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Young Writers Society Forum Index » Fantasy Fiction

This thread was created on May 4, 2008
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The Watcher (Chapter 2)
Chapter 1, The Duty {Being Edited}
The Duty Chapter 2 {Being Edited}
The Duty, Chapter 3 {Being Edited}
The Duty, Chapter 4 {Being Edited}

Rewrite of Chapter 1 The Watcher
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PostPosted: Sun May 04, 2008 5:44 pm    Post subject: Rewrite of Chapter 1 The Watcher Reply with quote

This is the Edited version of my First chapter. Does it sound better than the first? Also I'm going for a nicer Adelaide from the beginning so any suggestions would be helpful. Also please let me know if I repeat myself at all and point it out because I really didn't get to read it over that closley. Thanks in Advance!

Chapter One

She walked down the same hallway that she had walked since she was young. The red carpet was soft against her bare feet. Something was alive inside her. She glanced down at her hands seeing that they were decorated with blue tattoos.

“Adelaide, you’ve got five minutes. We can only hold the offense for so long,” a harsh voice echoed inside her head.

Adelaide nodded, breaking the connection with the man. Suddenly, the ground gave out beneath her. Adelaide grasped up air as she plummeted down into darkness. A sharp pain vibrated through her legs as she smashed into hard ground.

A voice spoke through the darkness, “Hello princess.”

“Who are you?” Adelaide heard herself say, her voice saturated with fear. She had no idea where she was but darkness had never been a favorite of hers. Or voices that came from stone walls.

“You’ll never know,” it replied. Suddenly, a hand struck her across her face. Adelaide collapsed to the floor, the taste of blood filling her mouth. She touched her face with shaky hands, feeling the five long cuts that now bled onto her pale skin.

“Your powers are mine,” the voice said and a splitting pain erupted in Adelaide’s mind.

Adelaide screamed in agony, twisting away from the voice. She pushed against the wall, looking for an escape but there was none. The pressure became unbearable and she continued to cry out for help. Suddenly, her world receded into darkness.

Adelaide awoke, her forehead soaked with sweat. Her lungs gasped for air and she looked around. Her muscles were tensed, ready to run. Relief returned as she recognized her surroundings. The goose feathered blanket of her bed had tangled itself around her legs. She felt her face, but her skin was still smooth without a speck of blood. The blue tattoos she had seen decorating her hands had disappeared. It was just a dream, she tried to reassure herself, sinking back into her pillows. She reached under her pillow and pulled out a journal.

She opened the black bound book to a blank page and grabbed a quill pen from the side of her bed. She dabbed the pen with ink and began writing furiously.

“Dream entry number 21: Same dream, same images that I’ve been having for the past week.” Adelaide paused placing a hand on her heart, trying to calm herself down. “This time though I actually felt the pain. I tasted my blood. It was different, more real. I have no idea what’s going on, who’s after me.” Her hands shook as she wrote the last line.

Ever since she was young, the schooling scribes of the palace had taught her the importance of dreams. But the same dream repeated so many times was a little much. She shivered and continued, “I hope I find out soon.” She was about to go on when the knob on her door turned. She stuffed the book back under her covers and closed her eyes just enough so she could make out the figure coming her way.

A tall girl with bright red, wavy hair entered the room. Adelaide breathed a sigh of relief. These dreams just make me more afraid, Adelaide said to herself, rolling onto her side.

“Princess Adelaide,” the girl said, coming over to the bed. “Time to get up.”

“Good morning Anne,” Adelaide said sitting up.

Anne smiled. “You’ve got a full day in front of you me lady. No time to waste. Martha’s waiting for you downstairs.”

Adelaide returned her smile, looking straight into Anne’s green eyes. “Just give me a few more moments. I don’t want to get up yet. And anyway, I always have to make sure I’m late. It’s my signature move.”

Anne rolled her eyes, “Late or not, it’s time to dress.” She strode over to the windows and pulled open the curtains. Adelaide squinted her eyes against the bright sunlight. She flopped back into her pillows. I would take nightmares over any day in the palace, she thought to herself as Anne tugged her out of bed.

