Stop The Scrolling Header | Enable the Scrolling Header

Young Writers Society
News:  

Must Read: No Chat-Speak

Happy Thanksgiving!
Username:    Password:      Log me on automatically each visit    
The Running Away Song
The Running Away Song

by Clo in Dramatic Poetry
Young Writers Society Forum Index » Fantasy Fiction

This thread was created on May 23, 2008
Post new topic   Reply to topic
Digg It Del.icio.us

Related Items
Possible Related Items Follow:
Michael and Aine - Prologue aka Iolayne
Michael and Aine #1a
Lissie Darcesty, #1 - Saving Tiddles

Saving Michael Goto page 1, 2  Next

Topic ID: 30600
View previous topic :: View next topic  

Does the first paragraph make you feel that any two characters are having an affair?
yes
30%
 30%  [ 4 ]
no
53%
 53%  [ 7 ]
er, what?
15%
 15%  [ 2 ]
Total Votes : 13

Author Message
Esmé   View This User's Portfolio
consider rephrasing
Master of the Forum

462
Gender: Gender:Female
Age: 15
Joined: 27 Dec 2006
Posts: 1219
Reviews: 462

300 Points

PostPosted: Fri May 23, 2008 6:36 pm    Post subject: Saving Michael Reply with quote

In the hotel that we were staying in, they thought I was his mother. The receptionist certainly did, and giving me the keys to our room remarked what a beautiful son I had. The other guests had proclaimed Michael angelic; an old lady even patted him on the head, smoothening his unruly blonde curls and smiling at him. I had sucked in my breath, then, praying for him not to react, to not even look up.

He didn’t, though I breathed easier only when we were upstairs, in the room I had rented for the night. He had followed me silently, that lady still crooning over him, clutching my hand with his own in an iron grip.

I had shrank away at first, and saw the hurt in his eyes because of that. But I hurt, too, somewhere underneath the numbness and detachment. I was screaming, deep inside, and doing more than just cringing: I was hiding in the most obscure, rarely visited corners of my soul, trapped between love, hatred and fear of the one whose hand I now held - who held mine, more - and who was barely, just barely, still my little brother. It was hard to remember that last bit, though.

Michael went to sleep soon, undressed in a pajama and slightly feverish, in the bed we would have to share. He insisted I tell him a story, but a normal one, not one of the monster ones he used to be so fond of. And so, sitting on the very edge of the bed - he noticed that too, and his face fell - I had to spin a tale of a daring, brave knight who saved princesses in oppression and fought victorious battles.

“But vampires don’t do that, do they?” he asked sleepily, turning to face me. He looked me straight into the eyes, dark black meeting light blue. “They do bad things. But I wouldn’t want to do bad things, Aine. And I-"

I will see your footprints on the moss. I will see the trail of your thoughts, and I will smell your fear. I will hear your breaths begin to rag. I will hear your pulse quicken.

I am stronger than you, Aine.

I can kill you even before you will know what is happening. I can drain your body of every drop of blood it possesses. I can kill you, and I want to. It’s what I’ve been made to do, dear sister. To slit your throat, to rip it apart. To rip you apart.

And if you scream, no one will hear you.

“… I wouldn’t hurt you, Aine,” he finished miserably, and I snapped out of my trance as he pulled the covers over his head. That was what he had said yesterday in a squeaky, pathetically childish voice, after chasing me through the forest. He apologized later, and was apologizing now. I steadied my breath and leaned over to take the sheets of his face and saw a wretched, wretched expression.

“I know, sweetie, I know,” I said simply, hesitating, and then leaned down and kissed him on his soft cheek. A tear fell from his eyes and dripped onto my lip, and I tasted the salt in it. Hot, so hot with the fever was his skin… “I know.”

Then I stood up, and a tar gaze trailed me for some time, before his eyelids became too heavy. I closed myself in the bathroom, locking the door behind me and splashed cold water over myself, delighting at the sudden coolness. The hot water was filling the bath tub, making the mirror go hazy.

Wiping it so I could look at my reflection, even I couldn’t blame anyone for taking my seventeen year old self for Michael’s mother - I could barely recognize myself. I had shadows under my eyes, purple bags; slight worry lines, ones that should have not yet made their appearance were visible here and there on my no longer milky, but now distinctly grayish face.

I wondered if there was something symbolic to it, to those people in the hotel comparing me to Mother. Would I die, like her? Would I die in the same way, with the blood sucked out of my veins? I took a deep breath, and held it; it almost hurt to exhale.

