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Horus
Horus

by Conrad Rice in Other Fiction
Young Writers Society Forum Index » Other Fiction

This thread was created on May 13, 2008
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Raincatcher -- Part Two

Raincatcher -- Part One
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PostPosted: Tue May 13, 2008 3:49 pm    Post subject: Raincatcher -- Part One Reply with quote

Back and forth, back and forth. Windshield wipers flashed across the woodland landscape in a hypnotic dance. Their song of swoosh-ka, swoosh-ka was a regular drumbeat against the erratic ping-ping-ti-ping-ti-ti-ti-ping of the bullets of rain pelting the roof. Jason tried to focus on the pockmarked mud drive but the rhythmic wipers teased his vision. He forced his eyes to ignore the slender black dancers and see the road before him. Trees jittered and shook in the misty twilight, bone-like branches crashing, leaves scattering.

A twig fell onto the windshield, and its long fingers clung to one of the wipers until it was flung away and the dance continued. Swoosh-ka, swoosh-ka; back and forth, back and forth. Jason sighed and flipped his attention back to the driveway.

He shivered; he had turned the air-conditioner unreasonably high to try and manage the choking humidity. But now the little old car was chilled. He reached towards the dashboard and lowered the intensity. How graceful were the wipers; how beautiful the splashes of water on the glass… he found himself swaying in time with their dance. You have been in the car too long, he told himself, focus on the road and you’ll get there soon enough.

The lane made a sudden turn to the right, revealing before Jason an old two-storey motel building. The sagging roof formed a little stream that sprang over the useless gutter and tumbled down the faded sign of Peppermint Lodge. Water rinsed browned crevices between off-white boards, smearing filth down the front of the building. He parked in between the only two cars in the gravel parking lot, and shut off the engine. Swoosh-ka, ka-kaaa…

He grabbed his duffle bag and backpack from the passenger seat, and opened the door, careful not to hit the small grey Subaru next to him. The warm, heavy air almost made him cough after the artificial fineness of the car. Huge droplets pounded his head, quickly flattening his long, dark hair and flooding over his angular face.

He put an arm over his bowed head and started splashing heavily through the muddy lot towards the welcome building: a sorry-looking blue shack with one yellowing door and no windows. The metal doorknob was warm and left a coating of rain on Jason’s hand after he gave it a jerk. The door opened with a shriek of hinges and a chorus of laughing bells. Along with it came a cool draft of air, and a whiff of heavy, flowery perfume that he couldn’t quite place. He stepped inside, the bright yellow wallpaper and homey orange light almost blinding him.

“I’ll be right there!” From behind a wooden door on the opposite wall, the shrill call pierced the rain-splattered silence.

“Alright,” Jason murmured with a yawn. He wasn’t sure if the voice could hear him, but didn’t care enough to try again louder.

Just a few feet in front of him was a high desk, coated in peeling wood-grain plastic, with an open guestbook and photo album. He was just leaning over the guestbook to take a look when a huge ball of fur appeared on top of it and a large wooly head began rubbing on his chest. A little sandpaper tongue lashed his cheek. Jason gasped and received a mouthful of long, smooth hairs. He had never liked cats, and this monster was no exception.

“Now, now, Doily!” a voice cooed.

An ovate woman garbed in bubblegum pink bustled up to Jason and took the creature into her short, pudgy arms. She had a merry, round face with surprisingly large eyes and a dusting of fine ashen curls.

“Sorry ‘bout him,” she said with a wink and a click of her tongue, “he’s a bit eccentric… aren’t you, ol’ boy?” She buried her nose into the long, matted fur.

Jason cleared his throat, his eyelids drooping slightly before he caught himself.

She dumped the cat onto the floor and gave a few futile swipes at her pink t-shirt, but the layer of grey fur was too thick to brush away.

“Anyway,” the woman said, reaching out a plump hand, “I’m Ingrid, me and my husband Mark run the place.”

“I’m Jason,” he said. Ingrid’s fleshy hand was clammy against his long, rough fingers. “I’ll probably be staying for three or four days.”

“Take any room you want!” Then she added with a cheery wink, “But all the even numbers on the top row have porches in the back.”

