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by Miss Slade in Storybooks
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This thread was created on April 9, 2007
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Mortalitarian Rule.

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Ohio Impromptu   View This User's Portfolio
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PostPosted: Tue Apr 10, 2007 3:09 am    Post subject: Mortalitarian Rule. Reply with quote

One

I put my cigarette on the ground, stamp out the glowing tobacco with a victorious movement of my foot, and return to the past. My life is two things now: a battle against a numerous and belligerent army of cigarettes, and a flashback. There is no longer a present.

I’m not sane anymore, so I linger in the past where I’m totally balanced. Think of it like self-inflicted hallucinogenic time travel.

I have a nicotine regiment in my pocket that are falling one by one against the force of a lighter and my corroded lungs, and that is all I need to break space and time inside my head. I’ve given it a name; one of the words I’ve made up and written down in the empty pages of non-events that tell my fractured story.

Cigaretterospect. Need I explain?

If yes, maybe later.

Tonight, like every night, my body is in the cold embrace of the courtyard all around me, and the apathetic eye of the sky above, that hangs beyond recognition like the subconscious. They let me out here to smoke, but it falls short of an exit by a long way.

My mind is four years in the past, where feelings existed and everyone belonged to themselves. Although, truth be told, this is the second time in my life I have not belonged to myself. The first time was willful.

I’m at a child’s birthday party, celebrating the birth of someone I have never met. I didn’t meet many small children back then, but there I was, surrounded by them as they played and laughed and slowly grew up. You’re only as old as your memories, and these kids were having a simultaneous growth spurt.

I stood near the barbecue, talking to one of the only two people I knew there. I don’t know him now, so his name is government property like everything else that was taken away. He was tall, much taller than me, and had an anomaly of hair that covered his chin, cheeks and neck, but had totally abandoned his head. He wore a singlet and shorts, as he moved steaks and sausages around the hot plate like pieces on a chess board; trying to force the inedible and undercooked meat into a checkmate. Soon he would win and we would all share the spoils of victory. That’s just what men did in those days.

“So how’s school going?” he asked, genuinely. He never looked away from the barbecue.

“Slowly,” I said. “I’m in the middle of exams and each day feels like it could be the rest of my life.”

It was true. When you’re achieving something, time slows down. Conversely, failure causes time to accelerate and leave you behind.

Here there is no success and no failure. There is no time.

“Yeah?” he said, finally looking up at me.

“Yeah,” I said, looking away.

“It must help having someone like...”

I want to interrupt myself here. I can’t continue with this particular passage of events. It’s not exactly painful of distressing to recall, it’s just that when I remember her name being said by someone else it sounds too real. I don’t want to think that she’s real, that she existed. That she might still exist. I can say her name all I want, if I force myself to believe she was a delusion.

I crush another tobacco soldier into the ground. He didn’t scream; a dignified soldier’s death. The courtyard is about the size of a waiting room at a doctor’s office. I don’t know why that comparison comes to mind. Maybe because I associate the courtyard with waiting.

Waiting for something to happen.

Waiting to go somewhere new.

Waiting for them to call me back in.

They call me back in after about ten smoke/repeat circuits. Mr. Jones sticks his head out the door like a man acquiescing to the guillotine, and this alone is the sign that I allowed to reenter the house.

I use the term ‘house’ lightly. It is more of a building that people happen to inhabit.

I use the term ‘people’ lightly, too.

There is no smoking inside, so that part of my life is relinquished when I cross the threshold. They let me outside to smoke because it keeps me complacent; possibly there are depressants in what they give me to inhale.

In the middle of the room is a large round table. The Trigger sits at the far end, with the Blacks all looking at him attentively. They don’t notice me until the Trigger tells them to.

“He’s coming along well,” he announces. They all turn and look at me. “He isn’t showing any signs of regression, and I’m confident that he’ll be fit to join the rest of them in a few weeks.”

Odd, weeks are still a part of society.

“Is he speaking much?” one of the Blacks asks.

“No, but we know that he’s listening, which is marked improvement from when he first got here,” the Trigger says.

I was listening. They were just concerned that I wasn’t reacting. If sound passes into the ear, is turned into vibrations by the eardrum, enters into the inner ear and reaches the brain through a series of sensory nerve fibers, it doesn’t really mean anything has happened. What happens inside your head has nothing to do with the reality; a wince, a twitch – any sort of reaction when you’re being closely monitored – that is the only sign of life that they care about.