But I had to live, never mind that that holding one’s breath to death had proved a feat far beyond my ability - I did try, in the beginning, when all this started. Live, though, I had to, because who would Michael have left? With who’d he escape from home, travel from hotel to hotel, run from Mother’s rigid, dead body on the kitchen floor? From her open, surprised light blue eyes slightly parted lips? He’d be alone; I couldn't leave him alone.

Maybe Michael would have enough sense and self control not kill me, if only for that reason.

I fell asleep, I think, in that bath tub; if not for the slight knocking to the bathroom door – to which I had no time to answer - I probably wouldn't have woken. But I did, and heard the echoes of a rattling knob, not of mine, but of the outer one. Of the room in which Michael was, or should be.

I froze, unsure of what to do, dread trickling up my spine.

Then, carefully, I raised myself from the now icy water, and dried myself swiftly, putting on the already laid out nightdress. There was a lump in my throat, and I faltered before unlocking and opening the bathroom door. I stood that doorway some time, not daring – not wanting – to open my eyes; but when I finally did, it was an unwelcome, though not very surprising sight that awaited me.

The unmade bed was empty, the covers strewn on the floor.

I stared and stared, dazed, not knowing what to expect, but instinctively thinking the worst. Who did he meet on the way up? Whose smell could he have remembered?

The answer came fast, and I had to sit down, putting my head between my knees to send away the nausea. The queasiness in my stomach did not stop, however, though after a few moments the sensation of faint sensation in the pit of my stomach, and the bile I felt in my mouth, passed.

The old lady who had tousled his hair. That was where he was.

I was led thoughtlessly, mindlessly, out of the room and down one flight of stairs. It was instinct, mayhap, that pushed me to make those steps, that showed me the way to room number sixty six; a distinctive, but blurry memory of her standing in front of us in the queue in the lobby, and receiving keys to that room. Intuition, that told me they would not be locked and what to expect on the other side.

She was there, as I knew she would, sprawled on the floor. She had been already pale, then, when we had first met her in the lobby – when she had ruffled Michael’s hair and perhaps called him an angel - but now the unnamed woman’s skin was ghostly white. Grey wisps of hair were glued to her face and her eyes closed; the expression she wore was a queer one, something between surprise and slight distress. There was hardly any blood anywhere, just at the tips of her lips and where the crimson drizzled down her neck. That neck was torn, ripped.

I thought about her children, if she had any. About her grandchildren. About things she would never do, never finish. About the people who would miss her, who would find her tomorrow…

“Michael,” I called, once inside; my voice hoarse, broken. The lump had enlarged itself, and I now found it hard to speak. “Michael, I know you’re here!”

There - a limb sticking from of the velvet curtains covering the solitary window, no longer pallid and feverish but flushed, rosy. I walked up to him and tore the drapes away, revealing him, and stared. Then I faltered, and took a step back, my hand covering my mouth as my gaze jumped from the corpse to my brother. The woman was massacred, and every time I returned to Michael, I saw not the nine-year-old boy that he should be, but red stained teeth, a blood-smeared face and splattered in crimson hands and once light blue pajamas. There had been a smiling sun on those pajamas, once, but now it was invisible underneath the blots.

“Aine, I didn’t want to,” he said quietly, eyes as wide as Mother’s favorite tea cups. “I didn’t…” his voice trailed of and he took a few steps forward, hugging me. I simply stood, numb, not aware of his arms around my waist. I shuddered and broke free – Michael instantly pulled back – and threw bed sheets over the dead body. Then I turned, and watched him again, my lips slightly parted. I had the lady’s blood on myself, too, now.

It was cleaner than last time, I thought, still dazed and unable to say a word. Cleaner. Now there was no blood on the walls or floor, just the slightest bit on her face. Only that throat - that stood out, the imagine flowing before my eyes. And one hand, as if he had started from there, teeth slashing from wrist to palm.

“I didn’t want to,” he repeated, pleading. I took a deep, shuddering breath. Silence rang, as heavy as the loudest shrieks – it was as if I was screaming, though I didn’t utter a sound. “You’re scared of me, aren’t you?” he asked, his voice low. With a slow motion, he wiped his bloody mouth with his sleeve.

I didn’t answer for a long, long time, still numb, but then lied. What else was I supposed to do? Tell him that I was terrified? Tell him that when I so much as glanced at him my hands shook so badly that I could barely control the steering wheel? That I was at my wits end? That I had no more tears left? That I had goosebumps over my arms and I was trembling? That my head throbbed, that blood pulsed in my ears and that every time I took the shallowest of breaths my chest hurt?