* * *

“Martha, stick me with that god-awful pin one more time and I’ll make sure you never dress me again,” Adelaide snapped at a wizened old woman standing behind her. Her behind was already sore from the number of times that the woman had stuck her with the sharp object. The seamstress shot her a frustrated look and then returned to her sewing, squinting as she wove the needle unsteadily through the blood red layers of fabric.

“Well, if you kept still for once, your Highness,” Martha mumbled to her jumpy client, “I would be able to see where I be putting it.”

Adelaide sighed, rolling her steel grey eyes toward the ceiling. She never had the patience to stand still for more than a few minutes. The old woman grunted as she pushed the sharp wooden tool with golden thread through the tent of material that enveloped the petite girl. Adelaide felt another sharp pinch bite into her side and Adelaide winced. Suddenly, an unchecked anger surged through the princess’s veins coupled with a thrilling excitement. Martha cried out in pain. Adelaide whirled around in surprise.

Martha held up her index finger, blood oozing slowly from a prick at the tip.

“How, what?” the seamstress sputtered, grabbing a strip of white material from her basket and wrapping it around the wound.

Adelaide felt a shiver go up the base of her spine and she shook it off. I had nothing to do with that, she reassured herself, but her hands shook under the material. This happened a lot, these accidents, but Adelaide tried to convince herself that they were just that, accidents.

Once Marsha had dressed the cut, she lifted the cloth over the princess’s head.

“Thank goodness that’s over,” Adelaide replied, dusting off her lacy petticoats. She shook her unruly blonde curls away from her face and gave Martha a withering look.

“Your eyes don’t frighten me anymore,” Martha said shaking her head. Adelaide sniffed, looking away.

Mumbling to herself, the old granny stood up slowly, “Someone ought to teach her to mind her manners.” Adelaide ignored her comment and signaled for Anne to come to her. The red-head walked over, her eyes trailed on the floor at her superiors feet.

“Anne, take me to the queen,” she ordered. Anne, nodded, leading the princess out of the seamstress’s room and into a stony-walled hallway. It was out of the question for servants to even look royalty in the eye. It was an offense that could get anyone thrown into the dungeon. But Adelaide was always able to skirt by the rules and she was one of few royalty who talked to servants as friends, if only in private. She always had to be careful to obey palace customs in public. You never knew who was watching, she thought to herself as the pair made their way down the hall.

Anne stepped forward and knocked timidly on the frame of the door. It creaked open allowing a small ray of golden light to fall on the pair. Without a word, an elderly man in a black suit beckoned them inside. The sunlight streaming in from the wide open windows blinded Adelaide and she squinted in the brightness. She felt a solitary ache inside her heart, but she wasted little time contemplating the sensation. She was hardly ever allowed outside; the sunlight teasing her with its faux warmth. She padded across the marble floor, dismissing Anne at the same time with a wave of her hand. The butler, Francois, strode back over to the door, resuming his duty. At the center of the room, she stopped and knelt daintily on her knees, her skirt fanning out around her with a whisper of crinkling satin. She bent her head down towards the floor, her pale eyelids coming down over her eyes, contrasting with the dark circles that had formed underneath them.

“Francois,” a commanding voice ordered from the far side of the room. “Leave us.” The butler bowed and without a word, slipped out of the room.

The thump of a cane and the clicking of high heeled shoes were the only sounds the girl could hear, approaching her with an even measured step. She dared not open her eyes. It was against custom and she had been taught to abide by the unspoken rules ever since she was born.

Two stiletto shoes stopped inches in front of the girl’s knees and she slowly raised her eyes. A tall, thin woman with a sharp chin, dressed in a black and red velvet day gown stood above her. The bodice was woven with silken ribbons and Adelaide noticed that there was a small imprint of a heart on the woman’s left sleeve. That’s as big as her heart will ever be, the princess thought grimly, her lips pressed together in a thin line. It’s quite ironic that she wears it on her sleeve.

A golden crown identical to the one Adelaide was wearing sat upon the woman’s black hair, which had been done up in a tight bun. The woman extended her left hand, the one not holding the golden scepter and Adelaide gently took it and kissed the black mica ring on her index finger. With a smirk the woman withdrew her hand and turned around. Adelaide rose, making sure not to fumble with her gown, and followed the woman, bowing her head towards the floor, careful not to lift her eyes upward. The woman walked over to a chair (one of the only furnishings in the room that wasn’t red) and sat down.

