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Old Soul
Old Soul

by BarrettBenedict in Lyric Poetry
Young Writers Society Forum Index » Fantasy Fiction

This thread was created on July 2, 2008
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Difference

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PostPosted: Wed Jul 02, 2008 11:24 pm    Post subject: Difference Reply with quote

His eyes twist and sparkle when I look at him, the colour around unnaturally expanded pupils flickering blue and green and amber. They are like lights against a window pane, distant and impersonal, as inhuman as I had expected and yet not so awful and alien, more beautiful and hypnotising. I glare at him, a futile gesture; he remains unresponsive in the snow, pale skin against pale ground. There are droplets of red on his face and in his hair, glistening on his dark suit and I realise through a kind of dullness that it’s my blood and not his, that my shirt and Kevlar are torn apart and my blood is freezing against my chest. I put my hand out, suddenly dizzy with the realisation, my head crackling with the cold, but the anger lifts me up away from the frozen air and the unexpected pain.

I drift out of myself, a daydream of numbness, and watch disinterested as I lift the still body of the pale creature on the ground and drag him to the truck. He tumbles clumsily into the backseat and I slump heavily into my own seat, one hand on the wheel. Snow falls from the roof as I slam the door, and when I turn the key ice dislodges from the keyhole. The engine isn’t designed for temperatures like this. Distantly I regard myself fighting to start up. In the rear view mirror I can see the three crumpled bodies left spreading red against the white, and I can see the unconscious figure of the monster lying sprawled just behind me. I drive ferociously and thoughtlessly back to the northeast.

He is inhumanly beautiful. I am glad that when he opens his eyes, whimpering and shivering, it is dark and I don’t have to see him in daylight. Instead I hear him struggling against the plastic bands around his wrists, belts pressing his elbows to his sides and his knees and ankles in on each other, hear him shift and groan in what sounds too much like genuine pain and fear. I see in the mirror that he has shuffled to an awkward sitting position, just a silhouette of a thicker shade against the false dark of the endless snow stretching away from the back window.

“You’re bleeding,” he tells me, his voice hoarse and thick and shaking. I have never heard him speak before, his accent is untraceably foreign and lined with hurt. I wonder with a kind of strange fascination if he has a home, a family, a town that he grew up in, playing in the sand and running in the park just like me, just like my kids. I decide not to offer him a reply, keep my head forward and drive. He stays silent for a long time and I listen to his ragged breathing, waiting for him to speak again. “Where are you taking me?”

“Where do you think?” There is more venom in my voice than I meant. His head drops back against the seat and the sudden jerky movement makes him gasp and murmur. The sound does something to me, a kind of softening. He sounds too much like a person.

“Do you know what they’ll do to me there? I don’t want to...”

What he means is he doesn’t want to die. I have to force myself not to sympathise. He isn’t a person. I remember the stories, the scenes of carnage he has left behind him for people like me to pick through and document, helpless. I almost laugh at him. I want to spit in his manipulating, lying face.

“Do not mess with me. You killed my colleagues back there, my friends. You killed them in cold blood. Don’t try and get any sympathy from me.”

He growls then, a deep-throated earthy and terrifying growl, a sound so primal and murderous that it reaches straight down my neck and sends shivers and tremors through my body. The air in the truck moves unnaturally, rushes back towards him. Darkness rides up around his chest and neck, twisting through his pale hair and licking at his face.

“You don’t know a thing,” he spits, and the darkness retreats abruptly. His tone turns to a pitiful whine. “God, god, it’s so cold, I don’t understand.”

There is no sound for a while. I realise he’s passed out again, head rolling loosely against the headrest with every bump and movement of the truck.

The wind has increased, pulling and pushing us, a steady swirling wrath. When I see the little bunker squatted beneath an overhanging of rock I pull over to it and the noise and shaking lessen instantly. It’s still a trial to get him out of the truck and into the place. I worry if by the time the storm has calmed our ride out of there will be buried, but there’s no other choice. The bunker was probably left there from battles here twenty years before. It’s dark and the air is damp, but at least when I close the door the glazing keeps the noise out. It’s cold but not so cold that I can’t breathe. There are two single beds beside each other, metal frames with bare mattresses.

I haul the monster onto one of them, handcuff him to the bar above his head, and check for supplies. There’s wood, thank God, some food in years old tins and a burning oven that I light up with shaking hands and huddle close to, defrosting slowly. Reality has gripped me again, my chest and stomach hurt like knives stabbed into my every time I move. He stays asleep, or something like sleep, spread out languid and untidy, the firelight turning him golden. I stay away from him, resisting the softness of the bed beside the one he is on. I remain resolutely huddled by the stove feeling like a man in mourning all over again.