“No,” I replied finally, looking into his dark, dark eyes. That begging note was in my voice, too, because I wanted to not only convince him, but also myself.

“Yes you are,” he said, and I saw him twist the rim of the sheets with which I had covered the corpse. When he let go, it was in shreds. He had went there, some minutes previously, and sat at her side.

“No, no I’m not!” I shrieked, even though I had meant to answer calmly. But I so desperately to believe it what I said; I wanted him to believe, too. I couldn’t, though, and neither could Michael.

“Aine…” he whispered my name, and hugged his knees. He was shaking, now, but I couldn’t bring myself to go to him, to embrace him, or comfort him in any way. “I really didn’t want to…”

“I know, Michael, I know,” I said, choking. I knew, yes, but did that change anything? Did it, really? He killed her, and it could have been me, yesterday, in that forest, him saying all those horrible things. It could have been it, and that was the worst of it all - somewhere inside I was happy that it was that old lady, not me.

“I didn't want to. I - I wasn’t myself anymore.” His voice was cracked and he started to twist the sheets again.

“I know,” I said again, not looking at him.

“It won’t happen again, I promise.” Michael stopped and took a deep breath. He paused, as if waiting for me to say something. And I wanted to, I really did – but what could I say? Nothing, without the risk of a scream coming out, and so I remained quiet, eyes as big as his. “I promise,” he repeated when I did not reply, his eyes haunted. “Please, please trust me, it won’t happen again. I promise.”

“I believe you, Michael,” I said slowly. I didn’t.

I can kill you even before you will know what is happening. I can drain your body of every drop of blood it possesses. I can kill you, and I want to. It’s what I’ve been made to do, dear sister. To slit your throat, to rip it apart. To rip you apart.

And if you scream, no one will hear you.

“It’s…” His hands shook. “It’s hard. Every time I see people – every time I see you – I hear them. I hear hearts beating, and I feel blood running through their veins.” He squeezed his eyes shut. “Aine, it’s hard. I - I-” The tips of his lips went up, as if in an attempt of a smile. But there was blood on them, that old lady’s crimson tears. I couldn’t bring myself to smile back.

Michael? Or a vampire, a monster?

He had screamed with me, that first time, when he killed Mother. Shrieked, and shrieked, and cried with me, till both of us had no tears left, and no strength to sob. We had hugged each other then, and sat there, by her dead body, for hours.

No. It was Michael, a scared little boy. Michael, my little brother, who could not help what he was. Who deserved to have someone have faith in him, to have a shoulder to cry on, to kiss him a goodnight and soothe him out of nightmares. Michael, not a monster.

“Everything will be all right,” I said numbly, but my eyes wandered without my will to the form underneath the sheets. A hand was sticking out. Pallid, white, ripped, with no skin on the palm. “Everything will be all right, you hear me? Everything will be all right…” I repeated the words as if in a daze, because by doing so I would make them come true. I etched them into my mind, each syllable a painful, bleeding cut, and took a deep, shuddering breath.

And if you scream, no one will hear you.

I took his hand, and wiped his face on my nightgown. It left smudges on the soft material, blemished of red. “Come on, we have to get out of here, sweetie.” As I watched him nod at my words, I thought I’d tell him to take a bath, and throw away the bloodied clothing, later.

And before closing the door behind me, I cast one last look at the corpse, wondering how much time I had before I would be one, too. It was, I knew, only a matter of time.

EDIT no 10? - Italics work, though you still have to imagine that the "you" in the "rip you apart" part is not indeed in italics. And that this part is separated from the story. Shocked


_________________
"I don't like small birds. They hop around so merrily outside my window, looking so innocent. But I know that secretly, they're watching my every move and plotting to beat me over the head with a large steel pipe and take my shoe."
-Jack Handy


Last edited by Esmé on Wed Jun 18, 2008 4:01 pm; edited 18 times in total
Back to top
View user's profile Send private message MSN Messenger
GryphonFledgling   View This User's Portfolio
*glomps November*
Speaker of the Forum

471
Gender: Gender:Female
Age: 17
Joined: 30 Dec 2007
Posts: 809
Reviews: 471
Country: my desk... writing... furiously... <.< >.> ...yeah...
650 Points

PostPosted: Fri May 23, 2008 7:26 pm    Post subject: Reply with quote

Hehe... In the first paragraph, I thought this was about an older woman and her 20-year-younger boyfriend. Let's just say by the second paragraph, I was mortified at how dirty a mind I apparently have.

Quote:
first met her in the reception


The reception what? I think you mean something along the lines of the "lobby."