I like thinking about my own physiology. It’s the only thing they can’t change. Humanity and evolution will outlast these bastards. I hope.

“We’ll keep him under close observation for the time being and we’ll let him go if nothing goes wrong,” he says to the Blacks. It is the end of me as a subject.

I am led by Mr. Jones, who had been standing next to me during my short stint as a focal point, back to my room. The hallway is long, like walking through dimly-lit drug rehabilitation. There are doors on either side of the walk, none of which I have ever been through or even seen open.

Near the end of the hallway is my room. I live in a cupboard. Not in the architectural sense; it’s actually a decent sized room. A cupboard is where you put unimportant things that you only bring out on the odd occasion that you need them. It’s not healthy, but I’ve come to think of myself as a coffee cup.

I walk in, Mr. Jones stands behind me, making sure I enter, and closes the door when he’s satisfied that he’s no longer needed. I’m not sure he has ever been needed anywhere in the world.

And now comes what might be called the ‘exciting’ part of the story. I resume the potentially dramatic process of planning my escape.

I’m going to kill Mr. Jones with my bare hands, burn down the house and run away into the night. To where there is no more freedom than there is here.

Mr. Jones is much smaller than me, so it won’t be a problem. And the house will burn easily with all the materials they keep around here. With any luck the house won’t just burn, it’ll explode in a riot of chemicals and fire.

Where then? I don’t know. Perhaps I’ll pretend to be a bricklayer. Something I can make it look like I know what I’m doing.

I lay on my bed (I call it a bed, despite just being a mattress on the floor) hands behind my head and look at the ceiling. I’ve got everything I need to make my plan a reality, but I’ve also got one extra that means I’ll never be able to leave: complacency.

I can’t break a stream of inertia even to save my life. Things have always been that way; they’ve only now become so melodramatic.

My room is empty, in exactly the same way that I am empty. I have internal organs and the room has furniture, but we’re both devoid of anything that might make us ‘full’. There is no warm and inviting fireplace, no desire, no pictures on the wall, no smell of a lover, no desk with a typewriter and no choices to be made. Try to combat it as I may, there is an affinity between me and the last place on earth I’d like to be.

I think about that for a while: the last place on earth I’d like to be. What about the inside of a nuclear reactor? Or one of those new prisons that have been set up? I remember learning about the camps the Nazis set up for the weaker pieces of humanity, and I guess they’re a little bit like that. Only a little bit, though.

I could be on top of a skyscraper, looking over the edge, with a cigarette in my mouth and a grand idea in my head. I’ve always been interested in that sort of thing. I don’t know why. Maybe because so many people die, wishing to stay alive, and then there are people staying alive, wishing to die. Which situation I am in, I can’t say for sure. Let me deliberate over the evidence for a while, and I might come up with a conclusion.

Even sleep isn’t the way it used to be. It used to be like friend you invited over whenever you wanted its help. Now it’s like an apathetic criminal, that jumps you lackadaisically when it can be bothered getting out of bed. I can never predict when sleep is awake to come over and help me out.

I crawl under the blanket, hoping that if I look vulnerable he’ll get me. I wait a few minutes, and I can feel him approaching.

He attacks. Lights out.


_________________
Gone, gone from New York City,
where you gonna go with a head that empty?
Gone, gone from New York City,
where you gonna go with a heart that gone?


Last edited by Ohio Impromptu on Sat Nov 10, 2007 6:06 am; edited 3 times in total
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PostPosted: Tue Apr 10, 2007 3:19 am    Post subject: Reply with quote

Hey, there, Inertia!

I always love reading your stuff...it's very intelligent and well-thought-out, very psychological. Good pieces to read. Very Happy

One major thing:

EXPERIMENTIVE FICTION AND PLOTS (OR LACK THEREOF): Okay, so this story doesn't fall into a traditional category; ergo, it is 'experimentive'. I love this type of work...it's all very artsy and unprecedented.

My one problem with this piece? It meandered.

You visited one topic, stayed a bit, and then moved on to the next, without rhyme or reason- and this can be a cool effect, but it's got to transition into each part. It's got to have something at least reminiscent of a plot in order for your average everyday reader to follow along.

My suggestion? Read Misty's The Postman Comes Looking For Us- it should be in this forum, back a few pages. Even though it's, erm, on this board, and not on a bookshelf, it still is a pretty cool piece of fiction- the thoughts meander from a shoe to a bird to a Vietnam Vet, with all different perspectives. The catch? There's one POV that follows a storyline, and that's what keeps it all together.