“You may sit, Adelaide,” she motioned to the wooden chair across from her.

“Thank you, your Majesty,” Adelaide replied as she bent into a deep curtsy.

The queen drummed her fingers on the arms of her chair as she looked Adelaide up and down. She raised an artistically formed eyebrow in the girl’s direction and cleared her throat before she began. “Your father and I have spoken of what to do with you, my dear step-daughter, and I believe we have found the perfect solution. Your father wishes for you to marry before he dies.” She dabbed the corners of her eyes with a handkerchief before she continued. “And the physician says he does not have much longer to live. The virus has utterly destroyed his body.”

Adelaide’s eyebrows creased with worry for a moment before she quickly composed herself. It was important to keep one’s emotions in check.

“We have decided for you to marry Prince Edgar of Mariquit. The negotiations are taking place as we speak. He and his party are due for arrival in a month hence,” the queen continued.

Adelaide winced. Mariquit was a poor, war-ridden kingdom a bit beyond Magnifica’s borders. It was rumored that Prince Edgar was an incompetent oaf who enjoyed gambling the country into debt and participated in the Forbidden Trade. He was known for his unfaithfulness, having at least two previous wives and many mistresses. He was also 20 years older than her. So that’s her diabolical plan, Adelaide thought to herself, she wants me to die poor and dishonored. I could not have expected any more than that, she thought angrily, trying to keep her face straight. I will not marry him, nay I will never marry, she decided stubbornly.

“As you wish, your Highness,” Adelaide said as meekly as she could muster, quelling her gag reflux for the moment.

The queen looked satisfied, “That is all.” She dismissed Adelaide with the wave of her hand.

Adelaide nodded and curtsied then strode towards the exit. Francois opened the door with a brisk pull from the outside and stepped aside to allow her to pass under the arch. Anne had been waiting in the hall and snapped to attention as Adelaide marched past her. Her face was still calm and collected.

“Where am I to escort you, Princess Adelaide?” Anne asked.

“My father,” she said, continuing her journey down the hall.

Anne looked discreetly from side to side, before whispering, “But, I’ve been told explicitly that only the physician and Queen Victoria are allowed to see him.”

Adelaide stopped in mid-stride. Her steel-grey eyes flashed with an anger that her calm voice did not betray. “How could someone do that,” she hissed, and Anne shrugged, keeping her gaze fixed on the floor. The pair continued down the hallway, neither looking at the other, but deep inside they both knew of their concealed friendship.

Curiosity replaced the hate that had enveloped the princess’s eyes. “By whom were you thus informed?” she asked as they turned a corner.

“The queen,” Anne replied, struggling to keep up with Adelaide’s long strides.

Adelaide swore under her breath. “That witch,” she murmured. “Let’s return to my apartments so we can speak in private.”

Anne nodded and glanced up at the princess. Their eyes met for a moment and Adelaide’s gaze softened, a thin smile flashing across her lips. They walked up a spiraling staircase made of shiny black tile which ended in a gold emblazoned door.

“Anne,” Adelaide said, staring straight ahead. The red-head hurried forward and reached into her white bodice, pulling out a cloth pouch. She fumbled with the brown drawstring and finally managed to pry it open. She withdrew a small, but heavy golden key from the purse. It was old fashioned, but a newly polished shine caught the candlelight.

Anne placed the tip of it on the imprint of a heart that had been stamped into the door. The door blazed a fiery orange and a clicking sound erupted from the bottom left hand corner of the golden portal. A metal plate extended out of the door about the size of Adelaide’s palm. On the plate was a keyhole into which Anne inserted the key. Next to it was a small, round disc, embedded in the plate. Anne reached into the woolen pocket of her brown skirt and uncorked a vial half-full of dark red liquid. She let one drop fall onto the disc before lightly tapping the plate with her index finger. The disc spun in a circle, swirling the red liquid into the shape of a heart. The original golden heart on the door glowed red and with a pop, the latch clicked and the door swung open.

Anne replaced both the vial and key to their original places among her clothes and hastened into the room. Adelaide followed close behind and sank into a dark green chair that was in front of a magnificent fireplace. The door closed behind them, the lock clicking back into place.