This was really great. It was sad and it was scary, but it was really great. The only real thing I had about it was Michael's speech after he kills the old lady. It really just does not strike me as a 9 year-old speaking. It just sounds a little too old.

Quote:
“It’s…” His hands shook. “It’s hard. Every time I see people – every time I see you – I hear them. I hear hearts beating, and I feel blood running through their veins. Aine, it’s so hard, so, so hard. Even now, I have to stop myself from attacking you, from tearing you to shreds.” He laughed mirthlessly, and the sound seemed to echo in the room.


Although, considering the kid is a vampire and dealing with horrors that he shouldn't have to see, much less commit, he could be a little more grown up and maybe he has a bit of an older consciousness nearby, considering he can "them" and that influences him.

Why are they at a hotel? You mention that this is an excerpt. I would like to read more and see what caused all of this. But it does work as a stand-alone, though I do want to read the chase scene that is mentioned.

Quote:
“They do bad things, but I wouldn’t want to do bad things, Aine, and I-"


I added the last quotation marks. For the big spiel between that and his finish, I would put that in italics, so that it is clear that this is what is being unspoken, the way you do later on in the story.

Quote:
The receptionist certainly did, and giving me the keys to our room remarked what a beautiful son I had.


a rewrite: The receptionist certainly did. When she gave me the keys to our room, she remarked what a beautiful son I had.

On that note, just how old is Aine anyway? I got teenager from her but she could be older. But, unless he is a small child, I don't see how people could think that an 18 year old could be the mother of a 9 year old.

Overall, very nice. I liked it and, again, would love to read more!

*thumbs up*

~GryphonFledgling

_________________
Ink is the strongest drug, the deepest ocean, the longest journey and the strangest love. ~me

Jareth/Sarah shipper...

Kickin' butt and not stopping to take wordcount. NaNo 2008! Read my novel here!
Back to top
View user's profile Send private message
Esmé   View This User's Portfolio
consider rephrasing
Master of the Forum

462
Gender: Gender:Female
Age: 15
Joined: 27 Dec 2006
Posts: 1219
Reviews: 462

300 Points

PostPosted: Fri May 23, 2008 7:40 pm    Post subject: Reply with quote

GryphonFledgling,

Hotel, hotel… Why, you asked, and I’d reply if I knew, really. But I don’t, and after a long, uncomfortable silence, let’s change the subject, okay? But yes, I think I should add a reason. *muses

Reception. “Hotel reception”? It can’t be alone, for sure? I mean, I’ll probably change it to lobby, one way or the other, but doesn’t “reception” have this nice ring to it?

Quotes shall be most definitely added. *winces. And italics? They’re killing me. I’ll try again, but they’re just not working for me today… (or, partly)

Her age. Right you are - I knew I forgot about something. Eh. And speech? Probably right, too, though I do have a ten year old neighbor who could, if she cared to, prove that the sun is blue, and by the end of the discussion, you'd be either believing it, or at lack of arguments to say anything that is not for her cause. Really.


I’ll make the minor edits now, and the bigger ones’ll come soon. Thanks ever so much for the critique!


Cheers,
Esme


EDIT: Italics still won't work as they should.

EDIT no 2: The italics work! Oh, my..,

EDIT no 3: All your comments where taken into consideration. I think, though, that'll stay with that little speech... If my neighbor can do it, then Michael can, too.

_________________
"I don't like small birds. They hop around so merrily outside my window, looking so innocent. But I know that secretly, they're watching my every move and plotting to beat me over the head with a large steel pipe and take my shoe."
-Jack Handy


Last edited by Esmé on Fri May 23, 2008 8:30 pm; edited 1 time in total
Back to top
View user's profile Send private message MSN Messenger
Bittersweet   View This User's Portfolio
R.I.P. Holly 1995-2008 (aka, I won NaNo).
Novelist

85
Gender: Gender:Female
Age: 13
Joined: 21 May 2008
Posts: 287
Reviews: 85
Country: United States
682 Points

PostPosted: Fri May 23, 2008 8:19 pm    Post subject: Reply with quote

I like this. Smile

After reading the Twilight series, I always wondered how being a child and a vampire would be. I like the way you tell it; it's very miserable and hopeless, which is how I, if I were a vampire child, would probably feel. My heart goes out to the little boy; which means you've obviously done a very good job writing. I should like to read the rest of the story!