I must have slept without meaning to, I wake in the kind of fading darkness that tells me it’s early morning. The monster’s eyes are on me. His eyes are grey now and his pupils pinpricks that leave him almost faceless, white eyes against white skin and white hair. He is cross-legged, his arms twisted behind him and still attached to the bed frame. I don’t bother to look at him, I know all there is to see there. Endless beauty and perfection, he could tip a person over the edge, send them into a raving, loving madness only to abandon them then, after the loving was over, bring up the darkness and slice them in two. I’d seen it happen, watched from afar as strong men and women succumbed to insanity.

“I’m cold,” he says, “Let me closer to the fire.”

“You deserve to be cold,” I hiss back at him, “this is a war, cold is part of it. You’re my prisoner now, you don’t get to make demands.”

“I know that, but you don’t want me dead. Then what would you have to hand over.” He sounds like he’s trying to be clever and it sickens me. I glare at him again, straight into those filmy lifeless eyes,

“I do want you dead.”

That shuts him up; he lowers his eyes from mine almost demurely, as though he has the decency to look ashamed.

I check the door and find it’s stuck, frozen and barred by snow and ice. From the window I can see the truck is barely even visible any more, the weather must have worsened in the night. I keep an eye on him as I click another message through to command; he doesn’t move at all and I don’t get an answer. Hours pass, he stays so still I go and check and see if he’s still alive. I find a fast, twittering pulse in his neck; my fingers seem impossibly hot against his frozen skin, and when I touch him he turns to look at me. His expression is so bleak and miserable it surprises me.

“How did you get so cold? It’s not that cold in here.” He doesn’t reply, only shudders a little as I take hold of the bed frame and drag it closer to the oven and the warmth, which he seems to melt into like a child coming in from the rain.

“How old are you?” I ask him before I really mean to, his face looks so clear and angelic.

“Twenty-five,” his answer comes too fast, I laugh at him,

“No, I’m twenty-five. You’re what? Nineteen, twenty?”

“Seventeen.”

“You have got to be kidding me.” I stare at his expression and see no lie there. The monster is a kid. The biggest threat to our whole damn civilisation is sitting in front of me warming himself against the fire and he’s only seventeen. “This is just ridiculous,” I’m speaking to myself, but he answers me anyway.

“But I’m not like the others. I don’t just call the dark; it is me, it is part of me as much as I am part of it so ... so I can tame it better. Do you understand? I don’t have a choice.”

“You know, neither do I. I have to take you in,”

“I know.”

I pull a cigar out from my coat pocket and light it through the grate in the oven, studying his expression.

“You’re not like the others. I’ve brought a couple of your guys in before, they spent the whole damn time trying to bite me or something. You’re not insane like that.”

“I told you, they can’t tame it. It sends them crazy after a while, and you just cut it off and that’s like...cold turkey. It hurts.” His hair has fallen forward over his face and his voice sounds sweet like fine rain on water, no more than a whisper, “You’re still bleeding. If you die, I’ll die too.”

“How considerate.” I puff on my cigar. It’s true in a way, I stuck some steri-strips on it to hold it together last night and they haven’t quite soaked through yet, but I still feel torn and sick. “So what do you suggest I do about it?”

“I can fix it,” he still hasn’t looked up, “if you let me.”

I laugh at him again, just because he’s a kid doesn’t mean I can trust him. I can’t let myself forget that.

“Yeah, right. I’ll just let you go so you can treat my wounds. The wounds that you inflicted, by the way. I’m sure you won’t just break my neck and smash this whole place down, escape.”

“Die in the snow.”

“My neck’s still broken either way.” I shrug. “I’d rather die from this than have you kill me.”

He seems resigned, glancing up from underneath his hair and then down again, huddling closer to the fire. He seems to fall asleep, I can hear his breathing even and deep. I wish I could sleep as well, but it isn’t safe. Instead I smoke another cigar and drink some tomato soup from a tin.

For the rest of the day he dips in and out of sleep, remaining foggy and distant. I try and talk to him again and he hardly responds, making strange irrelevant replies to my questions. I wonder if he’s dying anyway.

At six I receive a message from command. They’ve found my location and they’re sending people in, I have to wait until the next day. At almost eight the monster wakes again, eyes flickering around the bare room. I put a hand beneath his chin and try and get him to look at me.