Adelaide handed Anne a pair of her slippers that needed mending and Anne took her place beside the blazing fire. Anne was known for her stitching and now she weaved the thread in and out of the fabric, closing up a large hole at the toe of the shoe.

“Why do you think she’s making me marry that odious man?” Adelaide asked, closing her eyes.

Anne shrugged, continuing her sewing. “Does she need a reason?”

Adelaide shook her head. “I don’t know anymore. I really don’t. Ever since the king’s been ill, everything’s been going downhill.”

Anne paused, “Well maybe she’s afraid that you may have more power than her. By marrying you off to a poor kingdom, she’ll be in full control.”

Adelaide’s heart sank. “Yes, that’s probably what it is. I’m doomed,” she felt tears welling up in her eyes as the gravity of her arranged marriage struck her.

Anne tried to comfort the poor girl, “We still have a month. We’ll figure something out.”

Adelaide shook her head, leaning back into the cushions. It’s hopeless, she thought, a single tear leaking from her eyes.

Anne stopped her mending, glancing up at the princess. Adelaide was very small for her age. Fragile, with bones as thin as a baby bird, the king had once said of her frame. Her height often got her mistaken for a ten-year old while she was nearing 18. The people of Magnifica called her pale, narrow face beautiful, her golden-blonde hair perfect, and her big grey eyes stunning. However, like many other servants and townsfolk, Anne found her looks haunting, especially her eyes. Adelaide’s gaunt flesh and piercing gaze along with her peculiar behavior caused Anne to shiver. Any man that would marry the princess would sure be in for a lot of surprises she thought. But she kept her thoughts to herself.

“Now, open the windows and let some light in. Lack of fresh air is making me dizzy,” Adelaide murmured, wiping her eyes.

Anne opened her mouth again, but thought better of it and began scurrying to open the shutters. Adelaide greatly disliked the palace customs and refused to abide by them in the privacy of her room. Out in public it was different. Anyone could be thrown into the dungeon for speaking to those of a lower class while looking them in the eye. She didn’t want to risk it outside of her bedroom walls.

People were startled with her eyes to begin with. She didn’t need to attract any more attention. She took a deep breath as the dim sunlight spilled into her room. The drumming that had been carrying on inside her head dulled and her face broke into the slightest of smiles. Slowly, she eased herself out of her chair and approached the open window. She placed her hands on the sill and closed her eyes, letting the frigid breeze toss her hair away from her face. She was at peace for the first moment that day.

She heard Anne shuffle behind her. “It’s quite cold, your Majesty, and it would be terrible for you to get the chills,” she said.

Adelaide turned around, her happiness disintegrating, about to return to the fire to find that Anne held a large goose-feathered comforter in her arms. In that moment Adelaide saw a trace of pity in the servant girl’s eyes, but quickly looked away. Adelaide accepted the blanket, a smile crinkling her grey eyes. She wrapped the warm material around her thin shoulders, looking out at the setting sun.

Winter in Magnifica was absolutely stunning, she thought. The red-gold rays of the sun bounced off the glittering icicles that hung from the trees and reflected off the frozen, snow-covered ground. She could see the small wooden and clay houses of the villagers, their roofs covered with a thick white icing of snowflakes. She could see everything from her tower. She was just beginning to enjoy the view when the bell that hung near her door clanged. Anne quickly stepped forward and opened the inside latch on the door. The visitor, whose face was hidden to Adelaide in the shadows, exchanged a few quick words with Anne before she nodded and shut the door.

Anne turned to Adelaide and said, “The queen requests that you go to sleep because you will be having a very trying day ahead of you, Princess.”

Adelaide nodded and handed over her blanket to her servant. “I relieve you from all other duty tonight, Anne,” she said, her voice tired.

Anne smiled and bowed, locking Adelaide’s door behind her parting figure. Adelaide collapsed on the bed. She lay back against the pillows, closed her eyes, and let the darkness whisk her away. Hopefully no ill-founded dreams will be sent my way, she thought as she fell asleep.



Last edited by scasha on Sat May 10, 2008 4:04 pm; edited 1 time in total
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PostPosted: Sun May 04, 2008 8:30 pm    Post subject: Reply with quote

In general, I liked it. But there are a few things I want to point out in the line of cliches, and so with this critique there comes a disclaimer.