Holly

_________________
"You are in love with impossibility."- Antigone

Add me on my NaNoWriMo account.
Back to top
View user's profile Send private message MSN Messenger
Esmé   View This User's Portfolio
consider rephrasing
Master of the Forum

462
Gender: Gender:Female
Age: 15
Joined: 27 Dec 2006
Posts: 1219
Reviews: 462

300 Points

PostPosted: Fri May 23, 2008 8:22 pm    Post subject: Reply with quote

Bittersweet,

Thanks for the critique - as always all comments are greatly appreciated. However, I do want this to be a stand-alone? Can it not be a stand-alone? Or, differently, does it work in stand-alone-mode?


Cheers, and thanks again,
Esme

_________________
"I don't like small birds. They hop around so merrily outside my window, looking so innocent. But I know that secretly, they're watching my every move and plotting to beat me over the head with a large steel pipe and take my shoe."
-Jack Handy
Back to top
View user's profile Send private message MSN Messenger
GryphonFledgling   View This User's Portfolio
*glomps November*
Speaker of the Forum

471
Gender: Gender:Female
Age: 17
Joined: 30 Dec 2007
Posts: 809
Reviews: 471
Country: my desk... writing... furiously... <.< >.> ...yeah...
650 Points

PostPosted: Fri May 23, 2008 9:56 pm    Post subject: Reply with quote

I agree with you that a child can be incredibly intelligent and mature. Trust me, my brother is 10, but he talks like some of my older friends upwards of 20. (then at other times he totally acts his age, and younger) It's just the way that Michael (creepily, that's my brother's name as well) phrases things and the large vocabulary he uses that makes him sound older and if you wanted to go with the more innocent child, simplifying a bit might be a better bet. You could still get the point across and have him sound younger. But like I said in my review earlier, if you wanted him to be really creepy and make it sound like something is really happening to him (mirthless laughs aren't generally a 9 year-old thing... I don't think I've ever heard a child laugh without mirth, which makes him a little more creepy and sadder) you can leave it as is.

Whatever you do, it is your story and your character, so you are free to do it however you want, babe. Don't let me stand in your way.

Hehe... Darn those italics. I would try again after you have banged your head on something for a while, if I were you, just to show them up. They did add so much to the story.

And yes, I do think this works as a stand-alone. It left the reader wondering, but it did explain enough to make it readable and independent.

*thumbs up*

~GryphonFledgling

_________________
Ink is the strongest drug, the deepest ocean, the longest journey and the strangest love. ~me

Jareth/Sarah shipper...

Kickin' butt and not stopping to take wordcount. NaNo 2008! Read my novel here!
Back to top
View user's profile Send private message
Esmé   View This User's Portfolio
consider rephrasing
Master of the Forum

462
Gender: Gender:Female
Age: 15
Joined: 27 Dec 2006
Posts: 1219
Reviews: 462

300 Points

PostPosted: Sat May 24, 2008 1:47 pm    Post subject: Reply with quote

Okay. I took out that part, and edited that “speech”. I reckoned that if we’re having this discussion, then I really should. Any better now?

Again, thanks for all you time!


Cheers,
Esme

_________________
"I don't like small birds. They hop around so merrily outside my window, looking so innocent. But I know that secretly, they're watching my every move and plotting to beat me over the head with a large steel pipe and take my shoe."
-Jack Handy
Back to top
View user's profile Send private message MSN Messenger
GryphonFledgling   View This User's Portfolio
*glomps November*
Speaker of the Forum

471
Gender: Gender:Female
Age: 17
Joined: 30 Dec 2007
Posts: 809
Reviews: 471
Country: my desk... writing... furiously... <.< >.> ...yeah...
650 Points

PostPosted: Sat May 24, 2008 2:50 pm    Post subject: Reply with quote

Italics! Yay!

The speech works wonderfully. You have a great piece of work here, even if you had left it. Fabulous, fabulous. Very nice. He sounds more like a scared little boy, but still with perhaps something else to him...

*confetti and streamers*

~GryphonFledgling

_________________
Ink is the strongest drug, the deepest ocean, the longest journey and the strangest love. ~me

Jareth/Sarah shipper...

Kickin' butt and not stopping to take wordcount. NaNo 2008! Read my novel here!
Back to top
View user's profile Send private message
ashleylee   View This User's Portfolio
You belong with me
Master of the Forum

692
Gender: Gender:Female
Age: 16
Joined: 13 Mar 2008
Posts: 1208
Reviews: 692
Country: some place that I can only dream about
895 Points

PostPosted: Sun May 25, 2008 6:04 pm    Post subject: Reply with quote

Hey Esme,

I really, REALLY liked this! Very Happy

I agree with bittersweet, that I have always wondered what a child vampire would be like. And you did it beautifully.