I like the idea of 'cigarettetrospect'- but how does it interfere with this guy's daily life? Be sure to tell us, in the form of good old fashioned conflict and resolution. It doesn't have to be the focal point of the story- as seen in Misty's piece- but it does have to be there, or else it's not really a story. It's just pretty words arranged in an eloquent way.

___

I'm sorry I only touched on one thing, so feel free to PM me if you've got any questions or want me to look at something else. I'd be perfectly happy to. Very Happy

Again- thanks for the continual 'breath of fresh air' in your work. It's always interesting, and always quirky. Good stuff.

_________________
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- Boris Yeltsin
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PostPosted: Fri Apr 13, 2007 8:45 pm    Post subject: Reply with quote

ahh! i didn't even notice this? how could i not notice this?

well... i really, really liked this. yeah, it changed from topic to topic, but that's part of why i liked it. you took one thing and then ran away into an elaboration of it. kind of like the human mind. it doesn't always think logically, but skims from one thought to another.

I like thinking about my own physiology. It’s the only thing they can’t change. Humanity and evolution will outlast these bastards. I hope.

haha i laughed out loud at that. just wanted to mention it to you.

and i really like that whole cupboard deal. and just.. everything.


i really like this. i'm glad you posted it/are writing again! and you are totally a sunset.
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PostPosted: Fri May 25, 2007 2:19 pm    Post subject: Reply with quote