*Any truly original story idea can be butchered beyond belief, and any cliche can be woven into a truly beautiful piece of writing.

Now, what did I think approached cliche? Well, the evil stepmother, and the fact that Adelaide decided immediately that she wasn't going to marry this man. (Though to her credit she did know about his reputation as a Ladies' Man.) Of course, if you see the disclaimer, it might not be a problem, but make sure your characters stay themselves. This might be what your looking for, though, if you want this to feel more like a fairy tale.

Quote:
It makes a cold shiver slide down your spine.


Nice line, but it seemed a little awkward at first. I don't have any suggestions for it: I don't think there's anything you can do for initial awkwardness.

The diary entry: I felt that towards the end it rambled. She was talking about the nightmares at one moment, and then how everyone was scared of her, and then to how something bad was going to happen. Is that related to the nightmares? (I assume so.) Does she feel lonely? All things to build on. If she feels lonely, and you build on that, then brownie points to you. It'll make your character seem deeper.

Still on character - why does your character pretend to be harsh when she doesn't want to? Is it about her step mother? Just something to think about.

On names:

Why is the country called Magnifica? Any reason? It seems sort of out of sorts. Even if you don't answer any of the questions I've asked in your story (about Magnifica, if you have a reason, you most certainly don't have to have it in there, as that would distract from the plot), but it's still good to know these things.

I've also noticed that just about everyone in the world who is named Anne has red hair. it isn't just fiction, either. It's a fact of life - people name redheads Anne. (I have red hair!) I just think it's funny.

But while we're talking about Anne, I noticed that you refer to her a lot as the 'red-head.' While this isn't a problem, I noticed it most when you referred to her as that two times close together. You also referred to her as 'the girl' a few times close together. It's okay to use her name. Shaking it up never hurts, but don't shake it up too much.

I liked how you kept your descriptions of characters shorter than other fantasy writers. I'm not a fan of exposition.

As I said above, I like it so far. If I get to critiquing later chapters, hopefully I'll have something to say about plot.

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PostPosted: Sun May 04, 2008 8:35 pm    Post subject: love it Reply with quote

i really like your story it is very infomative

other stories i write don't give you a lot of explaining

but through your whole story i completely understood


for example when a cold shiver slid down your vine

it remains me a ghost or something taking over your body

but i totally agree with the other replier why does she pretend

to be harsh and mean?

is it because she wants to impress her stepmother

or does her stepmother get on her nerves or something

besides that i think the story was magnificent

oh and your welcome (lol)

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PostPosted: Sun May 04, 2008 9:11 pm    Post subject: Reply with quote

Thanks so much for all the help!

bear and Jaliayh-- about the anger thing, she has to pretend that she doesn't associate with the common folk and must look down on them, (it's a law in magnifica) but if you think I shouldn't include that let me know.

I chose the name Magnifica just by saying I wish I could create a magnificent place and since most countries in Fantasy Worlds are created by combining or shortening existing world thats what I did with the word Magnificent.

The nightmares and such I explain in a following chapter. I'll also beware of the cliches. i've been warned about the stepmother thing but that eventually gets taken care of in the other chapters. However, just a quick question do you think that maybe I should have the stepmother actually be her mother?

I'm glad you enjoyed it and I'll take a look at all of your helpful suggestions Smile

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PostPosted: Sun May 04, 2008 9:26 pm    Post subject: Reply with quote

With the step mother, it all comes down to what works best for your story. If having her as the step mother works best, for character and plot purposes, then keep it. If you have reasons for things (as long as they are reasonable reasons) and it works, then fine. Why not? If it makes more sense for her to be the mother, then change it.

It seems to me like you have a very interesting world with a possible culture budding. Always a plus!

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PostPosted: Sun May 04, 2008 9:37 pm    Post subject: Reply with quote

Hey there! Haven't seen you around before, so welcome to YWS!

This is a really good start, I very much enjoyed it. The bit at the beginning really pulled me into the story, and I really liked the foreshadowing that was threaded throughout. I also liked how easily we could start to feel Adelaide's emotions and how you helped us learn about her character through her thoughts and actions, rather than telling us what she's like. Your descriptions were really great as well, I felt very much like I could see the world you were describing. There was some really lovely imagery, particularly in the bit where you were describing Adelaide's appearance.