“Do I need a key?” Jason asked.

“Nah,” she chuckled, “they’re all unlocked; you can lock yourself in for the night, if you like, but keys are too much hassle to keep track of.”

He looked down at the guestbook. Large, round letters read Sierra Tess Marigold. The only tenant all summer had apparently signed in earlier that day. Ingrid’s face appeared next to Jason’s, a lump of pudding staring at the guestbook. Her breath smelt of coffee.

“That one,” she said in a confidential whisper, pointing a yellow-painted fingernail at the signature, “she’s a bit odd. A nice girl, but she couldn’t stop talking about how much she loved the rain… she came in a few hours ago when there was thunder and lightning.” She chuckled, “She was out there dancing for about fifteen minutes. I myself can’t understand how she would like the stuff!”

With a tall, slanting scribble, he signed: Jason Hadley. “To each their own,” he murmured.

“Yeah,” Ingrid shrugged, “that’s what they say, isn’t it?”

“See you later,” Jason said, collecting his bags.

“Alrighty,” she said.

He threw the door open to see that the sun had set completely.

The rain had lightened to a misting that was barely noticeable, save the sticky feeling and the fresh, spicy smell. He climbed the open-rising wooden stairs up to the second level, noting grimly the rotting groan each step made. Remembering what Ingrid had said about the even numbered apartments, he randomly chose number four.

The door whined in quiet protest, then snapped gratefully shut.

The swelteringly hot room smelt of musty perfume. Jason’s blindly groping fingers soon fell on a small, plastic light switch. Flipping this, he saw before him a modest room: a cheap kitchen with a folding table and plastic desk chairs to his right, a bathroom to his left, a sliding glass porch door on the opposite wall, and a flowery queen-sized bed in the center. He strode to this and dumped his bags on the lacy bedspread.

The heat was unbearable, and Jason was sure he wouldn’t be able to sleep in it, despite his exhaustion. Seeing the lack of windows, he decided to open the porch door a few inches to cool the room down. He tugged slightly on the slender wooden handle, then froze, heart skittering to a stop, as the door slid easily open to reveal somebody on the porch.

A young woman was standing, rather unsteadily, atop the flimsy wooden railing. She wore loose cut-off shorts and a thin sweater over an athletic body. Her short, wet hair licked her neck in the soggy wind. Pots and pans, buckets, bowls – even teacups – were spread out around her on the porch, full of water.

For a split second, he thought that she hadn’t noticed him, that he could just slide the door closed again and go to another apartment. But she had heard the low whistle of the sliding door and her head was turning.

All that Jason could see of her face in the dark was a pointed nose and prominent cheekbones, but her unmistakable expression of peaceful curiosity put him at ease.

“Sorry,” he said quietly, preparing to step back into the room, “the lights were off and I didn’t realize you were here…”

“That’s alright!” She had a soft, gentle voice and her words were sincere. “Isn’t it gorgeous weather?”

The mist was heavy and dark over a marsh that stank of mud. Jason lived in the desert and didn’t like the rain.

“I guess so,” he muttered, eager to leave this crazy woman and collapse into a soft bed.

“Ooh,” she took a luxurious breath, “this porch is a perfect lookout; you can feel the wind in your hair, and smell the freshness of the forest… Don’t you think? Don’t you want to jump off, and glide suspended on the wind?” she asked rhetorically. One sandaled foot began to swing dangerously over the edge.

“I wanna go to sleep, actually,” he muttered distractedly – this woman wasn’t actually about to jump… was she?

Sighing, she turned back around to face him. He relaxed as she hopped onto the porch and walked over to him, picking her way through the dishes. Now that she was in the light leaking out from the apartment, he saw that her wavy blonde hair was tinged with red, and her boney face freckled. She must have been in her early twenties – about the same age as him.

“My name’s Sierra, you?” Her dark-lashed teal eyes, level with his, twinkled with an almost crazed energy.

“I’m Jason…”

“It’s so nice to meet you, Jason,” she said with an earnest grin, reaching out a muscled arm and patting him amiably on the shoulder.

“Uh… you too,” he muttered, twitching away from her warm, heavy touch, “but I really better be going now.”

“See you later!” She called after him as he took up his things and left.