It's so horrible, that you wish that his sister would run away, yet, you FEEL for the boy and hope to god that she will stay with him.You made me feel for this characters and now, you have me hooked.

I seriously hope you write more of this, because I'll be miserable if you don't! Wink

All right, well, GryphonFledgling corrected everything, so she left me out of a job, not that I saw anything anyway! Very Happy

PM me when you write more!

_________________
-Fill your paper with the breathings of your heart-
~William Wordsworth
Back to top
View user's profile Send private message MSN Messenger
Esmé   View This User's Portfolio
consider rephrasing
Master of the Forum

462
Gender: Gender:Female
Age: 15
Joined: 27 Dec 2006
Posts: 1219
Reviews: 462

300 Points

PostPosted: Sun May 25, 2008 6:12 pm    Post subject: Reply with quote

Ashley,

Thanks, thanks, thanks for critiquing, because all comments are needed and appreciated. Thanks for your time!

As to continuations, though… I don’t think there will be one. This was originally meant as a standalone, and I think I’ll keep it that way. The whole project (the big one) is more or less abandoned (thus I’m “off” for now), primarily because I got bored, but perhaps I’ll get back to it one day.

Again, thanks, and as always,
Cheer,
Esme

_________________
"I don't like small birds. They hop around so merrily outside my window, looking so innocent. But I know that secretly, they're watching my every move and plotting to beat me over the head with a large steel pipe and take my shoe."
-Jack Handy
Back to top
View user's profile Send private message MSN Messenger
ashleylee   View This User's Portfolio
You belong with me
Master of the Forum

692
Gender: Gender:Female
Age: 16
Joined: 13 Mar 2008
Posts: 1208
Reviews: 692
Country: some place that I can only dream about
895 Points

PostPosted: Sun May 25, 2008 6:15 pm    Post subject: Reply with quote

Oh, that makes me sad Sad

But, I guess, every writer gets stuck and eventually grows bored with certain projects. It happens to the best of us! lol

Well, maybe you will reconsider??

Or...maybe not...

What ever you choose, I will continue to read your work! Very Happy

I do agree, however, that this is really powerfull just by itself. So, I really don't think you need to continue!

Anyway, Good Luck with your other projects!

_________________
-Fill your paper with the breathings of your heart-
~William Wordsworth
Back to top
View user's profile Send private message MSN Messenger
Icaruss   View This User's Portfolio
Disgustingly Honest.
Novelist

112
Gender: Gender:Male
Age: 17
Joined: 14 Sep 2005
Posts: 481
Reviews: 112
Country: Peru.
341 Points

PostPosted: Tue May 27, 2008 2:39 am    Post subject: Reply with quote

Oh, this is a great idea. It's the kind of idea that I wish I would've come up with. It's the kind of idea I'll probably steal in the future without even realizing it. Remind me about you when I do.

Random Thought #137: I thought this was about an older woman and her younger lover. That would've been kinda hot. And creepy. Specially if the younger lover was still a vampire. That would've been a whole new kinda genre. Like, MILF/Vampire/Horror story. There may be good money in that. Make a note.

Look, the thing is that the idea is so good that the story kinda dissapoints. The concept is so fantastic, that I just expected something else entirely. I mean, it was fine, but it didn't really match up to the premise. This could've been genius. This could've been really morally ambigious, this could've been much sadder, this could've been much more gruesome and disgusting, but you shy away from that, don't you? Like, you don't really dive head-first. Here's this girl. Here's her brother. She's scared of him. You could've talked about her helping him find food, you could've talked about him trying to kill her instead of just mentioning it could happen. The mother was good, but you don't talk about that much, either.

Look, this is hard to review. Let me rant about something for a while:

The italics section is unnecessary. You've already shown the reader she's scared of her brother, so why do you need to put these little hallucinations that don't really do much? It's like you didn't really know how to transmit the fear other than just plain stating it. And the thing is, you've got a couple of sentences earlier on that show she's scared, but aren't necessarily that explicit. That's the kind of thing that makes the story. Her sitting in the corner of the bed. Her not wanting to kiss him goodnight, or grab his hand. That's good. The italics sections are just... silly.

I mean, if my brother was a vampire I would be terrified of him but I would try to convince myself I wasn't. That'd entail beings scared without really noticing I am. You know what I'm talking about? Of course you don't, I'm not making any sense. Look, what I'm saying is that if this girl is travelling with his vampire brother, she would really try to forget about the fact that he's a vampire. I mean, she would know he's a vampire, but she'd try not to think about. So I doubt she'd have hallucinations. Just don't make the fear so explicit, alright? That way, when the kill comes, it'll be more of BAM! moment rather than a Oh, Okay moment.