One note on that though: although your sensory description was beautiful, sometimes I feel like there was a little bit too much of it, particularly when you were describing color. Does it really matter to the story whether or not the basin was white? Although it helps your reader see the world better, sometimes too much description really has the opposite effect. The reader can't remember all the colors you throw at them, so they just kinda make something else up in their head, and it becomes almost annoying to them to be told that something is a certain color when their subconscious insists it's not. I hope I'm making some sense here... XD I guess what I'm saying is that you can leave a lot of the adjectives, but you might want to take out a few, as well. Don't worry, too much description is an easy, easy pitfall to stumble into, I'm guilty of it myself. Some of my infodumps for introducing a main character are just... frightening to behold. XD

Uh... let's see now, how about some actual, specific critiques...

Quote:
“Well, if you kept still for once, your Highness,” Martha mumbled to the jumpy 17 year-old, “I would be able to see where I be putting it.”

Nitpick time! I think it's a little unnecessary to tell us she's seventeen here, especially because later on, the fact that she's nearing eighteen is worked into the narration much more smoothly. But if you decide to keep it, you should probably write out the word, rather than putting the number.

Quote:
The girl sighed, rolling her steel grey eyes toward the cathedral ceiling.

Back up a second... she's trying on her new clothes in a church? I'm no expert, but I believe most churches would frown upon that sort of thing. Wink Maybe you meant the ceiling looked like one in a cathedral?

Quote:
“Someone aught to teach that girl to mind her manners.”

Well, hi, commonly confused words! I think you meant "ought," because I'm pretty sure "aught" with an "a" means "zero" or "nothing."

Quote:
The girl felt the scratchy fabric brushing against her legs, making her itchy. The two girls hurried across the red-carpeted walkway, the girl’s slippers so soft that they barley made a sound.

I think you used "girl" a little too much in these sentences.

Quote:
The queen looked satisfied, “Then I suggest you go prepare yourself for Prince Edgar’s arrival.”

Now? I thought you said this guy wasn't gonna get there for a month.

I also think you might want to introduce Adelaide's name a bit earlier, just because always using the word "girl" got a bit confusing.

In any case, brilliant start. ^_^ This story shows a ton of promise, and I'd have to say, I'm hooked. I'd very much like to read more, if you care to write it. PM me if you post the next chapter, okay? ^_^

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PostPosted: Mon May 05, 2008 12:00 am    Post subject: Reply with quote

Quote:
It was one of those breezes, the kind that raises the hairs on your arms.

This sounds choppy to me. Try, It was one of those breezes that raise the hair on your arms, that make a cold shiver silde down your spine.

Quote:
A single candle, lit on a dresser,winked in the wind, but did not go out.

Without the comma, it seems like the dresser winked.

Quote:
The wind stopped, settling on a single page.

The way it's written, it appears that the wind settled on a single page. Try: The wind stopped, and the book was left open to a single page.

Quote:
, exactly like I’ve been having for the past weeks. Not a regular one where you know you’re sleeping, when you know you’ll wake up and it will be just another bad dream. It’s the kind that you’re trapped in; the ones where you know you can’t get out of even if you do wake up.

It seems like the writer is someone who confides in her diary frequently. Why, then, would she have a horrible nightmare for weeks, and not describe what it was like until after it has been occurring for several weeks. What I'm saying, is, it doesn't make sense that she describes the dream in such an explaining way after it has already been happening for a while.

Quote:
The old woman grunted as she pushed the sharp wooden tool with golden thread through the tent of material that enveloped the petite girl. She had had enough of the woman’s incompetence.

You need to clarify that by 'she', you mean the girl, not the woman.

Quote:
“Thank goodness,” the girl replied

What was she thankful for? Be sure to clarify things.

Quote:
Someone aught to teach that girl

"Aught" means no. "Ought" is the word you are looking for here.

Quote:
She then pinned a silver tiara amid the girl’s curls.
“Anne, take me to the queen,” she ordered.

It's very confusing to use 'she' twice in a row, without specifying who it refers to. Unless the servant is ordering to see the queen, you should say the speaker's name.