----

Questions:

1. Is this post a good length, or would you rather I post longer/shorter segments at a time?

2. Is the dialogue realistic?

3. Is there too much/too little description? Am I describing the right things?

I'm still working on the ending (thus the unsureness as to how many parts there will be) but I thought I'd post this much to see what you guys thing... thoughts?


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Last edited by Azila on Fri May 30, 2008 3:40 pm; edited 3 times in total
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PostPosted: Wed May 14, 2008 9:05 pm    Post subject: Reply with quote

I liked the writing; the description was pretty and vivid. But there was no tension, not grabbing enough for a first chapter...

Characters: Jason was not an interesting character. He has no thoughts and gives no reason for coming to the hotel in the first place. We don't know what he looks like and there is nothing intriguing about him. The girl seems like she could be a much more interesting character but that is almost drowned out by the dullness of Jason's character. Why is he not interested by her? Why doesn't he wonder what the heck she is doing? What does he think of his surroundings? Is he scared, angry, frustrated, annoyed, terrified? You describe everything nicely but you don't tell how it makes him feel. I think you fail to connect the characters to the place. Thats dangerous. So answer the above questions and that should help

Plot: I suppose him meeting her could be the plot. But since that doesn't seem to be his aim I really see no plot. It doesn't explain what he is doing or even give a subtle hint to make the reader guess; its just bland. Is he running from someone? Is he on his way somewhere? Looking for someone? Looking for himself? Perhaps you already have an answer to these questions but if so, they need to be at least slightly incorporated into the first chapter.

So, I liked the writing and I believe the odd girl on the balcony has promise but it needs help. Feel free to PM me if you have any questions on my crit.

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PostPosted: Thu May 15, 2008 11:43 am    Post subject: Reply with quote

Hi.
I read first chapter and it seems interesting.
You write very vividly. I want to say, you write so, that I can see your story heros in live.
The dialogue are very good, but if there are more, would be better. It is easier to read and relize.
I think you are very gifted young lady.
Keep going.
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PostPosted: Thu May 15, 2008 3:24 pm    Post subject: Reply with quote

Thank you so much, both of you! I greatly appreciate your criticism. This is an experimental piece, so I love to hear what you think.

ChernobyllyInclined>> You are right. Jason isn't very interesting. That might be a problem, but I was just trying experimenting with having a boring character and seeing how he interacts with a very interesting character. As to plot, please keep in mind that the story is supposed to be read straight through (not separated into sections) but I didn't want to post a 22 page long story in one post. Wink

Sofia>> I'm glad you liked it. ^_~

Thanks again!
~Azila~

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PostPosted: Sun May 18, 2008 6:41 pm    Post subject: Reply with quote

Hi!



I really enjoyed reading this, but we’ll get to that later… Nitpicks first, I suppose. Wink



Quote:
He shivered; he had turned the A.C. unreasonably high to try and manage the choking humidity that made his limbs stick to the maroon leather seats, but now the little old car was chilled.


This feels almost like a run-on sentence. I’m not sure I like the semi-colon, either.

Quote:
revealing before Jason an old two-storey



Hmmm… According to my spell-check, ‘storey’ is a word but all the same I think ‘story’ would fit better in the context.



Quote:
He put an arm over his bowed head and started splashing heavily through the muddy lot towards the welcome building: a sorry-looking blue shack with one yellowing door and no windows. The metal doorknob was warm and left a coating of rain on Jason’s hand after he gave it a jerk. The door opened with a shriek of hinges and a chorus of laughing bells. Along with it came a cool draft of air, and a whiff of heavy, flowery perfume that he couldn’t quite place. He stepped inside, the bright yellow wallpaper and homey orange light almost blinding him.





This sounds almost like the motel we stayed at cross-country, and like Zalti’s hotel. Wink
Quote:
The warm, heavy air almost made him cough after the artificial fineness of the car.



I think you mean the fineness of the AIR in the car. I understood what you meant, but I think a re-word would be in order.


Quote:
He stepped inside, the bright yellow wallpaper and homey orange light almost blinding him.

The comma should be a semi-colon here.