“What’s wrong? Why are you sleeping so much?” I sound angry, and when he replies so does he.

“I’m cut off.” He does that growl again, just like the night before in the truck, and I snap my hand away from him. He keeps his head up and his eyes on me, frustration rumbling in his throat. He seems truly bestial and wild. I turn away, and then back, forcing a cup of soup into his face like a peace offering.

“Energy then. Drink it.” I snap, tipping the cup against his lips. He drinks, terribly slowly, like an invalid. He never removes his stare from me, chilled by resentment and anger.

“I didn’t mean to kill them,” he says, his words are slow and emphatic. A line of red tomato runs from his lip down his chin. He is vampiric. I reach forward, almost unconsciously, and rub it away. “It takes you over, it’s not like I set out to...” a long, choked pause, “we’re both going to die this way. It’s just my job, I don’t mean to...”

“That’s the way it has to be. You do your job, I do my job and this is it. If I die, then I die doing what I have to do, and if you die it’s the risk you take.”

His eyes seem to look straight through me, into me, and I can see he knows I don’t want to die. I have spent a lifetime close enough to death to know it’s nothing glamorous; there is no honour in dying, reasoning and rationality don’t matter. Death is just death, endlessness and nothingness, the end of me is terrifying. I watch him as his eyes shift colour, grey to pale purple and up and darker, dark blue and dark green and amber. Lips still blue from the cold twitch into a smile.

“You’re ridiculous. You’re all ridiculous, that’s why you’re losing.” His voice isn’t harsh or mocking, only pitying and soft.

“What do you mean by that? Who says we’re losing?”

“You won’t take what power you have, you crush your own ability and so we crush you with ours.”

“But it drives you insane, you said so yourself.”

“I think it’s better to be insane.” He lies back onto the bed, arms behind his head. It is a tangible relief to have his eyes off me. “I wouldn’t want to do this sane.”

“Just shut up.” I snap at him, and he shuts up, eyes half closed, drifting again. I sit and try to feel the pain in my stomach, feel the life leaking out of me. I watch his breath, his chest floating up and down, the life in him curling in condensation through the air. I feel as though my head is full of cotton wool, there is no pain any more, only numbness and an indefinable uneasiness. On some level I am aware that this is a bad sign, my brain coping with the damage and pumping me full of pain killers, the blood loss making me dizzy and dreamy, but somehow it doesn’t bother me. Darkness settles in, creeping across my vision, blocking the fire, the snow, the pale sleeping figure before me. I am glad to see it go.

At six I receive a message from command. They’ve found my location and they’re sending people in, I have to wait until the next day. At almost eight the monster wakes again, eyes flickering around the bare room. I put a hand beneath his chin and try and get him to look at me.

“What’s wrong? Why are you sleeping so much?” I sound angry, and when he replies so does he.

“I’m cut off.” He does that growl again, just like the night before in the truck, and I snap my hand away from him. He keeps his head up and his eyes on me, frustration rumbling in his throat. He seems truly bestial and wild. I turn away, and then back, forcing a cup of soup into his face like a peace offering.

“Energy then. Drink it.” I snap, tipping the cup against his lips. He drinks, terribly slowly, like an invalid. He never removes his stare from me, chilled by resentment and anger.

“I didn’t mean to kill them,” he says, his words are slow and emphatic. A line of red tomato runs from his lip down his chin. He is vampiric. I reach forward, almost unconsciously, and rub it away. “It takes you over, it’s not like I set out to...” a long, choked pause, “we’re both going to die this way. It’s just my job, I don’t mean to...”

“That’s the way it has to be. You do your job, I do my job and this is it. If I die, then I die doing what I have to do, and if you die it’s the risk you take.”

His eyes seem to look straight through me, into me, and I can see he knows I don’t want to die. I have spent a lifetime close enough to death to know it’s nothing glamorous; there is no honour in dying, reasoning and rationality don’t matter. Death is just death, endlessness and nothingness, the end of me is terrifying. I watch him as his eyes shift colour, grey to pale purple and up and darker, dark blue and dark green and amber. Lips still blue from the cold twitch into a smile.

“You’re ridiculous. You’re all ridiculous, that’s why you’re losing.” His voice isn’t harsh or mocking, only pitying and soft.

“What do you mean by that? Who says we’re losing?”

“You won’t take what power you have, you crush your own ability and so we crush you with ours.”