Quote:
The servant, known as Anne,

You've already pointed out by showing that the first servant's name was Anne.

By this point, you've introduced two (seemingly) minor characters by name, but we still don't even know the name of the girl they are serving. It would help us connect to the unknown-person if we at least knew her name.

Quote:
The first girl nodded meekly, keeping her eyes trained on the floor as she led the girl out of the seamstress’s room and into a stony-walled hallway. The girl felt the scratchy fabric brushing against her legs, making her itchy. The two girls hurried across the red-carpeted walkway, the girl’s slippers so soft that they barley made a sound.

This sentence seems out-of-place. It makes the reader wonder "Where did that come from?" and again, several times in this paragraph it is confusing who you are referring to. You never mentioned Anne's clothes, yet you were talking about her before you said 'the girl felt...'.

Quote:
The sunlight streaming in from the wide open windows blinded the girl and she squinted in the brightness. She felt a solitary ache inside her heart, but she wasted little time contemplating the sensation She was hardly ever allowed outside; the sunlight teasing her with its faux warmth. She padded across the red marble floor, dismissing Anne at the same time with a wave of her hand.

I really thought that you were talking about Anne until you said that she dismissed Anne.

Quote:
she stopped and knelt daintily on her knees, her pale blue skirt fanning out around her with a whisper of crinkling satin.

In the scene with the seamstress, Martha was sewing on a red dress. Why now is she wearing blue?

Quote:
She extended her left hand, the one not holding a golden scepter

The girl (You still haven't revealed her name at this point) heard the thumping of a cane. Now you say a scepter. In some people's minds, a scepter and a cane are very different things; if in this case they are, shouldn't the other hand be holding a cane? If you are assuming that a scepter and a cane are the same thing, ignore this.

Quote:
Anne replaced both the vial and key to their original places among her clothes and hastened into the room. Adelaide followed close behind

I'm going to assume Adelaide is a princess. Logically, though you haven't made clear a custom on this, wouldn't a princess enter before a servant?

Quote:
Her green eyes were trained on the floor.

Now, she looks away. Before though, she stared at the Princess's face. Why the change?

Quote:
Adelaide nodded and handed over her blanket to her servant.

Adelaide wasn't holding a blanket; Anne was.

Quote:
It is always very hard to keep up a façade of being so terrible when all you want to do is be nice, she thought.

Could you explain more about this statement? It doesn't seem like Adelaide was trying to be nice; it seemed like she had to try hard to avoid scolding her maid. This sentence is a bit of a contradiction to the rest of the story.

It looks like you have a good start here. The character of Anne is suffiently developed, but of course I would like to know more about Adelaide. I think you characterized the queen well-enough but you didn't show why Adelaide disliked her so much and thought so little of her. Good work!

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PostPosted: Mon May 05, 2008 8:18 pm    Post subject: Reply with quote

Well everyones said it already so I wont burden you and repeat it.
First off welcome to YWS!

Well the beginning was very intriguing. I can see your talented at creative writing. I'll be looking for the other chapters.

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PostPosted: Mon May 05, 2008 10:40 pm    Post subject: Reply with quote

I really enjoyed this piece, enough in fact that I forgot I was trying to critique it. The charachters have existed before but with enough variations it's still different enough. You may not need to say the part at the end where it mentions the difficulties of being mean when all one wants to be is nice but I got that message from the story and were you to make it a bit stronger there wouldn't be a need to come out and say that since it'd already be conveyed. Just quick thoughts, I'd love to see what else you have and I'll critique in more detail later.

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PostPosted: Mon May 05, 2008 11:47 pm    Post subject: Reply with quote

I enjoyed this, except one part did confuse me a little...I think someone else might have said it already but I'm not sure:

"The girl sighed, rolling her steel grey eyes toward the cathedral ceiling. The old woman grunted as she pushed the sharp wooden tool with golden thread through the tent of material that enveloped the petite girl. She had had enough of the woman’s incompetence. An unchecked anger surged through her veins coupled with a thrilling excitement. The woman cried out in pain and surprised, the girl turned around"

The use of the words "girl" and "woman" are very confusing. The girl should be referred to as the "girl" and the woman should be referred to as the "woman" at all times, so that the slow people like me can understand easily XD

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PostPosted: Tue May 06, 2008 12:19 am    Post subject: Reply with quote

Thanks so much everyone! I'll definitley check out your suggestions and fix the whole confusing pronoun thing. I'll introduce her name at the beginning so it isn't so confusing Very Happy

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PostPosted: Tue May 06, 2008 4:05 am    Post subject: Reply with quote

A lot of this is probably stuff that's already been said, but I'm saying it for just in case. Over all, this story is very interesting. I think one of your strongest points is your ability for description. You also seem to have this pretty planned out, which is cool. I liked the tension between the queen and princess, too, when the queen told her she had to get married.