Quote:
“I’ll be right there!” From behind a wood door on the opposite wall, the shrill call pierced the rain-splattered silence.



‘wood’ should be ‘wooden,’ in this case.


Quote:
He was just leaning over the guestbook to take a look when a huge ball of fur appeared on top of it and a large wooly head began rubbing on his chest, a little sandpaper tongue lashing his cheek.



And this is just one sentence!


Quote:
An ovate woman garbed in bubblegum pink bustled up to Jason and took the dust bunny into her short, pudgy arms. She had a merry, round face with surprisingly large eyes and a dusting of fine ashen curls.



DUST BUNNY! (hehe)



Quote:
“Do I need a key?” Jason asked.



IMO, he would be more likely to say something like “Don’t I need a key?”, and frankly, I didn’t find it very believable that the motel would leave all its doors unlocked. Motels are all on one floor, which means that the rooms would be really easy to break into if they were unlocked all the time. Plus, Hotels/Motels usually keep TVs and sometimes microwaves and other appliances that would be expensive to replace.


Quote:
Large, round letters read Sierra Tess Marigold, the only tenant all summer had apparently signed in earlier today.



I do not like this sentence. For starters, it should be two or three sentences, and it feels really awkward. I suggest a re-word. Wink


Quote:
she said with a wink and a click of her tongue



There were two more examples, but I can’t find them. She seems to be doing a lot of winking, doesn’t she?



And…. I think that’s it. Wink


I’ve noticed that you tend towards long sentences connected by semi-colons. These can make your writing really beautiful and gives you a chance to put some nice imagery in it, but it can also weigh down paragraphs and feel awkward. Just something to watch for, I guess. Smile



Overall I think that this isn’t my favorite piece that you’ve written, (Especially compared to some of your other pieces, which I’ve loved) but I liked the way you are developing the individual characters. The character of Jason was a bit dull, but since I understand that this was intentional we will skip that. Sierra, on the other hand, (I love that name, by the way. One of my friends is named Sierra, and I was going to use it in a story, but I guess I won’t now…) could use a little work. I like the quirks you’ve given her, but she’s starting to feel a little too perfect, right now. You’ve made her athletic, pretty, and kind, and she seems to be pretty intelligent. It is pretty early on in your plot though, so I guess we’ll see how she turns out. Smile




To answer your questions:



1: I think this was a pretty good length, but I wouldn’t go much farther.
2: Most of it was believable and realistic, which was a definite strength.
3: Hmmm…. I did get a pretty good idea of his surroundings, but I think you need to cut down on the purpley stuff and make it a bit more subtle.
If you have questions or POST SOMETHING ELSE please PM me.
See ya around!

~Lupis

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PostPosted: Mon May 19, 2008 12:26 am    Post subject: Reply with quote

Hey, there! I'm critiquing as I go along so yeah.

Quote:
You have been in the car too long, he told himself, focus on the road and you’ll get there soon enough.


This bolded part doesn't need to be italicized.

Quote:
revealing before Jason an old two-storey motel building.


I would cut out the 'before Jason' part and storey = story.

Hm... I know what you have here.

ADJECTIVEISIS

Adjectiveisis is a horrible sickness. It's where you place adjectives in front of almost every word. It can be cured, and my dear, you really need it to be cured quickly. Adjectives are not the only describing words out there.
Quote:

With a tall, slanting scribble, Jason signed the laminated paper: Jason Hadley.


I didn't know you could sign a laminated paper... it wouldn't work, would it...?

Quote:
Questions:

1. Is this post a good length, or would you rather I post longer/shorter segments at a time?

2. Is the dialogue realistic?

3. Is there too much/too little description? Am I describing the right things?


1. I thought it was a reasonable post size.

2. Dialogue was very good. Congrats.

3. Like I said before, get rid of your adjectiveisis. It can kill your readers. Seriously.

This was a really good start. It didn't really spark my interest, but I would read on if I found it would get interesting later.

Cya!

-Jared

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PostPosted: Mon May 19, 2008 1:49 am    Post subject: Reply with quote

Questions:

1. Is this post a good length, or would you rather I post longer/shorter segments at a time?
Perfect posting length for me. Only take a couple minutes to read yet it gets the reader into it enough to hold their interest and keep us curious.