“But it drives you insane, you said so yourself.”

“I think it’s better to be insane.” He lies back onto the bed, arms behind his head. It is a tangible relief to have his eyes off me. “I wouldn’t want to do this sane.”

“Just shut up.” I snap at him, and he shuts up, eyes half closed, drifting again. I sit and try to feel the pain in my stomach, feel the life leaking out of me. I watch his breath, his chest floating up and down, the life in him curling in condensation through the air. I feel as though my head is full of cotton wool, there is no pain any more, only numbness and an indefinable uneasiness. On some level I am aware that this is a bad sign, my brain coping with the damage and pumping me full of pain killers, the blood loss making me dizzy and dreamy, but somehow it doesn’t bother me. Darkness settles in, creeping across my vision, blocking the fire, the snow, the pale sleeping figure before me. I am glad to see it go.


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Last edited by andimlovegalore on Fri Jul 04, 2008 12:16 pm; edited 2 times in total
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PostPosted: Wed Jul 02, 2008 11:42 pm    Post subject: Reply with quote

O.o

I think I really liked this. Though I don't understand it.


Also I got confused cause it seems to be about monsters or vampires or something and then with the inhuman beauty thing and a character called Charlie I thought it was a twilight fanfic.


But i really like your writing.

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PostPosted: Thu Jul 03, 2008 12:07 am    Post subject: Reply with quote

Quote:
They like lights against a window pane

They are like

Quote:
Snow falls from the roof as I slam the door and when I turn the key ice dislodges from the keyhole, the engine isn’t designed for temperatures like this.

You need a connector here, like "and" or a semi-colon, specifically after "the keyhole" or the last comma. For better flow of the sentence.

First Paragraph: Very long. You should break up into at least two smaller paragraphs if you can. Other than that, love how you describe him as a monster - I don't know what he is yet so I'm hooked.

Quote:
He is inhumanly beautiful, I am glad that when he opens his eyes, whimpering and shivering, it is dark and I don’t have to see him in daylight.

This is a run-on sentence. Split it up like this, for example: "He is inhumanly beautiful. I am glad that when he opens his eyes, whimpering and shivering, it is dark and I don't have to see him in daylight".

Quote:
“You’re bleeding,” he tells me, his voice is hoarse and thick and shacking


Quote:
He growls then, a deep throated earthy and terrifying growl

deep throated = deep-throated.

Quote:
There is no sound for a while, I realise he’s passed out again, head rolling loosely against the headrest with every bump and movement of the truck.

This is another run-on. There's nothing wrong with putting a period where the first comma is. It looks and reads much better that way.

The paragraph that starts with "The wind has increased" is way too long. You need to split this up into several smaller paragraphs.

Quote:
“I know that, but you don’t want me dead. Then what would you have to hand over,” he sounds like he’s trying to be clever and it sickens me.

Period after "over", and "he" should be capitalized.

Code:
From the window I can see the truck is barely even visible any more, the weather must have worsened in the night

Period where the second comma is.

Quote:
I stare at his expression and see no lie there, the monster is a kid, the biggest threat to our whole damn civilisation is sitting in front of me warming himself against the fire and he’s only seventeen.

Should be "...the monster is a kid. The biggest threat..."

Quote:

“you’re still bleeding. If you die, I’ll die too.”

Capitilize "You're".

Quote:
At six I receive a message from command

Start a new paragraph here. And the "any way" before this should be "anyway"

Quote:
I sound angry, and when he replies so does he,

Comma hanging at the end of this, replace with period.

Quote:
A line of red tomato runs from his lip down his chin, he is vampiric

"...chin. He is vampiric."

Quote:
“Idiot, stupid old man.” A laugh, dull pressure against my chest. “Don’t take your eyes off me.” I keep my eyes on him, eyes black from edge to edge. His hands feel gentle against me, breath in my ear. “You’re not going to die, stubborn idiot. And I’d rather die in the snow than have you kill me.” The room swirls a little, twists sideways, I feel upside down and it makes me dizzy so I close my eyes again and wait.

This paragraph is confusing. Who is saying what?

Quote:
“What the hell happened?” she has seen I’m awake but I just stare at her dumbly.

She should be capitilized.

OVERALL: I like the way this is written, beside the run-on sentences you have and the other grammatical errors. This can't be a stand-alone piece though, so I hope you have more to this story.

If there is more:Then I love it. I want to find out what the heck is going on. You say he's a monster, but you never really say WHAT he is. But I like the term monster better than getting into anything specific too fast. I like this little war of sorts. Mucho, want the second part.