I am definitely looking forward to reading more of it. Very Happy

Quote:
The wind stopped, settling on a single page.

I would suggest putting a space between paragraphs here so that it's not really one HUGE block of text.
Quote:

The writing was furious; ink had dripped across the page in the author’s haste. It read, “I had another nightmare, exactly like I’ve been having for the past weeks. Not a regular one where you know you’re sleeping, when you know you’ll wake up and it will be just another bad dream. It’s the kind that you’re trapped in; the ones where you know you can’t get out of even if you do wake up. I don’t understand it. I’m afraid to sleep, I’m even afraid of myself sometimes. Whenever the light goes out in my room and that terrible wind rips through the trees outside my window I know I’m helpless. Not only the nightmares keep me awake. It’s the ghostly blue light that fills the room when I open my eyes after waking up from my dreams. I don’t know what’s happening to me. Nothing seems to make sense. Everyone is afraid of me. All I do know is that something terrible is about to happen, something I can’t control and that I need to stop it. I just don’t know how.”


Hmm. This is debatable, because you -can- get away with having a huge block of dialogue like this...but on the other hand, I would suggest breaking it up. Find a place to cut the dialogue off, add some bit of information, and then break it into another paragraph of dialogue. But, maybe I'm wrong to suggest this, I'm not entirely sure.

Quote:
The servant, known as Anne


You already mentioned her name above, so I think you could get away with just saying "the servant," and the reader would know that it's Anne that's being talked about.

Quote:
She felt a solitary ache inside her heart, but she wasted little time contemplating the sensation


Missing a period there.

Quote:
“Francois,” a commanding voice ordered from the far side of the room, “leave us.” The butler bowed and without a word, slipped out of the room.


I would suggest putting a period after "room" and capitalizing "leave."

Quote:
The red-head threw herself at Adelaide’s feet, tears trickling down her face,


Quote:
Her height often got her mistaken for a ten-year old while she was nearing 18.


The wording is a little strange here. Try something like:

Quote:
Her height had often gotten her mistaken for a ten year old when she was nearing eighteen.


Also, in this sentence, but perhaps in others, you switch from writing out the word for a number to just writing it in numeric form. It's best to stick to one or the other, though preferably the actual word.

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PostPosted: Tue May 06, 2008 7:13 am    Post subject: questions Reply with quote

wow Shocked :: , i mean you are a really good writer. though i would say a few things,
- it would help if you could describe the main characters a little, espcially adalaide
Question - i thought that adalaide wanted to visit her father and if she really didn't like her stepmother then why would she give up so easily when anne told her what the queen said ?
- in the begginning of the story, anne seems a little 'jumpy' and suddenly after seeing the queen she feels tired and muddled ?
last of all, i was wondering in the diary , she writes that she feels scared and an endless nightmare so why did she feel amused when she knew she did 'those things' ?



the rest of the story was great and i know i couldn't write like that since i just started writing now(i am 13). i am looking forward to seeing the rest of the story and i am hoping you get this published. by the way , i totally agree with the name magnifica. hey it's your world ! Cool

feel free to pm me and pleeese tell me when the next chapter is going out. :
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PostPosted: Thu May 08, 2008 11:33 pm    Post subject: Reply with quote

i'm confused about who the main character is here, Anne or Adelaide. The two seem like they could be friends if their stations weren't so far apart. I get that Adelaide has a power she can't control and is barely aware of, but what does the first part have to do with the second.

A suggestion, if your want to wright a prologue of this take the nightmares and make that into the prologue. It will give a better grasp on the story, and intrigue the reader, which is what prologues are supposed to do.
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