2. Is the dialogue realistic?
Fantasic dialogue I felt. Perfectly natural to what someone in such situations would say. Good on showing internal thought as well.

3. Is there too much/too little description? Am I describing the right things?
I liked the amount of description, but I find that I enjoy more description than the rest of the masses. It's up to you if you wish to include more or less description. As far as describing the right things? Yes. Smile

I'm still working on the ending (thus the unsureness as to how many parts there will be) but I thought I'd post this much to see what you guys thing... thoughts?
Thoughts... love it! I'm very interested to see where you take this. Why is this hotel so abandoned? Why is he there? Where did he come from? Who is this lady? I hope to find the answers to all these by the end! Post the next part in my thread when you're done! Keep writing! Wink

~Yoyo Cool

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PostPosted: Mon May 19, 2008 3:16 am    Post subject: Reply with quote

Thank you all so much!

canislupis>> I actually was thinking of Zalti's hotel a little when writing this, combined with a motel we stayed at in New Hampshire. And sorry I stole the name! Razz

BBB>> I have been struggling long and hard with both adjective and semi-colon addictions... *sigh* I need to consider serious therapy, at this point.

Yoyo>> Thank you for the review!

And about the storey/story thing: I'm pretty sure it can be spelled either way -- maybe I should change it anyway?

Thanks everyone! Next installment coming soon.

~Azila~

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PostPosted: Mon May 19, 2008 4:42 pm    Post subject: Reply with quote

Quote:
And about the storey/story thing: I'm pretty sure it can be spelled either way -- maybe I should change it anyway?


Yeah.... Like I said, I think it can be spelled that way and still be correct, but I found it distracting from the story. I suppose it's up to you.

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PostPosted: Wed May 28, 2008 10:16 pm    Post subject: Reply with quote

Quote:
Windshield wipers flashed across the woodland landscape in a hypnotic dance
The repetition of "land' annoys me. I think you could get away with "the woodlands in a..."

I have to say, your fist paragraph is amazing. The imagery is so wonderful, and not just visual, but aural. It's so beautiful. And your diction mixed with alliteration make this the best part: bone-like branches crashing. I'm honsetly not sure I've read anything by you before, but I have to say, I am impressed. And that's just the first paragraph! I'm excited to read more.

Quote:
Jason sighed and flipped his attention back to the driveway.
You said driveway and I was confused because I thought he was driving. I figured out what was screwing me up; one of the previous sentences: "Jason tried to focus on the pockmarked mud drive but the rhythmic..." You just say "drive". I would suggest saying the full "driveway".

Quote:
He shivered; he had turned the A.C. unreasonably high to try and manage the choking humidity that made his limbs stick to the maroon leather seats.
Say "air conditioner" instead of A.C. This is a preference of mine, and if someone doesn't know what AC is (I know, you might be thinking who doesn't know that?) But it also looks prettier if you write it out. Also, a side note, that is an insanely sexy sentence.

Quote:
The lane made a sudden turn to the right
Okay! I'm confused again. So maybe when you said driveway above you didn't mean that. To me a drive way is the area in front of one's house, leading into the garage, where one may park. Are you using driveway to mean road?

Quote:
He parked in between the only two cars in the gravel parking lot


Quote:
A little sandpaper tongue lashed his cheek.
I think "lashed" is way too violent a verb for a cat - but that's just me.

Quote:
An ovate woman garbed in bubblegum pink bustled up to Jason and took the dust bunny into her short, pudgy arms. She had a merry, round face with surprisingly large eyes and a dusting of fine ashen curls.
When you said "dust bunny" I wasn't sure you meant it was a rabbit or... you were just describing the cat. I was confused. But either way, you say "dusting" in the next sentence, and the repetition stands out.

Quote:
but she couldn’t stop talking about how much she loved loves the rain…
Present tense, because though the comment is about the past, unless the girl is dead, she still loves the rain.

Quote:
With a tall, slanting scribble, he: Jason Hadley


Quote:
He threw the door open to see that the sun had set completely.
Can I rephrase this sentence? "He threw open the door to find [that] the sun had set completely." The movement of open is only my preference, "find" sounds better, and I put "that" in brackets because you don't need it, but it is up to you.