If there is not more: Okay, then you need to explain way more than you do. Who exactly is the main character then? What is she fighting for? Why is she fighting? What makes her feel that she has to stop these "monsters"? And in this case, you need to describe the monsters as well. How are they monsters? How are they different? Why are they this way?

I doubt this is a stand-alone piece though, so I'm eagerly awaiting more.

PM if you have any questions. Very Happy

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PostPosted: Thu Jul 03, 2008 4:14 pm    Post subject: Reply with quote

clograbby -> I've made the changes =] thanks very much for your feedback.

scribblingquill wrote:
Also I got confused cause it seems to be about monsters or vampires or something and then with the inhuman beauty thing and a character called Charlie I thought it was a twilight fanfic.


I've never even read Twilight actually =]

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Last edited by andimlovegalore on Fri Aug 15, 2008 1:51 pm; edited 1 time in total
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PostPosted: Thu Jul 03, 2008 10:42 pm    Post subject: Re: Difference Reply with quote

Commenting in red! *Dons his red critique cloak*

Feel free to ignore my ramblings, I'm no expert. Very Happy

andimlovegalore wrote:
His eyes twist and sparkle when I look at him, the colour around unnaturally expanded pupils flickering blue and green and amber. They like are lights against a window pane, distant and impersonal, as inhuman as I had expected and yet not so awful and alien, more beautiful and hypnotising. I glare at him, a futile gesture; he remains unresponsive in the snow, pale skin against pale ground. There are droplets of red on his face and in his hair, glistening on his dark suit and I realise through a kind of dullness The word seems strange to me, I'd use some other... Haze perhaps? Just an opinion though. that it’s my blood and not his, that my shirt and Kevlar are torn apart and my blood is freezing against my chest. I put my hand out, suddenly dizzy with the realisation, my head crackling with the cold, but the anger lifts me up away from the frozen air and the unexpected pain.


I drift out of myself, a daydream of numbness, Again, not a word I'd use. But I don't have anything to offer instead here because I suck. and watch disinterested as I lift the still body of the pale creature on the ground and drag him to the truck. He tumbles clumsily into the backseat and I take my own seat heavily, I'd use something more descriptive here, such as "I slump into my own seat" or summat. one hand on the wheel. Snow falls from the roof as I slam the door I'd put a comma here, improves the flow. and when I turn the key ice dislodges from the keyhole. The engine isn’t designed for temperatures like this. Distantly I regard myself fighting to start up. In the rear view mirror I can see the three crumpled bodies left spreading redness Won't just red do? Sounds better to me, since the other word is "white", not "whiteness". against the white, and I can see the unconscious figure of the monster lying sprawled just behind me. I drive ferociously and thoughtlessly back to the northeast.


He is inhumanly beautiful. I am glad that when he opens his eyes, whimpering and shivering, it is dark and I don’t have to see him in daylight. Instead I hear him struggling against the plastic bands around his wrists, belts pressing his elbows to his sides and his knees and ankles in on each other, hear him shift and groan in what sounds too much like genuine pain and fear. I see in the mirror that he has shuffled to an awkward sitting position, just a silhouette of I think there should be an a here? thicker shade against the false dark of the endless snow stretching away from the back window.
“You’re bleeding,” he tells me, his voice hoarse and thick and shaking. I have never heard him speak before, his accent is untraceably foreign and lined with hurt. I wonder with a kind of strange fascination if he has a home, a family, a town that he grew up in, playing in the sand and running in the park just like me, just like my kids. I decide not to offer him a reply, keep my head forward and drive. He stays silent for a long time and I listen to his ragged breathing, waiting for him to speak again. “Where are you taking me?”
“Where do you think?” There is more venom in my voice than I meant. His head drops back against the seat and the sudden jerky movement makes him gasp and murmur. The sound does something to me, a kind of softening. He sounds too much like a person.
“Do you know what they’ll do to me there? I don’t want to...”
What he means is he doesn’t want to die. I have to force myself not to sympathise. He isn’t a person. I remember the stories, the scenes of carnage he has left behind him for people like me to pick through and document, helpless. I almost laugh at him. I want to spit in his manipulating, lying face.
“Do not mess with me. You killed my colleagues back there, my friends. You killed them in cold blood. Don’t try and get any sympathy from me.”
He growls then, a deep-throated earthy and terrifying growl, a sound so primal and murderous that it reaches straight down my neck and sends shivers and tremors through my body. The air in the truck moves unnaturally, rushes back towards him. Darkness rides up around his chest and neck, twisting through his pale hair and licking at his face. I loved that scene. Very nice descriptions there.
“You don’t know a thing,” he spits, and the darkness retreats abruptly. His tone turns to a pitiful whine. “God, god, it’s so cold, I don’t understand.”
There is no sound for a while. I realise he’s passed out again, head rolling loosely against the headrest with every bump and movement of the truck.