Random Thought #765: I've heard about silbings having a bond, but how the hell did she find him? Did she smell the dead old lady? Did her brother-sense tingle?

Make it sick. Make us feel the same disgust she feels when she finds the dead body. It's not enough that it's a little old lady. The room should be full of blood, the throat should be totally ripped off, the brother should be covered in blood, just standing there, soaked in someone else's blood. I mean, I'm feeling the sadness, I'm feeling the sympathy, I'm just not feeling the disgust. And there should be disgust. Like I said, you should make this harder to bare. Make the reader conflicted. Should she just kill her little brother? Is he even her little brother anymore?

Have you seen Dexter? It's that show about a serial killer whose father trained him to kill other serial killers only. He loves Dexter, and tries his best to control him. But when he actually sees his son kill somebody, he's disgusted. He throws up. He tries to convince himself that he'd done the right thing, but it's still hard to bear. That's the kind of thing that I was looking for in this.

OK... Other things. Narration. It's kind of boring to read, but adequate and not bad or anything. It's just not anything... Like, special. Which isn't bad. I agree that you should make this more about the story than style and substance, but like I said, the story kind of dissapoints. And the dialogue... It's OK. There's things I don't like: "I believe in you." Come on, man. That's just campy. It should be more like... "It's alright. I know you can't help yourself. It's alright." More about convincing herself than making him feel better, you know?

Random Thought #809: MILF vampires. Make that lesbian MILF vampires and you got something going on here.

_________________
All you little girls, settin' out that line,
I can make love to you, woman, in five seconds time.
Ain't that a man?
Back to top
View user's profile Send private message MSN Messenger
Esmé   View This User's Portfolio
consider rephrasing
Master of the Forum

462
Gender: Gender:Female
Age: 15
Joined: 27 Dec 2006
Posts: 1219
Reviews: 462

300 Points

PostPosted: Tue May 27, 2008 10:19 am    Post subject: Reply with quote

Icaruss,


Random Thought #137: You do know that you are the second person who thought, at first, that this is indeed about them, the older “woman“ and younger “man“, as lovers. Well, money there may be, but I’ll not write that just now, okay?

Random Thought #809: No offence, but I’m for keeping it to the brother-sister relationship. Really.

Italics: I wouldn’t call the hallucinations… she’s just remembering her words, something that happened earlier. I added it mostly for the effect, but I’ve kind of grown attached to them, in a way. That section about the forest ought to be cleared up, and perhaps then it’ll look better.


Okay, time to face a few facts I can’t fight with.

Random Thought #765: The answer to that is really, really silly, and I cringe when saying it: I don’t know. That “mindless, thoughtless” part really doesn’t make up for it, no? That will most definitely be edited.

Not scared (seemingly?) at first: That’ll be taken into consideration, also, and most likely things will be changed.

Make it sick/the disgust: True. That “finding scene” will be rewritten. I was going for a “numbness” effect, but apparently that didn’t work to well… I’ll just do what you say, ‘kay? So, more gore and more of Aine’s reactions? And Dexter - no, I didn’t see it, but maybe I should?

As for dialogue… I really struggled with this, and apparently it shows Hmm. The ending yes, should be different, and that shall be changed.


But you see, the rejection of the whole “he’s a vampire” - that she had already undergone. This is, again, supposed to be something bigger, and as there’s a word limit to this piece (2,500 words) I didn’t want to jam all the aspect of the bigger picture into one. I had a feeling that if I started one line, then I’d have to expand it, explain, and that wouldn’t get along with that limit. Hmm.



Icaruss - thanks for the very in-depth review. I really do appreciate your time and effort; it really, really means a lot to me! Made me consider my story all over again. Thanks, again.


Cheers,
Esme


Gah, I hate word limits.

_________________
"I don't like small birds. They hop around so merrily outside my window, looking so innocent. But I know that secretly, they're watching my every move and plotting to beat me over the head with a large steel pipe and take my shoe."
-Jack Handy
Back to top
View user's profile Send private message MSN Messenger
KJ   View This User's Portfolio
The shortest answer is doing the thing
Speaker of the Forum

458
Gender: Gender:Female
Age: 16
Joined: 04 Mar 2008
Posts: 627
Reviews: 458
Country: USA
147 Points

PostPosted: Tue May 27, 2008 5:00 pm    Post subject: Reply with quote

NITPICKS:


Quote:
In the hotel that we were staying in, they thought I was his mother.