Quote:
The rain had lightened to a misting that was barely noticeable


Quote:
Jason’s blindly groping fingers soon fell on a small [comma] plastic light switch. Flipping this, he saw before him a modest room with a cheap kitchen with a folding table and plastic desk chairs to his right, a bathroom to his left, a sliding glass porch door on the opposite wall, and a flowery queen-sized bed in the center.
The "with" thin the second sentence bugs me, so I'm going to rewrite it, but you can try your own version, which should be better: "Flipping it, he saw a modest room: a cheep kitchen with a folding table, plastic desk chairs to his right, a bathroom to his left, a sliding glass porch-door on the opposite wall, and a flower queen-sized bed in the center." It isn't much better, actually, but I just changed some things.

Quote:
A young woman was standing, rather unsteadily, atop the flimsy wooden railing.
if she is standing on the railing, my first thought would be that she is trying to kill herself? Though, it depends how high the rooms are. He walked up stairs, so? I don't know. Just my thought, though perhaps I've misread something.

Quote:
“I guess so,” he muttered, his body eager to leave this crazy woman and collapse into a soft bed.
Also, later in dialogue he says sometihng like "I want to sleep." Either say he wants to sleep in narration, or in dialogue. I doubt sleep is an important part of the story, and so the redundancy is only annoying.

Quote:
“Uh… you too,” he muttered, twitching away from her warm, heavy touch, “but I really better be going now.”
"twitching" is bizarre word choice, imo.

Quote:
“See you later!” She called after him as he took up his things and left.
I don't particularly like the quick exit. I think you should break up the "she" and "he" part, and perhaps give us a few more sentence to his leave. That's just my thought.

1. Is this post a good length, or would you rather I post longer/shorter segments at a time? I love the length! This is nice and short, and quick for me to get through. I take a long time on fiction critiques, so having shorter sections help me to get more done... the longer it is, the longer I will take to get to it/finish it!

2. Is the dialogue realistic? Yes! Wonderful dialogue. I think Siera is too bouncy, but that is me having a problem with the personality, and not in a written way, but in a I wouldn't like to be around her in real life sort of way. Too bouncy!

3. Is there too much/too little description? Am I describing the right things? No. It is perfect with description. You have amazing power of imagery, and I love, love, love it. If you took any out, I would cry. You are wonderful, honestly. This is so terribly beautiful. I was thinking "Well, but there is no defined conflict!" but you know what? At times, the writing is so good you really don't care if there is conflict, because the writing makes you interested. You want to keep reading because it is beautiful - and you did this for me, and that is a great skill to have. Many, many praises from me for your imagery and the beauty of your diction.

Honestly! No complaints from me whatsoever. I look forward to reading the next part. (You should probably post the link on my Critique thread, or I may forget because I have bad memory, but because I am not interested!) Amazing, Azila. Truly amazing.

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Azila   View This User's Portfolio
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PostPosted: Fri May 30, 2008 3:47 pm    Post subject: Reply with quote

Thank you so, so much, Suzanne! That critique really helped a lot... not only with helping me realize what I need to work on, but also with boosting my morale. I have been kind of depressed about this piece for a while -- partially because I can't think of a way to finish it, and partially because I wasn't terribly pleased with what was already there.

Did you really think she was about to commit suicide?! Oh goody goody! ^_^ (That's what I wanted you to think).

I'm also glad that you didn't like Sierra, because (as canislupis pointed out) it seemed to me that she might be getting a tad too perfect... which nobody wants to happen to their character. ^_^

So -- I have made all the changes, except the driveway/way/lane thing, which I will have to go and do when I'm in a more patient mood. Very Happy

Thanks again!
~Azila~

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PostPosted: Sun Jun 01, 2008 4:33 am    Post subject: Reply with quote

From yoha_ahoy:

Quote:
Questions:

1. Is this post a good length, or would you rather I post longer/shorter segments at a time?
Perfect posting length for me. Only take a couple minutes to read yet it gets the reader into it enough to hold their interest and keep us curious.

2. Is the dialogue realistic?
Fantasic dialogue I felt. Perfectly natural to what someone in such situations would say. Good on showing internal thought as well.