The wind has increased, pulling and pushing us, a steady swirling wrath. When I see the little bunker squatted beneath an overhanging of rock I pull over to it and the noise and shaking lessens instantly. It’s still a trial to get him out of the truck and into the place, I worry if by the time the storm has calmed our ride out of there will be buried, but there’s no other choice. That's a long one, could cut it in two? It’s dark in the bunker, just a square concrete building left there But isn't the bunker here, in the story? from the battles here twenty years before, but at least when I close the door the glazing keeps the noise out. It’s cold but not so cold I'd add a that here. I can’t breathe. There are two single beds beside each other, metal frames with bare mattresses.


I haul the monster onto one of them, handcuff him to the bar above his head, and check for supplies. There’s wood, thank God, some food in years old tins and a burning oven that I light up with shaking hands and huddle close to, defrosting slowly. Reality has gripped me again, my chest and stomach hurt like knives. Knives have feelings toooo? Nah, I don't think so. Maybe "hurt as if they were being stabbed with knives"? He stays asleep, or something like sleep, spread out languid and untidy, the firelight turning him golden. I stay away from him, I don’t go to This sounds slightly repetitive, maybe "avoiding" instead? the bed beside the one he is on, I remain Now it's repetitive at least, and a very long sentence! Maybe make it "remaining"? resolutely huddled by the stove feeling like a man in mourning all over again.


I must have slept, I didn’t mean to, but I wake in the kind of fading darkness that tells me it’s early morning and the monster’s eyes on me.
You like your long sentences, huh? I'd split this into two. His eyes are grey now and his pupils pinpricks that leave him almost faceless, white eyes against white skin and white hair. He is cross-legged, his arms twisted behind him and still attached to the bed frame. I don’t bother to look at him, I know all there is to see there. Endless beauty and perfection, he could tip a person over the edge, send them into a raving, loving madness only to abandon them then, after the loving was over, bring up the darkness and slice them in two. I’d seen it happen, watched from afar as strong men and women succumbed to insanity.
“I’m cold,” he says, “Let me closer to the fire.”
“You deserve to be cold,” I hiss back at him, “this is a war, cold is part of it. You’re my prisoner now, you don’t get to make demands.”
“I know that, but you don’t want me dead. Then what would you have to hand over.” He sounds like he’s trying to be clever and it sickens me. I glare at him again, straight into those filmy lifeless eyes,
“I do want you dead.”
That shuts him up; he lowers his eyes from mine almost demurely, as though Missing a he? has the decency to look ashamed.



