in their time. It was now filled with girls who were not related to her, but could have been, they had known each other so long, known each other so well.
As for actual family, though, turning back to where Cassandra and her now took their places, only Sienna was waiting. With her dark blonde hair brushed to perfection and pushed demurely behind her ears, she smiled but said nothing.
“Morning, Sea,” Laurel said. “Sleep well?”
Sienna nodded but as Laurel opened her mouth to ask if she was going to the village Cassandra cut across her, whispering, “There’s Immy, look at her, has she no shame?”
Laurel followed Cassandra’s green gaze to where their next eldest sister was sitting at the head table. She had slid into one of the teacher’s chairs, her jet black ringlets held back by what Laurel was sure was a paintbrush. She fiddled with the prongs of a fork while she talked to the art tutor, the young and relatively handsome Tristan. As she watched, he reached out and touched her fingertips. It made Laurel’s stomach flip over. Imogen and Tristan were both artists, and she knew they gave little heed to protocol as such. Laurel was only vaguely uneasy about the four year age gap but the fact that Tristan was, to all intents and purposes, a teacher worried her far more. Still, to say anything would be hypocritical, she reminded herself, thinking of Tom’s blue eyes and the mixed scent of compost and flowers that rose from his clothes. I like this sentence. Of course, I'm pretty impartial to the name Tom myself. ;)
“At least it answers your question, Cass,” she murmured.
The hall continued to fill, and Imogen retreated to her seat opposite Cassandra, and the two leant over the table and began to whisper excitedly. You've got two "and"s here connecting the sentence, and it sounds very awkward, like you're adding on to it in a hurry. Laurel looked at the two still empty seats beside her, but almost as the thought of where are they? I think this needs to have some sort of distinction from the rest of the text, such as italics or something, because at first I read it as an awkward question before realizing that it was the actual thought. began to form in her mind, footsteps slapped towards them and a red-cheeked Delphine took her seat.
“Sorry I’m late,” she said, slightly out of breath.
“You’re not, Mistress Quale isn’t here yet,” Laurel said. “But where have you been?”
“I went for a run around the lake.”
“Alone?” Cassandra, leaning back in her chair, raised an eyebrow.
“Well, no, Adam was there-” Delphine said, clearly trying to be dismissive, and seemed relieved as girls began to stand up and go silent around them. They followed suit as Alannah Quale, the headmistress of the Academy, went up to the head table, followed by her son Henry, who grinned with pearly white teeth at the girls and winked at Cassandra, the rest of the staff, seeming sullen in the morning, I don't know if you need this section, it just clutters up the action and makes it turn into a very long sentence. and finally, Scarlet, who broke off to join her sisters.
“Sit,” Mistress Quale said, bowing her head graciously once she had taken her place. They did so as the food was brought in and the hubbub began to rise.
“’Let, where were you?” Imogen asked, frowning. “We’re used to Delphine being late, but not you-”
Scarlet’s blue eyes- Laurel remembered her mother’s being the same shade, Charlotte’s too- glittered. “I met Mistress Quale on the way down,” she began, “and she said she had something for me so we went to her study, and, well…”
From her skirt pocket, Scarlet revealed a creamy white rectangle and passed it to Laurel, being the eldest present. On the front, lay a single word.
Princesses.

Chapter One has five other perspectives in it, but I thought I wouldn't torture you with them all. So. Go on!


Okay, that's all the butchering I'm going to do. I look forward to reading more! :D
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I'm the worm,
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