3. Is there too much/too little description? Am I describing the right things?
I liked the amount of description, but I find that I enjoy more description than the rest of the masses. It's up to you if you wish to include more or less description. As far as describing the right things? Yes.

I'm still working on the ending (thus the unsureness as to how many parts there will be) but I thought I'd post this much to see what you guys thing... thoughts?
Thoughts... love it! I'm very interested to see where you take this. Why is this hotel so abandoned? Why is he there? Where did he come from? Who is this lady? I hope to find the answers to all these by the end! Post the next part in my thread when you're done! Keep writing!

~Yoyo


Yup. That's it in a nutshell. Oh, and, from Suzanne:

Quote:
3. Is there too much/too little description? Am I describing the right things? No. It is perfect with description. You have amazing power of imagery, and I love, love, love it. If you took any out, I would cry. You are wonderful, honestly. This is so terribly beautiful. I was thinking "Well, but there is no defined conflict!" but you know what? At times, the writing is so good you really don't care if there is conflict, because the writing makes you interested. You want to keep reading because it is beautiful - and you did this for me, and that is a great skill to have. Many, many praises from me for your imagery and the beauty of your diction.


That's exactly what I thought. So, brilliant work, and PLEASE PM ME WHEN YOU GET MORE OUT!!!!!! I love this.
RG Very Happy

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PostPosted: Thu Jun 05, 2008 8:18 pm    Post subject: Reply with quote

Hmm, I liked it. I find Jason rather a mysterious guy; and I disagree with Chernobylly. I'm sure he will be an interesting character.

I like Sierra. She's a little odd, but she is intriguing.

Quote:
Questions:

1. Is this post a good length, or would you rather I post longer/shorter segments at a time?

2. Is the dialogue realistic?

3. Is there too much/too little description? Am I describing the right things?

I'm still working on the ending (thus the unsureness as to how many parts there will be) but I thought I'd post this much to see what you guys thing... thoughts?


1. Perfect length. Not too much, not too little. Smile
2. Dialogue is completely realistic. Like a movie; I can picture it. *Laughs out loud.* Yes, very nicely done.
3. Description is A-Okay. I like a lot of description--I like to vividly picture things. So, you're doing a great job there. Very Happy. And yes, you are definitely describing the right things. If you want critique, you could maybe slack off on the adjectives when describing lesser, unimportant thigns.

(Thoughs?) Again, I liked it. I liked it a lot. Smile.

*~*Kiss*~*

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PostPosted: Thu Jun 05, 2008 8:19 pm    Post subject: Reply with quote

That last part should say "Thoughts". :S Sorry.

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PostPosted: Mon Jul 21, 2008 4:49 am    Post subject: Reply with quote

1. Is this post a good length, or would you rather I post longer/shorter segments at a time?
It's a fair length. I suggest if you want to turn this into a proper story (short or novel) you need to develop the characters in more depth. I can imagine them, but they're very vague, and their interaction is far too briefly discussed. A good start, but it lacks character (the characters lack emotion and character)

2. Is the dialogue realistic?
Yes. But you should work on putting more into it. They would say those things but there would be more awkwardness on Jason's part, or more defiance by Sierra, or if you really want to make her crazy and out there, she'd have many more outbursts.

3. Is there too much/too little description? Am I describing the right things?
Average, there is so much room for you to throw more in. Go over it and describe in detail what the characters look like and what they feel. Jason begins strong, and the whole first page is pretty good considering the length of this. The car scenes are great, and i love your interpretation of the windshield wipers dancing. Very nice!

I'm still working on the ending (thus the unsureness as to how many parts there will be) but I thought I'd post this much to see what you guys thing... thoughts?
It's a great story overall. It's just lacking in the meat, and at the moment it, after reading it, feels like a skeletal structure just begging for more. You could take it in so many different directions, just let yourself go. Give yourself time to think and divide the story - try continuing on 2 different paths and selecting the one you find works best. Consider new ways the characters could meet, interact, or change the way they feel (sierra could be more awkward at being seen on the balcony with dishes, or she might be high on her own insanity)

I am awaiting another installment if there ever is one. =)



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