I check the door and find it’s stuck, frozen and barred by snow and ice. From the window I can see the truck is barely even visible any more, the weather must have worsened in the night. I keep an eye on him as I click another message through to command, he doesn’t move at all and I don’t get an answer. Would split this one in two as well, or maybe use a ;? Hours pass, he stays so still I go and check and see if he’s still alive. I find a fast, twittering pulse in his neck; my fingers seem impossibly hot against his frozen skin, and when I touch him he turns to look at me. His expression is so bleak and miserable it surprises me, A dot here instead.
“How did you get so cold? It’s not that cold in here.” He doesn’t reply, only shudders a little as I take hold of the bed frame and drag it closer to the oven and the warmth, which he seems to melt into like a child coming in from the rain.
“How old are you?” I ask him before I really mean to, his face looks so clear and angelic.
“Twenty-five,” his answer comes too fast, I laugh at him,
“No, I’m twenty-five. You’re what? Nineteen, twenty?”
“Seventeen.”
“You have got to be kidding me.” I stare at his expression and see no lie there, the monster is a kid. I think there'd be more impact here if you separated the sentences. Le gasp, The monster is a kid. Big deal enough to have its own sentence.The biggest threat to our whole damn civilisation is sitting in front of me warming himself against the fire and he’s only seventeen. “This is just ridiculous,” I’m speaking to myself, but he answers me anyway, A dot?
“But I’m not like the others. I don’t just call the dark A semicolon here? it is me, it is part of me as much as I am part of it so ... so I can tame it better. Do you understand? I don’t have a choice.”
“You know, neither do I. I have to take you in,”
“I know.”
I pull a cigar out from my coat pocket and light it through the grate in the oven, studying his expression.
“You’re not like the others. I’ve brought a couple of your guys in before, they spent the whole damn time trying to bite me or something. You’re not insane like that.”
“I told you, they can’t tame it. It sends them crazy after a while, and you just cut it off and that’s like...cold turkey. It hurts.” His hair has fallen forward over his face and his voice sounds sweet like fine rain on water, no more than a whisper, .! “You’re still bleeding. If you die, I’ll die too.”
“How considerate.” I puff on my cigar. It’s true in a way, I stuck some steri-strips on it to hold it together last night and they haven’t quite soaked through yet, but I still feel torn and sick. “So what do you suggest I do about it?”
“I can fix it,” he still hasn’t looked up, “if you let me.”
I laugh at him again, just because he’s a kid doesn’t mean I can trust him, I can’t let myself forget that. Split this.
“Yeah, right. I’ll just let you go so you can treat my wounds. The wounds that you inflicted, by the way. I’m sure you won’t just break my neck and smash this whole place down, escape.”
“Die in the snow.”
“My neck’s still broken either way.” I shrug. “I’d rather die from this than have you kill me.”
He seems resigned, glancing up from underneath his hair and then down again, huddling closer to the fire. He seems to fall asleep, I can hear his breathing even and deep. I wish I could sleep as well, but it isn’t safe. Instead I smoke another cigar and drink some tomato soup from a tin.
For the rest of the day he dips in and out of sleep, remaining foggy and distant. I try and talk to him again and he hardly responds, making strange irrelevant replies to my questions. I wonder if he’s dying any way. Anyway, not any way.



At six I receive a message from command, they’ve found my location and they’re sending people in, I have to wait until the next day. I'd split this too... At almost eight the monster wakes again, eyes flickering around the bare room. I put a hand beneath his chin and try and get him to look at me.
“What’s wrong? Why are you sleeping so much?” I sound angry, and when he replies so does he.
“I’m cut off.” He does that growl again, just like the night before in the truck, and I snap my hand away from him. He keeps his head up and his eyes on me, frustration rumbling in his throat, he seems truly bestial and wild. And this... I turn away, and then back, forcing a cup of soup into his face like a peace offering.
“Energy then. Drink it.” I snap, tipping the cup against his lips. He does, Does what? Drink? Tell us! terribly slowly, like an invalid. He never removes his stare from me, chilled by resentment and anger.
“I didn’t mean to kill them,” he says, his words are slow and emphatic. A line of red tomato runs from his lip down his chin. He is vampiric. I reach forward, almost unconsciously, and rub it away. “It takes you over, it’s not like I set out to...” a long, choked pause, “we’re both going to die this way. It’s just my job, I don’t mean to...”
“That’s the way it has to be. You do your job, I do my job and this is it. If I die, then I die doing what I have to do, and if you die it’s Because of? the risk you took.”
His eyes seem to look straight through me, into me, and I can see he knows I don’t want to die. I have spent a lifetime close enough to death to know it’s nothing glamorous; there is no honour in dying, reasoning and rationality don’t matter. Death is just death, endlessness and nothingness, the end of me is terrifying. I watch him as his eye eyes, right? shift colour, grey to pale purple and up and darker, dark blue and dark green and amber. Lips still blue from the cold twitch into a smile.
“You’re ridiculous. You’re all ridiculous, that’s why you’re losing.” His voice isn’t harsh or mocking, only pitying and soft.
“What do you mean by that? Who says we’re losing?”
“You won’t take what power you have, you crush your own ability and so we crush you with ours.”
“But it sends People are driven insane, not sent, yes? you insane, you said so yourself.”
“I think it’s better to be insane.” He lies back onto the bed, arms behind his head. It is a tangible relief to have his eyes off me. “I wouldn’t want to do this sane.”
“Just shut up.” I snap at him, and he shuts up, eyes half closed, drifting again. I sit and try to feel the pain in my stomach, feel the life leaking out of me. I watch his breath, his chest floating up and down, the life in him curling in condensation through the air. I feel as though my head is full of cotton wool, there is no pain any more, only numbness and an indefinable uneasiness. On some level I am aware that? this is a bad sign, my brain coping with the damage and pumping me full of pain killers, the blood loss making me dizzy and dreamy, but somehow it doesn’t bother me. Darkness settles in? Might sound repeptitive though..., creeping in on the sides of my vision, blocking the fire, the snow, the pale sleeping figure before me. I am glad to see it go.