I skimmed the other comments, and I have to agree when it was mentioned that it seems as if an older woman is having and affair with a younger man. I would change this to make it more clear to the reader.

Example: In the hotel we were staying in, they clearly thought I was the small boy's mother.


Quote:
I had sucked in my breath, then, praying for him not to react, to not even look up.

Awkward wording. Adjust.


Quote:
I was screaming, deep inside, and doing more than just cringing: I was hiding in the most obscure, rarely visited corners of my soul, trapped between love, hatred and fear of the one whose hand I now held - who held mine, more - and who was barely, just barely, still my little brother.

This could be great, but it's a huge run-on sentence. You need to either shorten it or break it up.


Quote:
I said simply; I hesitated, and then kissed him on the cheek, tasting the salty tears that rolled down it.

Why the semi-colon?

Here's a rough example what I would do with this: I said simply, hesitating, and then leaned down and kissed him on his soft cheek. A tear falls from his eyes and drips onto my lip, and I taste the salt in it.



Quote:
He’d be alone; I can’t leave him alone.

Two things about this: It's in the past tense, so can't should be couldn't. Also, this has a feel of repeption to it. I realize that your MC is thinking, and that she's coming to certain conclusions, but I would somhow reword this.



Quote:
I froze, unsure of what to do, and dread trickling up my spine.

If you're going to use and, then trickling should be trickled. If you cut the and, you can leave it as it is.



Quote:
The unmade bed was empty, with the covers on the floor.

Again, awkward feel to it. Instead of with I would use and.



Quote:
He had screamed with me, that first time, when he killed mother.

I'm not entirely sure, but I think mother should be capitalized...


Quote:
“Everything will be alright,”

You use this word two more times, I believe. It should be all right.


WATCH OUT FOR:


-Run on sentences. I noticed a few of them. We are opposite each other in writing. While I have a bad habits of making my sentences too short, yours are, many times, too long.

-First impressions. The first few paragraphs of your sories are crucial to the entire piece. The way you introduced this confused some readers.

-Vagueness. I found myself lost a few times. Such as those Italicized parts. I had no idea what those were. Make more clear.


OVERALL IMPRESSION:

I really enjoyed this. It's a situation that I don't think any writer has thought to take on before. I give you points for creativity. You expressed the internal conflict of your MC very well, and that of the boy. Their reactions and emotions were very real.

Keep writing.

_________________
I need critiques on my story Because: http://www.youngwriterssociety.com/topic36505.html

An author in his book must be like God in the universe, present everywhere and visible nowhere ~Gustave Flaubert
Back to top
View user's profile Send private message Visit poster's website
Esmé   View This User's Portfolio
consider rephrasing
Master of the Forum

462
Gender: Gender:Female
Age: 15
Joined: 27 Dec 2006
Posts: 1219
Reviews: 462

300 Points

PostPosted: Tue May 27, 2008 6:21 pm    Post subject: Reply with quote

Icaruss - I made the most necessary changes have been made, and hopefully smoothened out the dialogue at some points. The bigger picture is being worked on, though how I’ll manage I do not know. *sinks into self-pity. Yeah. But I think I do love you, heh.


KJ - Thanks, thanks a million. A lot of those mistakes I wouldn’t have caught. Italics… darn. I’ll - I’ll clean that up. Or clear. I find myself veering toward the latter because I’m stubborn, probably, and I like them. I do. Though that first paragraph… First was, as was said, surprise, then incredulity and now resignation. Hm.


EDIT: I added a poll. Don't know who'll answer, but I'm adding three voices for "yes" in advance. It's creepy, a bit, no?

I'm the only one for "no". Oh, damn.

_________________
"I don't like small birds. They hop around so merrily outside my window, looking so innocent. But I know that secretly, they're watching my every move and plotting to beat me over the head with a large steel pipe and take my shoe."
-Jack Handy
Back to top
View user's profile Send private message MSN Messenger
Display posts from previous:   
This thread was created on May 23, 2008
Post new topic   Reply to topic
   Young Writers Society Forum Index » Fantasy Fiction All times are GMT
Goto page 1, 2  Next
Page 1 of 2

 
Jump to:  
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum
You can attach files in this forum
You can download files in this forum
This thread was created on May 23, 2008

Graphics By Bobo | YWS Sword & Shield Logo by Bobo
Bartemius says, Wise men talk because they have something to say; fools, because they have to say something. - Plato
Contact | Memberlist | Copyright Policy | YWS Store | Site Map
Facebook |  Goodreads |  Live Journal |  MySpace |  Wikipedia

© 2004 - 2008 The Young Writers Society