Two

“Do you feel like you want to go somewhere else?” the Trigger asks me.
I decide that I should talk to him a bit more. It’s what they want, isn’t it?
“Where else is there?” I ask. People normally get annoyed when you answer a question with a question, but the Trigger seems delighted that I have spoken at all.
He hesitates for a second, searching for precise words. “Would you like to go home?”
It takes me only a fraction of a second to find the precise word. “Yes,” I say. Not forcefully, but sincerely.
The interview room is cold, but that description has nothing to do with temperature. There is a table in the middle, and two chairs on opposite sides of it. There is a mirror spanning the length of one wall, and the other walls are the sort of frozen-white that would make you expect to get your hand stuck if you touched them. This room is emptier than my room.
“Well maybe one day soon you’ll have your wish,” he says. I know he’s lying, there is a tell tale sign for it. Basically, if I can hear words coming out of his mouth, I know he’s lying.
“Great,” I say. If words are coming from me, he knows they can’t be trusted. They aren’t lies, they’re just my vision of the truth.
“Would it really be that great? Your family have all gone away, and you’ve horribly distanced yourself from everyone you know.”
“No, you did that,” I say, looking at the mirror behind him. I am uncomfortable with my own reflection.
“If you would join me here in reality, you’d find that everything you did to end up here was done with your own free will. We didn’t commit murder and spend weeks running from the police, and we most certainly weren’t planning to engage in terrorist activity.”
I say nothing. Not because he’s right, but because I’d need some pretty strong words to say what I’m really feeling. I don’t use these words anymore.
He looks at me with that metallic stare – it’s hard, but malleable and beginning to rust – for several seconds before anything happens.
“Were you afraid of something?” he asks. I figure he’s referring to the reasons why I did whatever he thinks I did.
“Yes,” I say.
“What was it?”
“You.”
“We only met after you came here – after the crimes.”
“Not you – you don’t possess the importance to be called ‘you’ – I mean the people and ideas that are keeping me here.”
‘You’ – so personal yet so ambiguous. We found it in love notes and open threats, and we never did decide how to use it properly. “I love you,” I had said all those years ago. Now I’m reduced to using the same title for unnamed ghosts and ubiquitous powers. Language is eternally more powerful than those who use it.
“Do you know who the people are?”
“They don’t have names. Or faces. They do not exist,” I said. I show no emotion, because I know he won’t understand it.
“What you’re suggesting is that there is a conspiracy going on to keep you here,” he says. He’s getting frustrated with me now. He’s supposed to remain calm and balanced during these interview, but every now and then he cracks.
There’s a vein in his forehead like a mountain stream – when his patience melts it causes the stream to flow heavier. Right now it’s only slight, but one day something in his head is going to drown in deoxygenated blood.
“What I’m suggesting is that there’s a conspiracy going on to keep everyone in the country exactly where they are.” Once again, I need strong words to describe what I mean: long words that mostly end in –ism or –arian, and I think it might be my excessive use of them in the past that landed me here.
“I see,” he says, with the calmness of resignation. Like cleaning your room before killing yourself. He has given up for the day. He gathers his papers on the desk – most of which are blank for some reason – and stands up.
Once he is gone I am supposed to wait for Mr. Jones to escort me back to my room. Today I decide against this. Carelessness on their part has left the door open, as sometimes happens. If I get out of this room I’ll just be locked in a hallway, so there’s no need for maximum security here.
I stand up leave the white noise room like a man strolling out of prison. This break in routine is not part of my ultimate revenge; it is just a break in routine. I am ‘messing with the system’ as we used to call it.
In the hallway I stand next to the door I have just exited, waiting patiently. This is a different hallway to the one from which my room hangs off like a parasite, but I am still unsure where I am exactly. This place is not especially big, it is just alienated from the outside world. Where I used to live, like nearly every building ever designed, there were windows. Without them you can get lost very easily. You’re no longer ‘at the front of the building’ or ‘facing west’ or anything like that; you’re in a hallway. There are other adverse effects of being enclosed like this, but they are less obvious.
Mr. Jones comes around the corner, and he snaps into alarm like a glow stick lighting up. I force a smile, which bears no similarity to a real smile. It is only to make things harder for Mr. Jones to comprehend. He yells, and if there are words in that vocal explosion I do not pick up on them. I continue to smile as he half runs at me. In a time when things were funny, I would’ve laughed at this. Now it’s just lackluster absurdity.
His shoulder hits me, and if he tried to tackle me to the ground he failed. The smile is lost and I stand completely still.
“What the hell are you doing?” he shouts. They are fond of questions around here. “Are you trying to escape? Is that it?” He’s still shouting.
“I thought I’d save you the trouble of retrieving me,” I say.
“Listen here you demented fuck; I hate you. You’re a worthless frame of a human and you’re always pulling shit like this to feel better than me. You’ll have to kill me to feel better than me, and I doubt you’ll ever be able to plan something like that in that fucked up head of yours.”
Of course, this is why I have to kill him: because he talks about it more than I do.
A fist hits me in the face and I fall to the floor this time. Maybe he kicks me a couple of times, maybe he doesn’t; I’m in too much pain to notice. Maybe he eventually drags me back to my room, maybe I’m allowed to walk. Blurs of walls and doors, and then a mattress and solitude.
Memories of this beating blend in with the others, and I’m left with a violent amalgamation of injuries that do not present any signs of distinction whatsoever. I have not been beaten a number of times of the last year; I have been getting beaten for a year. I assume it has been a year, but it could have only been a month or two. There is no present.
My conversation with the Trigger comes back into mind. Do I want to go home? I say that I do, but that is only as real as tracing the word ‘yes’ in the air in front of me. Maybe there’s a place out there more like home than my house ever was. I picture it like an elaborate series of tunnels in a mountainside; they wind in every direction but only I know them all. It would be called home for me, and futile for everyone else.
This is, of course, nonsense. There aren’t any mountains in this part of the country. I’m assuming I’m still in the same part that I was before. This could be anywhere.
There’s a girl in the tunnels. In the mountain, in my mind. She knows them too, but I continually make new ones to surprise her. We’d abandon our names, having no need for them; with only two people for miles around she’d know that if I’m talking, I’m talking to her. She would be everything that comes out of my mouth, and every bit as complex as the place we live.
People used to deprive themselves of useless fantasies like this one, but I have resigned myself to the fact that living inside of my head is all I have. I can understand that people forbade daydreams to remove the risk of disappointing themselves eventually. To be disappointed is to have hope. I will never be disappointed.
Every evening when the sun is going down, we would climb the mountain as fast as possible, keeping up with the retreating sunlight as it climbed too. Sometimes we would beat it to the top, and on those nights we’d sit in the twilight, thinking about our victory over the sun itself.
I trace the word ‘yes’ with my finger in the air in front of me.
I can almost see it. Yes.

_________________
Gone, gone from New York City,
where you gonna go with a head that empty?
Gone, gone from New York City,
where you gonna go with a heart that gone?
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PostPosted: Fri May 25, 2007 3:23 pm    Post subject: Reply with quote

this is sort of random, but i remember what i was trying to say last time. this reminds me a lot of the book catcher in the rye, and the word i was trying to say was stream of consciousness.

yeah... haha, well anyway. this chapter seemed pretty different from the first because it is more factual than the first, but it lets us know what's going on. i like this- i really hope you keep going with it. i just wish it could be a book i could take outside with me =)
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This thread was created on April 9, 2007

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