An image comes to me, a pale face close to mine, lined with impossibly dark shadow that swirls and moves like a living being. A hand against me, intense horrible pain that registers sharply and then distantly, disappears into a kind of calm. A voice,
“Idiot, stupid old man.” A laugh, dull pressure against my chest. “Don’t take your eyes off me.” I keep my eyes on him, eyes black from edge to edge. His hands feel gentle against me, breath in my ear. “You’re not going to die, stubborn idiot. And I’d rather die in the snow than have you kill me.” The room swirls a little, twists sideways, I feel upside down and it makes me dizzy so I close my eyes again and wait.
When I can see again, I see men in combats and armour gathered around me. My chest and stomach are constricted and tied by bandages; Charlie is there with a hand on her head looking exasperated and exhausted.
“What the hell happened?” She has seen I’m awake but I just stare at her dumbly.
“Where?” I manage to grate, my mouth is dry and I have to peel my tongue from the roof of my mouth to speak.
“It got away damnit, and...I don’t even know how to say it. You should be dead now. What is going on? I don’t even know what’s going on any more. He should have ripped you to pieces.”
I am lifted on a stretcher, carried through the door, broken now and hanging on its hinges, to a helicopter still spinning and whipping snow in a flurry against us. This sounds somewhat awkward to me. "the door now broken and hanging on its hinges, and to a..." perhaps? It hits my face, lifts me into unbearable wakefulness. He was never asleep at all? He had watched me bleed myself into nothingness, even offered to help me, manipulating my stubbornness. How did he get out? Had he Taken my keys? I struggle against the bonds of the stretcher to try and find them tied to my pocket, but I can’t reach. Maybe he was never even tied down, he was just waiting for a chance to slip away without...without what? Killing me. I stare disbelieving in disbelief? at the helicopter’s grey ceiling, dipping and thundering against the wind. I feel Charlie’s hand against my own, a concerned expression.
“Never mind,” she whispers, “closer than anyone else has ever got, and alive too. That’s a change.”
“Different. We have to do things different. We can’t...win...against that.”
“No.” Charlie presses her face against mine, her hair smells wonderful and comforting, like strawberry shampoo and cinnamon and wood smoke. “Go to sleep.”
I close my eyes, feel the blackness press into my head. “He’ll die in the snow.”
“And that’s no help to us.”
Everything blurs into nothingness. Somehow below me I see white eyes against white skin, pressed against white snow, flakes dropping and falling into shadow flecked hair. I close my eyes and as though I am looking in a mirror, so does he.


That was nice. Looking forward to reading some more of your stuff! Very Happy

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UnknownR   View This User's Portfolio
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PostPosted: Tue Jul 22, 2008 9:52 pm    Post subject: Reply with quote

Brilliant. I love your use of words, and the way you managed to make that flow together. You are very great writer. Keep up the good work, make more stories like that. You'll go far!

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PostPosted: Sat Jul 26, 2008 3:28 pm    Post subject: Reply with quote

Thanks Unknown =] I'm glad you liked it!

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PostPosted: Fri Aug 15, 2008 1:49 pm    Post subject: Reply with quote

I really liked this. You never tell explictly who (or what) the second guy is, which is nice, but the story would be better if you were a little less vague about things lioke how the war was started and the captor's identity. Near the end its seems they are really the same type of creature, (“You won’t take what power you have, you crush your own ability and so we crush you with ours.”
“But it drives you insane, you said so yourself.”
“I think it’s better to be insane.” He lies back onto the bed, arms behind his head. It is a tangible relief to have his eyes off me. “I wouldn’t want to do this sane.” )but you never say if this is really so.


My two favorite parts were:

He growls then, a deep-throated earthy and terrifying growl, a sound so primal and murderous that it reaches straight down my neck and sends shivers and tremors through my body. The air in the truck moves unnaturally, rushes back towards him. Darkness rides up around his chest and neck, twisting through his pale hair and licking at his face.
“You don’t know a thing,” he spits, and the darkness retreats abruptly. His tone turns to a pitiful whine. “God, god, it’s so cold, I don’t understand.”

And

For the rest of the day he dips in and out of sleep, remaining foggy and distant. I try and talk to him again and he hardly responds, making strange irrelevant replies to my questions. I wonder if he’s dying anyway.

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